MAXIMUMROCKNR
SUBSCRIPTIONS:
• U.S.: available from U.S. arm
Copies are $2.50 e.iciv 6
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MAXIMUMROCKNROLL MAXIMUMROCKNROLL M
MAXIMUM ROCKNROLL IS A MONTHLY PUBLICATION. ALL WORK IS DONATED AND NO ONE RECEIVES ANY SALARY. ALL PROCEED:!
IMPROVEMENTS OR GO TO OTHER SIMILARLY NOT-FOR-PROFIT PROJECTS. ANYONE IS WELCOME TO REPRINT ANYTHING FROM MRR,*
H*» HAfHA'
Hopefully you've figured out by now that the last month's issue
(#107) was our April Fool's joke on you. And if you haven't, well, you
shouldn't believe everything you read (And here I was thinking that
punx questioned everything. Oh, I'm crushed). Anyway, Tim wants us
to "enumerate all the falsehoods" 'cause he doesn't want MRR to get
slapped with a lawsuit. Read the last sentence as: people who make
money off 'punk" are a tad touchy.
So, first off, we aren't buying out Flipside. We just wanted to add
more fuel to the paranoia concerning our far reaching and omnipres-
ent control of the "scene". Thanks to Al and the Flipside staff for having
a sense of humor.
Many of the regular sections contain bogus items. In the le Iters- to-
the-editor section, the most obvious phonies were the Bad Religion
and Vegan Reich letters. The rest of the letters we'll leave up to you to
decide.
Now, the record reviews. All records that were reviewed by A.P.
Rilphoole (AR) were not real. So sorry kids, but there is no 8 LP Jello
Biafra spoken word box set... yet! The Scumpit was a hilarious free-for-
all for which no one person can be held responsible. And, of course,
What's The Scoop was a fictitious product of Chris Dodge's twisted
mind.
Ok, we finally get to the columns. They are all fakes; that's right, the
columnists all wrote each other's columns. The first Jeff Bale column
was done by Lawrence and the Cooking Jeff by Lily. The rest were as
follows: Jeff did Lawrence's, Sam did Tim's, Dan did Sam's, Jennifer
and Katy did each other's, leaving Ben and Mykel to also pull a
switcheroo. So it follows that Mykel did not get arrested for child
molestation, though the news story and letter (submitted by Ben, of
course) about the whole ordeal were pretty convincing.
What's left? Well, we didn't really interview Nirvana and hopefully
they aren't as stupid as the piece made them look.
Special thanks go out to Lance, Matt, Chris, Smelly, Walter, Joe,
and that little gray man for their part in all this.
P.S. All checks for the MRR merchandise should be made out to
Mike McNiel.
So it goes,
McMike
DEAR ADVERTISERS: MRR is about to put out another
This time it wi 11 be issue #110 and will come out on June
1 S. Both part one and part two will contain all the regular
features Oust as they did in double issue #100, both parts
of which sold as well or better than regular issues), but
one part will be an update on the Bay Area scene (bands and individual
activists), and the other part will have a theme as well — punks reaching 30+
years. It will contain over 50 interviews wi th, and columns by, people who have
been active in the scene for a long time.
If you are interested in running an ad in one of these issues, the rates
are as normal. For those that want both, we have a reduced rate for just this
issue. Here's the scoop:
One ad $100, or ads in both for $160
One ad $50, or ads In both for $80
One ad $40, or ads in both for $64
One ad $25, or ads in both for $40
We would like to know well in advance if you want to reserve an ad
in just one part or have ads saved in both parts, so please let us know ASAP.
Ads themselves will be due in before June 1. Thanks a lot!
DEAR SUDSCRIBERS: Because there will be two simultaneous full length issue
110's, we will be adjusting people's subsciptions accordingly. People whose
subs end at 1 10 will just receive 1 10 part 1 . Those whose subs end at 1 1 1 will
receive both parts but not 1 1 1 . Everyone whose sub ends after 1 1 1 will have
their sub-ending number lowered by one.
1/2 page
(7 1/2" x 5*')
1/3 page
(5" x 5")
1/3 page
(2 1/2" x 10")
1/6 page
(2 1/2" x 5")
Steve Aycock \
Michelle Belacic
Mel Cheplowitz
Chris Dodge
Lali Donovan
Karin Gembus
Katja Gussmann
Harald Hartmann
David Hayes
Ayn Imperato
Jux
Mick Krash
Timojhen Mark
Mike Millett
Ms NP9330
Katy Odell
Natasha Riggins
Dave Seifert
Dave Stevenson
Martin Sprouse
Matt Wobensmith
Miriam Wilding
Joel Wing
Jeff Yih
Lai^. . ,*hn
Michelle Haunold
Ryan Hopeless
Kent Jolly
Sebastian Kimmell
Mike La Vella
Mike McNiel
Devon Morf
Neil Nordstrom
Mr Pagemaker 4.2
Bruce Roehrs
Harry Sherrill
Steve Spinali
Cammie Toloui
Kevin Wickersham
Eric Wilson
Winni Wintermeyer
Tim Yohannan
CONTRIBUTORS
Mykel Board
Lawrence Livermore
Bill Collins
Jennifer Blowdryer
Doug Ward
Lorenzo
Greg Chumpire
Cassandra
Helge Schreiber
Howard Zinn
Jeff Spaz
Tom Vague
Ben Weasel
Sam McPheeters
Murray Bowles
Jeff Bale
Mark Hanford
Fred Cleaner
Kevin
Mary X
Spitboy
Jon "Moo Moo"
Robert
Melanie Gauthier
Heather Choy
Michelle Haunold
Radley Hirsch
Barry Lazarus
Jon Von
Mike Gill
Paula Hirsch
Kenny Kaos
Alisa Schulman
Last Will
CFMU Hamilton, Ont 93.3FM Mon 1 1:59 PM
CKMS Waterloo, Ont 94.5FM call station
KABF Little Rock, AR 86.3FM Fri midnight
KALX Berkeley, CA 90.7FM Weds midnight
KCPR San Luis Obispo, CA 91 .3FM Thurs 5PM
KSCL Shreveporl, LA 91.3FM Weds 10PM
KTEQ Rapid City, SD 91 .3 FM Thurs 9PM
KZUM Lincoln, NE 89.3FM Weds midnight
WCNI New London, CT 91.1 FM Sat midnight
WJMU Decatur, IL 89.5FM Sat 10PM
WLCX Farmville, NE 90.1FM call station
WRMC Bethlehem, PA 640AM call station
WRUV Burlington, VT 90.1FM Thurs 6PM
WTSR Trenton, NJ 91 .3FM call station
WYRE Waukesha, WI 103.9FM Fri 8PM & Sun 9PM
WZRD Chicago, IL 88.3FM Sun 3:30PM
Radio Pomme Louviers, France 91 .6FM Sat 5PM
A Slot Helmond, Holland call station
Canal Sud Toulouse, France 92.6FM Mon 6PM
Radio Dio Saint-Etienne, France 89.6FM Sun 7PM
RADIO STATIONS: MRR Radio shows are available lor
stations only. Requests for info should be on station let-
terhead. Contact us at the address on the next page.
MAXIMUMROCKNROLL MAXIMUMROCKNROLL MAXIMUMROCKNROLL
|_ An For what It's worth, here's some of the MRR crew's current Top 10 u r\
F I 1 K lists. Please send us your records (2 copies of vinyl, If possible-one | M
Ivl f 0r re view and one for airplay), CD-only release, but no tapes yet). ■*»
SUBSCRIPTIONS:
• U.S.: available from U.S. address below.
r^nr^'mr nra <CO £A flarh/ fi ICCIIPC ciih fnr
$15.00. Calif residents, it's S1 6.25.
• Canada: available from U.S. address at
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issues sub for $16.50 (US dollars).
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tom of page. Copies are $2.75 each/ 6 issues
sub for $16.50.
• U.K.: available from MRR/ PO Box 59/ Lon-
don N22/ England. Copies are £2.50 each/ 6
issue sub for £10.00. Write this address for
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Copies are $4.50 each/ 6 issue sub for $24.
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address below. Copies are $6.25 each/ 6
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BACK ISSUES AVAILABLE:
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each ppd in U.S. ($1 .65 in Calif), $2 Canada,
$2.75 So America, $4.25 Asia & Australia (all
from MRR/US). Same issues are £1.50 for
U.K. and $2.50 for Europe (from MRR/UK).
Back issues 66-100 (pts 1&2) are: $2.50 US,
$2.75 Canada, $2.50 Mexico, $5.50 Asia/
Australia, $3.00 So America. Back issues
101-107 are as stated above in sub info. UK
office only has issues 90-present. For earlier
issues to UK & Europe, write MRR/US, cost is
$5 per issue.
DEADLINES FOR NEXT ISSUE:
Scene Reports: continuously, with photos!
Interviews: continuously, with photos!
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COVER: Yo Mama
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CHUMBAWUMBA-I Never Gave Up-12"
CONSPIRACY OF EQUALS-Grand lllusion-EP
V/A-Squat or Rot #3-EP
PROFAX-EP
CRUST-live/CHRIST ON A CRUTCH-live
CHRIS DODGE
MAN IS THE BASTARD-Backward Species-EP
JOHNNY CASH-live
SLAVESTATE-Evil Empire-tape
ASPIRIN FEAST-Police Beat-EP
MELVINS-Night Goat-45
LALI DONOVAN
NAKED AGGRESSION-Keep Your Eyes Open-EP
UNION MORBIDE-015-EP
VICTIM'S FAMILY-The Germ-LP
PROFAX-EP
CHRIST ON A CRUTCH-live/ TAR-live
KARIN GEMBUS
STRUGGLE.-EP
CRUCIFIX-EP/CHINO HORDE-EP
NATION OF ULYSSES-Birth-EP
HELLNO-EP
STILL LIFE-live/KING FISH-zine
WALTER GLASER
VELOCITY GIRL-My Forgotten Favorite
DISPOSABLE HEROES OF HIPHOPRISY-CD
HOLE-HolierThanThou-EP
V/A-Dope, Guns N Fucking Vol 4-7-LP
JAWBOX-Tono.ues-45
MICHELLE HAUNOLD
V/A-Guns & Roses Punk Roots Vol. 1-EP
STRAWMAN-EP/THE URGE-Self Respect-LP
DIE TOTENHOSEN-Learning English-LP
HARD-ONS/CELIBATE RIFLES-Whereth'e Wild...-2x7"
RIPCORDZ-Kidnoise-LP/CIRCLE JERKS- boot EP
MICK KRASH
NATION OF ULYSSES-The Birth...-EP
JAWBOX-EP
SAMIAM-Beauf-12"
STILL LIFE-live/ TILL BORN-live
STRUGGLE-EP
MIKE LAVELLA
COWS-Cunning Stunts-LP
GAS HUFFER/MUDHONEY-split 45
BIG CHIEF-Strange Notes-45
V/A-Clamchowder+lce vs. Big Macs+Bombers-LP
SUGAR SHACK-Feariess Frat Killers-EP
TIMOJHEN MARK
V/A- Women's Liberation-CD
NAKED AGGRESSION-Keep your eyes open-EP
MICKEY FINN-Peacemaker-EP
MOB 47-Racist Regime-LP
V/A-Guns & Roses Punk Roots Vol. 1-EP
MIKE MCNIEL
HELLNO-EP
DAMNABLE EXCITE ZOMBES-Suck Your Soul-EP
NATIONS ON FIRE-Strike the Match-LP
FRATRICIDE-EP/THE FREEZE-Five Way Fury-LP
ASPIRIN FEAST-Police Beat-EP
SMELLY MUSTAFA
MELVINS-Nightgoat-45
ASPIRIN FEAST-Police Beat-EP
COWS-Cunning Stunts-LP
MDC-Hey Cop, If I Had a Face Like Yours-LP
ICKY BOYFRIENDS-Size is Everything-EP
BRUCE ROEHRS
RISE ABOVE-Where the Meat is Red-EP
LEGITIME DEFONCE-Dont Stop the Madness-EP
V/A- Where the Wild Things Are-2x45
OXYMORONS-St. Jude-EP
AGAINST ALL HOPE-Breaking Throuqh-EP
JON VON
WYNONA RIDERS-Some Enchanted Evening-EP
BEATNIK TERMITES-Ode To Susie & Joe-45
V/A-Clamchowder+lce vs. Big Macs+Bombers-LP
WOGGLES-I Got Your Number-EP
BUM-Promise Is A Promise-EP
TIM YOHANNAN
ASPIRIN FEASTEP/DAMNABLE EXCITE ZOMBIES-EP
LEGITIME DEFONCE-EP/MOB 47-Racist Regime-LP
MDC-Hey Cop-LP/MALE-No Future in 1977-EP
NAKED AGGRESSION-Keep Your Eyes Open-EP
NATIONS ON FIRE-LP/RISE ABOVE-EP
DWARVES-live
PUBLIC ENEMY-live
American Me-movie
NAKED AGGRESSION-Keep Your Eyes Open-EP
SPITBOVTheTTirea^P
RISE FROM THE DEAD/FILTHKICK-split EP
BUNCHOFUCKINGCOFS-Carnival a Chaos & Carnage-CD
DISMEMBER-Pieces-12*
DAMNABLE EXCITE ZOMBIES-Suck Your Soul-EP
BUILD UP-Keep Up The Fight-tap
CONSPIRACY OF EQUALS-Grand lllusion-EP
SPITBOY-The Threat-EP
THE FREEZE-Five Way Fury-LP
NATIONS ON FIRE-Strike the Match-LP
VINDICTIVES-lnvisible Man-EP
PROFAX-EP
NATIONS ON FIRE-Strike the Match-LP
BUZZOV'EN-Wound-EP/GAUGE-Blank-EP
PITCHBLENDE-EP
'JAKFOAGGRES SION-KeeDYour Eves Qpen-EP
SWELL-Well?-CD
ATOMIC 61-Heartworm-10"
RIDE-Leave Them All Behind-12"
V/A-Smells Like Smoked Sausage-2x45
HAMMERHEAD-Load King-45
BUM-A Promise is a Promise-EP/RiCHARD HELL-EP
V/A-Clamchowder+lce vs. Big Macs+Bombers-LP
WYNONA RIDERS-Some Enchanted Evening-EP
GAS HUFFER/MUDHONEY-split 45
TH E BROOD-Vendena-LP/WOMBLES-Too^ nq^P
SPITBOY-The Threat-EP
STRAWMAN-Politics on the Pavement-EP
PROFAX-EP
NATIONS ON FIRE-Strike the Match-LP
CHINOHORDE^P
HAMMERHEAD-Load King-45
MONOMEN-Took That Thing-EP
SLOT-45
JAWBOX-Tongues-45
Hate-#8-comic
V/A-How Much Longer?-EP
V/A-Als Je Haar Maar Goed Zat-LP
URGE-Selt Respect-LP
FREEZE-Five Way Fury-LP
BUZZOV'EN-Wound-EP/CRUCIFIX-1964-EP
RISE FROM THE DEAD/FILTHKICK-split EP
MELVINS-Nightgoat-45
BUZZOVEN-Wound-EP
MANACLED-EP
BenlsDead-#1B-zine
A.C.-live EP & Unplugged EP
BOORISH BOOT-EP
SPITBOY-The Threat-EP
SHEEPSQUEEZE-lt's Not Working-EP
THUNDERMUG-Pork Some Beet-CD
FRATRICIDE-Scream Bloody Vengeance-EP
V/A-Reagan Regime Review-EP
DAMNABLE EXCITE ZOMBIES-Suck Your Soul-EP
GASHUFFER/MUDHONEY-split 45
V/A-Smells Lik e Smoked Sausaqe-2x45
MEICES-Soap-LP
E-TYPESI-Action Packed-EP
AMAZING SCREAMING WILLIES-EP
JUKE-Don'tHateUs-EP
V/A- Where The Wild Things Are-2x45
SPITBOY-EP/TOTENHOSEN-Leaming English Lesson-LP
WOMBELS-Too Long-EP/V/A-Als Je Haar Maar Goed Zat-LP
V/A-Clamchowder-LP/V/A-Guns'N'Roses Punk Roots-EP
V/A-Qwertyuiop!-EP/V/A-Squat Or Rot 3-EP
V/A-Reagan Regime Review-EP
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APRIL
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Unwoundi Moltr i f fid
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2H Fri: Citizen Fishi Paxton
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li fV , ' l, *' |l, l iffi
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the deadline
looming in 1992 could determine Ibe
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This is the same company
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Compilation 12T
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MAKKICTIU) BY X-MiST
> 0l tfet
kHtf'e
Asanal-
l ternative to
the nega-
tive, bitching, shit-
calling letters that
usually dominate this
section, we'd like to
spread some good
vibes out there for a
change. 8 BARK has been back for just two days
from our second Canadian tour, and we thought
we'd use these pages to thank all the cool people
who helped us out.
Jim from RANDOM KILLING @ (416) 489-
8721 put on a show in Toronto. They are a great
band, and Drew put us up. Benoit in Sherbrooke,
Quebec puts on hall shows @ (8 19) 823-65 12 and
GENERAL FOOLS is a cool Sherbrooke band.
Max from the band SHITFIT (who rock) puts on all-
ages loft shows in Montreal. Call him or Isabelle @
(51 4) 562-9629. Dan and the Under-the-Counter-
Culture Gig Collective in Ottawa do the only inde-
pendent hall shows in town @ (613) 828-4963
(support him!). Shawn Scallen does CKCU radio®
(613) 788-2898 or (613) 235-7934 and takes pho-
tos. Rori did a fun interview and Keith put us up for
two days. For all the negative gossip, Fou Founes
Electrique in Montreal did right by us, so thanx to
Dan Webster, @ (51 4) 845-5484, for booking things
and locals SAWTOOTH for organizing it & playing
with us. GRIM SKUNK and Janice Fike, mgr. of
BLISS, gave us hospitality, support, and info for
Montreal as well. Big thanx go to Martin Fournier &
YOUTH FED UP @ (418)285-1970, a great band
from Donnacona Quebec, who put together a last
minute show in Cap Sante, and to Huw & Natalie of
LES MAUVAISES HERBES for their home for a
night in Quebec City. They do shows there too
through Prod. Tintamarre @ (418)837-0400. Thanx
to ARMED & HAMMERED for crash space, they
are Punk as Fuck. Oz gave our singer Victoria a
cool tattoo in York, Ont. Ian Hassel from
WETSPOTS worked hard for a gig for us in St.
Catherines, Ont - Thanx. Finally Scott from the
Electric Banana in London, Ont, {not Pittsburgh
PA!!!) was cool forgetting things together there @
(519)433-5364.
Thanks to these people, 8 BARK played 9
shows in 1 1 days, had places to stay every night,
got paid well every show, played on the radio, got
tattooed, spoke French, had fluorescent paint land
on Doug's amp, saw Niagara Falls, ate poutine, ran
from The Man, and met some awesome people. Oh
yeah, had FUN. Canada is a great place to play,
and they are very appreciative of U.S. bands going
up there. Getting over the border as a band is a bit
of a hassle, but instead of filing papers and paying
a $150 Canadian (=$130 U.S.) work permit fee, we
just pretended we were tourists, got lucky, and
made it over the border no problem. We mailed
records over the border to friends before-hand, and
stuffed T-shirts in with our luggage. If you're going
up there, ask these people for some ideas on the
best way to do things, as there are a myriad of
scams possible to cheat The Man, including fake
recording studio letters, etc! Call these people and
bands and ask them to help you set things up.
Talking with the people involved in the scenes is a
great way to find out what is really going on, and
these people are really willing to help out. Check
out their bands, too. It is much, much harder for
Canadian bands to enter the U.S., so buy their
demos and support them however you can. There
is some great undiscovered-to-the-U.S. music up
there that is definitely worth your while. Thanx
again!
8BARK/POBox476847/Chicago, IL60647/(312)
772-4545
® My dearest M R R
Frst I'll get your undivided at-
tention by pointing out that I am a punk-
rock god. I sang for ANAL CHINOOK
(Canadian legends see MRR# 80, Canadian
scene report) for several years and then LEATHER-
ASSBUTTFUK. We played with superstars like
C.O.C., M.D.C., the DEAD MILKMEN, the DAYG-
LO ABORTIONS, GWAR...and so on. I am pres-
ently touring all over Europe with some friends (of
similar awesome backgrounds) and we stay with
bands or squat (We stayed with CONCRETE SOX,
Ben of RAISING HELL, F.F.F. and some famous
squats.). We've seen lots of shows "E.N.T." and
punked a lot of punk.
The problem is we are all old now and for one
detest punk rock. I think "black music" is infinitely
more aggressive and powerful than HO I don't
care if the CHILLIS or FUGAZI charge $1 5.00. I've
been on tour myself and I know how expensive it is.
I thought E.N.T were fucking pathetic. Pure shit.
They acted like a SEX PISTOLS. They were as
regressive as the Doc Martened, mohawked and
studded crowd (It cost me 4£ because "Stick" the
drummer was too stupid to remember, let alone
spell my intensely complicated name, G.A.V.I.N.
for the guest list.). I felt like I was at a rockabilly
show with a bunch of Teddy Boys. At least at a hip
hop show you feel like you're in 1992 and life is
moving. Awww, it's all crap.
But! ! ! (And this is the "but" that keeps me up
at nights, the "but" that stops me from regretting my
tattoos and prevents me from feeling silly putting
GODFLESH into my CD Walkman.) But, all these
anarchist dudes we have been staying with are
beautiful people; too generous for words and al-
ways happy to put us up (or get us a place), feed us
and this and that just because we are remotely
associated with a movement that happened 15
years ago. It's only the aforementioned hosts who
seem to be able to refrain from "chick jokes" to me
and my girlfriend and have no problems letting us
into the center of their lives,
So what do you make of it? This Euro tour
would have been a youth hostel HELL if it wasn't for
punk rock. But the more tunes and fashion I seethe
more it looks like "Dead Heads" living someone
else's past.
I'll tell you what it is. Punk rock is dead, but
its "babies"(as my girlfriend put it) are still going.
The fashion and the A-C-G-A riffs are thoroughly
dead, but the equality, anarchy, state-free living,
capitalism-free tuneage are still going strong. There,
I am at peace now, the Wattie punks among us
bearded anarchists no longer get on my nerves, but
remind me of when I was 1 4 and getting things a bit
wrong.
This letter goes to all of you 21 post punkers
who hate "punk", but use it as an integral part of
their survival, a common bond that makes instant
companions everywhere they go. Please print this
epic finally to my seven years of uncomfortable foot
wear. Love
Gavin, c/o his mom and dad/ 38 Stinson Ave/
Neplan, Ontario, K2H 6N3/ Canada '
P.S. Feel free to write to me unless you're
pogoing your way to the record store to buy the new
DOOM 7", because you hate skinheads and read
about it in that childish piece of utopic rhetoric,
Profane Existence.
^^^^^ Dear J@ck - Militant Monster,
^L ^^^ Boo fucking hoo! What comes
^k^r around goes around, I guess. A few years
^F back, I ordered a DESECRATION/SUB-
VERT split from you for like 6 or 7 bucks.
Guess what you sent- one issue of Hippycore and
a "Sorry, don't have any". Nothing else. Now, just
think if you did this often. You'd have probably
made some decent money. Should have banked it,
I guess. No tears and a tough shit from me,
Rob W./ PO Box 842/ Winsted, CT 06098
jHHIl Dear Maxies:
^^ ML Hey! Sorry about all the crap
^B*Bf of calling for a copy of #105, but I'm sure
^l^^you've heard how lame the South Florida
scene is, and we were scrounging all over and
couldn't find MRR anywhere! Thanks for sending
one out. I'm writing to just cite a few corrections,
and do a little griping about your perceptions of us:
1) Our 'zine is free, although stamps and
trades of any 'zine or bootleg is always cool. C'mon,
do you really think we expect the average MRR
reader to shell out even 500 for a 'zine centered on
Jesus? 2) We are NOT fundamentalist Christians!!!
If you walked up to your right-off-the-assembly-line
Bible thumper and said, "Jello Biafra", he'd think
that was a frozen Italian desert. Yes, obviously we
express a belief and dedication to living a scriptural
way, and walking the walk, but we're a long way off
from the record burning televangelists. It should
show in our 'zine; we all came from the hardest
section of the scene. I was a drug dealer at 1 3 who
studied the Necronomicon and Tibetan Book of the
Dead; my girl was 'scenery 1 for an all woman
lesbian band called the PSYCHEDELIC DAISIES;
one member of the ministry was a professional
N.Y.C. Dominatrix hooker; one an ex-Jehovah's
Witness turned druggie; and one is gay and diag-
nosed H.I.V.+. We've been through the freakiest
crap that would make even the most hardcore
punk's balls shrivel up in fear, so to be instantly
labeled, categorized and judged intolerant sounds
a lot like the same thing you constantly complain
about. In fact, most of our hatemail is not at all from
the hardcore crowd, but from the same fanatic
fundamentalists that you accuse us of being. I can
guarantee that we have been kicked out of more
churches for our looks and dress than any reader
of MRR.
If you want to slam us and ridicule us for
being straightedge with God, go ahead, but do it
intelligently! Calling us homophobic in # 1 03 sounds
a little ridiculous considering how many from the
gay and bi scene make up the T & P outreach. I
know how famous Jesus Freaks are for terrorizing
abortion clinics, openly and publicly ridiculing gay
marches, and the whole 2 LIVE CREW thing ( yes,
we do live in Broward County) but that" s not us! And
the whole point of our 'zine and our correspon-
dence with the scene is that you don't have to
change to be a Christian! We want people from all
walks to know that the only thing that Jesus came
to change was the hate in the heart. I still wear my
20 holed NaNa's, and I refuse to burn my PISTOLS
or BISCUITS bootlegs, but now instead of dealing
death in a dimebag, I want people to know about
the high you can get off of God's love. Period.
Nothing is being shoved down anyone's throat, no
one is assaulted with fear tactics or threats of a slow
roast in damnation, just an open hand and an offer
of help.The way MRR makes it seem, you'd think
we were a church of holy rollers who want more
punks in our congregation. Do you know how
ridiculous that sounds? Churches hate us. There's
only a select few who also remember how tough the
streets were on their own that give us a nod of
approval. But on the whole, we're much more
welcome in the clubs at South Beach than in the
majority of churches here.
If you're saying to yourself.'Then why both-
er?", these people have nothing to do with God's
love for me. If they come up to me to steal my high,
then that's not how Jesus taught them to behave.
Look at how often Jesus slammed the religious
people upside the head for being like that! That" s
the same attitude that had Jesus sleeping outside
under the stars, being stoned and kicked out of the
temples and synagogues, and eventually mur-
dered. Attitudes like that today, done in "the name
of Jesus", still make them murderers. It murders the
spirits of all those attracted to a message about
love and peace. That will never be us. So bash us
if you must, but don't go imposing any of your own
prejudices on us wrongly. If you want to tell us that
we're wussies for wanting a reason to live and
wanting to spread love and peace, that" s cool. ..if s
honest. But pleeeeze don't group us together with
those lime green polyester donut chomping, bullet
proof pompadour, money grubbing , air conditioned
doghouse, mascara running sham artists.
We also want to let people catch a glimpse
of the underground from a Christian/punk perspec-
tive. Christian punk and hardcore is not only out
there, but it tears up the scene. Which only makes
sense.. .if s amazing how tight you can get your
band when you're not swimming in your own puke.
I hope you'll check out the included mix with the
open mind that you're so famous for.
About that open mindedness: some interest-
ing letters in #105. If s pretty funny that your justi-
fication for not running any pro-life ads is the exact
same argument Christians gave for not wanting
minors buying 2 LIVE CREW tapes. When Chris-
tians do it, they're fascist Nazis. When MRR does
it, then you are the self appointed arbitrators of
what is "repulsive" and "a particularly abhorrent
perspective". I personally feel that abortion is the
slaughter of the innocent, after having some heart-
wrenching personal experiences with it, in addition
to counseling dozens of women who've suffered
brutal damage from the legal procedures. And I
was pleasantly shocked to learn that Shelter and
Bad Brains Records are pro-life. The policies of
MRR make it clear that there is no such thing as a
pro-life punk, but the truth is that there is! Naturally
I expect a huge left slant in any publication like
MRR, but where do you draw your lines? Like the
letter on Jello's PC opinions says, how does the left
expect to keep from turning into the same sort of
ignorant self-righteous boneheads that you're
attacking? Yes, hypocrites thrive in the more stag-
nant churches, but it seems that they also thrive in
the underground scene as well. Perhaps the only
difference is that the latter dress better. It seems to
me that as soon as one decides to be open-
minded, they instantly begin judging everything,
and after ruling, completely denounce everything
they perceive as closed-minded. That's a hell of a
lotl If you counted Democrats, Republicans, Chris-
tians, Jews, Islamics, Buddhists, Hindus, Atheists,
Feminists.etc, you're throwing away gigantic por-
tions of human belief as unacceptable. It seems to
me that all these open minded people are pretty
damn closed-minded! For all those who are open
minded and are incensed by that, try this. Take all
your keys.to your car, house, garage, storage
rental, businesses, safety deposit boxes, etc. Label
them, and throw them out into the streets. You
won't do it; you know everything will be stolen in a
matter of minutes. In the same way we make laws
the majority can agree to, like killing is wrong, we
protect our thoughts and beliefs from all those who
would steal and destroy them. That's why I choose
not to run certain ads in my 'zine. I want to run stuff
that will help people, not hurt. But I'm not MRR, and
I do think that your position is hypocritical.
In closing (sorry to run off at the mouth like
that) I think you'd be surprised how censored OUR
'zine is. Included is a copy of the front page Miami
Herald article about a student who is going to court
for passing our stuff out on a high school campus,
even though the Supreme Court has already ruled
that there is to be no discrimination against Chris-
tians, or any religion, in the Mergen's case of 1 990.
We were also kicked off the Broward Community
College campus, on the same week that they ran
censorship seminars! (Perhaps it was a 'How To'
course) All the local gay and punk newspapers are
circulated widely, but let's keep those Christians
away from the public. Despite how all accepting
New Age bookstores are, we're also refused there,
too, contrary to their 'alrthings are true' philosophy.
And, I'm not going to mention how many 'Chris-
tians' have thrown our stuff back in our faces and
screamed how anti-Christian we are.
I do w.ant to thank you for running reviews of
our 'zine at all.lt was a complete surprise, and I
hope that the reviewers aren't getting flack for it
from your readers. Overall, even though I'm now a
Jesus Freak, I still get off on MRR, and I never want
to lose touch on what's going on in the real world.
I just want to say that there's room enough in life for
both. Thanks again.
Love& peace From our Master, Jesus Christ/
The Chief/4009 Johnson Street/Hollywood, FL
33021
P.S. Whafs so 'suspicious' about the angel
looking like an X-Man? I was trained at The Joe
Kubert School of Cartoon & Graphic Arts, Inc. and
with instructors and lecturers like Mike Chen, Bill
Sienkiewicz, Rick Veitch, and Kubert himself, if s
no wonder!
P. P.S. THE WHOLE POINT OF
WRITING!!!(DUH!) Please let your readers know
that anyone who is in real trouble with alcohol,
drugs, the law, abuse, rape victims, crisis, preg-
nancy, the occult, social diseases, prostitution.etc.
can contact us for help. We network with many
groups nationwide (not just Bob Larson's) and
should be able to provide referrals for anyone.
I just want to add a few thoughts about
the BAD RELIGION gig as mentioned in
MaxRnR#104.
1 ) The attendance at the Lon-
don Dome was over the figure quoted (857).
It wuz very near 1000 people there. It was so
packed that just standing still, you lost weight
because of the intense heat.
2) The Dome has handled a number of big
gigs without much trouble, ex: FUGAZI, GANG
GREEN, CRO-MAGS, DECIDE and AGNOSTIC
FRONT to name a few.
3) It is almost 100% certain that some one
did go through the receipts. (A very strong chance).
4) If everything was so unorganized, then
how come the merchandise stall was ready set up
when the doors opened? (The shirts were selling
for £8.00 a piece.)
5) Almost every single gig at the Dome has
been late starting. Example - the flyers for the
GANG GREEN gig said doors at 7 o'clock but only
opened at just past 8 o'clock. It is probably that the
venue was closed when the band arrived there.
There is a side entrance to the Dome that bands are
supposed to bash hard on the door, to get in their
equipment. I guess BAD RELIGION did not know
this.
6) The demands made by BAD RELIGION
were generally seen as unreasonable. Virtually no
other band had made such high demands before.
7) This year BAD RELIGION are playing the
London Astoria. This venue has a bad reputation
for thug-ish bouncers. It also handles a lot of the
touring metal bands and big indie English bands. It
also has a rep of high shirt prices too, e.g. DIS-
CHARGE t-shirts were £8-12 (ish).
In England punk music is also generally
regarded as working class music, although like
America, a lot of middle class and students are
getting into it. A lot of bad feeling was generated
over this affair. Many punks are totally disgusted by
BAD RELIGION'S behavior. It seems that stan-
dards that are acceptable in the U.S. are still
regarded as rock-star, fucking-bullshit here. The
underground has more and more become over-
ground and acceptable. Is this a good thing? I don't
rightly know; it's up to us to decide. However, I can
guarantee a big turn-out for BAD RELIGION'S gig
as their music lives on, even if their attitude sucks!
Respect due Mike Aragon (Deprived), Ellen
Burnside (Tucson, AZ), Trev (H.A.C.L)
John, Strood/ Kent, England
i£ Dear MRR,
nj* OK guys, whafs the deal? Do
~r I need to have a cock hanging between my
""^ legs to have a brain in my head? Huh? I
get so fucking mad. And it never fails, at least three
times a day I have to say to myself "Tawnessa,
you're a woman and proud of it!" Now guys, don't
start grumbling about radical feminists and and
pass my anger off as P. M.S.. Often I want to be
male J UST to get respect but I was born female and
for the moment, plan to stay that way. I'm sick and
tired of being looked upon as a possible fuck and
never a buddy. OK, sure I can't piss standing up
and I can't drink a case and a half of beer and still
live but does that mean I can't carry on an interest-
ing conversation on something other than lipstick
and clothes. Still I'll keep searching for that group
of guys that are somewhere out there who want to
be buddies with someone of the female gender
because I enjoy seeing the world from a male point
of view, which is often quite different from a fe-
male's. I'll admit, I do prefer male buddies to
females because I know from experience that there
are one hell of a lot of females who suit the names
chicks, babes, fucktoys, sluts, stupid bitches,
whores, etc. But there are a small minority of us
wildly fascinating intelligent females running around
so guys take a real look at how you view us and see
if I'm not just a psy-
cho-feminist from
hell. Thank you.
Tawnessa Carter/
52 Suncoast Dr. E.
#303/ Goderich,
Ont. N7A 4H7 /
Canada
Dear MRR,
After attending a seminar on
national health care it seems the good
of USA lags behind the other industrial-
ized countries of the world. The sad fact
of the matter is that the majority of Ameri-
cans are just too damned uninformed to realize the
fact that health care can and should be an intrinsic
right. Rightwingers may argue that the USA has the
best health care service in the world. Well, in terms
of technology, yeah, but along these lines come
extreme waste in order to be competitive. Case in
point: Altoona, PA. Altoona has 3 MRI Machines in
the city while Canada has 4 or 10 to service the
entire country. Maybe if we didn't waste so much on
unnecessary technology at mega bucks perunit we
could do something about that embarrassing infant
mortality rate.
The Canadians seemed to have a system
that works. Every person is covered, rich and poor,
black and white. They spend 10% of their GNP on
a system that covers all. We spend 1 4% of our GNP
on a health care system that makes a feeble
attempt to cover anyone. As the middle class
deteriorates and employers can no longer shoulder
Uncle Sam's responsibility, national health care
will either come to the forefront of the national
agenda or other systems (pay or play, etc.) will
bankrupt the country. I would just like to urge you
punk rock motherfuckers to do something con-
structive and write your local congressperson on
the issue of national health care. Oh, by the way, if
anyone is actually considering voting in the upcom-
ing presidential race, Jerry Brown (of course) is
running on the national health care platform. Or, if
the Democrats are just a little too mainstream, vote
Socialist with J. Quinn Brisben (see issue 105-
Matthew Foote's letter for more info),
Jeff Bludgeon/ PO Box 2461/ Villanova U./ Villano-
va, PA 19085
m
Dear Fellow Earth Dwellers,
I would like to say how much
dug Lily Braindrop's and Katy's col-
umns in issue 105. They both always
have some pretty insightful things to say
about sexism. Ifs good to see women talk about
sex from their experience rather than a priori, which
is usually just dogmatic ranting. Sex is the big one,
the root of all our iniquities and, uh... shall we say
conflicts. I grew up in the 70's and 80's when the
media had perfected its control stratagem. Millions
and millions of manipulated images from our break-
fast cereals to our bedsheets, right? Super heroes
and candy fixes. A generation who's first sexual
imprints came from t.v. or perhaps found dirty mags
in basements and closets; society's lab rats.
Right now I work at a magazine store that
sells, along with "regular magazines", pornogra-
phy. The sex industry may be exploitive, but no
more than fashion, music, car, sports, Time or Life
magazines. Sex sells everything. Capitalism and
consumerism perpetuate the alienation of each
individual or consumer. Since we are never taught
the true meaning of UNION in this society, perhaps
consumerism is a way to attain a sort of unity with
a conceptual whole or "Other". The marketplace is
the orgy of gratification . Each purchase is an exten-
sion of the ego trying to attain sex, trying to attain
death. There are some lonely fucking people out
there! In these technologically advanced times
there is no peace or calm for an individual. Reality
is too hectic so people search for the "little death",
a moment of eternity. All addictions (which are
intrinsic to capitalism + control) seek solace in
these brief deaths. So it is refreshing to hear Lily
and Katy talk about self empowerment in the indi-
vidual. Self empowerment is the only way to battle
the controlling enti-
ties in society.
Change can only
occur when we stop
reacting and start
creating. This has
been said before
many times. Make
sex, love fully, and
direct your anger
proper.
John Zicari/ 1 1 8 9th Ave # 1 1 4/ Seattle, WA 98 1 04
^^^^ Dear Tim, Suzanne and Mike,
^^fl Ju st wan ted to write to see if I
W^U could get a confession out of you. I'm
^^^^writing in response to your response to
Sean from Laguna Beach in #1 05 Feb. '92. In
this response you are justifying your reasoning for
not printing pro-life ads. I understand why you don't
want to print them, and that's fine. However, I think
if s bullshit to say that refusing to print such ads isn't
censorship. It is. A censor is commonly defined as
one who is empowered to judge the fitness of
manuscripts, communications, advertisements etc.
for publication. By refusing to acknowledge that
what you do is censorship you are setting a rather
dangerous precedent for your readers. What you
are doing is saying that if s not really censorship to
refuse to make money from people who hold differ-
ing viewpoints from yourself. Under such a defini-
tion then it isn't really censorship when record
stores boycott Jello Biafra records, or any other
records for that matter.
I realize that there are other formats in which
to express views in MRR. I'm thankful for that, and
perhaps I'm being too picky about word usage. But,
when MRR starts to mess with definitions to suit its
own purposes, it does the same thing as many
religious publications do. I think that that is the first
step towards becoming dogmatic, and that thought
makes the hair on the back of my neck stand up. So
what does that have to do with anything. Well, I just
think that you should call your ad policy what it is:
Censorship. Then justify it from there. Peace,
Chris Carnahan/2844 State St. #8/Santa Barbara,
CA 93105
Dear MRR,
I've felt pretty bad for one of
your decisions regarding MRR's editorial
policy. What made me mad was the staffs
reply to the letter of Sean of Hardline records
on the February issue. I would like to state that I'm
pro-choice, and also that I don't like most of the
Hardline philosophy but I feel that your decision of
not running their ads because of their pro-life
politics and because of them being sexist is just
some stupid censorship. Mostly because in the
same MRR issue I saw: a half page ad by the
DWARVES (who are a sexist band), an ad for a
G.G. Allin 7" (who was convicted for sexual and
violent assault on a woman and has sexist and
violent lyrics and tries to sexually assault women at
his shows, an ANAL CUNT ad (who some may say
have a sexist name and logo), and a half page ad
for INTEGRITY (a band that promotes "violence as
a sport" on their records and in their interviews).
Not that I care much if the sexist and violent
attitudes of the bands mentioned above is real, I
care mostly about MRR being the open forum of the
Punk/HC community, with all the different attitudes
this community has.
I think that racist and fascist material should
not be published, but I feel that sexism is too
personal of a subject to be standardized. By the
way, you have a columnist, Mykel Board, who
could (or could not) be labeled sexist by a lot of
different kind or people, so...
I guess thaf s all; so remember, to have an
abortion or not to have one for me is still a woman's
right, but judging something as sexist is an objec-
tive thing so you can't set standards for it and you
can't ban it. Thaf s just my opinion anyway. ..Yours
truly,
Inti Carboni/ Via Del Bosehetto 104/00184 Roma/
Italy
Dear Inti and Chris,
Ahhh, the ongoing debate over semantics. I
find it very interesting that you feel it's okay to
refuse to publish racist and fascist material. Now
why wouldn't that be censorship as well?
According to your definition, our ad policy is
indeed censorship. Call it what you want and there
is your confession. The problem is, I don't have the
same definition as you, and we're going to go
around debating that point forever.
Whatever our ad policy is, you can be sure
that we don 'tha ve a standardized definition of what
"sexism" is and what constitutes that. As you can
see by the ads that you've pointed out, we've had
tomake some hard decisions, some of which I don't
agree with. Working with a group of people that
have varying opinions on what they can live with,
compromise seems to be the best I can come up
with. Whatever label you want to put on our ad
policy, I have no problem with that. Suzanne
Dear Inti & Chris,
It appears that consistency will be hardly
possible in terms of implementing an ad policy. You
may term us censurers or censors or whatever, but
we have tried to strike a compromise position on
ads. And with all compromises (which are neces-
sary in any organization or society that contains
more than a handful of people), they work in mys-
terious ways. A GG ad may get in, a MENTORS ad
may not. Depends on who's around that day, what
kind of mood they're in, and how the ensuing
discussions go. It's not totally that arbitrary, but it's
not black-and-white either. Defining iwhat is racist is
usually pretty clear cut, but sexism is more of a gray
area. What is sexist and what is sexy? Does this
artist hate everybody and does that artist just hate
women? Are these people just being smart-asses
and are those people serious? And after that kind
of discussion, there's the give-and-take within the
staff of trying to balance decisions to keep as many
people satisfied as possible. Ultimately, we must
walk a fine line in producing a zine that a large
group of shitworkers can live with, cuz otherwise
they walk. How can they put so many hours into
something (without getting paid) and then feel it
promotes something that's so antithetical to their
most basic beliefs? And at what point does this
internal democratic process become an external
censoring process to you and other readers?
If you've got all the answers, lotsa luck. Tim
Hey Chris and Inti,
Justifcations aside, I do feel that we practice
censorship (per your definition, Chris). With that
said, I think you have to understand the difficulty of
working as a collective unit in getting this fanzine
out (especially when it comes to accepting ques-
tionable ads).
By accepting something to be printed in our
zine, I can't help but feel that we lend it our tacit
support. Now bearing this in mind, how can we run
ads we feel are fascist, racist, and/or sexist. Mike
Re: MRR ("Big Brother's Little Brother"...):
There is and always has been a huge debate
over what is and isn 't censorship, and if any of you
have a solid definition, clue me in, okay? This is
howl view the ad policy: if an ad comes in that (and
this is in regard only to myself) I do not feel
comfortable with, I should not have to accept it. To
me taking money tor something which offends your
morality, is little more then whoring your soul out to
rock n' roll. I think we all do enough of that in our day
to day mainstream lives, so I kind of like to think of
MRR as the one vehicle I personally can try to leave
unsullied. We aren't attempting to keep products
away from consumers, in hopes of protecting them
or anything, because we'll certainly review a "ques-
tionable" record or zine (whether or not it gets
slammed is the reviewers perogative). We just
won't take cash for it, no more, no less. Truthfully
I've questioned ads we 've taken: the why GG Allin,
but not the MENTORS thing for example, and I
think our policy in regards to sexism needs some
scrutiny. However, the definition of sexism, sex,
and just plain sexy can easily cross over each
other, and this is really a tough one.
But please under stand this, We are a Fan-
zine, a magazine put together by fans of in this
case punk rock. We are not a public trust, with any
obligation to uphold the "sacred" first amendment.
We are all champions of free speech, however that
does not mean we have to lend ourselves to
supporting the idea being espoused. Cheezy as it
sounds we do this, as a labor of of love, love of
music, and love of an underground movement that
we all, even the most cynical of us still have great
hopes for. Therefore it is up to us to decide what it
is WE the day to day shitworkers are comfortable
with for ourselves. Personally, I can't put my name
to something which I abhor with every shred of my
being, and I totally hope my fellow MRR slaves
have that same conviction to their ideals as well,
tali
©Dear MRR
Just as I finished writing my
angry reaction to the feeble-minded
January "Chycks Are People Too" col-
umn, I read that it is being phased out first
into a "gender politics" column; what the FUCK is
that?!! and then "eventually integrating into the rest
of the zine."
WHY? Why can't women be incorporated
into the rest of the zine via female bands, female
writers, etc. and have a column? Whafs so bad
about a women's section? People (including wom-
en!?) seem to think that if s "sexisf to have an "all-
women" section! Wait a minute, I thought this was
fucking punk, I thought some of you had function-
ing, somewhat radical brains! But no, yet again, I
am letdown as people prove to be lacking commit-
ment to any sort of radical or revolutionary shit.
I seem to recall the same stuff occurring
around the time of the famous MRR Women's
Issue. Many people (including women) were un-
easy about this, and maintained that it was "sexisf
to "single out" women in that way! Oh no, god
fucking forbid any poor man feel EXCLUDED for
one issue, or in the case of the column, 2 fuckin
pages! Allow me to quote from Bikini Killzme #2:
"The assumption that because someone is
Pro-Girl, they are anti-male is stupid, insulting and
lame. Why is the emphasis always put on how a
feminist feels about men and not on how she feels
about herself and other women? We talk about
men all the time and the fucking second we start
talking about ourselves, it gets turned around on
us, and again, we are talking about men."
WAKE UP! Look, I'm not going to cite statis-
tics, but anyone who is at all aware knows that
women are abused, killed, fucked with, put down,
shut up and LEFT OUT!
I find it painfully ironic that Suzanne and Lali
wrote columns critical of women for not having the
strength to stand up for themselves, and now they
totally discourage women from doing just that by
shifting the focus of the column to "gender politics"
(i.e., Men! Not women!; interactions between men
and women) but not "Girl, stand the fuck up now,
scream FUCK YOU! and I'll be beside you all the
way!"!.
Are you so concerned about being cool and
"un-P.C." (or is that "P.C."?, whatever) that you
can't stand to "unfairly" draw the attention off of
men for 2 goddamn pages?!
Fine, if s your mag, do whatyou want. But for
any who are fucking ANGRY, fuck the MRR girl
scene — write to me at Riot Grrrl N.E. or contact
another genuine angry girl zine.
Allie/ Box 21 1 5/ MHC/ S. Hadley, MA 01075
Dear Allie (radical and revolutionary) Riot Grrrl,
I felt I should respond to your letter because
it exemplifies a general lack of understanding,
which is partly our fault for not explaining what
direction this section is heading.
On December 8th, Maximum had it's first
staff-wide meeting in three years, and this section
was discussed by everyone. Of course, one of the
more frustrating things about working with such a
large group of people, is that not everyone is going
to agree... on anything. A few of us, myself includ-
ed, felt it was important to give this section a chance
to address issues which maybe didn 't always have
a place to be dealt with in just a letter or a column.
Others telt it was separatist and that if we were
were going to have a women's section, we should
have a Black section, and a Gay section, and an
Indian section, etc. Well, I just wanted to see the
issues get dealt with and possibly generate ideas
and dialogue. Since "dealing with real life women's
issues" involves both men and women questioning
themselves and their attitudes, it would be rather
ignorant, in my eyes, to try and come up with
solutions that don't include a man's perspective.
Why? Well fuck, most of the men I know are fucking
great people, (some of my best friends are men,
snicker), and the/re intelligent. Should they be
excluded from "women's issues"? It's not just up to
women to be concerned with "sexist" attitudes, it's
just not realistic. And it's pretty fuckin' preachy to
point out what it is that men have to change about
their attitudes and then demand that from them
when they haven't been included in trying to under-
stand our interactions.
Well, enough rhetoric. It seems as though
some of you need a sense of humor. Do you know
how many people wrote in with the assumption that
we were serious about the name "chycks are
people, too"? If anything, we were making fun of the
spelling of woman with a 'y" by adding it to some-
thing as silly as chicks (whoops, too un PC of us ?).
Everyone always writes in about how we need to
get a sense of humor, well.get your shit together
folks, it was an obvious play on words! So, Allie, it's
not that we're not angry, we just happen to be able
to use humor as well to get that point across without
turning people off.
It's definitely an over assumption on your
part that we're not feminists (well, I should just
speak for myself). The way I envisioned keeping
this section interesting was not by printing a bunch
of letters complaining about how sexist this male-
dominated world was, but by focusing in on a
specific issue and presenting different sides of it,
for example, last month, you'll find just straight
information on how to give yourself an abortion. An
alternative to rip-off doctors. To me, that's a lot
more useful than another column on how some guy
grabbed some girl at a show. Both are valid, but
let's offer some real life alternatives, right, Allie? Is
that punk enough for you, or do should I leave with
a story about how revolutionarily PISSED I am?
Love, Suzanne.
The Dear Allie Response Part II:
After Suzanne's reasonable well thought out
reply, I've decided that I can be a knee jerk
reactionary asshole.. .So hey Allie, gee I guess that
according to your high and mighty standards, I'm
not a feminist because I don't blindly support all
actions which are taken by women... Huh. Well no
offense Allie, but I like to give women a little more
credit then that, and not condescendingly treat
them as if they are some fragile hothouse flower
whose every action deserves a pat on the head
(especially if I disagree with it or think tha t it is totally
fucked.) Because truth be known, and whether or
not you like it Allie, women are not the perfectly
faultless creatures that you would seem to want us
to portray them as. Yes unequivocably women are
raped, murdered, abused, denigrated etc. Howev-
er men are raped, murdered, and abused as well.
Women don't have the sole claim to being abused.
Humanity as a whole sucks and we all do really
shitty things to each other on a regular basis, and
if women are doing these things then fuck 'em, I'm
not going to keep my mouth shut about it. Same as
I will act towards a man who I disagree with, I will
towards a woman as well.
As for "gender politics" it was not a "Women
and Their Sexual Relations With Men" section , it
was a forum for discussion on men's attitudes
towards sexism. Again like it or not men make up
half the planet's population and you will have to
deal with them, no matter whether it is on a sexual
level or not. So fucking WAKE UP yourself Allie. It's
not my job to pamper anybody and if that doesn't
make me a feminist because I try to treat people
equally no matter what their gender, race, age, or
sexual preference is, then fuck feminism. It's obvi-
ous to me that if this is the girl riot's tactics, then it
is no better then what we've got going on now. Also
a quick note about not wishing to sacrifice two of
our precious pages to us poor GRRRLs: in a
magazine of this size two pages of space is a vast
amount, a precious commodity you could say, and
if we are to devote those two pages to an op-
pressed minority -i.e. women, then in my mind we
must sacrifice two more for blacks, gays, Hispan-
ics, Asians, bisexuals, Indians, you name it. If
they're oppressed, we better be prepared to give
them space as well, 'cause to single out one group
as "special" is just a tad hypocritical to me.
Love, Lali one truly pissed off PERSON
P.S. Since I'm so totally irate at this point am
I exonerated and an acceptable raging, and revo-
lutionary radical? Yeah, who fucking cares.
MR&R,
Among the heinous atrocities
that the bloody reign of George Bush's
shock troops have committed there is
one small glimmer of hope left for western
civilization.
Not long ago, the fall of the Soviet Union
opened many doors to the western world for many
exchanges of culture. However, not all is as well as
it seems. On recent missions, I myself have taken
part in, the oppression of the Russian people is still
apparent. Simple freedoms that we take for grant-
ed every day are seen as major barriers overcome
by the citizens of the newly formed Commonwealth
of Independent States.
Although I freely admit that upon entering
the CIS during missions of Provide Hope, my
thoughts were somewhat self-centered. My only
interest seemed to be of the "great souvenirs" that
I would be bringing back. Naturally, I stocked my
luggage full of the usual G.I. third-world country
trading paraphernalia, i.e. cigarettes, whiskey, and
American military souvenirs .
Upon arriving , we began off-loading the food
and medical supplies that we were donating. Work-
ing alongside former Soviet troops was an experi-
ence that I wasn't quite emotionally prepared for.
Eventually, the walls that two years of military
brainwashing had built up slowly began to erode
away and the old self I used to know began to
emerge. It seemed odd to me, but yet very optimis-
tic that we should meet not on a battlefield but on
terms of friendship and man helping man.
Later, after the shipment was unloaded, I
began as previously planned to trade the items that
I brought. One soldier offered his military issued
overcoat for two cartons of Marlboros. I told him I
only had one and he grudgingly agreed. Feeling
that I had somehow cheated him, I asked if he
would like some cassette tapes in lieu of cigarettes.
Hequickly agreed so I pulled out a bag that I always
travel with .which contained about 30 tapes. I gave
him my walkman and two cassettes. As quickly as
the tapes left my hand, I was swarmed by Russian
troops offering everything from hats to good luck
charms. I traded every tape that I had in my
possession. Although I parted grudgingly with many
of them because they were mostly special orders
and out-of-print items.
When I arrived at home and had time to
relax, I had plenty of time to think about what I had
just accomplished. I've probably just dealt the
oppressive governments of the former Soviet Union
and the United States a small, but effective blow. I
utilized a government mission for peace to transfer
a small amount of government resistance and punk
rock culture to an entirely innocent and naive youth
(and it was all legal). Thanx,
Lonnie Thompson/ Frankfurt, Germany
P.S. The opinions herein do not reflect the
views of the United States Air Force or the US
Government .
DearMRR:
This letter is in response to your
new women's section "Chicks Are Peo-
ple Too". I am very surprised to see
MRR practicing
separatism. I hon-
estly do not under-
stand this political-
ly correct90's "fem-
inist" way of think-
ing. It is so hypo-
critical- women
complaining about
not being accepted as equals in the punk scene,
then demanding special treatment via two "wom-
en's pages" per issue of MRR. Maybe I'm just not
PC enough, but I believe that women who feel the
need for a separate women's section are women
who will never be accepted as equals to men. Black
(I mean African American), Asian, old, handi-
capped (sorry- differently abled), etc punks are as
misrepresented in the punk scene as women, yet I
don't read (or hear) about these minorities de-
manding special treatment.
My solution? If women and other minorities
want their voices heard, they should talk! Write
letters! Join bands! Book shows! The letter section
of MRR is not for men only. Itis male dominated, but
I sincerely believe this is because the entire alter-
native scene is unbalanced, male to female ratio-
wise. I've written only one other letter to MRR in
eight years of reading, and that letter was promptly
published, as were scene reports I've written.
As for women who aren't being taken seri-
ously in their local scenes, persevere! There are
many female stereotypes to overcome. Break the
mold! Just remember that separatism is not the
way. I'm not advising anyone to put up with abusive
behavior, I'm just suggesting that it is not always
bad to be challenged. It could be a lot worse- and
hopefully in the near future attitudes will be much
better. And as for assholes in the scene, well, I don't
know anyone idealistic enough to believe that the
punk scene is all about unity. There are some truly
incredibly people involved, but there is also as
much name calling and backstabbing as there is in
any other clique. Assholes aren't indigenous to any
race or gender or culture.
I speak from experience. I'm a 23 year old
human being, female if you want to get technical.
I've lived in Memphis, Tennessee for six years, and
I have been involved in the Memphis scene for
nearly that long. I have booked shows and written
for fanzines, and I'm now starting a record label
with my good friend Gina Barker. (For a shameless
plug, the label is called Sugarditch and our first
release will be Memphis band the TAINTSKINS,
hopefully out by May). For over five years I worked
in the male dominated empire of the comic shop.
Everything I've done and every bit of respect (and
disrespect!) I deserve are due to my accomplish-
ments as a human in a human world. I try not to
whine, bitch or moan about how unfair life is being
a female in a male dominated society, because
whining , bitching and moaning won't accomplish a
damn thing! I'm too busy having fun to worry about
spelling woman "wimmin" or "womyn". I don't ex-
pect special treatment from neither men nor wom-
en, nor do I expect it from people of different races
or cultures. People take me seriously (or however
I want them to perceive me) because I am serious
about taking care of business. Destroy reality! Or,
as CRIMPSHRINE says, "Ifsyour mirror, so smash
it!" Sincerely,
Andria Lisle/ 1861 Poplar Ave #3/ Memphis, TN
38104
>0k DearMRR,
M^m The "Rock For Choice" with L7, Pearl
■ k B Glam, Lunachicks, and Fugazi, hosted by
MJkM Kim Gordon and Alex Winters, took place
on January 24, 1992. L7 was great as usual.
Jennifer Finch made the comment, "Does anybody
out there fuckin' care?", and that L7 wouldn't have
been there if it weren't for Choice. They played
some new material. I didn't watch Pearl Jam be-
cause I'm a biased music listener, however, I'm
glad they played, as they drew people in who might
not have otherwise come. Lunachicks fuckin' rocked
the house; they are so tight! Theo, the singer, was
charming as was Becky Wreck, the drummer, who
did a song about be-
ing a woman and not
having men grab you
on the street. Watch
out - they'll blow you
away!
Alex Winter was a
total fucking dumb-
ass who thoughtthat
calling George Bush
a "Big wide, open, smelly pussy" was appropriate
lor the theme of the evening. Kim Gordon appeared
to mock him, and behind the scenes, cornered him
into feminist discourse. Then Alex had the nerve to
return to announce Fugazi and say, "I'm sorry, I
should have said George Bush is a big, fucking
dick." But Fugazi came on and blew him away with
a very intense set of songs. However, all of my
women friends said they were harassed and
grabbed throughout the show. Theo and I com-
mented on how we could see women going up on
top of the crowd and stagediving, only to get their
tits grabbed by members of the audience and staff.
Another female friend encountered a gentleman
yelling, "Fuck pro-choice, who gives a shit about
fuckin' pro-choice!" She proceeded to tell theyoung
man that his eight dollars went to pro-choice and
that he was a fuckin' loser, All and all, it was a great
show and a great cause, but what the fuck is it with
men who go to see women play (Lunachicks, L7)
and goto pro-choice/feminist/pro-woman/pro-fam-
ily/pro-education/pro-no dicks tonight/ if s our turn
shows, and grab the living hell out of tits and ass?
This is shit! Are they pro-choice so that they can
fuck her, leave her, and not worry about seeing any
kid begging for money? Are they going so they can
get some action, since so many women will attend?
What the fuck is it? I want to know. I want to know
so that I can comfort my friends that get sardined
into erect dicks and have no way to get out. Erect
penises from behind, or as you try and dance to
"Suggestion". Is it that some men do not like fe-
males taking charge in the alternative scene? Is
being a dick to women really punk or alternative? I
think not.
We're talking mainstream male aggression
towards women. And that's fucked. Fucked for you,
me, her, and him.
Gabri
OTo MRR and its Readers -
Recently it seems that a good deal
of the epistle writing punx-sters have been
very blithely presuming as fact that punks
'""' and hippies are one and the same. Nothing
could be further from the truth. Perhaps as time
advances inexorably and memories fade blurrily
everything "alternative" over the decades seems to
blend together in some solipsistic soup. Can one
categorically claim that the Bohemians, the Pari-
sian saloneurs, the '20s lost generation, the beat-
niks, the '50s greasers/bikers, the hippies, the
flower-children, the mods, the skinheads, the teds,
the rock-a-billies, the rockers, the heads, the goth-
ics, the industrons and the punks are all brethren
and sistren of the same species? Are they sub-
genus' who can mate and produce viable off-
spring? I'm not attempting to obfuscate the issue
with verbal largess but I do wish to point out that
each group has its own particular character and
can be distinguished by, if nothing else, the simple
historical period in which it occurred. As a personal
footnote I will claim that whenever a particular new
style remains past the time of its origin and is
continually incarnated anew it becomes known as
"classic". Whenever a style goes out of vogue and
only seldom, if ever resurfaces, it becomes known
as "period".
Punks are not hippies. Not even the leather
detesting, Chuck-T foot-shod, ALF peace punks
are hippies. They are quite different. The first, and
easiest to explain, reason is that punks are usually
the CHILDREN of hippies.
"Hipp/' is of course a fairly generic term that
comprises flower-children, Y.I.P.'ies (Youth Inter-
national Program), dead heads, freaks, heads,
stoners, crunchy granola chompin' bean sprout
cud chewin' love bead sportin' Birkenstock(sp?)
wearin' peaceful people. There was, as there al-
ways is in any rebellious social grouping, a dis-
tasteful element characterized by the likes of the
Manson family, the Hell's Angels, the Weather
Underground and the Symbianese(sp?) Liberation
Army factions. The hippies originated in the late
'60s and (about the time of the Beatles' "Revolver"
album) were thedominantyouth/social/music/style
and influence of the 70s. The punks originated as
a reaction against the hippy hubris of pop, as well
as all the vacuous "feel-good" disco music.
In the first case I have met almost no punks
who were, or espoused anything like, pacifism.
Furthermore a punk is much more likely to utter
phrases such as: "What's all this bullshit about
peace, love and brotherhood, man?! Everyday
somebody wants a piece of my ass, would love to
fuck me over and 'brothers' of all types kill each
other in record numbers in the streets 24 hours a
day!" I fully realize that punks and new wavers
borrowed a good deal of the style and vernacular of
the '60s. It has become popular of late though to
say "peace and love" at the end of all correspon-
dence, especially if one truly despises the person
one is addressing. I suppose this is done to imply
that even though one abhors another person's
principles or opinions, one should always express
an enlightened, holistic and caring demeanor in
order to fulfill one's "Woodstock" manifesto. While
a hippy may have placed love at the end of a letter
in sincerity, it is obvious that most punks do it in
sarcasm.
This very recent trend toward "Love"-ism
represents a salient cultural extraction from a by-
gone era with an attendant superimposement on
the present. When the punk firestorm scorched the
tissue-paper pablum of 70s disco and its weak,
commercialized, tenth-generation, recombinant
echoes of '60s "hippy"-ism, one would have thought
that all that nebulous miasma had finally died a well
deserved death. What had galvanized hippies was
the desire to stop a war, and more specifically to
prevent their attendance to it. The era of serious,
principled, articulated political development and
pronouncements occurred in the watershed period
of the very EARLY '60s. The era just AFTER the
feral, beatnik ennui and just BEFORE the giddy,
hedonistic, au natural, back-to-the-forest, nihilistic,
kill-everyone-over-thirty, vanguard qua terroristi-
cas, hippy tide. This period was the highwater mark
of the civil rights movement, the Kennedy camelot,
and intensive moral rhetoric. The devolution came
as the draft for college students ended in 1 968; the
war effort plateaued and then declined; LBJ and his
Kennedy-esque "great society" administration
dropped from public life; drugs and sex took prece-
dence over rational political debate among the
youth icons; and Watts, Compton and Detroit race-
riots shattered the fragile egg shell of brotherly
love.
Punks are the pop-cultural progeny of hip-
pies in at least one very important way. Since
reason, judgment and natural rights became com-
pletely discredited as the manipulative lies of the
evil, white, old, male, capitalist pig-dog disguising
his iron shackles with velvet slip covers; then this
language was replaced with histrionic utterances
of how passionate, involved and most importantly,
how committed, one was. Rational argument de-
generated into statements of intuitive, emotional
"groundedness" and soulful discharge. Above all,
authenticity, became paramount. Punks followed
in suit by exhibiting their authenticity, not as radi-
cals or earthen-people, but as survivors. Their hair
was more than naturally unkempt; it was slashed,
hacked and chemically altered like everything else
in the modern world. Instead of a rejection of
modernity, like the hippy "Woodsy Owl" persona;
the punks were its most highly developed carica-
ture, wearing their survivorhood on their ripped and
torn sleeves. The "authentic" punks turned their
displaced and sometimes tormented souls inside
out, possibly in hope that exposure to air would clot
the blood-flow and heal the wounds (The "fun"
punks are one of the largest exceptions to this
description).
I really don't care if a total stranger loves me
at first glance or not. I would be much happier if I
could feel reasonably certain they weren't going to
try to assault me. Punks almost never wear the
rainment of "Jesus the Macrobiotic Farmer", they
dress more like an urban combatant complete with
steel spikes (to keep strangers at bay), boots (to
protect feet from broken glass and cracked con-
crete) and durable leather (tough enough to last
through a melee or the pit).
"Won't make love to change your mind, ain't no
hippy chick. "
"Got no flowers for your gun, ain't no hippy chick."
"Hey baby, wanna make it? Does 'fuck you' sound
simple enough?"
"NoMeansNO."
Nowmay I address the Andrew Solano issue
and the MRR thinking audience on the nature of
skin. Beginning about five years ago I stopped
rolling up my faded 501s in order to look a bit less
like the neo-Nazi boneheads on TV. I always knew
why I never wore white laces or white braces -
those were for the Aryan supremacists, which I was
NOT. I used to wear a large black and white
SHARP patch on the back of my flight jacket. I
removed it in favor of a much smaller light gray and
white shoulder tab, lest some unknowledgable
person confuse me with a racist, which I am NOT.
I wear a large mod-ska patch and a P!(-Np) patch
to better separate me from the homo-bashers and
the fascists, NEITHER of which will I EVER be. I
have not shaved my head in three years and I don't
wear American flags. I wear the shorter "hard-mod"
version of DMs. Andrew, what more can I do to be
COMPLETELY Disassociated from you?!?l I too
am from Denver. So sad that you are from there
also. I still love that little city even if it is lost at the
nadir of the cultural abyss between the apexes of
the two coasts. So obviously you readers may have
inferred that I am a SHARP-mod and a ska fan. It
should be completely clear that I am opposed to
racism, sexism, homophobia and fascism (and/or
nationalism). Now that you know what I am against,
please be patient and read further so that I may
attempt to explain what I am FOR, and why I am "for
it".
Briefly, youth of European descent today are
saturated with liberal white guilt and are, in the
main, afraid of and intimidated by persons of Afri-
can descent. These two factors combined produce
disastrous psychological and societal results. His-
torically whenever "social groupings" (for lack of a
better term) perceive that their safety and exist-
ence are threatened they tend to react like cor-
nered animals. Political demagogues who are sen-
sitive to these sentiments are frequently able to
cajole their followings in to gross acts of violence in
the name of self-defense and love of the "people".
Meher Kahane and the JDL; the founders of the
KKK in the defeated and occupied South; the
National Front and some UK boneheads; Tom
Metzger and some US boneheads; separatist man-
haters from among some of the feminists; the Black
Panthers; Leonard Jefferies; Dr. Bobby Easter and
the Afro-Centrists from among the AfrAm radicals;
and, of course, Hitler and the post-WWI Germans
are all examples of how the image of victimization
(whether real or not) can be translated into a
license for violence. I assert that if EurAms (Euro-
pean-Americans or "white" people) were less intim-
idated by and fearful of AfrAms (African-Americans
or "black" people), at an individual level, then the
incidence of racist attacks and racist sub-cultures
would drop dramatically. Dispossessed, urban,
politically manipulated EurAm youth will do in a
gang what they are quite afraid of doing individually
- that is to be confrontational and belligerent to-
wards AfrAms. Whether racist or not the majority of
EurAms will back down quickly in any conflict, even
just a verbal one, with AfrAms. To be truly non-
racist means a person will act and express them-
selves similarly towards all people, regardless of
ethnicity or gender. If you hate someone for being
a jerk, don't decide it's OK for them to be a jerk
based on the pigmentation of their skin. If you are
EurAm and you are afraid of AfrAms then you will
always be suspicious of them. You will act in a
guarded, defensive manner towards them no mat-
ter how much you try to hide it. When EurAms no
longer feel threatened by the mere presence of
AfrAms and no longer are afraid of losing any and
all one-on-one physical confrontations, then they
may be capable of being much more moderate, fair
and equitable towards AfrAms and will not need to
join gang/hate-groups to allay their fears. Remem-
ber, sacrificing your pride and self-esteem is a LOT
worse than a bloody nose. If you don't respect
yourself then you will never be able to respect
anyone else. Obviously discretion can be the better
part of valor. Choose your battles wisely. Know
your capabilities and your limitations, both morally
and physically. Most of all, if you knowyou are right,
don't back down because of someone else's color,
sex or sexual preference. Be proud of yourself,
have the courage to defend yourself and your
ethical principles, and treat others with justice and
respect unless or until they prove they deserve
otherwise. Thank you for your attention.
Norrin R. Sckaoff, Founder, President and only
member of Pl(-Np): that stands for "PRIDE!, NOT
prejudice"
Anyone who cares to, write: NRS, P!(-Np)/
199 N. El Camino Real, Ste. F/ Box 3333-169/
Encinitas, CA 92024.
f-'recc
Dear Tim and MRR,
I'm writing you because it's
1 time again to pointing some rip off
record labels, mailorder and dishonest
people out: Revelation Records (America), Full
Circle (England) and Rich Th'Outsider 'zine (Hol-
land).
Revelation Records owes us 150 7" EP's
which we traded with our stuff oneyear ago. If s not
the first time that Revelation Records is mentioned
in MRR. People, even from the States, should
order from Revelation Europe. Marc and Angelique
are nice and honest people. They know how to run
a mailorder service in opposite to Jordan Revela-
tion. People should not judge to quick that Revela-
tion sucks in generally; Revelation Europe is great,
Revelation America suc/cs!!!
Andy from Full Circle owes us money for
sixteen months now, £72. 1 wrote several times to
him, he never wrote me back. I thought Rich from
Th'Outsider 'zine would be a honest person, but all
I know now is that he is a dick like Full Circle and
Revelation America. Rich owes us money for nine
months, 64 Guilders in total.
I'm really fed up and totally upset about the
above mentioned people. I think they ruin our
scene, people loosing faith in ordering records from
labels/ mailorders!!! Is that all they want to gain?!
Crucial Response and of course other honest
mailorder/ distribution labels certainly don't want
connected with this bad image. If s time that we
speak out against a minority of people who are
destroying continuously our hardcore/ punk (Hi
Kent) community. I'm so f uckin' fed up and whatev-
er it will take, I II fight those dishonest people!!!
Fight them!!! Here's a small list of people who are
doing proper mailorder service: Revelation Eu-
rope, By- Product, Blacklist, Mike Bullshit, Roger
Cadman, Missing Link, Overkill, X- Mist, Victory,
Spiral Objective, Horizons, No Name,
Dischord... Write me if you need a complete list of
honest mailorders or the addresses of the above
mentioned individuals/mailorders.
Keep the edge and true hardcore alive!!!
Peter and Crucial Response/ Kaiserfeld 98/ 4200
Oberhausen 1/ Germany
Dear MRR,
This is Eric/TOO MUCH
PRESSURE. Just thought I'd send a
' letter to bitch a little bit. Everyone who
hates Straight Edge can stop reading
right here.
From looking at past issues of M RR I noticed
that there used to be a decent amount of S.E.
people around and even a couple of bands. What
happened to them all? Now when there is a show,
there are only a handful of people that are there.
Why is that? I guess that most of these "true til
death" people from the old school were just posing
or going through a phase. Thaf s weak. I will admit
that there are many closedminded individuals in
the scene but, there are also people like myself who
have varied musical tastes and can hang with
many types of people. STRAIGHT EDGE is just the
way I choose to live. It wasn't a fad or something
trendy to get into. If any of the old school Gilman
S.E. crew wish to write and explain their side, I will
listen. What about the UNIT PRIDE, BREAK-
AWAY crew? Where are they now?
In closing I would like to know if there are any
S.E. people, male or female, who would like to form
a band. I play bass and a little guitar. Please get in
touch. Also any people in Nor Cal who are into the
scene and want to contribute to my zine. I need
pictures, interviews etc. Let me know you're out
there, thanxxx
Eric Fortner/Too Much Pressure Zine/ 1638 E. St.
#302/ Hayward, CA 94541.
Dear MRR and Readers,
Iflfc: ' Sometimes I really wonder what punk is
1^% supposed to be about. As Larry said, GG
■i*Allin goes and beats up a woman and
he's hailed as a "true" punk for a crime
thaf s all too common in normal society already
(punk isn't much good as an alternative if that's
what we're supposed to do, too). I hear and read
aboutother self-proclaimed "real" punks who spend
their time slagging and bitching about how peace
punks and hippies and so forth are a bunch of
losers, etc., etc., calling them posers or wimps or
what not. I really don't understand where the con-
cept of being an individual comes in then.
I mean, if being punk is being an individual,
then wouldn't you have to respect others for doing
their own thing as well? When and where did punk
become as strict and rigidly defined as it seems to
be for some, a stereotype to be conformed to in
order to be considered a "real" punk? Is image
really the basis for being a punk these days? To be
a punk is to be non-conformist, if I have this right,
but when you conform to the generic punk uniform
of thoughts and ideas and clothes — isn't this direct-
ly against the whole ideal of being punk? I agree
with Beth Johnston in her letter in #105 when she
questioned the punk scene, with its "uniform" way
of thinking and the whole deal with punishing
others who "don't pay lip-service to the same
beliefs."
To me, punk has always been a struggle
against that which I feel oppresses me, and some
of these definitions for punk seem to do just that. I
certainly don't fit Jeff Bale's description of a real
punk from that #105 colunm — I guess I'm one of
those "wimpy" punks for trying to make a differ-
ence, an obviously "pseudo-punk desire." What is
this? All this labeling has got me worried, too — for
a movement that claims to be against stereotypes,
we sure do it a lot. Stereotypes have always been
the weapon of those who are too uncomfortable
with the ideas of another group of people and need
a convenient way to shove them away and dismiss
the lot of them, an easy way to pass judgement
without ever having to get near them, let alone get
to know them as people or begin to try to under-
stand their ideas or beliefs. It's hard for me to
understand then where we, as punks, who have
been labeled and dismissed in the same way, get
off on doing it ourselves.
At my high school, punk is an image. If you
can get up on the Hill — the alternative people's
hang-out — then you're a "reaf'punk. It's a status
thing. Hangout up there, and the whole school can
say "Wow, you must be for real". They can get very
elitist — they resent anyone they haven't been con-
nected with, or anyone they don't think of as one of
their own. Wow some girl turned her bomber jacket
inside-out and was called the "punkest punk rock-
er" girl at school. Because the way she wore her
clothes? C'mon. Docs in ten different colors and
bomber and leather jackets — they don't say any-
thing about what you believe in or who you are.
Besides the fact that they must have spent
about a hundred for the Docs and another hundred
for the jacket — I never thought that such emphasis
was supposed to
be placed on how
you look in the punk
scene — I don't
know that they're
very radical think-
ers at all. Beth
Johnston also
pointed this out —
"No one wants to turn all that anger and aggress-
sion into valid critical thinking and ideas." It seems
to me that all this directionless and maybe mindless
rebellion is worth about as much as apathy or
ignorance and accomplishes about as much. If I
talk to a friend of mine on the Hill about capitalism,
or show him a flyer I made on Fucking Corporate
America, I know he'll say something like "right on"
or "that rips" or "cool", but he woudn't have the
faintest idea what the hell I'm talking about, and
neither would any of the people he'd show it to —
they'd agree because it was talking about fuckin'
something over but they wouldn't know exactly
what it is. In fact, some of the more leftist thinkers
at school are not the punks or alternatives, but the
so-called "nerds", like the Korean, Harvard-bound
physics major over here here, and the quiet kid in
the corner over there, and even the news editor on
the school newspaper. The Eagle Scouts at my
school are more radical thinkers than the punks, for
God's sake! Socialized medicine, welfare, helping
the homeless, anti-capitalism, Greenpeace — all of
these ideas and beliefs I've found NOT with the
punks, but with the "rejects" or "normals" of the
school. When these people talk about changing the
system and fighting the establishment, they actual-
ly KNOW what they're talking about! And for me , as
a punk, I enjoy the company and conversation of
these folks more than some of the alternatives I
know. I certainly wouldn't call them ignorant or
sheep — I'd first call the alternatives that than these
people. To make the point, it seems the punks here
are fighting blindly , if at all, and are more concerned
with fitting their own sub-society's standards than
being individuals with thinking minds.
When punks start mimicking society with
their apathy and ignorance or placing emphasis on
how well you dress (punk) or by fighting each other
(as they will do — they'd kick your ass for your Docs
if they felt like it) or discriminating against a certain
group or denying someone's right to be an individ-
ual (by placing punk standards on them) — well, it
seems to me that punk as a counterculture, a
counter movement against the system, is useless.
Punk, I thought, was a rebellion against a sick
society, not a parody of it in extreme with its
violence and decadence and prejudice and hate.
Punk, for me, is play — playing with new
ideas and concepts and turning them on their
heads, twisting established thoughts and institu-
tions to get a different perspective, poking fun at the
seriousness of standards and limits, their absolute-
ness and rigidity. Defying ALL boundaries — includ-
ing the ones punk sets for itself. And above all
else — realizing that if I lay claim to being an individ-
ual, then I have to allow others that right as well. I
can say that punks at school are for the most part
ignorant, because I've seen it and other people
have as well. I still have friends on the Hill (although
I refuse to set foot up there myself) — I am not
criticizing them as people but for their way of
thinking and assuming, I guess, superiority and the
distinction of being "differenf when all that sets
them apart really is the way they look. It would be
stupid of me not to notice and say something about
it, because 1 ) it's basically true and 2) if s part of a
bigger hypocrisy that needs to be recognized if
we're going to do something about it.
Just a quick note: my sincerest thanks to
Beth Johnston and Larry for being so inspiration-
al—their insight explains things I've felt in my head
but was never able to put into words until they put
the syllables there for me, and then my mind starts
racing , chasing after all the points they bring up and
expanding the spectrum of my views a little broad-
er.
Well, I hope I made sense. This letter's a bit
long-winded, but I had a lot to say. Lef s just all
remember we're hu-
man, okay, and
we're not perfect.
We all become hyp-
ocrites in little
ways — I don't think
absoluteness exists
in any idealogy and I
know that I some-
times start to con-
demn or generalize in ignorance — I don't think
ANYONE can avoid that. But we can all try to
achieve the truth and reach understanding and
compassion, and educate others who are willing to
listen. I guess it comes down to who is and who
isn't willing to hear and it's much too hard to draw
the line. Would George Bush ever listen? I doubt
it. So what do we do with people like him? What do
we do with rich corporate leeches? What do we do
with self-righteous fundamentalists? There's just
so much. Well, now that I've thoroughly buried
myself in this whole morass of confusion and in the
process having depressed myself completely, I'll
be off... Love,
Mime Nguyen
Due to an oppressive home environment,
send letters to: Brian Graham/ 8845 La Cartera/
San Diego, CA 92129.
L MRR and fellow readers,
Much of the following is just
| brain puke. It's stuff that has been
swimming around in my little brain for
a while. Hopefully it will make some
kind of sense.
First off I would like to acknowledge the new
columnist who wrote in issue #1 06 ( I lost that issue
and I don't remember her name, but she knows
who she is). Real good article.
Mr. Bale: You are a bozo. Guns and Roses
is not even as important as one underground
hardcore band. Sure Guns 'n' Roses incites rebel-
lious attitudes in hundreds of thousands of people
worldwide, but what message of rebellion do they
send? They show that being "rebellious" means
getting drunk, getting layed, saying luck" occa-
sionally and making money for a bunch of corpo-
rate assholes. As you say, Mr. Bale, "The essence
of punk attitude is a constant desire to give the big
middle finger to authority figures". The only peo-
ple, however, that Guns 'n' Roses are givng their
middle finger to are the people buying their music.
After all, Guns 'n' Roses isn't exactly pissing off the
fucked up "authorities" of the record industry by
saying, "Here's another million dollars we made
you!"
Random comments about the letters sec-
tion: 1 . Are there any goodpromotersin Europe, or
anywhere else for that matter? Why not write
about them too. 2. Thank you the now infamous
Andrew Solano. The bigoted load of shit that
oozed from your head onto these pages is the
most entertaining thing I've seen since Bush's
State of the Union address. 3. To Ron Bally of the
WALDOS: who gives a shit whether the guitarist
was playing for the Heartbreakers, or whether he
was playing for Conway Twitty . The point is wheth-
er or not the Waldos' record was any good or not.
Just because the shit sitting on a stage may belong
toG.G. Allin, itdoesn't mean it will taste any better.
4. Bad Religion may not be living up to the high
moral standards of many punks and they should
be confronted with it. Keep in mind, though, that
they are still much more DIY-minded then say a
Nirvana or Guns 'n' Roses who are off getting
mouthfuls of that corporate jiz.
On a different note, I'd like to thank MRR for
starting up cassette reviews again. Why was it that
you stopped? Was it because of the volume of
tapes you had to deal with or was it because every
person with a garage, a radio shack condenser
microphone, and a few instruments to bang on
were sending in total shit?
Lastly, I'd like to mention something not
often seen in the letters section of this mag. That
is that punk exists and it is good that it does. I see
a lot about "That isn't punk, only this is. etc.," but
that isn't so bad. At least we have something to
argue about. We're being conscientious about the
world and people around us and then we act in our
own individual way. That, to me anyway, is "Punk
as fuck". It doesn't matter if you're SE, PC, long-
haired, bald, pierced, gay.male or female. Thanks
to all of you who are keeping punk alive. Sasha
Davis PO Box 785 Flagstaff, AZ 86002
Dear Maximum Rock'N'Roll,
I am writing you in order to tell
you about a REALLY FUCKED-UP
incident that happened in Albany,
NY, involving a 5 band benefit show, a
racist neo-nazi bonehead in jail, and
Broadcast New York, a statewide "news"-maga-
zine show. Sounds good already, huh?
This Hard Copy, Geraldo, Entertainment
Tonight style tabloid TV show wanted to do an
"Expose" on the neo-nazi movement. After locat-
ing one of Albany's three neo-nazi skinheads (in
a city of 150,000 people) in jail (not hard to find
somebody in a cell), they proceeded to interview
him for quite some time, then they came to our
benefit show, a benefit for the latest and best
compilation of Albany bands (on Rake Records),
interviewed people about what they thought of
Shank (lots of condemnation), and taped two
bands performing; SUBSTANCE and my band
INTENT. They also interviewed a Rabbi, whose
daughter I went to high school with , about a temple
desecration that was thought to have been com-
mitted by the neo-nazi skin (Christopher Sheffield
a.k.a. Shank) but was never actually proven in
court. (I am not defending him or his actions, but
demonstrating that the TV show in question was
not exactly pursuing the truth. Yellow journalism in
action.) These pieces of tape were put together in
such a way as to make it look as if all of us Albany
All-Ages HC kids supported Shank, or at least
tolerated him and his actions. SUBSTANCE came
out looking like klansmen. Fortunately, our guitar
player, after seeing one of the hyped-up ads forthe
show, called up Broadcast New York and threat-
ened to sue them if they showed footage of our
band playing. They didn't dare.
So, what was the aftermath of this whole
situation? I personally got smacked by some kid in
the street shortly after the piece was broadcast. I
had gone on camera stating that "Racist skin-
heads don't have anything to do with us or what
we're doing (which they don't), but in TV emotion
and image rule, not content or language. Other
kids in the scene got spit on, hit, orverbally abused
byyuppiesand stateworkers. Aftertalking to quite
a few people about this, we all decided that we
couldn t just let it lie. I printed up lots of fliers and
press releases, and we staged a pretty good
demonstration outside of the WNYT TV-13 stu-
dios, the local station that carried the crappy show.
75 people came, and the event was earned by two
TV stations, three newspapers, and two weekly
magazines. These papers showed our side of the
argument, and sympathized with us much more
than with the TV show. In fact, the weekly Metro-
land carried a coverarticle in which I was person-
ally quoted more times (through my press release
and in person) than Broadcast NY was. We basi-
cally won, took down BNY's credibility, kicked their
asses, and struck a blow against racism and the
neo-nazi "movement" (as if they have a cause to
move for). The Albany/ Capital District scene came
out smelling like roses, my band came out looking
like saints and I came out looking like just the
wrong person to fuck with. Just in case you're
wondering, I know that very few skinheads (in New
York State, at least) are racist or white power.
However, the ones that are, pretty much fuck it up
for other skins, because white power boneheads
present a ready image for the media to consume.
That is why this whole episode occurred. The
moral of the story? Don't go mugging in front of TV
cameras. We were deceived by the producer and
her camera crew by her charm and seemingly
good nature. Then she stabbed us right in the back
We thought that this would be a good opportunity
to show racists that we don't want anything to do
with them. We were wrong.
Other Albany news: Albany's downtown
Planned Parenthood has become the siteof clash-
es between Anti-Abortion and ProChoice activists.
On March 8, the Anti-Abortion group's bimonthly
Saturday morning demonstration at Planned Par-
enthood was interrupted and crashed by 1 50 pro-
choicers. Not bad work. However, I understand
that Planned Parenthood does not want to be-
come the center of these protests and counter
protests, because protests by either side interrupt
the normal business of the clinic, which provides
reproductive health care to many people (includ-
ing friends of mine). I believe that a different tactic
should be used: covert action. The Planned Par-
enthoods should be kept open at all costs, but
staging counter demonstrations does not help
them as much as one would like to believe. I
include myself in this critique, as one fine morning
I crashed the Anti-abortion demonstration with a
cartonofeggs. I thought that it was the thing to do,
and it made me a lot happier than anything else I
could have done that day, but it was very counter
productive. Had I not egged the Anti-Abortionists,
one of them would have been arrested that day, a
person that videotapes all of the people going in or
out of the clinic. One thing that I think should start
happening, is for people to hold benefit shows for
their local reproductive health clinics. They could
probably use the money for legal defense more
than anything else. Or, all of you strong-arms out
there, volunteer to be clinic escorts. What Opera-
tion Rescue goof is going to give a 6'7" 220 lb bald
headed kid or a muscley jetblack-frightwig-haired
young woman any problems? Looking a little less
than mainstream can usually terrify your enemy
into submission; think of how warriors dress and
paint themselves before they go into battle.
Adam OToole/ INTENT/ NOZZLEHEAD/ 5 Ox-
ford Rd./ Albany, NY 12203
P.S. Yes, I am Jason ex Lifes' Blood's
younger brother. So stop asking, eh?
v * bic
MRR,
I hate to be writing to you folx
over such over such pettyness, but I
cant take no more shit. I have a really
big problem with your ad policy. I'm sick
of writing to would be punk-o vinyl dealers and
getting ripped off. People that place ads in your fat,
buy it up, this sounds pretty hip zine. IFs been
happening for years now. Especially overseas
pedelers.
Like I sent $1 7 U$ dollars in response to the
Pink Turds/ Sedition split LP and Sedition EP ad in
MRR 100 pt. 1 (I believe). I wanted both. Sedition
sounded interesting from the very fucking reviews
you people gave. Months have gone by, I've
written the same people on occasion to see what
the fuck, and even an apology letter from the
Sedition folk in a later issue of MRR and I wrote
them again (note their zip code was different by
one digit as opposed to theiroriginal ad). Nothing.
$12 for an LP & $5 for an EP is harsh too.
Aside from this particular incident, the ma-
jority of ads placed have served to be honest and
uncorrupt. Thats also considering I write to a
shitload of people and am constantly mail-order-
ing new music. I was just thinking, maybe theres
a way you could weed out the flakes (yeah right).
Or maybe people like myself can network globally
so if someone rips me off in my comrades part of
town, there con be someone to go thump on the
flakes and I could return the favor. Ajoke okay. But
seriously, after getting snaked over and over, one
gets a little pissed. Cause I'm not about to stop
mailordering. It's cheap. If s fun. And theres usual-
ly better music offered than most stores thaf d be
nearby.
I won't take up any more space. I just want
the shit and Scotlands pretty far to travel to bug
someone who's ripping me off. Thanks. Love
Dale Johnson/ 166 Dewey Ave./ Newbury Park,
CA 91320
[^#
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- &*?
- Part One-
(obligatory Ass-Kissing and Thank-You's)
Sally had been hassling me all summer
about taking a vacation together. I had been
a little apprehensive because I'd never really
gone away on a romantic-type holiday be-
Fore, andlwasn'tsure if Iwas mature enough
to handle the responsibility of entertaining
someone for any long period of time without
a break. We ruled out going to Europe, be-
cause I was supposed to go for a month in
November with The Blisters. The next logi-
cal choice would be California, but frankly
we'd both been there recently so that ruled
that possibility out, besides which it didn't
seem like much fun to hear Tim's incessant
whining about how great the food is in New
Jersey as compared to Frisco's for an extend-
ed period of time. Eventually we decided
Seattle might be an interesting place to go,
after all, it was voted America's most livable
city two years running. I talked to an ac-
quaintanceof mine from Seattle, (a lotof you
out there might know her, Barbara, the head
of promotions at C/Z records) who upon
learning of our visit insisted that we stay
with her (She even promised that Daniel
House would take us out to dinner, and gave
V S ff^f C ° l0red copies of Ter iyaki Asthma
Barbara picked us up at the airport;
took us out forThai food twice (and paid for
it); bought our tickets for the Bumpershoot
festival; and gave us the keys to her car and
her apartment. On our last night in Seattle
she even made us a home cooked meal. Let
me just say that prior to our visit, I had only
met Barbara once in N.Y. (where she bought
me a slice of pizza at C.B.G.B.s). So before I
start railing into somebody or something
this month, I'd just like to tell the whole
world how terrific Barbara at C/Z records in
Seattle is, and how she gets my vote for the
Maximum Rock and Roll punk rock award
bestowed upon individuals who best exem-
plify the spirit of community and giving in
the underground music scene. I'd also like to
mention thatHarris Thurmand, the guitarist
for Hammerbox, was supposed to take me
out and buy me drinks, but probably thinks
he s very clever for weasehng out. I'd also
like to mention how Daniel House managed
to get out of paying for our meal by having
his son do Gibby Haynes impressions. Thank
you Barbara, Daniel, Harris, Adam, every-
one else at C/Z, and all the other friendly
people we met there. Seattle's a beautiful
city, and you're all very lucky that you live
there, but it's no Jersey. (P.S.-I didrVt go to
the Pop Underground festival in Olympia
because I'm Un-Cool.)
-Part Two-
fin which the Young man as an Artist bears
his Soul)
I'm turning 26 in March. While this still
makes me at least 15 years younger than the
average Maximum Rock and Roll Colum-
nothing more than wishful thinking to be-
lieve that when 1 write my column that I'm
addressing an audience of my peers, in real
ity I have a sneaking suspicion that'most ot
you are either just out of high school or in
your early twenties. I don't want to star
condemning anyone for being too young it's
Just that my priorities area lot different now
;than back when I was 1 8 and messing around
in my first P-rock band. I have triedto avoid
writing a column ona monthly basisbecausc
I wish to avoid turning myself into some sorl
of ivory tower punk rock icon (and ultimate-
ly a moving target and butt of many people's
jokes and criticisms.) The one thing 1 dc
know is that my opinions and experiences
are no more valid than any of yours, besides
which, I'm far from being as witty and intel-
ligent as, say, Mykel Board.
Onewouldhopethatthecolumnistsof
this magazine serve as a social barometer for
the world wide scene as a whole (taking the
pulsebeatof theirgeneration, bringing ideas
L)ut ri nt £,t he ?P en for dialogue....that kinda
stuff.) What 1 ve noticed over the years is a
lot of people using this magazine to turn
themselves into bloated figureheads, and
^'/TWandising experts and blow-hards.
Which is fine, shit, god knows I'm as guilty
as hyping myself as anyone else. My only
problem is 1 don't have as much time and
wimwm Sm
can t wake up one morning and decide h<
wants to have a beer and be a dick to every
one he meets. If he did, everyone in th<
world would know about it within a week.
Instead, Saint Ian must stay in character oi
the rest of us would get upset.) Having tc
ive up to your own press kits worries me
I m a dick a lot of my waking hours, I'ni
endlessly putting my foot in my mouth anc
then regretting it most of the time. But mosi
importantly, Ihave no secrets to makeyoui
travels through suburban high-school hell
UTiTffJf /At-niFnn w^i^.^. 1.1 _ t\ t
\J • ■- — -- --- --..■—..»-». . . VHUIIUI IM1UH J
!dge, musical or otherwise, to share anc
delight with you. I'm just some schmucl
from New Jersey who likes music, and is tot
stupid to give up the life-style and get ;
"real" life. That said, it's nice to be back
-Part-Three-
(Post-Confessional rantings)
"If you can't annoy somebody, there's littk
point in writing."
-Kingsley Amis
Using living and breathing people as
the launching point for a higher cause is
indeed a mighty and dangerous thing. In mv
last column I lambasted a local alternative
record store for not being nice to me person
ally. Having given the matter some though
oyer the last couple of months, I've realized
that it's kind of petty and jerky to wish ill-
will to what is essentially a "Mom & Pop"
record store just trying to stay afloat. There
am t no law that says you have to be nice to
your customers. If anything, the under-
ground has a long history of shitting on its
minions. Besides which, I'd rather see you
kids buying records from a grumpy old man
than a fat corporate ogre. Furthermore, a lot
in for them. Fact of the matter is I'm practi-
cally a resident of that silly (mythological,)
town. Over the years there has been a bit of
a rivalry between the "Hoboken" music
scene, and that of my native Central Jersey.
That little snot-nosed suburban punk inside
of me has always resented what I essentially
thought were stuck-up, rich, cosmopolitan
snot rags. Most people in Hoboken move
there from other places around the country
(its fame is pretty much world-wide) while
those of us in the central part of the state are
here either for school or beca use our families
live here. So, pretty much it's the city mouse
versus the country mouse syndrome (the
same relationship exists between the way
that New Yorkers think they're cooler than
us in Jersey, even though I'm closer to Man-
hattan than someone who lives in Brooklyn)
My friend Pete from Sticks And Stones intro-
duces himself to people in New York as
"Being from New Jersey and not giving a
shit." mst to bad vibe them.
I'm starting to realize that what I once
thought was the 'Hoboken" attitude is real-
ly the "East-Coast" attitude. Not only are
you assaulted with political conservatism,
that ever-present lingering yuppie greed'
and the legions of bright eyed business ma-
jors from the Mid-West poised to conquer
the world, but even your everyman working
guy out there would just as soon run you
over as to let you make him one second late
for whatever important place he's rushing
off to. Living here means being constantly
assaulted by your fellow man. That said, I'm
beginning to realize that I suffer from the
same unhealthy East-coast elitism that I ac-
cuse others in the state of. If you don't read
the first part of my column (and I haven't
bored you to tears yet), you should know
that I recently went on a trip to Seattle. I
hadn't been in that lovely town more than 24
hours before I started referring to it as Sea-
At-DULL. The truly ironic thing is that Seat-
tle is almost everything that us jaded East-
coasters claim to long for. It's pretty, clean,
small, friendly, with a good art and music
scene. Yet, I was BORED (I guess it's like the
old saying Heaven is dull, all the best bands
playinHelL.orsomethinglike that). "What's
the point, Sam?" you're all probably fever-
ishly wondering.
-Part Four-
(The Point)
I figured out that the reason so many
bands are exploding out of Seattle is due to
the fact that despite the town's small size and
geographic isolation, they have a fuck-all
sense of community. Over the years I have
validated my hateful personal attacks on
other people as one man's attempt to foster
dialogue and ultimately change his own en-
vironment. I have always believed that the
most important aspect of our little under-
ground world (i.e. punk-rock, Max RnR,
Hard-core, freethinkers, etc.) is the sense of
community which is created. Even though
you may personally hate some of the bands
playing at your local punk rock dive, most of
you will still show up to make the "Scene".
Thishappensmorefrequently in small towns
where a gig is an event, and a break from
monotony. In the bigger cities where there
are more choices, you find it's harder to get
the locals out (which in turn makes it harder
to develop your own scene). To me this
explains why Seattle has in a sense con-
quered the world musically, while most peo-
ple can't name one current band from New
York (Agnostic Front doesn't count either—
you guys know what I mean).
Because of a certain band from Seattle,
more and more people are going to start to
check out underground bands and gigs. Al-
most every show I go to at Maxwells (in
Hoboken) either sells outbeforehand or right
after starting. I've found that the crowds
which have been turning out have been more
concerned with grabbing their own little
piece of pop mythology (example: I saw
Ned's Atomic Dustbin and Swervedriver
before you, nyahh, nyahh, nyahh) than in-
teracting with their fellow club crawlers. So
while the bands may be singing about isola-
tion, the clubs themselves start to take on a
dehumanizing aura as well. That's fine, I
people are bally'
hooing the death of the independent music
scene, Dut if I'm starting to feel isolated and
alone then I'm sure a lot of other people out
there are feeling the same way, too. So we
have the diagnosis, and now for the cure.
-Part Five-
(The Cure)
Even if you hate every band from Seat-
tle, at least we can aspire to have the same
kind of community, which, to an outsider
like me, seems to be alive there. There's
plenty of bands, fanzines, clubs, people which
I hate in New Jersey (and I'm sure the feeling
is mutual) but, whenever possible, I try and
pump some money and enthusiasm into my
own little realm. Whether it's teaming up an
out of town band with some locals, putting
out records, buying a zine, whatever. Try
and intersect with your fellow alternative
denizens. As the lines between "Us" and
"Them" get more blurred, the alternative is
only further isolation and eventual destruc-
tion. I don't want to spend the rest of my life
waiting for something better, I want it now.
Viva la Nineties.
-Post Script-
As of this writing The Splatter Effect,
our Tri-state area's free alternative (kinda)
music magazine, has folded. Head splatter
;uy Spiros Ballos is going through major
inancial and personal problems, so save
yourself some money and don't send him
anything for review anymore (although if
you're so inclined, he is accepting condo-
lences).
Don't bother sending CarolineRecords
any free samples. They are only dealing with
labels on "exclusive" basis and chances are if
you're smaller than Sub-Pop, they don't want
to know you anyway. This news shouldn't
come as much of a surprise to anybody who
has tried working with them in the past
couple of years, but what really might shock
you is the fact that Caroline is owned by
Virgin records (Paula Abdul). Furthermore,
I believe Sony (Michael Jackson) has bought
Relativity. Underground. What Under-
ground?
-IMPORTANT JERSEY CONTACT
NUMBERS-
Justin N. is now booking bands for Pat
Duncan's radio-show on W.F.M.U.. His home
# is (201) 467-0037.
Maxwell's is the best club in the whole
wide world if you manage to get a gig from
Todd, the bookish looking booking guy
(Tuesdays from 2 p.m. to 6 p.m. only (201)
653-1703). Chances are I'll be in the crowd.
Court Tavern is a cool 21 + club. Call E-
Gunn at (908) 545-0517 for a gig.
City Gardens, our big Hard-core love
1
.... i , v ■■■'..•,, ,„■ ■„:■,!., - ' ■ ■■- - . ■'- ■■:>■■
palace, has been booked by Grand-pa Ran-
dy for eternity. Give that big crazy galoot a
call at (609) 298-4421, and make sure to ask
him what it used to be like in the old days.
Dave Salat is great guy. I used to drive
l1 cab for both his father and his brother so
you know he can't be half bad. He is putting
on shows at both Middlesex County College
and The River Front bar in South (Home of
Bon Jovi) River. His # is (908) 246-7696.
There's a lot of other places here too,
but since time is scarce and people are forev-
er changing their phone numbers, I'm sure
any one of these people can fill you in on the
current state of affairs here.
Don't call me, I like my privacy . ..Ha, Ha, Ha
-Till next time...
The upcoming project, Book your Owi
Fucking Life, is very inspiring. It has the po
tennai to reauy neip support tne ui i move
ment. I'd like to add my own two cents tc
this. Often, speaking to people, I get tht
impression that they re really in the fog con
The last few articles I wrote were abou
putting out your own records and distribut
ing them. The Do-It-Yourself process can bt
very empowering, both for bands, who car
put out their own records if they want to, anc
for individuals who are interested in startim
a label. It's fun. And yet, there's so mucr
more that can be done as well. Below l'n
listing some things that you can do if yoi
wan t to. They're not the only th ings, of course
but they're relatively easy and rewardini
ways to participate in what we lovingly cal
"The Scene" . There's no magic required here
and most of them don't require that mud
money to start. What is required is commit
ment, consistancy and initiative.
Do A Fanzine. Either start a new oneor worl
with one that's already around. Bring then
to shows, sell them at stores and through th
mail, carry some if you visit other areas. I
you can draw, send copies of your art ti
some zines and get some feedback. There'
plenty of them out there you can contibut
to. Ditto for opinion columns. Write dowi
your opinions, send them to zines, prin
uicriii ill yvui v/vvti /.m^-/ uiunv «.« iijvi uats
hand them out at shows. Don't say you "can'
write", becauseanyonecan write, itjust take!
time to develop your capabilities. Start writ
ing, keep writing, and it will get easier ovei
time.
Distribute Records. Talk to bands, get cop
ies of their records, and sell them at shows o:
through the mail or to other distributors
There are lots and lots of individuals ou
there who do this. Most bands should give
you stuff on consignment, which will mak<
your life a little easier, as you'll pay then
once the records sell. Offer to take 10 copie:
and take it from there. You'll be helpinj
bands out, getting penpals, and meeting peo
LCi.
pie at shows, while at the same time showing
that mere can be an alternative to traditional
record stores, many of whom are not respon-
sive to the scene and very expensive. (Not all
stores! Sorry, Malcolm J
Help Put On Shows. Find places to have
shows, organize a potential sound system,
gather some money from people if you need
a deposit for the show or have other expens-
es, get in touch with bands and see who is
willing to play when, or who is on tour
when, and do it. Don't complain that it's not
there and wait for your scene to miraculous-
ly drop out of the sky. Offer to work the
door/security, or clean-up before or after
the show, or make flyers and post them
around and hand them out. You'll find also
that once you start booking, you'll get in
contact with more and more bands and also
more and more promoters. When bands call
you (believe me, your number will get around
pretty quick once people hear you re putting
on shows!), you can help them book a num-
ber of shows in your area. Don't limit your-
self. Why not do a show once a week if you
have the space. Finding bands might be a
problem at first, depending on where you
live, but keep it up. Nothing of any value is
ever going to come to you overnight. Be
persistant, don't fuck people over, treat each
show as an event which requires a certain
amount of work. Think. Try. Do. Period.
Offer to put up touring bands if they're in
your area and are not complete assholes.
Take pictures. Zines love pictures, bands
lovepictures, your friends love pictures. Easy
to take. Send them out and see your name all
over theplace.
Start a Radio Show. Why not? No experi-
ence? Obviously no one starts with experi-
ence. Approach your college station, if you're
in school, drop by your local hardcore radio
show if you have one. Communicate.
Using your imagination, you can think
of other worthwhile things as well. The only
thing stopping you from doing these things
is yourself Lose the word "can't" from your
vocabulary. Stop talking about it and fuck-
ing do it.
I had stopped writing for MRR be-
cause I couldn't get inspired, I couldn't find
topics that grabbed me. Self-determinism is
a very exciting topic. Standing up and doing
things, not just singing empty slogans and
pointing and waiting for the worldto come
your way. Everything you do has ramifica-
tions and you can make a change. The only
question now is if you care enough to.
/Zs, node m- noa lumtouT
if}*?***
MHUMl
This month I don't have time to re-
spond fully to the What Happened to Jeff
Bale Committee, which I had originally
planned to do. I may get around to it in the
future, but frankly it seems to me that this
query puts the cart before the horse. The
really importantquestion is "whathappened
to the punk scene in the course of the last
years?" Allow me to explain. When I first
consciously associated myself with thepunk
rock scene around 1977-/8 — although emo-
tionally I feel like I've been a punk since
about the age of ten — punks were people
who recognized how fucked up the world
was, wanted to give it a good swift kick in
ass (figuratively speaking), and went out of
their way to be outrageous and shock peo-
ple. The idea was not only to express One's
rebelliousness and alienation, but also to
transgress and thereby extend the bound-
aries of permissible speech and acceptable
behavior. Nowadays it seems to me mat the
vast majority of so-called punks are a bunch
of little old ladies who worry obsessively
about everything, get offended at the drop
of a hat, and then try to impose their own
rigid moral codes on others. Perhaps my
impressions are distorted by living in the
San Francisco Bay Area, the PC capital of the
world, but hereabouts all too many punks
are whiney, stodgy, intolerant, humorless,
oversensitive little wusses. Obviously, there
are plenty of exceptions even in this area,
but the ones that attract most of the attention
and seem to dominate what passes for intel-
lectual discourse in various fanzines are the
privileged, guilt-ridden twits who appar-
ently lack the ability to distinguish between
1) substantive cases of racist, sexist, and
homophobic discrimination, and 2) the ex-
pression of divergent viewpoints that of-
fend their teensy weensy feelings. The dif-
ference between the over-the-edgepunks of
yore and the uptight neo-punks oftoday is
enormous, andean perhaps best be illustrat-
ed by two examples.
Back in the early days of the San Fran-
cisco punk scene, a punkette named Ivey
f>ut out an annual calendar called Jokes for
erks. Liberally sprinkled throughout the
dates of that calendar were offensive, off-
color jokes lampooning every ethnic group
and sexual orientation, practically without
exception. There were Irish jokes, Polish
jokes, black jokes, Mexican jokes, WASP
jokes, Jewish jokes, Germanjokes,gayjokes,
women jokes, men jokes, iron lung jokes,
nun jokes, punk rocker jokes, etc. All of
them were offensive and insensitive, as such
jokes are meant to be, and almost all of them
were hilariously funny. Most of the punks I
knew back then avidly read that calendar,
and later we would laugh together about
some of the funnier jokes. One can easily
predict the response of today's PC punks if
such a calendar were toappearnow. It would
almost certainly be burned or torn up at
some ridiculous demonstration, denounced
by various writers in MRR and other
punkzines for being "SRH", and accused of
notbeing"punk"becauseitcontained"hate
speech", or some other such bullshit. But the
fact that the early punksaround here laughed
at offensive jokes doesn't mean that they
wereabunch of reactionaries. After all, those
were the days of Search and Destroy and,
later, Creep, both of which managed to com-
bine intelligent and radical sociopolitical
views with outrageousness and a sense of
humor. And therein lies the key. The origi-
nal Bay Area punks were not only more
politically sophisticated (in general) than
their contemporary counterparts, but they
also genuinely liked to have fun, liked to be
outrageous, and had greatsenses of humor
and irony. These eminently endearing qual-
ities have all too often been replaced during
the intervening years by general uptight-
»ness and political sectarianism, im
sive moral puritanism of many straighte'dge
bands is simply the mostblatantexampleof
^ process that has come to afflict the entire
I .punk scene. If that is really what punk has
|become,fuckneo-punkandthehorseitrode
lin on.
Another clear example of how lame
Ithe local punk scene has gotten was the fact
Ithat only about 40 people turned out for
|both recent Bay Area gigs by JEFF DAHL,
one at the I Beam in SanFrancisco and one at
Gilman Street, and half of them were old
punk veterans rather than younger punks.
I i|For those who don't know, JEFF DAHL has
I l^been one of the perennial mainstays of snot-
ty garage punk since he put out his first
.indie single way back in 1978, has played
lllwith some of the finest representatives of
Ithat best of all musical subgenres (including
"■members of the DEAD BOYS and the AN-
GRY SAMOANS, etc.), and has helped in-
»numerableyoungergroupsin the same vein
by producing their records, bringing them
on tour, and otherwise promoting them.
Now Jeff is a really nice guy who wul prob-
Iably be embarrassed that I'm bringing these I
issues to the foreandpraisinghim so highly,
but his importance in the miniscule punk
rock universe is almost up there on a par
with that of Ian MacKaye, Tesco Vee, Biafra,
I and other more famous figures. One could
therefore only imagine the initial disappoint-
ment I felt at the small turnout for his recent
gigs. All of this rapidly gave way to rock
n'roll magic, however, since as a diehard
iirock n'roll fan (or, in my phrase, a "rock
'■n'roll burnout") he invariably punks out no
matter how many people are there to wit-
ness the spectacle and, also true to form, he ,
l|ined up some of the best California garage '
">unk outfits to play with him, including the
JLECTRIC FERRETS from southern Cal,
the SCREAMING BLOODY MARYS, and
the GARGOYLES (although the latter des-
perately need to recruit a second guitarist to
restore the background crunch now that
Lisa has quit). Jeff's band included some
Dther famous punk rock vets as well, includ-
ing Rikk Agnew from the ADOLESCENTS,
the old bassist from POWERTR1P, and Billy
from the SAMOANS on drums. In short, it
was a little slice of punk rock heaven, and
■those who were there got a taste of what
■punk gigs used to be like, obnoxious and a
little wild but not violent, especially at Gil-
man when Rikk fell off the stage and then
weirded out. But once again, it makes one
wonder what the fuck has happened to the
punk scene when such a great show goes
virtually unattended, whereas week after
I week lousy gigs by wimpy emo-punk and
trendy rock bands pack local clubs. And
what does it say about Gilman, the sup-
posed center of the punk rock universe,
when so few punks attend such a classic
punkgig there? I'll let you decide.
In other words, don't waste time wor-
rying about what happened to me, because
I m more or less the same obnoxious person
I always was. What you should be doing is
looking in the mirror and asking yourselves
how you may have contributed to making
the punk scene so tame and boring by trying
Ito enforce ideological conformity and blunt
litsability to shockand offend people. (When-
ever I reflect upon the role that I may have
inadvertently played in that process, I feel
Hike smacking myself upside the head.) Af-
ter the rest of you engage in a little soul
searching and can answer that question to
my satisfaction, then just maybe I'll feel
compelled to further explain and/or justify
my own changes of attitudes. Until then — if
you don't mind — I'll be concentrating on
the present and looking ahead. If you do
mind, that's too damn bad. As the TUBES
once jokingly put it, "I was a punk before
you were a punk". More importantly, atti-
tude-wise I'll still be a punk long after most
of you self-righteous political punks have
passed through youryouthful "radical punk
rock phase" and moved on to become Yup-
pies or born-again Christians. You can bank
on that, motherfuckers, because no matter
how disgusted I get with the lameness of
what passes for the punk scene today, my
fundamental emotional makeup won t
change. I'll be hating the world, rebelling
against dogmas and authority figures, and
listening to loud rock n'roll until the day I
die. The vast majority of you will not, even
though right now you may think you will.
That s another safe bet.
"Real Punks Only" Section
I'd like to begin here by raving about
SNAIR's Stay Home LP, which is quite sim-
ply the best straight up punk album I've
heard in years. The only long-player that
even comes close to it in the recent p-rock
sweepstakes is JEFF DAHL's Ultra Under
LP, which I already recommended to you
some months ago. This SNAIR record has
everything one could possibly ask for from
a punk record — consistently great songs, a
raw guitar sound, real fine lead vocals, and
catchy choruses — and on a couple of tracks
they almost manage to evoke the late, great
REAL KIDS. It's hard to pick the most out-
standing cut, because all of them are pretty
damn irresistible, but I'm especially bowled
overby"InternationalIntegrity".Really kill-
er stuff which deserves to have far better
distribution. And speaking of great punk,
check out the la test EP by the WRETCHED
ONES, America's Most Wanted. Classic
punk rock with hooks galore, way cool gui-
tar riffage, short melodic leads, and rough,
belligerent vocals. As with the SNAIR stuff,
I find myself humming these WRETCHED
ONES' songs (especially the title track and
"Life for a Life") at all hours of the day and
night. Someone should definitely put out an
a lbum by these guys, since they have enough
good songs to fill one up. Also on Headache
Records is a EP by THOSE UNKNOWN, a
rarity in this day and age — a genuine
"skunk" (skin plus Dunk) band. In this case
we find STIFF LITTLE FINGERS-influenced
vocals conjoined with Oi-ish song struc-
tures, and the results are terrific. All the
songs are irresistibly catchy, but my faves
are 'Cries of A Nation", which has a great
chorus and guitar part, and the bona fide
teen anthem, "Go Where the Kids Go",
whose chorus deserves to be quoted in full:
Ya gotta go, go where the kids go
Cause your old, older every day
Ya gotta go, go where the kids go
and hope youth won't slip away
Words of wisdom, tha t's for sure. Then we've
got two bands whose names begin with
SUPER, the SUPERSUCKERS ancf the SU-
PERKOOLS. The former have several 7"
releases, all of which are worth getting. The
one with "Saddle Tramp" is really great.
That song is a heavy crunch rocker with a
nice primitive lead, and is accompanied by
a short, chunky thrasher and a slower, even
heavier Flipside with a NIRVANA-style riff
that would be great for stumbling around
and banging one's head to near bar closing
»•«)%'•»
time. Yeah! I bought the SUPERKOOLS on
the strength of Rick from Slasher's recom-
mendation and the thanks the band offered
to Carmin Hillebrew, and from the opening
guitar riff on "Something Tomorrow ' I was
hooked. This band's got super snotty 60s
punk vocals, and their raw songs are filled
with classic 60s punk melodies and raunchy
guitar parts. According to Mike Lavella,
that fount of obscure lingo, a superkool is a
joint dipped in angel dust. You know, the
kind of fun drug that makes a seemingly
normal person run around the streets with
no clothes on and try to cut someone else's
head off with a butter knife before plunging
it in their own eye. That's pretty much it for
!«MMSMRiJ&£
m
:^mhmm^m)mmm^mmm ' ^^ v&t i
^MWfM'iiiWMHtffliHIi S Ns*^™bk&^P
say that it it weren t tor great
Sympathy for the Record Industry and Head-
ache, punk rock would be well and truly
dead here in America.
I also received a mini-LP called Stum-
ble from a group called LOST, who thought
I might like it. And, as a matter of fact, fao II
like the first side, which has real powerful
guitars, a rockin' beat, tasteful licks, and
emotive but not wimpy vocals that bring
HUSKER DU to mind. The other side is
slower and more acoustic, and hence has
less immediate impact, though it may grow
on me. Which reminds me, if there are any
bands out there that feel they are too obnox-
ious, politically incorrect, or rockin' to ap-
peal to MRR's regular reviewers, or simply
that their own style of music is closer to my
own crude, vulgar tastes, don't hesitate to ||
send an extra copy to MRR c/o me. Since I
don't have enough money to get everything
these days, it's quite likely that I'm missing
some great releases that are right up my
alley. If I like it, rest assured that Pll let
everyone who reads my column know about
it (for what that's worth). Later, dudes and
dudettes.
^^■^
---■---»--
Glencoe — We found the lost valley in
an afternoon of wonderful hill-walking
amidst a series of my cheesy jokes about how
lost could the valley be if it is so easy to find.
Of course I had expert guides, a Scot-
tish couple who are trying to scale every hill
or "munro" in the Scottish highlands, which
will take them more than a lifetime. A natu-
ralist named Munro catalogued each of these
exquisite mounds and earned the honor of
having the whole lot named after him.
You have to use your imagination,
mind you," another Scottish pal named Andy
said, looking down over a craggy vista, in
which one immense crack in the earth seemed
to go all the way down to hell. "Try to picture
a bunch of chaps with big red beards waving
broad swords."
Indeed, the lost valley of such great
repute was apparently the scene of an in-
credible slaughter during the war for Scot-
tish independence, linking it cosmicallywith
such American locations as the wonderful
Slaughter Creek between Austin and San
Antonio. Like the revenoors trying to burn
out the hillbillies, the Brits had to practically
fight down to the last man, clambering
through this impossible hill country in order
to quash the rebels. Nowadays the broad
sword has been replaced by the hill-walk-
er's essential gear: rubber boot covers, head-
lamps... the latter is a real necessity because
once the sun goes down you'd never get out
of here.
I am told a tragic tale about a badly
prepared dada who ventured into the hills
with two daughters, got lost and stuck, left
one behind while they went for help — both
the children wound up freezing to death. It
fills my heart with incredible misery and
longing for the little girls I've left at home foi
yet another concert tour, this one a two-week
stint through both Britain and Scotland.
The Sunday off spent in Glencoe was
Icertainly the highlight and when 1 got back
down to London, Reading, Oxford, York, 1
spoke of the mystic time I had experienced in
the highlands, gettingpretty much the same
reaction everytime: "1 ve heard it's beautiful
up there. ..never been there myself." I heard
this from Britsof all ages, including an elder-
ly woman on a train who was on her way to
Florida for the fifth time.
So another country is whacked into
submission and then ignored. Britain "owns"
Scotland like it "owned" India and it would
The interesting to find out what percentage of
the British population has even set foot in
this colony to the north. I overheard two
secretaries talking on the London tube about
their pal Marie who was marrying a Scot and
moving "up there."
"1 suppose she'll have something to
do," one said dryly. "Perhaps knit scarves."
"Or clean fish," bitchie two added.
Obviously, no love was lost flowing in
the other direction, although I could not find
a single Scot who had never been south.
However most of them said the same thing
when I admitted my tour also included Brit-
ain. "Oh, you poor thing."
Mr. Prime Minister Majors had just
returned from the pre-Christmas Maastricht
summit, where a deal had been wrangled to
allow Britain to "opt out" of the upcoming
"European union" if certain any part of the
package wasn't to their liking. Meanwhile,
in Scotland people seem interested in opting
out of Britain altogether. This movement has
always existed and seems to be building,
encouraged by what has happened to the
former Soviet Union and what is happening
in Yugoslavia and Czechoslovakia.
In one Parliament session I watched on
TV the section devoted to Scottish questions
came immediately after a major address by
-y. Now usually mostoftheParlia
Iks out of the Scottish question ses
Ision out of lack of interest, but in this cast
they were all in their seats for Majors and
couldn't get the hell out of there in time to
i void a scathing attack from a Scottish speak-
er: "1 see for once everyone is here for Scot-
tish question—now why don't you all shul
up and pay attention. Maybe you'll learn
something!"
Only a few minutes later I was chatting
with a clerk in a record store. "Been in Scot-
land? I hear its nice., never been there my-
self."
Well of course you know how people
are intimidated by drives of more than three
hours.
The European unity program got lots
of coverage before and after Maastricht. It
seems lam not the only person trying to sort
this little fandango out. I recall the leap of
faith a few years ago, looking at it mostly as
"Wow! No more customs inspectors! How
are they going to stop the hash from flowing
out of Amsterdam?
Customs inspectors are actually carry-
ing on strikes in many of the countries a t this
writing. Something like 70,000 of these suit-
case-sniffing weasels will be out of work in
France alone. See if I care.
The cops in Germany want expanded
powers to search suspicious people on the
streets, especially in border towns such as
Krefeld. This isheinous, obviously, although
the way tilings are going in the U.S.A., it
could be one less thing to be homesick about
for lucky American tourists. ..yes, the Ger-
man cops could actually start reminding
you of that state trooper that pulled you over
last, week and spent an hour rummaging
through your cassette tapes.
Vibes of a much more frightening na-
ture than drug paranoia are coming out of
the union now. Although in some ways the
idea is supposed to help promote promising
social programs from certain countries across
thewholeof Europe by making them unified
strategies — i.e. putting them into law — the
flexibility some countries have shown deal-
ing with immigrants from poorer countries
could be eliminated completely by turning
the European union into a fortress and lock-
ing the door.
Therefore shreeves such as John Ma-
jors are torn between opting out, thus avoid-
ing frightening prospects such as a stan-
dardized minimum wage and work stan-
dards — which I heard would totally destroy
the British economy — and opting in, thus
getting in on the great profits to be made by
keeping all the old eastern bloc countries as
well as the new ones in a second string
position.
It's a beautiful follow-up by the combo
that brought you the cold war. With the riff
of "communism" well worn out, the new
mix demands that new countries wanting in
on the union must first bring inflation down
to certain levels set by the greater union. Of
course, how any place such as Latvia, let
alone Romania, can get their economy to-
gether from outside the new European union
is a mind-boggier.
Result: an instant new cold war, a per-
manent eastern bloc based this time not on
ideology but on the dictates of cold, hard
cash: the Euro-dollar. Just when you thought
you could finally cash in all those dinars and
zlotniks along comes neighbor and then one
day you are endowed with the power to go
over and inform them their bank account is
worth nothing.
Meanwhile Switzerland will go it alone.
It must keep its Swiss francs, and it certainly
will not tolerate any international standards
interfering with its banking procedures.
All this crapola about money was cer-
tainly in keeping with the Christmas season
that was exploding all around me through-
out the merry U.K. And exploding is the
right word. As soon as I got away from scarf-
knitting, fish-catching, hillwalking country
and back to the heart of things it turned out
the good old Irish Republican Army had
some old and new strategies to try out on
London's Christmas shoppers.
Bombs in train stations. Bombs in su-
permarkets. Bombs in museums. Firebombs, ill
Smokebombs. The newly developed Bomb-
bomb. One Sunday night in Soho, I had just
breezed in from a weekend gig in Reading
and was surprised to find a bunch of shops
open, illegally. In an import place, I lapsed
into the typical American habit of handing
the clerk your bag the minute you step into
the place so you can't shoplift.
"I can't take that," he said, cringing at
my bag. Oh yes, of course. There's more to
worry about here than shoplifting.
Of course we could certainly use our I'
own IRA leaving little smoking things in
awkward places except in our case the V
might stand for Indian.
With superpowers crumbling all
around, the European seems to want us to
look at our own home and spot the differenc-
es. Years ago I remember watching German
tourists in El Paso. They were gawking at
what passes for the border. Of course we all
know where the border used to be, or rather,
that there used to be no border.
What is really thepoint of all this terri
torial grabbing, all this expansion of "one
nations under God", whether they call them
UK, USA, USSR or URASS, if it is simply too
difficult for all the people within them to
even take apeek at other parts of their own
"nation?" Geographers like to look at their
own science as perhaps the ultimate purvey-
or of truth, in that if you study it closely
enough you'll be able to predict the future.
Geography such as the USA and the
USSR is simply too expanded, too vast, too
complex to maintain order forever. Thank
God! We may have something to look for-
ward to! As for the UK, let's just see how
much longer they call it that.
I detest Perry Farrell, but he said some-
thing about the Lolapalooza Tour that was
extremely accurate. He was quoted as he
attempted to call all the attending young
people to action, saying now is the time to
fightagainstall the wrongs being committed
by our own government in the US. But, he
concluded, it won't happen because Ameri-
ca's youth are too caught up in the trend to
care about the reality. It's just today's fash-
ion to them.
Except for the people associated with
the underground scene, I can agree whole-
heartedly. From the pictures I saw of the
crowds attending the tour, most were col-
lege kids playing dress-up or ma instrea mers
looking trendy in their tie-dyes with mo-
hawks and peace-signs with combat boots.
They didn't even realize that all the fashion
statements they were wearing represented
conflicting ideals. Too many people have
picked up on the appearance ofalternative/
Ilpunk, without pondering the ideals and atti-
Itudes these clothes represent.
Punk/alternative surfacing as a fash
|ion has undermined the integrity of the move-
ment, and trivialized its legitimacy. Too many
Iipeople see it as a costume to piss their par-
lents off, and shock people, instead of as a
■valid way of looking at the world. And the
Ira w energy and intensity of it seems to act as
|i lightning rod for freaks and weirdos whc
lire attracted only by the anger as a vehicle
for their pent-up aggression and hatred.
Big media magazines, who ignored
Ipunk in the late 70's and early 80's, are now
■trying to drag the underground out into the
lopen and re-create punk as a current trend.
Spin put Nirvana on its cover and included
shallow articlesabout them and other bands
like Helmet. Spin also chased after Fugazi,
who refused an interview with them be-
cause of what the magazine supports in its
■ldvertising: the military, big cigarette and
Ioeer companies. Spin still wrote a simplistic
articleabouttheband,andputFugazi'sname
on the cover of that issue.
Every time these big media magazines
mention underground music, they pay lip-
service to Ian MacKaye and Dischord, seem-
ingly hoping to cultivate enough interest on
his part to finally grant them an interview. 1
admire and applaud MacKaye for uphold-
|ling his beliefs. Big media attention isn't nec-
essary for a band to make an impact and get
its messages across.
Just the fact that big media can create
■trends points to the fact that regular white-
Ibread Americans blindly believe they can
Ibuy an image by wearing it. And when new
on. It's cool to be trendy. They take on
and discard appearances as fashions come
||ind go because they are shallow enough tc
"be able to trade identities each time a new
i>ne strikes their fancy. People who used tc
hang around the scene in the early 80's went
mi iu ucluiiic nippies clliu meidl-uedUS, a?
..those trends got popular. And they'll go or
||to the next ones that come along. It's just
trendy fashion to many people, and that's
■■what irritates me the most.
' I used to live in London and remember
iivvhen punk was "discovered" by the media,
"md how it was trivialized intoa virtual freak
^howoff dyed mohawks and liberty spikes.
..Even now, some kids dress up and hang
11 1 round the tourist traps and charge people a
^/w.n^l */-. i-^l^« *-K.^;« «.^i. tu~. r : — Lti -
..legitimate punk scene in England, but like in
....^ „ ~,.,v,.igs in both countries — wher,
it's not subject to scrutiny and imitation by
the mainstream.
I've written to both big media music
magazines and told them that since they
ignored punk in the 70's and 80's, they shouk
leave it alone now. They should stick tc
things they know: Mariah Carey, Nelson
Wilson Phillips, New Kids, Paula Abdul.
rk„„ . 'i r.„:ui.. J :l ' 1 . -.1 ..
MK^ ?<l W.WU' l I J- f imff l iMg i 1) i' . f MnMMWM
ging at it now, only because it's applicable h
these tough socialand economic times. Nat-
urally, letters like mine will never make thi
pages of their Letters to the Editor.
And just like MTV discovered then
dumped the Red Hot Chili Peppers, the
media will find other music to hype-up. The
sooner the better. It infuriates me to see the
same people who used to make fun of me,
trying to dress up and be alternative or punk
too. I'm in it for the long-haul, and it may be
juvenile on my part, out I resent all the
mainstream sheep buying into a lifestyle I
don't think they could possibly understand.
People spending big money to buy the right
clothes to look poor is the biggest example I
can think of here. Or people like these dumb
Marines I see who wear all the gear associat-
ed with skinheads. They think thatautomat-
ically makes them skins too, because they're
dressing the part. They don't have a clue
what skinheads stand for, or that there are
different types of skins, they just admire the
image. Because of people like this, the scene
changes and splinters every time punk gets
trendy.
I got into this years ago, not only be-
cause I liked the music, butbecause I agree
with the attitude. Counter-cultures are valid
because people are different. Expecting ev-
eryone to look, act and feel the same way
restricts people, because not everyone can or
wants to be the same as everyone else. And
if people are uncomfortable in a surround-
ing, they usually find others with similar
interests and ideas. But when normal, aver-
age, white-bread people get into alternative
scenes, they water it down by applying their
mainstream attitude to it. People like this
already fit well into the normal pattern of
life; why the hell do they think they've got to
infiltrate someone else's? It becomes a game
to them, ora phase they go through, and they
treat it as such. It's expected that young
people go through a wild or angry phase,
and unfortunately punk is how some choose
to act it out. Everyone associated with punk
is written off as just being angry kids going
through a phase, instead of people who
sought out an alternative to everything nor-
mal and accepted.
I can't remember, but I think I got a
note from MRR Central to the effect that the
columns were getting too long and we should
try to rein in our egos or at least our expres-
sions thereof so as to leave some room for all
the other important stuff like ads and scene
reports and record reviews.
Or maybe I'm confusing this with some
other magazine I write for. I'm not sure,
because I ve been in this weird inter-dimen-
sional zone ever since I flew over Iceland and
Greenland a couple weeks ago. You'll prob-
ably think I've gone completely round the
bend, but I've developed this all-consuming
obsession with those two places, which, it
you've looked at a map of the world lately,
you might know are near each other in the
upper reaches of the Atlantic Ocean and as
close as most people would ever want to get
to the North Pole.
In fact, most people don't even want to
get that close to the North Pole, which prob-
ably explains why Iceland only has 250,000
people and Greenland has 50,000, barely
enough to fill up one mega-shopping mall in
a typical American suburb, despite the fact
of Greenland being the biggest island in the
world and so heavy with all the ice that's
piled up on top of it that it put this huge dent
in the surface of the earth underneath it. I'm |
not making this up, I swear. In fact, I think I
may be well on my way to becoming the
punk scene's leading Iceland & Greenland
expert who doesn't live in Iceland or Green-
land. While I was in England, I would sit up
late at night reading guide books and look-
ing at pictures of those places, and then I
would fall asleep and dream that I was in
Uummannarsuaq or Nanortalik having rad
adventures with Eskimos and dog sleds and
speaking Greenlandic like a native while
getting chased across the ice floes by imperi-
alistic vikings driving herds of rabid saber-
toothed tigers.
Or something like that... But listen,
before I forget, let me take advantage of my
position here at MRR (if Tim can do it for his
record collecting, I don't see why I can't) and
solicit any and all Icelandic or Greenlandic
punks to invite me to come visit their amaz-
ing countries. I'm serious! Summer of '93, at
the latest, I'll be there. Akureyi, Reykjavik,
Djiipivagur, I'll be making the scene. .. Dude,
I want to go so far north that I'm only mar-
ginally on this planet. Which is where a lot of
people suggest I already dwell anyway.
Which brings me to...
I should hasten to clarify that this is not
a continuation of last month's April Fool
joke, that this really is me, though I suppose
there's no way I can prove it, and I probably
do sound even more out of character in this
column than I did in last issue's parody.
Sorry, I'm back in California now, and after
three months of not hearing anyone (except
myself) saying "dude" and "rad" and "to-
tal", the culture shock was too much for me,
forcing me to slip into the nonsense-spewing
ersatz profundity that typifies most East Bay
type discourse. You want to know about
politics? Philosophy? Culture? Our place in
the universe? Write to Bumblescrump. Me,
I've finally realized that people will only like
me if I act stupid, and even then it's only a 50-
50 chance at best.
Does this mean I'm turning my back on
the burgeoning Smart Punx movement? Not
completely, but I think it's best left in the
hands of a new generation. For someone like
me, who was never of more than marginally
above-normal intelligence, it'sa bitof a strain
to keep up this constant flow of intellectual-
ity. The most successful punx are obviously
those who are best at covering up any native
intelligence their chromosomes or early ed-
uca tion may ha ve cursed them with . Sardon-
ic? Bitter? Moi? Not even; in fact I've practi-
cally turned into a vegetarian since you last
heard from me. And you wanna know why?
See, there's this guy in England who's
probably the tallest, skinniest, palest, and
longest-haired punk in all of Essex, which is
the place everyone else in England makes
fun of. Sort of like Concord here on the West
Coast, or New Jersey on the East. Anyway,
his name is Graham, and even if he thinks
I'm making fun of him too (not that I would
hesitate to if I thought I could use him to coax
a cheap laugh or smile out of MRR's legend-
arily insensa te readers), he actually exerted a
greater influence on me than legions of punk
preachers and moralists who've been telling
me for years that I was a cretinous, murder-
ous fascist for occasionally eating dishes that
contained bits (or even large chunks and
gobs) of dead animals.
He never commented on my eating
habits at all, but one day when I asked him
how he happened tobecomea vegetarian, he
said, "Because 1 didn't want to hurt the little
animals," and as he said it, he looked like
such a wide-eved bunny rabbit himself that
I fully understood, and really regretted the
time in Paris in 19X0 when 1 ate a whole halt
ofa rabbit even if itdidtasteawfullygoodall
smeared with mustard and washed down
with red wine that was probably tested on
animals, knowing those diabolical French-
men.
In fact, it was only a couple weeks later
that someone offered me, funnily enough, a
hunk of roast rabbit, and I, conscience-strick-
en, turned it down and said, "No thanks, I'll
just have the lettuce and carrots." And lest
someone get the wrong impression, Graham
doesn't really look that much like a bunny
rabbit, even a tall one, though come to think
of it, what other animal does he resemble?
None, of course, he's vegetarian! I know,
he's like a 6'4" tall white asparagus shoot!
You don't think he'll take that as a compli-
ment either? You're probably right.
But that's not my point (as if anything
was). No, like I said before, and will proba-
bly nave to keep saying, I'm SERIOUS!!! 1
think if people want to convert others to
vegetarianism, or socialism, or anarchism,
or just being rad to hang out with, the way
IGrahamdoesitishell more effectivethan the
grim ranting and preaching you might read
in many punkzines like this one or Profane
Existence or... Lookout? Yeah, I know I've
been guilty of a fair bit of preaching myself,
it's kind of like I can't help myself, since not
only do I know everything, but I'm also the
one who knows best what everyone else
should do... You're really getting confused
by now, aren't you? You totally think Jeff
Bale is writing this month's column, too,
don't you? And it could be true. Perhaps Jeff
jBale and Lawrence Livermore are really the
Isame person. And Mykel Board and Ben
IWeasel, too. In fact, perhaps they're not even
I -. nnpenn 1-mtiiiLt i i-f-\mr"M i¥ar nrnOMm (",in;1-
versial prose from four different angl
any given issue at the stroke of a key.
Yeah, that must be it. In this postmod
ern age we should be beyond individual egc
anyway. And individual reality is equally
reactionary. We should be randomly cruis-
ing in and out of each other's consciousness
No, stop, consciousness is reactionary too,
because it involves walls and barriers, like
when you say, "Dude, I'm not even con-
scious yet andyou're laying trips like this on
me?" Really, I swear I'm not on drugs! Forty-
pi us years of real ity (i e., a collectively a greed -
upon illusion) does take its toll. I also decid-
ed to stop washing my hair, because Graham
hadn't washed hisinfhreeyearsandit looked
total rad (which made me think, you don't
ever see animals, who have hell of more hair
than most humans, buying shampoo or go^
ing to the beauty parlor), but it didn't work
so well for me because it just made me look
like more ofa street person than I already do
(which is partly understandable, if you ever
I saw my room, because it is only one or two
steps up from a cardboard box in a doorway,
though I have to admit it's warmer and has
electricity andbunchesof punk rock records).
But I do look like enough of a street
person that when [ go into one of the cafes
Where all the East Bay punx hang out when
they're taking a break from destroying soci-
ety, the guy at the counter tries to encourage
■ lime to get my coffee to go, like as if I'd feel
U-J
more at home sitting on the pavement and
plus after I'd finished drinking it, I could use
the cup to collect spare change. They proba-
bly think I'm bad for business, too, because
who wants to sit in a cafe frequented by
raving psychotics who look like me?Though
you have to admit, not being welcome even
in that handful of hellholes where East Bay
punx are tolerated is a bit hard to take. Even
in my new, post-ego state.
So, I'm finished with college now, ex-
cept for some minor paper work like hand-
ing in a 100-page thesis which I plan to
plagiarize from a selection of all the political
articles that have appeared in MRR over the
past year. Actually, I was just going to hand
in a xerox of the Noam Chomsky book that
Marty Sprouse published last year, but some-
body told me that my professor might have
heard of Mr. Chomsky, even though I didn't
know that most Cal-Berkeley professors lis-
tened to Bad Religion (kind of insider MRR
punk rock joke there; I apologize to the two
or three serious individuals who read this
column in search of incisive socio-political
commentary, which all somehow got stored
on another computer disk). Which means
my next dilemma is: what do I do now?
So I've decided to put my fate in the
hands of MRR readers, by taking a poll, the
results of which I religiously swear to follow,
no matter how stupid. So, here's the ques-
tion: where should I pursue the upcoming
days of my lives (sic)7 Choices: A) East Bay,
California; B) Emerald Triangle, California;
C) England; D) Iceland or Greenland; E)
Hell, or reasonable approximation thereof.
All responses to MRR, c/o the Livermore
File. (Yes, for those trepidatious soulsamong
you who take me more seriously than neces-
sary, it is permissible to address me as Mr.
Livermore, or even "Livermore, you assh-
ole" despite my maudlin soul-searchings to
the contrary last spring.)
And with that, I think I'll rise up from
my existentially becalmed state of being tem-
pered by constant intimations of inconse-
quential substance and deliver this latest
opus (that means "big important work") to
Maxi-HQ in the sinister and nefarious West
Bay, wherel might also eat (vegetarian) burr-
itos. Tune in next month, when my personal-
ity (or lack thereof) may or may not have
been restored to something akin to your
expectations. It's these cathode rays, you
know; they're piercing my soul like the after-
burn of a dying supernova. And that ozone
layer, let me tell you... Maybe next time...
Meanwhile, there's this DJ on the radio who's
driving me nuts because he sounds exactly
like me, which wouldn't bother me that much
except that I'm a DJ at the same station, and
I keep wondering if I'm really here at all, or
if I'm actually on the radio playing bad alter-
native rock and saying really dumb things.
Well, no doubt about the second part, any-
way... _,
GAJ\TA^ CPi-GFW
The Punkest Lick
What can I say? When I think of punk
rock I think about this lick. It's simple when
you get it down and 100% guaranteed
ef^hve.Youqineverhearitinasweetpoptune.Youmightsayit'santi-sweet.Many"classicpunk"bandsreli^
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influenced Iby what ^pl^^^^'6^^^Si^^^&^ ade *"*» "^ Wron 8 with ■*"*
oneor T S%tKinlit^
Now for the tunes! I'm presenting these examples using power chords for simolicitv's sake
Ke t Jf S rnbX rS ' ,USt P Y loWGSt note of each chord to P fay along simplicity s sake.
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For my first example here's the Intro to the Pistols' "God Save the Queen".
f lly A I ., ,' f^ A T i AUA — T T
Now for a fairly simple complete song; "Commando" by the Ramones.
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Here's one of my all time f aves, Sham 69's first single, "Borstal Breakout." This one kills! Two new concepts in this one, the accent
and the mute. Accent just means hit the indicated chord a bit harder to make it stand out more. Mute means bring it down in volume by
letting the fleshy part of your picking hand (behind and below your little finger and almost to your wrist) rest lightly on the strings near
the budge of the guitar (where the strings go into the guitar's body). This gives you a slightly muffled, "chunky" sort of sound. Move your
hand up towards the bridge for less mute; move yourhand down towards the strings for a more muted sound. Accenting and muting are
important to master because they can make a fairly simple progression sound much more dynamic. Anyways, like I was saying, here 'tis:
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Subversion Potential:
Say you know someone (parent? roommate, obnoxious acquaintance) who really loves a particular song that you really hate ("We
are the World" for instance). You can ruin the tune forever for them by learning how to play it normal style and then modify it by applying
the "punkest lick" technique. Crank up your guitar, heavy on the distortion and just slide into every single chord . Don't forget to sing loudly
and out of tune. Repeat over and over and over. This should send them running for the nearest exit! If you did your job right (badly enough)
they'll never be able to enjoy that special song again, forever haunted by your "punkest lick" version.
One final example for you lead guitarists out there. This Dickies solo is a "punkest lick" extravaganza! Two more new concepts: the
triplet and the pull-off. A triplet simply means playing three notes per beat rather than the usual one or two. It might help if you think about
Jackie Gleason in "The Honeymooners" saying "Homina homina homina homina". In a pull-off you pick only once to get two or more notes;
You pick the first note and sound the second by pulling your finger off the string, not in a straight up motion but more of a sidewayspulling
the string-motion. It's real hard to explain without being there to show you. ..Get a guitar-smart friend to help you if ya don't get it.
Like I was saying, "You Drive Me Ape (You Big Gorilla)"
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well, mat s it tor this time. 1 hopeyou all were able to follow most of this. Send requests and suggestions (but please don't expect a
reply, I'm too busy, seriously!) to: Bill Collins c/o Contra Costa Alternative School/ 10 Irwin Way/ Onnda, CA 94563.
Like the line between genius and mad-
ness, the line between heaven and hell is a
thin one. One slip can plunge you into the
abyss. Despite the heaven part, I wish this
could've been the April Fools column, ra ther
than the last one. It's not.
If I were writing a novel, I'd start from
the beginning. First I'd explain the heaven:
a perfect month. First week: a smart, fun
punkrock sexpal. Then Mardi Gras in New
Orleans.
I'd tell you about how much I looked
forward to her visit. How much I bragged
about her, showed off her letters, jerkedoff
to her photo before she arrived. I'd intro-
s to get out of the cold
we got drunk listening to bums talk about
how "homos are just like roaches."
I'd talk about making home porn vid-
eos with her fingers up my ass and her
mouth around my dick.
"Why'd you pick me?" sheonce asked..
I "Everybody wonts to fuck Mykel Board." J
laughed and hugged her for that one. I only
wished it were true.
I'd tell you how we covered each other
with hickies. Our bodies looked like the
advanced cases in the AlDS-ward. 1 might put
in the story of our unsuccessful hunt for
crack. She wanted the true NY Experience,
she said. My friends said we should forget
about crack and buy heroin.
If I were writing a novel, I'd tell you
how sorry I feel when she has to leave. After
her week's stay, we go to the train station.
An older Negro si ts behind bulletproof
glass at the Amtrack counter. He tells us her
reservation was for Friday. This is Saturday
Still, he promises, he'll get her on the train.
She thanks him. She has to meet a friend in
Wisconsin, she says. It's all arranged.
Before the train comes, she tells me I
should leave her alone. She hates goodbyes,
she says. 1 leave.
Later, she calls me. They wouldn't let
heron the train. Her ticket wasonly stand-by,
she says. The Negro at the counter didn't tell
her, she says. I'm happy when she tells me
thenexttrain isn'tforanother week. I believe
her. Even though you can almost always
reschedule for the next day, I still believe her.
We return the next week and find that
time too "Amtrack fucked up." They booked
her for the wrong day. I believe her. I get
mad just like she does. She would leave in a
couple of days and that is ok. She doesn't
audit isn't. Things get bad.
I should've known, they tell me. I
should've suspected something when she
went to the bathroom every ten minutes. I
should've known something was up when
shewalkedwith her head down — and never
talked.
I didn't know. My bathroom is small,
but amicable. A giant mirror hangs on the
inside of the door. You watch yourself shit,
or make faces. There's plenty to read and
plenty of pom. I spend a lot of time in there,
why shouldn't she?
Sure, she's quiet, but I like that. If she's
got nothing to say, she says nothing. How
many people do that? That's a plus. Not a
defect.
What did I know?
Maybe I should've known when she
said she's not afraid to walk by herself in the
city.
"Ihaveagun." shesaid. She'dsaythat
to me many more times.
The second time "Amtrak fucked her
over" and she couldn't leave, she told me, "I
had to deal with that asshole behind the
window. If it happens again, I'll blow his
head off."
Itdid,butshedidn't. The fifth time she
couldn't leave, I finally whiffed the rotting
truth. Amtrak "fucked up" three times and
twice her friend got sick and couldn't meet
her. Maybe this is where I should start the
story.
She makes her final reservation. I call
to check.
She's reserved — on the train — forsure,
they tell me. After my call, she decides not to
go by tra in, but take a bus instead, a day later.
I get angry.
Around this time, she starts to stum-
ble. I work at the computer. She comes out of
the bathroom. Her shoes thump heavily,
irregularly.
I looked around the comer and see her
slide. She tries to brace herself. Her hand
slips down, tearing a poster off the wall.
She stumbles into the room, tripping
over a broom handle.
"What the fuck?" I yell.
She laughs.
She trips over a suitcase. She sprawls
to the floor.
"What the fuck's the matter with you!"
I yell. "Are you so fucking drunk you can't
walk?"
"Whatsa matter little Mikey?" shesays.
"Are you so upset because of your poor little
suitcase?"
She picks up the suitcase and carries it
into the apartment hallway. She lies down
on the floor, caressing it, rocking back and
forth as if she were comforting a small child.
It's impossible to work. I go to bed
hoping she'll just lie in the hall and sleep off
the booze.
At sleep's brink, she stumbles again.
She falls against the television. She knocks
over the phone; slams against a lamp. It
blinks once and goes out. Tclimb down from
the loft. I grab her by the coat lapels. (Why
is she always wearing a coat indoors? It
never occurs to me to ask.)
I throw her onto the couch.
"Stop it! Just lie there and stay still." I
yell. "Can't you let me sleep? Why are you
torturing me?"
"Wow, what a big tough man." she
says. "Just because I slip in the dark, you
have to be violent. What a big tough man!"
"I just want to sleep." I beg, "Please,
just let me sleep. Can't you just sober up?"
"You know what, Mykel?" she says.
"I'm not drunk. I'm a drug addict. That's
right. This isn't alcohol. It's drugs. Not
heroin, but something just like heroin. An
opiate. How about that, Mykel?"
I don't answer.
"Hey Mykel," she says, "can I come up
there and sleep with your
"No!" I yell and pull a pillow over my
head. Somehow I sleep.
The next day I'm sitting in a chair in
front of the computer. She's still lying on the
couch. She's angry. I hate her for tripping
over a suitcase, she says. I don't argue.
"Oh you hate me?" she says. Things
are more important than people? You can
throw me down because Thurt a thing."
She stands up and begins kicking. My
slide projector, books, magazines on the floor.
She reaches me.
"You want violence?" she says. "I'll
show you violence."
She grabs my shoulders and pushes
me backwards. The chair tilts and slides out
from under me. I'm on my back on the floor.
We struggle. She's on top of me. Holding
me. Turning me over. I push her off.
"Get out," I say. not yelling. "Leave.
You have to go now.
Control slips. My legs shake. I can't
think. My stomach curls around liquid shit
and squeezes. I hurt. Every nerve switches
on, burning like a 50 watt bulb with 100 watts
going through it.
Iwalktowardherbagin the hall, across
from the bathroom. She follows, talking.
"You don't know pain." She says.
"You're throwing me out. It hurts. You feel
nothing."
I don't answer.
"I'm running out of drugs. I'm gonna
;et sick." she sdys, "How can you do tn.it U
me? Don't you feel anything? You can't
know how much it hurts."
I hold on to the bathroom doorknob
ind smash my forehead against the door.
"You want pain?" I ask.
I smash my head again, hearing the]
wood give way, slowly splintering
'You wantpain?" I ask again. "Here's
pain..." 1 hit my head again "Here's pain.
You happy? Want more 7 "
Agamandagain I slam my head against
the door The outer plywood splits Then the
inner latticework gives way. The crunching
wood begins to squish.
She grabs the door handle. She forces
her way past me. She slams the door from
inside The mirror on the other side, loos-
ened by my pounding, gives way. It crashes
to the floor.
I run out. Down the stains. She's
behind me. I jump. Aflightatatime. Outthe
door. She doesn't follow. 1 don't stop.
Down Sixth Avenue, across Prince
Street, up Thompson to the park. Running.
Running. A thin warm line oo/es from my
forehead past my eyes.
I imagine her in the bathroom. She
takes the broken mirror shards and runs
them against her arms, her cheeks, her legs.
She'll snow me. My pain is nothing com-
pared toilers. She'll prove it.
I return. I'm wrong. Theglassiscleaned
up. She lies on the couch, under the covers.
"I cried," she says. "I never cried for
anyone before. Not for years. You made me
cry."
Hook at her. 1 want to go to her. Touch
her, hold her. I see myself doing this. It
makes me sick. I'm silent. 1 go up to my bed
in the loft.
"Can I sleep next to you?" she asks.
1 grunt.
She climbs the ladder into the loft. 1
turn my back to her and face the wall.
The next day at 2PM she's still lying in
bed. She asks if I have a steak knife. 1 don't
answer.
"I just like to look at the ridges." She
says.
"Buy somepotatochips."! tell her. She
eets up.
'What are you doing?" 1 ask.
'I'm going to the bathroom." Shesays,
"Not if you re going to hurt yourself."
1 tell her.
"1 won't hurt myself, I promise." She
says.
I wait outside the door as she goes in. I
don't ask her why she wears her coat to the
bathroom. I'm used to her in a coat. Junkies
are cold.
1 listen for the sound of piss. (Junkies
don't shit.) 1 don't hear anything. 1 wait.
The doorknob turns. She walks out, a
bit unsteady. I look at her t-shirt, a fresh
blood stain just to the right of where her
navel would be.
"She's been shooting up." 1 think.
"You've got blood on your shirt." I tell
her and point.
"Where?" she asks.
I push her back into the bathroom and
pull her jacket off to look for tracks. There
are none on her right arm. Bloody strips of
skin hang from her left arm. Fresh wounds
bleed from her elbow to her wrist. A bloody
Bic razor is in the waste basket.
"You fucker!" I yell, searching for
bandages, gauze, disinfectant, anything. "I
hateyou more than I've hated anyone in my
(Continued next month.)
ENDNOTES:
— > This guy comes to my door with free
passes. He says he's a fan of mine. He wants
me to see his band . Right in the middle of my
problems with HER, I don't need another
fan. Anyway, he's playing at this lousy
pay-to-play club that only kids from Long
Island ancf Japanese tourists go to.
I promise I'll go if I can. I go. By the
time I get there, theband is finished. There
was no audience. The guy hands meapairof
demo tapes. His band is NUT JOB.
He explains that one tape is "the soft
tape." They use it get shows in "normal"
places. The other tape is "the hard tape,"
more like they really sound. I smile, snake
hands all around and go back home.
I look at the tapes. They both have one
word song titles. On soft tape, the songs are
Down, Color, and Love. On the hard tape:
Burn, Blood, Scream, Dirt and Lies. I play a bit
of the soft tape. Not bad. Head-boppin'
hardcorish, nothing to wri te to Timmy about,
though.
Then I play the hard tape. WOW!!
They're amazing!! It's reason enough to start
reviewing tapes again. If MRR won't, I will.
This stuffblisters. The singer growls as fast
as HR sings. Fast, hard, and the guy plays
what I think is a kazoo. But no! I see 'em in
person and he's playing his nose! You can
send for your own copy of THE HARD TAPE .
Write to NUT JOB, PO Box 71, Carle Place
NY 11514. Send $5. You won't be sorry!
— > Unintentional irony of the month: A girl
who was in my first band, ART, tells me, J
hate the Japanese. They're all racists.
— > Clever rip-off of the month: I got an ad
for porno movies. "Any Five Movies $29.95. "
It said. It offered Siamese twins, hermaphro-
dites, and other weird joys. Three months
later comes a single videotape. On it, are
pieces of various porn movies with the sex
scenes cut out. The tape barely plays a half
hour. Oh yeah, the name of the tape is ANY
FIVE MOVIES.
— > You might want to write for info about
The New Product (PO Box 1098, Dept. Z,
Brockton MA 02403). All they've got is info-
no product. Weird.
— > The letters about strange and dangerous
places where you've masturbated keep slip-
ping in my box. (And anotherpositive incest
tale — two step brothers!) A fun one comes
from Dave, who gave his best friend a blow-
job in the livingroom. His mom, aunt and
grandmother were at a tea party in the next
room. Graeme sent a good one about doing
it behind a police station. Another came
from Dale who wrote about ma king the snake
spit in a classroom during detention.
There've been plenty more and they keep
coming. But still no girls!!!! Girls must do it
in weird places at weird times, but I haven't
heard from one. So I'm asking the question
again, butthistimeONLYFORGIRLS. Write
and tell me the strangest place you've stroked
the nub. Please be graphic. As usual, you
can get to me at PO BOX 137, PRINCE
STREET STATION, NEW YORK NY 10012.
— > Here's a tip I was going to send to Aaron
Cometbus for his scams. Tread about it on a
computer BBS. First, you copy {xerox or
scan) the UPC code from the back of a Coke
can . Then you paste it over the codes on cans
that are NOT returnable. Those automatic
refund machines think they're Coke and give
you money! Happy nickels (dimes in Mich-
igan!). Speaking of Aaron. I've had a run-
ning debate with my pal, Lenny. Who has
inspired more people? She says Aaron. I say
GG Allin. What do you think?
— >Speaking of GG, he's back in jail. If I can
get the address I'll put it here. Otherwise
write to his brother Merle, 298 Mulberry St,
New York NY 10012.
— > Igot another fine fanzine. It's called
ANOTHER FUCKIN FANZINE. I'mnotsure
of the address. (Try writing to A.F.F. c/o
THE SQUATTERS, 76 Keogh Rd. London
E15 4NS, if that doesn't work try 108
Brougham Rd., Hackney E8) Lenny says
some folks make zines from the needto ex-
?ress more than the need to communicate,
hey don't put their addresses on their zines
because they don't WANT feedback. They
just want to say what they have to say and
fuck it, like graffiti. I can understand the
need. Still, I'm not a fan of anonymous. It's
too easy to avoid responsibility.
— > Special curses to NO FX. Who expects a
trick from such nice guys? I thought it was a
friendly gift— you know — that "Ribbed"
album. It was a plot. That song, "The Moron
Brothers" is so good, so catchy, that it sticks
in my head like the theme from Jeopardy!
I'm walking down the street and notice peo-
ple staring at me — even more man usual.
Why? I've been smiling to myself, shaking
my head back and forth singing, "We are the
Moron brothers...." They're too good for
their own good; those NO FXers!
— > Speaking about being too good. I was
one of the few lucky folks to see Anal Cunt at
ABC NO RIO. Until then Huasipungo was the
best live band I'd seen since Japan. (Especial-
ly the show with the fish!) But these guys...
Pm in awe. No bass. Switch from Napalm
Death to The Beastie Boys and back again. The
singer spends half the time in the air— and
he's no lightweight! Didia ever notice that
bands with fat people in tnem jiggle toward
greatness? POISON IDEA, THE MINUTE-
MEN, THE MANACLED, SLOPPY SEC-
ONDS. Theorieson thiswouldbewelcomed.
— > Well, my respect for Ian MacKaye just
suffered a ten point leap upwards. I see him
at the KICKING GIANT (missed 'em), NA-
TION OF ULYSSES (pretty good), BIKINI
KILL (stupendous! with a prostate poppin'
bass player!) show. Ian successfully embar-
rasses me. He found an old column where I
praise the DC scene for being "straight and
non-violent." He says he caught a little
tune-changing there. He's right.
Ever on the defensive, I tell him about
a recent TV show. SCREW's Al Goldstein
interviews pornstar Tom Byron. Al asks
Tom what kind of music he likes.
"I like to get fucked up and go to Nirva-
na and Fugazi shows," says Tom.
Ian's face lights up. "Really?" He says,
"Iloveitwhen things like thathappen! That's
great!"
I thought he'd be pissed and whine
about being misunderstood. Instead he
laughs. Mr. Ian, here's your extra ten points
for being cool. Sorry Ben.
— > Weird mail dept: KA.N sent me this multi
part-pagequasi poem "She's Hiding A Wart."
I won't describe it, except to say it was fun to
get and fun to look through. BUT, it was
lladdressed to MRK. Those fuckers opened it
and rah it through their fingers before I did!!
And Doug, sent me a great masturbation
letter about doing it in the ■principal's office
at school. But he sent it to California. By the
time I got it, all the pages were so stuck
together I could hardly read the thing' Re-
member, if you want to send me something
personal, use the I'O Box. Address mail for
publication — and all letter bombs — to me
c/o MRK.
— > After all these years I got to see Texas's
ILETHALlNjECTlONaUx warehouse in New
Orleans. In a worse-than-NY situation, the
poster said the show starts at 1 1 . At 3AM the
..band takes the stage. Still, it's a lot of fun-»
llnne boys and good drinkers.
,— > A tit-erecting New Orleans discovery
was Nipple* oflssis; although the nipples be-
long to some one else every show. They're
a heavy beat pschedelipunk band who used
horns without being goofy about it. Usual-
ly, they play witha stripper. (Hmmm, there's
an ambiguous sentence. ) Remember you
read about 'em here first!
J— > Also in Louisiana, 1 stumbled into stum-
Jbling members of CHRYSTIE'S PADDED
TOILET SEAT. About five hours from so-
ber, they told me they planned to be the
■worst punk band ever! Now that's a tall
■order. Let's see if they can pull it off.
— > Before I leave the land of Fat Tuesdays,
I I wanna thank Taj from COLOSTOMY BAGS
for hangin' out and bein' a pal. If you're
lucky, you can get that band's "Mick Jagger"
tape by sending a couple of bucks to him at
'-.053 Wingate Dr., New Orleans LA 70122.
— > Finally, BobbyStealehasgonesolo. Still
guitar to backing tapes. He's a one man
'band, sort of like the introspective MY DAD
IS DEAD, from Cleveland. In that band,
Mark Stevens plays all the instruments. 1
tried convincing Bobby to change the name
i)f his band to MY DAD IS UN DEAD, but he
wouldn't go for it.
Well, herel am aga in, resurrected from
|the dead after having been "retired" by Sam
in last month's bogus April Fool's issue.
If you bought any of my "message to
ithe stockholders ' CEO approach on page 2,
then maybe you'll be interested in the real
Ithen maybe you'll be interested in the real
'financial report. This annual expose is meant
to let you check out just how rich we're
aetting here, feeding off the fat of the scene,
Iso you'll know what you're talking about
when you go off on how MRR is controlling
everything.
First up is the good news, as I have the
income figures for 1991. Advertisingbrought
in $65,164.13. That's a lot of cold cash, but
that pales in comparison to the $107,658.39
[that magazine and record sales garnered. To
get a final total on income, you must also
add$12,772.25forPressureDropPress(Mar-
tm's 'get poor quick' scheme), $2,576.1X1 for
MRR Radio syndication , $11,735.20 for
magazine subscriptions, $1,003.08 for bank
interest (roll over Karl Marx), and a begin-
ning 1991 balance of $271.30. The drum roll
starts, and the final sum, ladies and gentle-
men, is $201,182.35. Yes, dear stockhold-
ers, that's a new high for MRR, topping last
year's $186,815.75!
After you've all gotten so excited, I
afraid I must throw a bit of cold water on
your dreams of split dividends, and present
you with the bad news.
We spent a whopping $141.94 on ad-
vertising in 1991 . Since MRR Mag doesn't do
ads, this must've been a Pressure Drop ex-
Penditure. We might as well get the other
ressure Drop costs out of the way now, too.
Martin's sales tax came to $12.00 even. Yikes!
And then there's all the rest of his publishing
and production expenses, a mere $35,700.23!
Also, buried in the MRR mailing and post-
age expenses ($1 8,996.45) are more Pressure
Drop costs. Now, before you stockholders
go apeshit and start demanding his resigna-
tion, I must tell you that Mr. Sprouse assures
me that we will, someday, recoup all this
money, that book distributors are even worse
than record distributors in how long it takes
them to pay. But, and this is an important,
folks, unlike some record distributors, (heir
book counterparts will eventually cough it
up. OK, let's give Martin another year to
demonstratehis business acumen, OK? Right!
Other 1991 expenses: Bad debts
amounted to $1,648.50 and their accompa-
nying bank charges totalled 193.20. Well, so
much for that bank interest windfall! Auto
insurance, repairs, gas, and the final retire-
ment and replacement of our shitty '71 wag-
on came to $5,823.76.
Fire and theft insurance for the office
was $858.28. Other office related costs were:
$5,972.61 for equipment (repairs and non-
computer stuff) and another $8,219.98 for
production and computer-related purchas-
es.
Other repairs ran $56.49, mag supplies
came to $2,437.55,phone was $6,514.84, rent
was $19,350.00,pnnting was $52,087.37, and
other general expenses combined at
$14,57233.
Radio syndication cost us $5,798.53,
the record label spent $17,252.70, and law-
yers and accountants lifted $2,495.00. And
speaking of lifting, the governmenttook$775.
Damn, Ithink big corporations like ours are
paying just too damn much in taxes, don't
you?
OK, so the total amount spent in 1991
was $198,907.26, and if your math is decent
and you weren't educated in the California
school system, you can see that we had a
total 1991 profit of....$2,275.09. I can only
speak for myself as Chairman of the Board of
this mega-outfit, but I am mighty proud to
see us doing so well. If we keep on track like
this, and keep voting in Republicans to low-
er the tax rates for the rich, we'll be rolling in
dough in no time!
Beforelgo, I'd like to thank Jerry Booth
for keeping our books this year, for getting
me these totals yet again, and for finding the
missing $7,000 deposit he lost last summer,
as well as discovering (after the fact) that we
actually had $2,000 more I thought we had at
the close of last year's books. It's always
exciting with Jerry, thoughlmustadmit that
at least all bank errors have ultimately been
in our favor.
Epitaph 6201 sunset boulevard, « 1 1 1 , Hollywood, calif. 90028 usa
k* ■ §# I
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THE LUMP IN MY FOREHEAD
THE LEAVING TRAINS don't care il you listen to
THE LUMP IN MY FOREHEAD,
"PF" (Politically focked-up). LUMP is the iilth
SST release from the TRAINS where a new.
personal affronts at Bob Hope,
lllftf
Such an honest portrayal could hove
i iiir. lIiiJi I 'liiiuf 1 1
his platform is to change the national anthem and
return land to Native Americans that was
James will inform the thousands of folks he'll
ALSO AVAILABLE:
L OSER ILLU SION, PT. (MINI LP/HINI CA/CD (P) SST 284;
SLEEPING UHDERWAfEE SUE VIVOS S (1P/CA/CD) SSI 271;
TRANSPORTATIONAL D. VICES (LP/CA/CO) SST 221;
FUCK (LP/(A/(D1 SSTIU;
KILL TUNf S ILP/a/CD) SST 071
FlOW
The new and much awaited album, FLOW,
forwards the confusion that emerges every
time one hears the music of PELL NULL. Here
is a record that could be released ten years
from now or 30 years ago and you still
couldn't slot it into any category. PELL
MELL's twin guitars and rhythm section
concoct angulor lines and hooks while keys
and samples confound and complement the
mix simultaneously. SST 278 (LP/CA/CO)
ALSO AVAILABLE:
THE BUMPER CROP SST 158(LP/CA/(Dt
RHYMING GUITARS SST 241 (LP/CA)
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See The Leaving Trains Live on their national "Lumpy" tour this spring.
MEANSNO
NMNooi ^MAMA" 1982's debut album by
NoMeansNo is finally available (cassette only).
Almost 50 minutes of great music - from way
back before whatsisnamejoined theband (That's
right, NMN was only a 2-piece!). $7.50 U.S.
nmtooi "WRONG" white t-shirt L or XL only,
100% cotton. Two color front with cow's head,
says "BE STRONG BE WRONG" in large letters
on back. $11.00 U.S.
NMT002 "YOUKILL ME" black t-shirt. Lor XL
only, 100% cotton. Two colorfrontwith picture
of hanging Bob, "NO MEANS NO" in large
letters on back, shirts $13.00 U.S.
rrci ITCH - the debut 7" glow-in-the dark
vinyl from Vancouver's "Energy Vampire".
Featuring some o' the guys from Nomeansno...
You gotta see it! $3.50 U.S.
wo ooi BLOBS Vol. 1 Four Victoria bands on
one cool 7": most of whom are sorta cursed with
the NMN touch, in one way or another...$3.50
U.S.
WO 002 BLOBS Vol. 2 Just out! 7" featuring
The Squirrels and Show Business Giants... $3.50
U.S. each
NEW!!! Zulul "LAST CALL" A 2-cd anthology featuring some of the best
independent sogs from Vancouver's past, including a 44-page booklet with
photos bios and more! 48 songs, 48 bands! Includes original demo version
of NoMeansNo's "Self Pity" - as well as songs by D.O.A., The Skulls,
Subhumans, Pointed Sticks, Young Canadians, Slow, Shanghai Dog ...Total
value! $24.95 U.S. for 2 cds set
MORE STUFF...writeforcatalogue.Indudmggreatmusicfromour Amsterdam friends THEEX:
EX051D THEEX+TOMCORA -''SaabblingatmeLod"CD.NF^MLEASE!Forthefbsttime
we are able to offer The Ex on cd, and it is worth a wait! Featuring extraordinary cellist Tom Cora
this is a brilliant release. 12 songs, Holland import, CD ONLY... $16.00 U.S.
EX003 THE EX - "Ample" compilation cassette; great! Holland Import, $10.00 US
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3819 BEECHER ST. NW, WASH..D.C. 20007
BuTi
7" Co*MP FEATuRisVCr
I Awkward_JThought gp^
Yuppicide Huasipungo
No Win Situation
T- . Naupost
0> P.O. Box 245
Buchanan, MY 105] J
FACTS FOR ALL THOSE WHO NEVER WANT TO SEE THE
PLANNED FEDERAL CONTROL UNIT PRISON IN FLORENCE, COLORADO OPEN
The complex in Florence is expected to be com- ^^ *V-SN IN 1 1 C
ST2E
pieced in 1993 and to incarcerate 2,350 prisoners. It will
consist of four different security units: a 250-bed minimum
security facility, a 750-bed medium security prison, a 550-bed
high security penitentiary similar to Leavenworth, and a 550-
bed "administrative maximum" security prison far worse than
the notorious federal prison in Marion, Illinois,
The administrative maximum security prison in Florence
is the first federal prison to be constructed as a control unit
prison. The design enables one guard to control the move-
ments of numerous prisoners in several cell blocks by way of
electronic doors, cameras, and audio equipment.
• The ■administrative maximum" prison scheduled to be built will contain 550 prisoner* In •
permanent lockdown situation. "Lockdown" mean* that prisoners lie locked in their cell* for 22 5 houn
• day. and alt standard educational and recreational activities are virtually nonexistent. There will be
IflrtRR
■_■ J — — '— — -— — - — —. -v..... u « _ v fiiwHi, ilumjIlCIll. I IKTC Will IM
™° *?*V*i vocat ' on * 1 «in»ni it all. Prisoners are forced to sleep, eat and defecate In their cell* They
are alao forbidden to socialite with each other or tD participate in group religious services. Those who
misbehave (an arbitrary determination made by the guard on duty") in their cells may be tied spread
eagle and naked, on their concrete slab beds. Shackle*, chains and lea irons will be used any time a
prisoner is moved out of his cell. Although every cell will rave a window, no windows will look out into
an area beyond the security fence- At other prisons, • typical lockdown may but several day* to a week
However, at Florence the lockdown will •— -
be permanent, and the entire prison will be transformed into a
ihysical t _ J
Despite the Bureau of Prisons claim that the purpose of the lockdown Is to contain prisoners
iad previously tried to kill either a staff member lor] a fellow Inmate, ox those who had tried to
" It, In fact, function* to control dissidents. Many are sent to Marion because they have written
"Control Unit* The objective is absolute physical and psychological control over the prisonerv
* Despite the Bureau of Prisons claim that the purpose of the lockdown la to contain prisoners
•who had previously tried to kill either a staff member |or] a fellow inmate, ox those who had tried to
O
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04
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CO w
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W 55
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3 son a
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Jfl $ OR M.O. OMLY
H'BEHT RUHEN
3URRITO REC0RD9
"U2I s& NlCANOPY TES
SWART. Fl. 34997, US,
too many law suits, participated In work stoppages, or pursued their religious and political beliefr
Curtendy, there are mote political prisoner* incarcerated at Marion than at any other penal
institution, despite the fact that it Is one of the smallest prisons. There are also a number of
Manelitos, prisoners from Cuba, who have been detained for yean though they have never even been
charged, much leas tried for any crime. A 1985 Congressional study showed that 80% of those
Incarcerated at Marion did not have the level 6 security rating that is supposedly the threshold
criterion for being aent there In fact, some prisoners are sent to Marion for no reason at all. For
Instance, the U.S. District Court ordered a cap on the prison population, and as a result, many
prisoner* from the District of Columbia have been moved to Marion to relieve crvercrowding that they
constitute 17% of Marion's population Virtually ail of these prisoners are Black.
,"*«* «v, norer J" **" ** ** "to™*? Pj nnacle °f ■ «**<« criminal justice system. More than
1,000.000 people are incarcerated by the U.S.. over 4,400.000 are under the control of the criminal
justice svstem.and about 10.000,000 are arrested yearly. Black people in the U.S. are impri»oned at a
rate of about 900 per 100,000, which is about 7.5 times as often as white peopletn the VS. and about
twice a* often as Black people in South Africa. About one our of every fout Slack men will go to prison
In his lifetime (this does not include jail, parole, probation or arrest), and about one out of every two
Black men will be arrested. Although there are many fewer women in prison, the imprisonment racial
differential between Black and white women is even greater than between Black and white men.
• Just five miles from the proposed prison site, in Lincoln Park, there is the notorious Cotter
Corporation, a uranium nulling company owned and run by Commonwealth Edison of Chicago, Illinois.
The presence and risks of uranium in the water, soil and air is of immediate concern Cotter stored the
remnants of the nulling process in ailing ponds. Studies of these pond* show thai the tailings seeped
into the underground water source The second source of concern is air contamination. Eaperrj on
radiation diseases sate that the radioactive dust is the most threatening and dangerous source of
contamination. Due to the water contamination alone the Lincoln Park area has been on the
Environmenol Protection Agency's National Priorities List since 1984 and ha* been designated t
Superfund site for contamination clean up.
For more Information about the planned Florence prison please contact :
Conunittee to End the Marlon Lockdown, P.O. Box 578172, Chicago. Illinois 60657. (312) 235-0070.
0101
swgo
PtuA
ftgto
W"00
:«k
HlOO
Odd
,mOO
sor HEAVJ
BSSf
r¥.-'J,*»B^
ye 'W'/w year tomorrow ' ^~ S
CD $11.00 USA/$15.00 Foreign jf^f
Ca»»ette $7.00 USA/S10.00 Foreign &&&&
the unsavory martyr was
ta£en down from the cedars..
arisen in Modes to cast out
souls untried.
* J 6f'\ ***--W£-
AGE
F/or t/w disgusting breed of filth,
for the maggots that tie in wait..
ittj this is the end.
i Also Avallable:i
l *»:
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UNDERTOW - New 5 song cassette j
RINGWORM - 5 song cassette
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CAROLINER RAINBOW SUSANS AND
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"The Cooking Stove Beast"
Their fourth bffllantly abrasive, 19th-century+K>funhouse-mk-
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of tortured guitar feedback. Comes In handmade, all-differ ent
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MEXICAN RUMBLE
A rare, totally crazed 1 7-song compilation featuring 60's bands
from south of the border. Some do originals, others cover such
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Excellent, highly recommended. UK import CD $1 2.00
BOOKS
BREAKING FREE - The Adventures of
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Tlntin, the well-known English comic character, has been hi-
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NIGHTMARE OF ECSTASY - The Ufe Of
Edward D. Wood Jr.
by Rudolph Grey
Ed Wood Is the transvestlte B-movie auteur who wrote and
directed "Glen or Gtenda" and "Plan 9 From Outer Space",
among many other classic films. The amaang saga behind this
bizarre genius and his unique circle, which Included Bela Lugosi .
Vamptra. Criswell, and other figures from the subterranean
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231 poges, $11.70
CAD - A Handbook for Heels
Edited by Charles Schneider
Sick cats, hip chicks, exotic sounds, etchings, G-men, B-glrls.
stag parties, stogies. Spanish fly. German beer, 3 a.m. ... Cad
time-trips to 1957. creating a total environment of tease and
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pages. $13.60
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h
Now that
Joey "Shithead"
Keighley is firmly
ensconced as
King of Canada
(with Wimpy Roy
as Prime Minister
and the Wright
Brothers in
charge of the Cul-
ture Ministry) it's
time to document
the unsung — and
often badly
sung — groups
and records of the
Canadian, punk
revolution. As an
archivist for this
crucial period in
Canadian punk
music, it is my duty, on behalf of the House of Anarchy (formerly
the House of- Commons), to proclaim the heroes of the recently
won struggle.
From the real cradle of Canadian punk music— Vancouver —
we have PRIVATE SCHOOL, featuring one-time DOA guitarist
Dave Gregg before he joined soon-to-be-King Keighley et al. They
released a four-song 7 in 1 979 entitled Lost in Space. It came in
a 8-1/2" by 11" printed envelope. All four
songs are loud punk and feature aggressive
guitar riffing by Mr. Gregg. Highlights include
the subtle Fuck You" (not the version by the
Subhumans or the Avengers), and the witty
"Money, Guns and Power": "Manufactured
music on the radio/Manufactured people
make the system go. " One of the four songs
features a saxophone.
Also from Vancouver in 1979, the K-
TELS, released one posthumous 7" that was
apparently buried in the first 500 copies of
the YOUNG CANADIANS' first 12" Hawaii.
The threat of legal proceedings from the K-
Tel company forced the group to abridge its
name to the -TELS, as it appears on the 7",
and soon afterthey became the Young Cana-
dians. Side A features "Automan," a face-
tious tune detailing future pop superstar Art
Bergmann's dilemma with the status quo: "I
want a job working for someone else ... I
wanna wear the same clothes as everybody else/l don't want
second-hand/You can see what I am, I will be your Automan. " The
b-side features two tunes, "Don't Tell Me," a punky-Rolling-
Stones number and "Where Are You," a straight-ahead loud
punker, reminiscent of early Bad Brains. Even though this is a
great record it displays moments of wimpiness that would later
undermine the Young Canadians' sound. The K-TELS have one
trackon the 1 979 Vancouver Complication cornp., the confusingly
named but fast and raunchy, "I Hate Music." Only the pop-
sounding vocals detract from an otherwise unpolished effort.
The 1 980 Vancouver Independence comp features two
tracks by the wonderfully talentless NO EXIT. This group put out
an album recorded by cassette in 1980 which was a remarkable
DIY affair — even the record labels were labelled with magic
marker. The cover was hand painted and assembled. It's a
hilarious piss-take on the Clash, the Damned and the group
themselves. One side of the cover is a reproduction of the Clash's
first album cover, with Strummer and Co.'s faces replaced with
the band members'. The other side of thejacket features a similar
treatment of the Damned's first album. The music could best be
described as a cross between Stiff Little Fingers and the Shaggs.
One side is a live recording with an almost unrecognizable version
of "Gotta Getaway," plus live versions of almost all the songs that
appear on the other, studio side. The hilarious but admirable liner
notes capture what is probably the essence of the almost extinct
punk rock ethos: "We are not trying to sell records or make
money. Music should be what the musicians want, not the
fucking public. We just want to prove anyone can make a record.
Record it on a cassette tape recorder, fuck your filthy 50-track
studio. " It's not difficult to understand why there were reportedly
only 200 copies of this album released — assembling the covers
alone must have been a massive undertaking.
East of Vancouver, iii the lovely province of Alberta, we,f md
the HOT NASTIES from Calgary. They released one 7" in 1 980 on
their own Social Blemish label entitled Invasion of the Tribbles.
The title track refers to. the seemingly innocuous creatures
featured in one episode of the original Star Trek TV series. This is
hormonally driven punk rock and is fabulous. It' mixes exjremely
loud Ramones-style guitar, aggressive bass-playing, periodic
shouts of "Eins, zwei, drei, vier," with a minimalistic chorus of
"Oh yeah, oh yeah." Blended into this wonderful "musical" stew
we hear the Tribbles invading and being attacked by unknown
forces. At one point the vocalist states breathily ' \ love you
Johnny ... I want to make sweet passionate love to you
Johnny," an homage to Johnny Ramone perhaps? There is also
an explosion and a few mantras tossed in at the end for good
measure. An unknown Canadian classic. The two other songs on
the record, "I Am a Confused Teenager" (the raison d'etre for
much degenerate punk rock) and the sappy "The Secret of
Immortality" are both well written and amusing, but they lack the
epic 'status of the "Invasion."
Edmonton's ROCK AND ROLL BITCHES released a. four-
song 7" in 1 980 entitled the Wild West Ep. Although limited to 500
numbered copies, the band's former manager told me recently
that at least several hundred of those never sold. He unfortunately
couldn't remember what happened to
them. While less punk and more rock
than the above records, this one has its
moments. At times the group sounds like
the Undertones minus Feargal, at others
there's a definite New York Dolls/Ra-
mones influence. Songs include the pro-
verbial "Someone Could Lose an Eye"
and the cool, gruff "Wild West. " All songs
are mid-tempo.
Members of legendary Canadian punk
band PERSONALITY CRISIS came from
both Calgary, Alberta and Winnipeg, Man-
itoba. Before he joined PERSONALITY
CRISIS, Richard Duguay played bass in
LOWLIFE, an aptly named Winnipeg out-
fit (this group is mistakenly listed in the
International Discography of the New
Wave as being from the U.S.). Their one
7" from 1 979, Leaders, features a taste-
less sleeve with photos of Charles Man-
son, Idi Amin, Adolf Hitler and Jim Jones. The three songs on thjs
record are in a late-seventies Brit-punk mode. "Act Naturally" is
my favorite, a story about being thrown out of the house at 1 4. The
singer sounds like a milder Steven Leckie (singer for the Vile-
tones), though too much of a whiner for my taste. The music
chugs along at mid-to-fast tempo. While this one's not a classic,
it's all we have
from the early
scene in Win-
nipeg.
I'll be pub-
lishing a complete
illustrated discog-
raphy of over 1 00
pages of Canadian
punkand hardcore
records later this
year, so watch for
an ad in these pag-
es (first 500 cop-
ies on colored pa-
per).
Frank Manley/
PO Box 4264/
West mount,
Quebec, H3Z
3B6/ Canada
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This month's question was asked in Toronto, Ontario^
HOW DO YOU FEEL ABOUT
SECOND -HAND SMOKE IN PUBLIC PLACES?
BoDBled,Rge48ii>eIi35
I do not feel I should have to breath in somebody elses
smoke. Considering I don't smoke myself or considering
it also smells bad and makes my clothes really stink
L'hPiS LuJio, Age Bl
It doesn't bother me because I smoke anyway.
Paul Morris, fl ge 86
I hate second-hand smoke so much I brought a dust mask
w,h the words "Thank you for not smoking "over top of
it, thats how much I hate it. P
Iza, Age almost 18
I don't like it imposed on me.
Amanda, Hge 17
I'm a smoker myself, but I don't think it's right that
people smoke in public places simply because it is irritat-
ing.
Peter, Rge 31
I really don't like second-hand smoke.
Yeah, I smoke once in a while, but its really
bad for my health and everybody elses.
You-Win,Rgel8
Second-hand smoke pisses me off because smoking is
T, /f nd mUrder is a hi S h P rice t0 P a y ^r having it
shoved down peoples throats. 8
JoShua Thornton, Age 20 Something
It s cheaper than buying it at the store new.
Li5a, Rge 21
If people wanna smoke in public places
they should create their own public space
and smoke in that because they won't
infect everybody else that doesn't want it.
Matt Heck man, R ge 17
I think that if I wanted to die, I'd smoke it myself.
Jeff, Rge Unknown Pke in u»reb*tPng
I think that all smokers should burn in fucking hell.
Tim, Rge 2 5
The human body has 4 sphincters, 2 around the eyelids,
1 around the mouth, and 1 at the opening of your rectum.
Second-hand smoke usually produces a loosening affect
on the 4 sphincters of my body causing me to delicate
wildly during straight-edge bands.
-ChriS Logan, Rge 18
All smokers should be judged by a jury of non-
smokers if they smoke in public or closed in places.
Dan ROjaS, Rge 38
I think its very rude and its really inconsiderate. I'm
trying to quit right now, in fact, and its really hard
because I've been smoking for 5 years before that and I'm
trying to quit out of consideration for others and consid-
eration of my own health.
Ted Wong, Rge 19
I think second-hand smoking is rude and
inconsiderate and it shouldn't be done.
Nile, Rge 20
I smoke but I try to be courteous about it, Ok, but I really
don't care cuz I hate (mumble mumble mumble) any-
ways.
SpenCeP Mak, Rge 22
Personally, I don't like second-hand smoke. I
think all smokers should go into one room and
just smoke their heads off until they start to feel
what we feel, which is second-hand smoke on our
clothes, in our hair, and in our lungs. Thank-Q.
Out Now
INTO ANOTHER
IP. Cassette and CD
From:
Revelation Records
P.O. Bo* 5232. Huntington Beach. CA 92615-5232
GORILLA BISCUITS T ep. Cauette or CO Single
WW YORK CITY HARDCORE The Way It b~ IP or Cauette
YOUTH OF TODAY 'Break Down The Walb" LP or Cassette
BOLD "Speak Our LP or Cauette
BOLD Top
GORILLA BISCUITS "Start Today" LP. Cauette or CD
SLIPKNOT 7' ep
JUDGE "New York Crew" 7" ep or Cauette Single
JUDGE 'Brlngin' It Down' LP. Cauette or CD
SHELTER "Perfection Of Desire" LP. Cauette or CD
YOUTH OF TODAY 7' ep. Cauette or CD Single
QUICKSAND T ep. Cassette or CD Single
INSIDE OUT 'No Spiritual Surrender' T. Cass. CD Single
JUDGE The Storm" 7' ep. Cauette or CD Single
SUPEBTOUCH The Earth Is Rat" LP. Cauette or CD
BURN r ep. Cauette or CD Single
RAY AND PORCEU. T ep. Cauette or CD Single
INTO ANOTHER LP. Cauette or CD
Record. Cauette and CD prices:
7" ep or Cassette Snobs, SJOObrone. ttSObreochoddilbnol
CD S ingles t&OO ppd tor Ihe first ona $4SO br each oddilbnaL
LPs or Cassettes aie$SOOppd CDs are JttOOpcd.
Short Slew* Shirts.SlOOO
Bold Vbulh 01 bdoy. Gorila Biscuits, Judge Shelter Slipknot
Quicksand. Inside Out Supertouch, Into Another
long Sleeve Shirts.SU.OO
\buth Ol bdoy. Judge. Gorto Biscuits. Shelter. Into Another
Al shirts ob BOX cotton heavyweight pie-shrunk Medium, large
ahd Extra large.
Uoo
New York Dry Haidcoie "Ihe way It Is". Bold 'Speak Our. Gorilla
Biscuits ep. Shelter "Hartocton Ol Desiie'. Judge "The Storm".
Supertouch "The Earth Is f tor. Into Another
Add I2.00 to order it you wart Ihe posters sent in o tube
large Sflckars,$.50
Ynuth Ol today. Judge. Gorilla Biscuits. Shallec Inside Out Into
Another
Small Stickers.$.2S
Judge. Quicksand Gorilla Biscuits. Bum Stpknot Supertouch Into
Another
SttcterSet. $5 CO
Contains fifteen dilteient stickeis including ol ol ones listed above
Al prices include shipping in the USA. oideis outside the USA
should include postage as blows
Canada and Mexico.
For 7". Cassette or CD Singlet, Add 150 br any amount oideied
For LP. or Shirts, Add ttOO br Ihe fast one. 11 OO br each
additional.
For CDS, Add JIOO br any amount o) discs oideied.
South America.
For r. Cassette. CD Single or tatters. Add JSO tor one. Jl OO lor
any amount over one
For U>. or Shirts Add $300 brthe rial one. SIOO breach
additional
For CDs, Add S2CO lor any amount oideiBd
Japan. Australia. New Zealand and Pacific Rim.
For r. Cassette. CD Single or totters, Add JI50 br Ihe first one.
tl.CO for each oddilbnaL
For IP or Shirts, Add S7.O0 tor the first one. HOO tor each
additional.
ForCD't, Add HOO for Ihe first disc HOO br each additbrnl one.
Europe.
For T. Cassette. CD Single or totter, Add SlOO brine first one,
toO tor each additional
For U> or Shirts, Add S5O0 tor the first one. S3O0 tor the second
S3CO tor the thd $200 br each oddilbnaL
For CDs, Add S3O0 tor the first one. JSO tor each additional.
Overseas orteo fespecoly Euopeon) w* bo taster and cheaper il
you get them lorn Pavetofion Europe. Write br catalog,
Revelation Europe
P.O. Box 26286
I002 GG Amsterdam
Holland
AVAILABLE ON LP ($7ppd USA, $9ppd Europe) & CASSETTE ($6ppd USA, $8ppd Europe)
Make all checks and money orders payable In U.S. funds to: Free Thought Conceptions
All mail order LP's choose crystal clear or blue vinyl!
DISTRIBUTED THROUGH: DUTCH EAST INDIA, CARGO RECORDS & SEMAPHORE
Free Thought Conceptions / P.O. Box 432 / Glen Echo, Maryland 20812
from VINYL COMMUNICATIONS
wweivf'Sub Society
Relaxin'
VC-31
Coining Soon-.
Mite Judge Solo Record
Statue ep
OUT NOW: VINYL COMMUNICATIONS
Tit Wrench Presents Twelve Swinging Inches LP P.O.B. 8623
SOON: Cringer live and studio 7"s and a Kinevil 7" CHULA VISTA, CA 91912
1 ■
jKainsay
^^
V*B K*S
po
box 655 Kalamazoo, MI 49005
RRADICALRECORDS
lV/?/7F M.D.C./R RADICAL C/O: 2440 16th #703 SAN FRANCISCO. CA 94103
INC. 001
V. A. -FLOPS OF THE POPS
THE COMPILATION OF THE
YEAR. IS SANDS - 15
HITS. 80% UNREL.SONQS,
100% PUNK ROCK WITH
ANHREFN/BROKEN TOYS/
KLAMYOIA/RAGS/WOMBELS/
DIE SCHWARZEN SCHAFE/
URGE... AND MANY MORE.
INC. 01 6
THE HAGS - CRUNCH! LP
GREAT MELODIC OUTRAGE
TEENAGE PUNK ' H ' ROLL
MADE BY THE BIGGEST
DAMNED/DEAD BOYS-FANS
EVER GET IT NOW!! 1
I»W1H--HV1
'\BSSBaSSI
INC. 01 8
WOUBELS
-TOO L0NQ.2 I.P.
BEST FAST & BOUNCY
MELODIC SUMMER HARD-
CORE /PUNK-SMASHERS.
FOR STORE INQUIRIES
IN THE U.S.A.:
R0T2 RECORDS, INC
17 N.ELIZABETH ST.
CHICAGO, IL 60607-1911
CALL: (312)942-1710
INC. 017
THE UROE -
SELF-RESPECT , MANNERS
V DECENCY, LP
WRITTEN IN 1977-79,
RECORDED IN 1991 111
LONDON'S PUNK-LEGEND
ALIVE AGAIN with 15
WILD PUNK-ROCK-TRACKS
LIKE THE EARLY LURKERS
PURE POOO-PUNK-ROCKII
INC. 020
THE BLISTERS - PISSED
TO MEET HE, LP
PHANTASTIC SOFT-PUNK-
ALBUM WITH 11 TRACKS
LIKE MC4/LEM0NHEADS.
INCOGNITO-RECORDS
H0CHFIRSTSTR.23
7000 STUTTGART 80
GERMANY
LABELS WHICH ARE
INTERESTED IN TRADING,!
GET IN CONTACT WITH US|
FAX: 071 1-6874225
ISPITBOY- new 7" on Lookout $2.25
GAUGE - "Blank" 7" $2.00
EL SMASHO - new 2 song 7" $2. 10
CHINO HORDE-2 song 7"+booklet $2.40
BORN AGAINST- 5 song 7" $2.25
ELIZABETH HERZ- cool 3 song 7" $2.65
ONE BLOOD - "Efficiency of..." $4.50
MTJDHONEY/GAS HUFFER split 7" $2.60
SCREECHING WEASEL "pervo.." 7" $2.85
SIDESHOW new 4 song 7" $2.40
SIDESHOW- Ip back in stock!! $4.80
BOB EVANS - CS $6.60 CD $11.40
ICEBURN -7" on Victory $2.40
TSUNAMI - "Headringer" 7" $2.25
THE COMMONWEALTH LP/CS $5.70
BEYOND - "No longer at ease" back in
print! LP/CS $4.50 CD $7.00
AGAINST ALL HOPE - a fine rekid! $2.40
LAST LAUGH - "Nothing to hate.." 7"$2.70
WOODENHORSE - "Title" 2 song 7" $2.40
BORN AGAINST - "9 patriotic." LP $4.40
CHISEL - s/t 7" $2.40
DARK AGE -swiss hardcore ,good!LP $9.50
TERRORCAKE - on Rake records 7"$2.10
V/A "Squat or Rot" volume II 7" $2.40
THE STENCH - "Old Style" 7" $2.40
SPERMBIRDS-'Cmmn. Thread" CD$ 12.60
4 WALLS FALLING- yea boyeci lp/cs $6.25
1 ANIMAL CRACKERS - 7" $2.40
JONES VERY-"Radio Wave" lp 7.70 cd$10.10
POISON H>EA-"Dutch Courage'lp 7.70cd$10.10
UNDERDOG - demos lp $9.50
GO! - "there is no man" 7" $2.15
HEROIN - new 4 song 7" $2.25
STICKS AND STONES "Coup.." 7" $3.00
RORSCHACH - "Needlepack" 7" $2.30
WATERSTREET - "Pumphouse" 7" $2.40
...BUT THAT'S NOT ALL!
we carry tons more, send stamp or SASE for list
We carry the following labels: Bitzcore, THD,
Vermiform, Skene, Squat or Rot, Jade Tree,
Ebullition, WreckAge, Tragic Life, Takeover,
Flatline, Full Circle (UK), Victory,
Significant, Farout(swiss), Rake, Simple
Machines, Shakefork, Vermin Scum,
Caulfield, Johann's Face, Excursion, Stiff
Pole, Round Flat, and moremoremoremore.
LABELS: We'll carry your stuff! Call Joel at
(616) 344-5707. This is non-profit, fast service,
and it cures male pattern baldness, no shit.
Charles Maggio is a sex shoootaa!! Babay!
Devon Morf is going bald, pray for him.
NO CHECKS! M.O.'S TO JOEL WICK
Wo mail it 4th class in US, "AO" small packet to
Canada,Mexico, and up to 41bs. overseas. Large
overseas packages get sent "surface parcel post".
Initial charge tor overseas surface (last column on
right) includes first 3 lp's or 12 7"s. Cassettes weigh
same as 7"s and cd'saresameas LP's. List alternates,
or if you want credit or refund. Or spicy photos of
Sam Mcl'heeters wearing a sunbonnet. Or pork...
.,(., CAN „,_, ASIA WIS r PACT SIR ,
u »* Ml* I-1'KaI-RC HI MIS KIM PACIi »P»"»-
Init. chrg. lp 1.05 2.25 5.65 7.40 3.66 753 £.55 spark.
Init. chrg. 7 - 1.05 1,05 2.35 2.85 1.81 2.95 6.55 spark.
each add. lp .22 .85 2.65 3.65 1.50 3.70 1.05 sp^k.
each add. 7' .11 .48 1.32 1.82 .80 1.85 .55 spark.
J 1^0^^^^^^^^ MUSIC ||
SiSchiB^NimnaJll
ss { Nirvana,
ring. "Kf* Hut a pisaa
Fitch doeant really ^u Wb
£«, ringuig ~™^ yb e a lawyer or *
ord-company guy," w a ^^t
° mu sic P^ h ^Cmore money or
aomewhere, "P"""^ pitch and hu>
» ore ""5 ^ds taow «hat to make
ntty-jeaned friends to jfy _ ^U-
ot ™ch* jo.ce »our^ 4 this," he says,
shocked. 'We *^^ „«, Fitch plays
" We don't want A « ^ undemp e
drum, in a ^.^l^tmonthPawwas
punkhandcal edPaw^ locgl a^ne
P«t of a healthy ^J^asKiU Whitey
Jhat included such notam« ^
a^d Sin City Hfr^lithome.Paw
^ybcbutthelocals^a^ ^ly
^^ver made a record
played outside ^^LinFebruary.but
Wanted to try Los Angeleam dthe
little punk *»»»££ ad, Tin America.
m0B t hotly sought^' " have started
^rd^ompany «ecutrves ha^ when
flymg to ^^TatTheavy-metalbar
bf'^^toatoflyPaw
°f ^ UA W lunch with ito
^FttcT^ustabunch
aaysFitcn. " • Kanaaa m
» f SrSaXe^«tting
npI T wTestaurant in Aua-
uuexpectedsuccesaofNirvana,
7 crulfy punk bands are doing
table is ready, sirs.
\.
In these con-
fusing times
where ibeate
can oftei
become
and
«i «-
l
i --.
v.
and every-
one is so
(^^mind-
ed that
they can't
at all.!^
•••one
thing is
still en-
tirely
NEWSWEE"
HA.CHM.lM 1
clear to
me..,
'j^rlt%
has absolutely FUCKING nothmgin
common with corporate label$ 9 with their
$pirit-$u£l£meopportuni$m, or with their
antitfffemofiMtfevrtructure...
mm^^
GRAPHICS & DISDAIN BY TIM
...or with the
fuckhead
bands that
$ign with
them...
•••So a big
mow
'""ehcirenit A^ ^ ruJar °» the AAe
« «1 these Iu n ch«r?T ,edc ^mekrulA-
and good
riddance to
the likes of
B »tthol e
Surfers
FLIPPERS
A Punk Tote Board
""• out ofdeZ^T" 168 " Mort »»«
• n. nasma n«ger.
$$ A * han VVhl~. SlI . -
b Md,couiSu, UbPo P
A *RDeon. n,kee PU»e
peop,e outo/CBGB
"w money pit Qwrtw" "'"KKBSw
Deet "r-i;
IWRKUV4
Poet "CUvp n.~- " —
^ Md singa_«^i^.whopU y /_,,, 8
°f8g]ng you I'm h~S He "aid. Tin
*•» » million SfipKW" ■, ■ I'U g,v*
«™ President ofAriU Cll i eD «™,59 «
^ ow = these day, £*" ^"fe, best
H°«f>n into a S Sh r^ W^tSv
"*> liable eCtoTm^ 3 ^MM*
s^ps§
™ uW realiymaIe» m a r^ 8u «*edi] 1
** ^ pat^ihtrT™ *£
2?» « «» At a Feb i?^** » «]-
'"«* People y ou y ^ ul *«unawithS?
™*e people you'd „Z* Mu,u "»'thaI
sauna with "«a«r " 1 ver *ant to he ;„
fhan Whigs' w^» ^b. 12, a e ^ I
fr 00 " label, n- - *"* received 90 .,
^thatap^^^not bad to^f
re ? rd "ith it, hands d '* e °° ver ot *** las? f
»*Wj , an arty n7„ ^Ti^"" 1*2? 1
2" «W after wo J^" Prince, "iv. /
^to^ndTbUetrf^^ we »ere /
Feedi n«ireiizie«„fS?- agE Hamilton 1
^tothemdu^^.^arenotX j
? De <* for punk ^.t" newi s that thlfr'
^'yoythe,"*^ 4 ***- ^CSf
""''"'try. Sudde^S againSt *?«££? 1
A&fi man at JW * ".Marc Geiger »n
**• hands thaTwereT^ ^
P ,e years „„T^ ere w «rth is onn .T*^ f
^mmates^^Wry, the puni j
«''veIylow- m a^ n ^ a »'feremain re r
to he promoted toViS*^"'^ don't neerf I
. P ^ . deca de of aM«. "^ "taping ,
"^Aftcan-Ameri^ ""^womerf '
dn«_ y "*■ F °r a J7 « Li. • ™ ^ys, an-
m "«try run largeiy bv p """""sicin-
^Hpunkoffit^ni^/fPoan whi£ '
^r ,ts ahow at (Sgr r^'^'t-
A *-taj' Whigs askM ! * 8t fta ay night
At punk clubs acrS P l UlPat<:,M nce:
sharks continue tori "| e M "on. the
^ «»ell of Wood.™, ?S e ' *»•» by
°' w ^<»nnecteTiI^f the phon o <»S
^^Andsometim^ 8 ™' "aMgerTor
^thatdeaT^^yhe^^
•••and
to allthe'TaNs",
who, like the
can't see where
this is all
V
*fc
&.
LONE
WOLF
mail order
-ARTICLES OF FAITH J|
O x/J THIS LIFE LP-CS E*jf
S NOTHING IN PARTICULAR * 3
THANK* tAS 7"
EP P*
ur OVERSEAS
8 NOMIND * 8
3C TALES OF ORDINARY 4l{\
O MADNESS LP-CS ***f
Q IV I J C N.^BMCA
O Jc? / 12'EP-CS SL
|S CHANNEL 3 ?€.
O REJECTED LP-CS £Z0
OVERSEAS
ROLLINS »
/^ to^ iC/er LP-CS r o*slZ
IS TOXIC REASONS ^,
O FASHION FOR FASCISM CS &£*f
SJELLYFISHBABIES^
| ^"fr T^te c-**-i A/Vie^ -Tt-utf-ln SIO
\^" A&ovtt- A?ome LP-CS %,ebseas
P STRAW DOGS ^
fiJIGHTflAARE LP-CS
|2 ROCKTOPUS i
> SiOSTWc A7TACAC 12' EP-CS £f A5
LONE WOLF RECORD:
FON (416) 849-0244 FAX (416) 849-9715
P.O. Box 433 1 235 Lambeth Road
Lewiston, New York Oakville, Ontario
USA 14092-0433 CANADA L6H 2E2
DISTRIBUTION BY
Caroline CD Presents Twin City
go Dutch E'
SEE HEAR MAGAZINES AND BOOKS
STORE • MAIL ORDER • DISTRIBUTION
• 100' s of Fanzines & Books on Music & Trash Culture
• Specializing in all Popular Music Past & Present
• Maximum Rock'n' Roll, Forced Exposure, Option, The Bob
• Re/Search, Psychotronic, Betty Pages
• Tattoo, Comics, and more
• Raw, Eightball, Hate
SEE HEAR
59 East 7th Street
New York, NY 10003
Store: 212-505-9781
Mail Order and Distribution:
212-982-6968
HELL NO
'The Sacred 6 The Profane" ep
Wardance Records
WAR ONE: Citizens Arrest -A Light.. ."ep (out of print
repressing in late '92)
WAR TWO: Citizens Arrest- Colossus" lp
WAR THREE: Rorschach - Needlepack" ep
WAR FOUR: Hell No -The Sacre^.." ep
COMING SOON1SH:
"Fuck Rock" Compilation (Really. Maybe)
-Hell No/ Ego European Tour, June '92
All prices ppd., make checksfMOs out to Freddy Alva
THE RETURN OF
USA
WORLD
LP/Cass W/fe»flNCE
ehF.fUVfi
iS-11 lift
jeu. urns. M mi*
Ecocentric Records
-A.C. cd include all their recordings
until mid. '901 12 $ ppd world
■Rudi Rat IV comp. cd including
Meat Shits, Herbert Mullin,
7 Minutes of Nausea, End of
silence, HC Andersen, Selfish,
and 11 more bands into Noise,
Grind, HC and Industrial terror)
77 min. playtime, 20 page book-
let! 16 $ ppd- 15 $ ppd Europe
■Charred Remains
"Backwards Species" 7 song 7 inch
slab. Power violence from the west
coast!
6 $ ppd USA-5 $ ppd Europe
Send your order to:
Ecocentric Records
Dresdenerstr.30
W-5400 Koblenz
• Germany •
the
'OXYMORONS!
NEW FOUR SONG 7" on
red vinyl only $3.50 ppd.
I OXYMORONS
St. v sJjJ5»^'ud«
Pthffr riffle 'morqn crao
"The Oxymorons" 30min. cass $4 ppp
■Bash On Regardless" 40min. cass $5 ppd
NewT-Shirt (black on white) $7 ppd
Stickers £ ee
Mailing List.... "W
We want to play everywhere, even your
town. Call or write us for details.
THE OXYMORONS ^
P.O. BOX 3445, Dayton, OH 45401
(51 3) 299-1 51 7 ask for Grog
OUT NOW-
ICE BASTARD T7"
Originally released in 1989 and quickly out-of-
print. "Their best release" says Joel ex-Hippycore
magazine. Five songs of the best Swedish
hardcore from England.
OUT IN APRIL:
WAY OF DOOM 7" EP
Totally fucking new 7" recorded right after their
~'9T U.S./Canadian tour. Six songs of the best
"English-influenced Swedish hardcor.efrom Belgium.
PISSED 7" ep
Totally new all-fanzine editors' band featuring
iJoel ex-Hippycore, Newt Assault w Intent to Free
[-arid Troll from Profane Existence. Four songs of
5rre.best Bakunin Goldman-influenced empire-
crumbling hardcore from Minneapolis.
.'ALSO STILL AVAILABLE ON
r PROFANE EXISTENCE RECORDS:
ATAVISTIC "Vanishing Point" LP
-SOFA HEAD "(11 27 Walnut Ave.) LP
r SOFA HEAD "Inviation to Dinner" 7"
: AND WE ALSO DISTRIBUTE:
SMUT "Wall of Hate" 7"
- ANTISECT "Live?" LP
All UP's are S8 post-paid in North America. All
7"/EP n s are $3 post-paid in North America.
Europe & South America ad S3 per LP / S1 per
JP'jEP: Everywhere else add S5 per LP / $2 per
-7". Surface worldwide add $1 per record. SASE
for full catalog ($1 overseas).
COMING THIS SPRING: MORAL SUCKUNG LP •
RESIST DEPRIVEDsplitr-INTERNALAUTONOMY
7" • AND MORE THAT CANNOT BE NAMED...
PROFANE EXISTENCE • P.O. BOX 8722
MINNEAPOLIS, MN 55408 • U.S.A.
STORES DISTROS: WE DEAL DIRECT!
CALL US AT 612-377-5269
APR. 29 DETROIT Ml-toda? '9 MONTREAL PQ
w/rtecocnet w/mdc
30 BUFFALO NY-scrapyard 10 SHERBROOKE PQ
w/mdc
MAY 1 PHILADELPHIA PA
2 NYNY-abcnorio
w/ chicken
3 YORK PA-the depot
5 GUELPH ONT-trash
w/mdc
6 LONDON ONT
11 THREE RIVERS PQ
w/mdc
12 QUEBEC CITY PQ
w/mdc
15 TORONTO ONT
16 FLINT Ml
17AURORO ILL
Riff
Box 33302
Mpls MN 55433
JONESTOWN w
WALT MINK
for booking info 514)481 4754
NOW AVAILABLEMAD'SDEBUT RELEASE ON gmg
TABQO OFTHE WESTERN. WORtQWfe JRF-
ALSO 2-SIDED T-SH IflJS ;RE0 OB BLACK$12(please$2 S&H with all orders)
MAD 2Q MURRAY ST APT2 CHATHAM' ONTARIO N7L4L1 CANADA
HOLY SHIT MAN I BACK ISSUESAVAILABLEISf
W-FUGAZ1-SNFU-SHELTER -GG ALLIN -
- THE WUSSIES - SF1ZURE - & MORE}
{#2-HENRY ROLLINS - UK SUBS -
-DOA - LOST GENERATION - LOTS MORE 1}
{#1 -TOXIC REASONS - PRONG - GG ALLIN
M ENTAL ABUSE - OTHER COOL STUFF }
"Get It While Your Young
Cassette Only
No Vinyl! No CD!
$5.00 checks to Ted Shiko
WRITE: FLATUS
15 Lawrence St.
Hamburg, N.J. 074 19
USA
"YOIFOR BACKlSSUES~3USTSENCrUS
[$2.00 USA PPD.- $3.00 FOREIGN PPD.]
Overseas add $1.00
PLEASE SEND CASH OR MONEY ORDER TO:
JOHN COLLETTI -74 OSBORNE AVE.
NORWALK CT. 06855 USA
Still available;
Walk My Way
S4.U0
rial
P
THEY CAN'T GET and the, KEEP YOUR
ME DOWN 7-INCH NEW EYES OPEN 7-INCH
. . .,, t...^,„ < "»»i"w •> ~«~«< v/ » •»«•, ww ocueves uiat it would lake months
ed from the
a Gulf lite las 1
iser Kormand;
nowledgeable
would be invol
. Colin L Powell, chairman j. .mmu
»ho believes that it would tak h The
$3.50ea."dg«
WB «»tor*tAUtki
Si civil reman tiuu
, c rung the cruiser Noi
T A knowledgea"
iw ""Vednesdiy that they were
tai repeatedly thwarted the
4 troof : |e»r pretext for military *cu°<
hi of f> Following Iraq's defeat by-
it Staffitd agreed to ■ number of U.N
d credijona that required it to destroy
|i ^ ^ ' :alf.
:le
•cti
't i
nbi
I »
ti
2/$6.00
BROKEN
REKIDS
P.O. BOX
460402
S.F. CA
94146.
NOIHAR
t e e, o ro»
P.O. BOX 17742
COVINGTON, KY.
41017
USA.
FIRST PniCE FOH U.S. / SECOND PRICE FOR EARTH
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-^/=» II
Thanks to Suzanne, and probably the
rest of you bitching, the scene report section
is going to get much more interesting soon. I
will be trying to write about as many non-
band things as seem interesting at the begin-
ning of each report. If you live in the Chicago
urea, send me a short blurb on some cool
hangout or place, arid include city arid ad-
dress, etc.. so other people can check it out.
I'll gladly include it in the next scene report.
I'll start oil' this hangouts thing with
I'll start oil' this hangouts thing with
some spots in my 'hood. I live in the Wicker
Park area of Chicago, much too near Club
Dreamerz. There's a Salvation Army 2nd hand
store at about 1500 N. Milwaukee/ Chicago,
that is one of my favorite thrift stores, proba-
bly because it s only two blocks from my
home. But it could be that it has one of the
best selections of 8- track players of any store
that I've found so far. Cheap furniture for
good prices. It also has a huge selection of
hardback books for only 50« each, bigger
than most places. The huge Village Thrift
Store on the 2 100 block of IV. Milwaukee has
way more books, but most arc paperbacks
that look like they were saved (not) from a
Hood.
Entertainment -wise, the best deal in
town if you like to bowl and drink is the
Fireside Bowl on 2648 W. Fullerton, Chicago.
This place seems to have been forgotten by
time, and the bar is the only thing that keeps
Uus place seems to have been forgotten by
time, and the bar is the only thing that keeps
them going. That means that everything is
cheap as hell. A game is SI .00. shoes are 75c .
and a pitcher of beer is only $3.00. I think
they have leagues on the weekends, but dur-
ing the week the place is vacant, and is open
till 2 a.m. All the gear is very old. and usually
about 1/3 of the 16 lanes are out of order.
Last year there was regular "Monday Night
Disco Bowling." This was just an informal
gathering of people, punks, artists, musi-
cians and wierdos from around Wicker Park
and other areas who got together to bowl. The
place has no jukebox or music system, so
Russ Forster would supply the 8-track player
and hot hot hot disco 8-tracks, and the beer
would How, the balls would roll, bad dancing
would happen. I took GREENDAY there when
they were in town, but they got freaked out
ana only bowled one game. A good time to be
sure. Maybe it will get startedagain soon.
Some 'cheap eats' and other hang out
reports arc forthcoming next time.
What's New? A very new band with ex-
IVY LEAGUE Bob. and ex -SCREECHING
WEASEL Dave Naked and others has just
formed in suburban Wheaton. called SMUG.
They'll be doing some shows soon, they just
new is a killer band from long time scene-guy
Martin of Wliat The Fuck stuff. LOS CRUDOS
are an all Spanish-speaking II. C. band from
the neai' south side, and have played some
raging shows as of late. One of their goals is
the neai' south side, and have played some
raging shows as of late. One of their goals is
to raise general awareness of the condition of
Hispanic culture inourcity. and to encourage
pride in it. Hopefully some stereotypes will be
challenged, and that more people in this
who got together to bowl. The WEASEL, etc. Touring out of towners will
ikebox or music system, so benefit from it. as it looks like JAWBOX.
uld supply the 8 track player SI IUDDER TO TI IINK. ALL and ot hers will bt
disco 8-tracks, and the beer playing there soon. Mall's shows are $6. and
sails would roll, bad dancing other than a few occasional discrepancies,
took GREENDAY there when he's paid everyone fairly every time. Support
I'll, but they got freaked out him.
one game. A good time to be Another good setup is The Septembei
/ill get started again soon. House, an independent show collective that
ap eats' and other hang out was doing some cool afternoon shows in an
icoming next time. apartment until the plaster fell off the ceilinp
iv? A very new band with ex- of the apartment below and the landlord
Job. and ex -SCREECHING nixed the idea. Ed and co. moved on to doing
Naked and others has just September House shows at the Too Far Wesl
ban Wheaton. called SMUG. Cafe on 2059 W. Chicago Ave. . Chicago. It's a
some shows soon, they just small joint, and has home made food, ice
ment demo that is cool. Also cream and sandwiches. The owner used to get
nd from long time scene-guy all of ;io business until the first show, and it
Tie Fuck stuff. LOS CRUDOS was his best day ever. I Ic's now really primed
sh-speaking I I.C. band from on the shows and is being really helpful to Ed.
side, and have played some Come to think of it, it'son it's way tobecoming
of late. One of their goals is a cool hangout, too. This past Jan 18th, was
iwarencssof the condition of the first show, and it was a raving success.
inourcity, and toencourage The place was packed, and SUCKERPUNCH.
ully some stereotypes will be GROTIT VILLA (formerly HUM DRUM). ESKI-
[ that more people in this MO NATION. 8 BARK (sorry, but that's how 1
o confront the fact that there knew what happened . . .) and LAUGI IING MAN
e language in this country! played all afternoon & night. Good food too.
)and. the SMOKING POPES Ed is hoping more people from the burbs
"'EP on Radius Records and start coming out. Other shows include lots ol
ying around. They are veiy locals. includingP.E.N.. LOSCRUDOS. RUST-
3-punk-meIodic vein, as are BUCKETT. DEAD STEELMILL. TRENCH-
roup. the BOLLWEEVILS. MOUTH. SMOKING POPES. IMPULSE MAN-
ased a 4-track demo tape. SLAUGHTER, and the BOLLWEEVILLS. Also
J to put out their own 7"EP held there was a Windchill Factor benefit with
jearing up to really hit the GAUGE and others. September House wants
t out for both these bands in to book any band, touring or local, and can
oiler a good small show, fin glad to see that
)ec.20th, a great benefit was people m Chicago are starting to take things
raise food supplies for food into their own hands and get stuff started.
Iters. Held in a hall on the Believe it or not, people are still booking
, Hardcore Against Hunger the occasional show at the Wrigleyside. Re-
• by Rich Zupkus. who did a cently. Elise Doody put on a 16-1 ONS (Cham-
jrk organizing this thing. In paign). ESKIMO NATION and SMOKING
;ot away fromhimabit. with POPES show to about 30 people. I can't
ng-banger/skinhead rough understand why more people don't support
l. but over all the event was shows there; the room is a good size, the P.A.
ing were IMPULSE MAN- is great, the location is easy to find, the door
FE SENTENCE. LOS CRU- is never over $5. and there are no bouncers or
iARK. FUCK THE BUREAU- lame "club" attitude. Marc Ruvolo put on a
LSTRUCTURE.THECRUST- Nation Of Ulysses & Bikini Kill show there a
Cool. while back, and it was just as empty. Perhaps
lion in the last report that a better advertising network has to be set up
gors in Elmhurst were deft- in the underground scene...
February? Well, it looks like I mentioned last time that Ben Weasel
lace'o'fun will be opening its had a new label. No Budget Records that had
with plenty of shows again. re-released the old S.W Punklwuse 7"E.P.
scene will have to confront the fact that there
is more than one language in this country!
Another newer band, the SMOKING POPES
have put out a 7"EP on Radius Records and
have started playing around. They are veiy
much in the pop-punk-mclodic vein, as are
another new group, the BOLLWEEVILS.
who've just released a 4-track demo tape.
They are looking to put out their own 7"EP
soon, and are gearing up to really hit the
scene hard. Look out for both these bands in
the future.
This past Dec.20th, a great benefit was
put on to help raise food supplies for food
distribution shelters. Held in a hall on the
south west side. Hardcore Against Hunger
was put together by Rich Zupkus. who did a
hell of a lot of work organizing this thing. In
the end, things got away fromliim a bit. with
some stupid gang-banger/skinhead rough
housing going on. but over all the event was
a success. Playing were IMPULSE MAN-
SLAUGHTER. LIFE SENTENCE. LOS CRU-
DOS. P.E.N.. 8 BARK. FUCK THE BUREAU-
CRACY. CRANIALSTRUCTURE.THECRUST-
ERS and others. Cool.
Did I mention in the last report that
shows at McGregors in Elmhurst were defi-
nitely starting in February? Well, it looks like
Matt Nelson's palace'o'fun will be opening its
doors in March, with plenty of shows again.
w/SLUDGEWORTH. PEGBOY. SCREECHING
Alan Jones of TASTY BUSH
outside Fireside Bowl
■ ' ,mmm f**»
pic: Brian
Ben has gotten bogged down with otherl
projects, and it looks like No Budget might notl
be around much longer. The VrNDICTIVES 1
7"E.P. was released on N.B.. but it is pretty
much a band-released tiling with No Budget
doingdistribution.The VINDICTIVES have had
a member change, booting drummer Eric
Elsewhere for ex-GEAR Pat Buckley, who has
not received a goofy Weasel-esque moniker
yet that I know of. SCREECHING WEASEL
has done well on a part one of a two part tour,
and are off on the second half to the south &
east U.S. Their Lookout L.P. is selling like free
beer, and they'll be recording again for an L. P.
this spring.
Anybody who comes to Chicago, or any
band driving by on tour who wants to hear
some of the greatest radio ever should check
out WZRD, 88.3 FM. It broadcasts in mono
out of Northeastern U. , and has the most non-
format format I have ever heard. Their "collec-
tion" is huge and eclectic; it is not uncommon
to hear Bing Crosby, some Aussie aborigine
healing chants. Operation Ivy. Borris Karlol
reading some "Just So" stories, a self- hypno-
sis record, then Black Flag followed by Elvis,
etc. Along with some good alternative syndi-
cated news programs, they are the only sta-
tion in Chicago to carry MRR radio too. Every
Thursday night they have bands play live on
the air, local and touring. Dial 'em up if you're
passing through. Glen Herman. ex -IMPULSE
IvLANSLAUGI ITER drummer, has been D.J.-
ing on WZRD this past semester, and this
spring he has taken over Joe Garza's old
Thursday night livc-bands-on-the-air/inter-
view show. Although lie's booked uj) into late
spring already, call him if you'd like to be
interviewed or play on the air.
EVEN SCORE has new members yet
again, recently losing ex-BILLINGSGA fE
member Eric. Victory Records will have sever-
al releases out in March, including the D.C.
band WORLDS COLLIDE T'E.P.. the new L.P.
Irani ICEBURN. and a 7" E.P. by Buffalo NY's
SNAPCASE.
Underdog Records is getting ready to
split I heir bimonthly 2 page newsletter into 1)
. i one page newsletter, and 2) a bigger, regu-
larly issued 'zine. railed, originally enough,
Underdog 'Zine. It's taken the form of a com-
pilation zine each issue, with many smaller
"mini-zincs" making up t he whole. The lbniiat
is wide open, and contributions arc welcome.
It will be quarterly, with the first issue out
April 1st. Also. IJ-Dog is still interested in
distributing other independent bands and
labels in their catalog, so call them. U-Dog
will soon release an ESKIMO NATK )N /SHAG -
GY (from NY) split 7"EP, and arc beginning
work on Achtung Chicago Zwett, a "sequaf
comp to the 1989 Achtung Chicago! 14-band
comp diat Ben Weasel put together. U-Dog
has re-pressed 8 BARK's 2nd 7" EP. The Big
Wheel, with new color scheme covers (big
deal, collector scum!).
8 BARK's Quebec and Ontario Canada
lour last January went great, and we're plan-
ning to go west to CA on tour late this sum-
mer, hopefully with ESKIMO NATION, so if
vou want us to play your town, call or write.
8 BARK is releasing an LP/CD out by .July
Icaturing new singer (since Sept. '9 1) Victoria
Dakarian. ESKIMO NATION'sV" EP is near to
re-press, and they are also getting ready for
an LP/CD by this summer, and have booked
tons of Midwest shows this spring. Another
Underdog band. I.M.F. . who broke up last fall,
is back together with a new guitarist and a
new name. THE HIDDEN. After a brief so-
journ with some other projects, they all felt it
was time to keep a good thing going. DEAD
STEELMILL has lost singer Corny and has
been playing with guest vocalist from time to
lime. TASTY BUSH acknowledges that the
economy is in a "free-fall" and they admit that
it is "vulnerable. "They are "listening." howev-
er, and know that they have "big problems",
but they say that "we are going to take care of
them." Check out their 7" EP Fuck Work on
Underdog/Bob Records.
Matt Conners shows at Union Hall in
DeKalb have been going well for some time
now. He's kept up the pace of about two
shows a month all fall, and is going to keep
going through the spring. Matt's band SI-
LENCE has been playing out, and there are
rumors of a possibly one time WEEDEATER
reunion show in DeKalb in the next few
months.
Despite some very screwed up mix-ups.
GAUGE'S 7"EP is finally coming out on Down-
ers Grove's Shakefork Records. The rumors
nbout the GAUGE records have been full of
praise, and although I haven't heard it. I'm
sure it's hot stuff. GAUGE are the cool new
Ihing to come out of the Downers Grove-
Wheaton-Schaumburg suburban scene (yeah
Gub, 1 know you live downtown!) anu are
definitely headed for some good recognition in
the future. Scott, who runs Shakefork. has
stopped booking shows at Sir Donald's in D.-
G., due to the $3.50/head cut the owners
lake out of the door, but he's looking for a
better place in the area. His Shakefork zine
kind of stalled right now. but Shakefork is
looking towards a possible 2nd 7" release by
SIX SLUG VACATION, whose self-released
ilebut 7" is almost out of print.
Johanns Face Records has been selling
lots of the new SLUDGEWORTH L.P./C.D.
What's This? .SLUDGEWORTI I just keep get-
ling more & more popular locally, and are
definitely a big draw in town. Just released is
the ROTWEILER TUBE 7". with some S-
WORTII. NO EMPATHY and STEPCHILD
members. DOUBT has just recorded material
for an LP. All the M;uc Ruvolo projects have
been playing out a lot.
Some people have asked me why I don't
mention PEG BOY or NAKED RAYGUN in
these reports. Well, with videos on M'lV for
both of lliise "underground" groups. I think
they're getting enough press as it is...
hi zineland. there has resurfaced (or
maybe it's always been there) an anarco-type
zinc thing called Wind Chill Factor. They ve
put out about 4 issues or so. and they're
always showing up at gigs with lots of free
stull - slickers, zincs, etc. Usually I have a
pretty hard time getting into most anarchist
organized things (is that a contradiction?), as
they usually involve a handful of desperate 15
years olds following around some weird crusty
ex-hippie who'd read something once in col-
lege. Their literature tends to be dogmatic and
sensationalist, and boring. Wind Chill Factor
stays away from these taboos, and is a pretty
hip set up. The zine is pretty entertaining,
with lots of tips and info that are actually
useful. They're nice people, too. Check out
their stuff, cause it's worth it.
Also. Vera of Rain magazine is gearing
up to put out another long awaited issue.
She's having a fund raising party in the end of
February, and will hopefully be printing soon
784-6708... Wind ChillFactor/ P( ) Box 8 19(5 1 /
Chicago. IL 60681. Any other numbers that
you'd like but aren't listed here, just write mi
and I'll see what I can dig up.
February, and will hopefully be printing soon
thereafter. This mag is music music music
and one of my favorites. More on Rain in the
future.
That's It. Once again, time to begyou all
- PLEASE SEND ME INFO. PHOTOS, and
MORE INFO for this report (and more PHO-
TOS!) If you're steamed because projects that
I'm involved in get good coverage in this
report, it's because I haven't received any
submissions from you ! So send me stuff or
call. If you are happy - great. 1 know that Rich
Zupkus was going to send some scene report
inlo on his area in to me recently, as did Ken
from the BOLLWEEVILS (and photo - thanx).
Matt Conners from SILENCE sent some pho-
tos too - thanx Matt. I've also heard that
someone from Downers Grove is working on
something - good, let's get off our butts.
Chicago. Let's try and coordinate these re-
ports so they're as complete as possible. It can
only be informative and complete if you fellow
Chicagoans pitch in. I don't care what your
niche is in the "scene" or who you love/hate,
just do it. Write /Call; Doug Ward/ 8 BARK.
PO Box 47G847/ Chicago IL. 60647-6847
(312)772-4545.
Some other numbers/addresses:
Underdog Records/TASTY BUSH/ESKIMO
NATION/DEAD STEELMILL/ 8 BARK? PO
Box 14182/ Chicago. IL 60614/ (312) 772-
4545... THE HIDDEN/ 7450 N. Greenview.
#54/ Chicago. IL 60626. (312)/ 764-1757...
Johann's Face Records/Marc Ruvolo/NO
EMPATIIY/CIIIA PET/DOUBT/ PO Box
479 164/ Chicago. IL60647/ (3 12) 226-0957...
No Budget Rccords/SCREECIIING WEASEL/
THE VINDICTIVES/ PO Box 62/ Prospect
Heights. IL 60070/ (312) 248-0867... Shake-
fork Rccords/SLXSLUG VACATION/GAUGE?
PO Box 9711/ Downers Grove. IL 605 1 5 (708)
852-7795... Victory Records/EVEN SCORE/
PO Box 197/ Clarendon Hills, IL 60514/
(312) 404-62 14... Matt Nelson/Out of Control
Prod/ 2434 N. Albany 2nd Fl/ Chicago IL.
60647/ (312) 342-7859... Matt Conners/SI-
LENCE/ 1 109 S. 2nd St/ DeKalb, IL601 15/
(815) 758-4240... Drunk Rock Prod/P.E.N./
John (708) 983-9009 Aurora. IL... September
House Prod/ Ed/ 2309 W. North Ave/ Chica-
go. IL 60622/ (312) 342-031... WZRD/ 5500
N. St. Louis/ Chicago IL 60625/ (312) 794-
2861/ live on-the-air call Glen (312) 478-
3855... WKDI. Jcnn Buelow/ 801 N. 1st St/
DeKalb. IL 60115/ (815) 753-1278... Josh
Caterer/SMOKING POPES/ 29 Echo Hill/
Lakeln The Hills. IL60102/ (708)658-0617...
Radius Records/ PO Box 723/ Lincolnshire.
IL60069... KenFitzner/BOLLWEEVILS/ 2649
W. Biyn Mawr/ Chicago. IL 60659/ (312)
Well, I figured that it was about time
that I got around to sending in another scene
report from Boise, so here it is. It's late
January as I write this, and a lot has hap-
Fened in the year or so since the last report,
m going to try to make this interesting lor all
of you, so pay attention!
I'm going to start of with what's
happening with the local bands, and go from
there. I haven't included any addresses for
bands this time around. If you want to con-
tact any of them, contact me and I'll point you
in the right direction. Boise is an Interesting
place. The local scene consists of bands that
play everything from punky stuff to original
college rock type shit, often playing together
at the same snow. There has also been a
bunchof seven-inches and cassettes released
recently, which I'll mention in a second.
Bands with tapes out include GRAV-
ELTRUCK, who play Firehose-like jazzcore;
RITUAL FILTH, Boise's answer to early Con-
trolled Bleeding; HARDLUCK SHOVEL, a band
that really rocks when they want to; BRICK-
LAYER, a Godflesh inspired duo; and my
band HAGGIS, a sloppy punk rock group that
is out to alienate the world.
As far as the vinyl situation goes,
there are a couple of labels in Boise that nave
release some stuff. Bent Records has put out
three 7"s by local bands. HARDLUCK SHOV-
EL (mentioned earlier) , HUMORGOD (an ear-
ty-period Husker Du sound), and PSYCHIK
NOT (who are kinda like the Doughboys or
someone). The other label in town is SCREAM-
IN' FEZ. They've released a 7" of college rock
stuff by DEEP DOWN TRAUMA HOUND
(whose members are cooler than the music
they play . in my opinion) and a new 7" by THE
DIRT FISHERMEN, who are a lot "punkier"
than they used to be because they kicked out
their lead guitarist and wrote a bunch of new
songs.
Other good bands playing around
include CAUSTIC RESIN, who have received a
lot of great press in the Northwest for their
psychedelic grunge-infested sound and in-
tense stage show; GOD, INC., a bunch of
youngsters (in Jr. High and High School) who
are punky as hell - let's hope they stick with
it; KING PANCAKE; THE SCREWS; and BUF-
FALO COUNTRY. A couple of bands in the
forming stages are EL DOPAMINE, who have
a pretty good pop punk sound with horribly
sappy lyrics, ancl MOSS, which feature ex-
members of BLANK FRANK AND THE
TATTOO'D GODS.
That about does it as far as local
aands go. Now on to the clubs. There are
jasicalfy three places to play in Boise. These
ire The Crazy Horse, Te Ruby Slipper, and
3ogies. I would caution all bands not to play
it Bogies, because the owner is predominant-
y concerned with making money, rather than
lelping the local music community (or any-
jne but himself, for that matter). The Crazy
rlorse is an all-ages hall that has shows every
Friday and Saturday night. The place holds a
ssne reports
IT
FRIDAY
v em6
All Ages
V "'P
2j£ . r f
e **l5
couple of hundred people comfortably (and
more If needed), and Is the place that most
bands play. If you want to try to book a gig
there, call Allen Ireland at (208)343-6432.
The Ruby Slipper is an over-21 club that
features alternative music. It is run by mem-
bers of HAGGIS and THE DIRT FISHERMEN
and also provides a place for a number of
bands to practice during the week. Bands
interested in playing can call me at (208)336-
1 137 or write to Zentrum Productions (ad-
dress below) . The Ruby Slipper may also do all
ages shows in the future, so give me a call and
we'll see what we can work out. Bands can
almost always find someone's house to crash
at for the night, so if you need a place to stay,
ask around I'm sure you'll find one.
Zentrum Productions is anew'com-
pany" that has been formed to promote local
music in Boise. Besides running the Ruby
Slipper, Zentrum is working on putting to-
gether a local fanzine that will be given out
ree at record stores and gigs, holding benefits
for various important causes, as well as orga-
nizing a three day music festival in Boise this
August, featuring underground bands from
everywhere. Anyone interested in either play-
ing at or attending this festival should write to
Zentrum Productions at 4890 Lakeview PI/
Boise, ID 83703.
The happening record stores that
would probably carry your shit if you call
rse
them are The Record
change at (208)344-
Aardvark's at (208)
Both carry new and
nd CD's, and often
that collectable shit
g
E x
8010. and
344-4551.
used records, tapes
you can score some
at reasonable prices?
I'm still doing the radio show, "Mu-
tant Pop" on Wednesday nights on KBSU.
Bands wanting airplay should send stuff to
Mutant Pop, c/o KBSU; 1910 University Dr.;
Boise, ID 83725. I'm also still working on an
underground video show on the localpublic
access channel. Write or call me if your band
has a video and wants airplay (see address at
bottom).
There are a couple of other interest-
ing places to checkout if you're in Boise. Once
the weather gets warm, you can usually find
the punky people hanging out by the band-
shell in Julia Davis Park, playing Frisbee,
listening to tunes, etc. This park is right by
the Boise River, which runs through the
middle of town. Believe it or not. the water is
clean enough to swim in, and is a great way to
cool off after a day of hanging out in the sun.
Boise also has some decent thrift
stores, but most of them are far enough away
from the downtown area that you've got to
have a vehicle to get to them. The best places
in town for cheap clothes are The Idaho Youth
Ranch Thrift Store. Savers, and Deseret In-
dustries. The Salvation Army also has a
couple of stores, but their stuff usually lack-
ing. For those of you with fuller pocketbooks,
check out Retrospect (next to the downtown
Record Exchange), where you can buy leath-
ers, Doc Marten's, and other punk regalia.
Well, thafs more than plenty for
this time. I'll try to get a scene report done
every couple of months from now on. so. they
won t be so goddamn long (yeah, I know I said
that last time). If you want any information
about anything in Boise, feel free to write or
call me. My number is (208)336- 1 1 37, or you
can write to Mark Hanford/317 E. Bannock
#l/Boise, ID/ 83712.
Hi there, finally some news, again aboul
Ihe Italian scene! This is my second scene
report; I hope you enjoyed the first one and
you'll enjoy this too!
Sad news: the squat L'Isola Nel Can-
liere in Bologna is closed alter 3 years ot
intense activities, due to the intervention ol
Ihe authorities. All the American bands who
were touring Europe and especially Italy played
there, so we hope to see another cool squat
where it will be possible to play music. In
Milano the well-know Centre Sociale Leon
eavallo has open his doors, the first gig then-
was No Means No.
PEGGIO recorded a new LP and is out
on Wide Records, but now they have nothing
to do with hardcore. I mean on the musical
side, they play fusion, a cross between rap
ind funk, maybe like Living Colour. Anrdea
I'isani/ Via Don Cancstri 10/ 15100 Alesan-
dria. Wide Records/ Casella Postale 309/
56100 Pisa. Also on Wide there is the LP of a
band called TRANSMISIA they play a cross ol
bands like Clock DVA. Bauhaus. Test Depl
Ihe title of the LP is Micing Machine.
Blu Bus/Circus will put out a new 7" ol
IMPACT, a new seven inch of K1NA. a split
seven inch EVERSOR/ACCIDIA. and the new
mini-LP of IFIX TCEN TCEN. speaking ol
them I made an error in my first scene report
because they arc still together and now it
seems that they play a kind ol Red Hot Chili
Peppers music.
Now some news about Break Even Point,
which will put out two 12 "s. The first one is
Encounter (now Deep Water), the U.S. SE
band, and the second of Face Puller from
Seattle (but I'm not sure!) who play 70's a la
Sub Pop and a 7" of Slap Of Reality. For more
information write to Break Even Point/ via
Vallebona 28/ 00165 Roma.
Goddam Church is a label run by the
singer of STIGE which has put out the People
From The Pit compilation LP which included
songs of Corrupted Morals. Corruption. Raped
Teenagers, a double compilation LP limited to
500 copies with 32 Italian bands (metal, he.
thrash etc) called Attitudine Mentale Positiva
and the LP of STIGE called Unite Nell Abbraccio.
Goddam Church/ STIGE c/o Carlo Cannel-
la/ VIA 267 a 33/ 63030 Monticelli (AP) II
seems that he'll put out a new AttltucUnt
Mentale Positiva compilation LP.
Scream Of Anger put out a compilation
LP with 7 Minutes Of Nausea. Agafhocles.
.uid with the last issue of Scream OJAngei
zine. Paolo put out a split 7" with GROWING
CONCERN and ONE STEP AHEAD. Scream
Ol Anger c/o Paolo Petralia/ Viale Beethoven
63/ 00144 Roma.
Speaking of GROWING CONCERN . they
plan to have an LP maybe on Break Even
LI11.L
■«8H6 reports
toH\** c
***
intends with straight
drummer and the guitarist of GROWING
CONCERN play in another band called
EQUALITY, who are a mix of BURN. INSIDE
OUT. with personal lyrics and absolutely not
in the vein of most of the NY's lyrics. GROW-
ING CONCERN/EQUALITY/ Gianni Pantalo-
lli/ Via C. Ferrata 23/ 00165 Roma. ONI
STEP AHEAD have their 7" out on Bodonski.
write to them at this address: Roberto Marro-
ni/ Viale Spartaco 108/ 00174 Roma. Also.
1 hey changed their name to OPEN SEASON.
RANDAGI from Naples put out their
second LP of hardcore /metal on Helter Skel-
ter/ Piazza Delle Province 8/ 00185 Roma.
TVOR put out t he LP of RAW POWER and the
CD version which will be distributed in the US
,ind maybe for this year they plan to go to the
New Music Seminar in NY. TVOR/ Casella
Postale 804/ 22100 Como.
Electric Eye is a label which has put out
around 40 records, and produce bands who
play punk rock/sixties, they can be com-
pared to Dionysus/Bomp/Estrus. so write to
1 hem for receiving their interesting catalog.
Casella Postale 144/ 27100 Pavia.
Dischi Rock is a label from Modena
which has put out the LP of PAOLINO PA-
1'ERINO BAND, a band that combines a mix-
t ure of punk ala 77 with ska and other various
influences. Also. Dischi Rock is a record shop
where it's possible to find tons of import
cYmjftHJ Bl£
,uE bands especially).
chi Rock/ Via Del Voltone 11/ 41100
Modena. Mister X will put out a benefit com-
pilation LP for the Indians and maybe the
second LP of UPSIDE. MistcrXc/o Decanale/
Cassella Postale 144/ 10064 Pinerolo (Tori-
Nautilus from Torino is a label which
- Nrttf a h^nd
which plays industrial music ana me up of
PANICO in co-production with Blu Bus. Mis-
ter X and the band itself, but the principal
activity of the label is putting out books on
social-politic-moral-econoniic topics showing
that hardcore is more than music. Nautilus/
Casella Postale 1311/ 10100 Torino.
There is a new label called Chansons
D'Amour which'll put out in co-production
with Circus a 7" of IMPACT from their first
years when there was Jeff the actual drum-
mer of NEGAZIONE. Chansons D'Amour c/o
Luea Giannini Via Del Monte 30/ 47040
Mulazzano Di Rimini (Rimini). It seems not to
be enough, so there is an upcoming label
called Altered Records which will be run by
Gabriele with maybe the help of the fantastic
bass player of PERMANENT SCAR. Fulvio.
Also. Gabrielle runs a very good fanzine called
Abnormal: for more information write to Gab-
riele De Mori/ Via 4 Novembre 32/ 13032
Asigliano. Vcrcelli. He also has a real interest-
ing catalog of records to sell.
R1TMO TR1BALE is a band from Milano
which has put out one mini LP and one LP
their style can be discribed as a cross of HC-
rock and Busker Du with great melodies and
addition of power and. for contacting tin
band write to Vittorio Piaggi/ Res, Quercc
Apt. 542 MI 2/ Scgrate 20090 (Milano). Alsc
write to him for receiving the fantastic photo-
zinc LineaDuitta for $5. maybe one of the best
fanzines ever in this world! For receiving the
record: Vox Pop Records/ Via Savona 20/
20144 Milano. THE MONKS are abandwhicl
has put out a LP on Flying Records they pla>
a kind of music who can be described as 70's
ala SubPop. For more information, write to
THE MONKS/ Fausto Cosatto/ Via Irene
Spilimbergo 4 1 / 33 100 Udine. LE BAMBINK
is a band from the same region as THE
MONKS they play a cross of Jingo De Lunch/
Bad Brains ancf Bad Religion but with an
incredible musicianship they have a mini-LP
outso write to: LEBAMBINE/ViaSanGiuliano
5/ 33 1 70 Pordenone or Devon Rexcord/ Viale
Venezia218/ Udine.
DEATHRAGE is a metal band from Mi-
lano which has put out two LPs on Discomag-
ic. an important independent label from Mil-
ano who is the official distributor of big Euro-
pean labels, especially metal, their first LP is
called Sel/Limited/Sel/'-Coitdirtoriedand their
new one is called Down In The Depth Oj
Sickness. Write to Alessandro Vlcini/ Fermo-
posta/ 20092 Cinisello B. (Milano).
RABID DUCK is a band which comes
lioin the "cast coast" liny had an LP 3 years
■ igo on a label called LM which specialized in
metal stuff, but unfortunately this label fin-
ished its activities so now the band is search-
ing for a new label. Ifyou are interest you can
write to them, their kind of music can be
described as a melodic-hardcore ala Dag Nas-
ty with incredible musicianship, very tight.
RABID DUCK/ Andrea Visanio/ Via B'rugnoli
8/ 40132 Bologna.
CONTROPOTERE from Naples have
i heir second LP out on a German label they
sound like a cross of metal. loud with exper-
imental influences. LUPUS IN FABULA is a
band with three ex -MAXIMUM FEEDBACK
people. They have an LP out now. so ifyou
want to contact them write to the Growing
Concern's address.
Also from Roma comes SUPERFETA
)NE which has a three song 7" called Scare-
crow out on the Belgian label Reiger Records.
SUPERFETAZIONE/ Andrea Naglierc/ Via
Uellani 45/ 00153/ Roma.
Draema Records is a label from Torino
which has put out a mini LP of BRAIN DAM-
AGE (this record is produced by a member of
Killing .Joke, a compilation LP with metal
bauds from Torino, an LP of BROKEN GLASS
a thrash band and a LP of JESTER BEAST a
hand where the guitar player of NEGAZIONE
used to be. TRIMAD a band who combines UK
punk ala 77 and reggae have a 7" out called
Vend Di Gucrra on a label called Flowers Of
Grain Records c/o Schiavo Roberto/ Via San
ippolito 8/ 50051 Casteliiorcntino (Fircnzc).
also from the same address you can get the 7"
of STATO DI POLIZ1A one of the most famous
GDIIC's band. In Torino there's a new label
ealled F.O.A.D run by the brother of the ex
singer of NO WAY. His first production is a 7"
live from 1982 of BLUE VOMIT which was the
"pre" 1FIX TCEN TCEN. you maybe known
l his crazy junk band from Torino who have a
LP on IVOR with lot of cover of famous pop/
funk bands-singers, this 7" is distributed by
IVOR. For more informations write to FOAD
i/o Marco Garripoli/ Via Doppi 18/ 10095
Grugliasco (Torino). The cx-singerol NOWAY
(now defunct) will found a band with other
people involved in the straight-edge/positive
scene of Torino, they'll have a Shelter influ-
ence (the name of this band is CHRISTIAN
MENTION), write to Marco (FOAD. who is the
brother of the singer, for more information).
THINKTWICE are in the studio to record
an LP for Crucial Response; they played a gig
with UP FRONT (the only Italian date for this
NYHC band) and EQUALITY (first gig). Freddy
Tricarico/ Viale Giorgione 46/ 36100 Vicen-
za.
And now a story I'll call "bass history":
The bassist of POINT OF VIEW had left the
band to joined a metal band, so they have a
new one and they'll record soon 4 songs for a
7" on Inaudito Dischi. POINT OF VIEW: An-
Irca Valentini/ Via Don Giovine 56/ 15100
Alessandria. Same story for the original bass-
ist of CREEPSHOW who left his band too,
CREEPSHOW has found a new one. who
before was in a band called CHANGE, ayoung
posicore band from Padova. CREEPSHOW/
uiulio Repetto/ Via Falloppio 38/ 35100 Pa-
dova. Also write to him for receiving the
lantastic compilation Between The Clouds
put out by Green Records and SOA with
RABID DUCK. ONE STEP AHEAD. GROWING
CONCERN, CREEPSHOW. PERMANENT
SCAR it costs S6 by air and it's worth the
price! For me. the best bands for the level
sound on this compilation are PERMANENT
SCAR. CREEPSHOW. RABID DUCK. GROW-
ING CONCERN. For the technical capacity
i he best bands are GROWING CONCERN
PERMANENT SCAR. CREEPSHOW, RABID
DUCK. MAZE, too, changed their bass player
and they added a second guitar, so now they
are a four piece band and they'll have a new
record out in mid '92 and they also have a split
/" with their blood brothers. PERMANENT
SCAR. MAZE: Claudio Gilardetti/ Via Lario
12/ 20054
NOVA MILANESE (Milano). PERMA-
3 1 ZVTM M UliTi' ffl^JTXrJfflKV fl
a compilation out with ONE STEP AHEAD. and (he second called ALL
GROWING CONCERN. REAL DEAL. THINK Baraldi/ Via C
TWICE. CREEPS1 IOW. I IIDE ( >UT which was va).
recorded live at L'Isola Nel Canliere. for more Nemesis, you owe us S
information write to the Green Record's ad- we wait! Coming for mid l J
dress. To all the persons who read this scene SLOWDOWN. BY ALL ME/
report and who are involved in posi/SE bands VIEW and other surprises! W
especially in US, there's a person from Roma lion and wholesales prices aj
who runs a label but I don't know the name of receive our mailorder cataloi
the label (sorry). Tills person wants to put out Inaudito Dischi/ Av Parani
a compilation with Italian and US bands who Paris/ France. Also we are se
1 Roma. BY ALL
ic iwo lamasnc guys
at this concert there
vitzerland and ONE
«MMSsS
this was the first ^
can say wit bout problem t hcy'll become one of
the best European posi-core band so watch
out for their upcoming 7" and all the other
stuff they'll do! BY ALL MEANS/ Stefano
Bertelli/ Via Toglialti 31/ 46029 Suzzara
(Mantova). HIDE OUT lost their two guitar
players but they arc searching a new one
because they'll go to a studio to record a
second 7" I'orTVOR and they are veiy angiy
against Inaudito (so am I!). So send love
letters to these beautiful people: Marco Dcpl-
ano/ Via Virgillio 2/ 22100 Como or for
information about their label to Francesco
Normile/ Via Nolfi 19/ 22 100 Como. For con-
tacting SLOWDOWN, write to Antonio Gnani/
Via Del Forno 4/ 43044 Collecchio (Parma)
And now let's talk about band which
must be known: RASTA PEACE CORPORA-
TIONS have been together four years and are
gowerlul. They mix the styles of Bad Brains,
pcrmbirds . and reggae with an incredible
musicianship. Their lyrics deal with political
topics. Soon they'll have a self-produced LP so
write to: Mauro Bussani/ Via S.V. De Paoli 4/
34074 Monfalconc (Gorizia). From the same
town come the friends of RPC called Mahima
and they have a Bad Brains influenced sound
but with more metal touch and an add of
Victims Family /Angry Red Planet sound, their
lyrics are political, speaking of religion, war.
vivisection and the like. You can also contact
them at this address: Alcssandro Torri/ Via
Boccaccio 8/B/ 34074 Monfalcone (Gorizia).
KRAKATOA is a new young and promising
hand which comes from the center of Italy.
They play an interesting cross of HC-Funk-
Rap like a cross of Minutemen/Firehose/
Fidelity Jones. KRAKATOA/ Fabio Amico/
Via Nitti 37/41012 Carpi (Modena) with a
great attitude; cool lyrics too! Another band is
MAGNIF1CA SCARLATTI from Torino which
consists of ex-members of INDIGESTI and
NEGAZIONE. They play a cross of Red Hot
Chili Peppers and hard-funk with an incred-
ible musicianship. Write to Sandro Bramar-
di/ Piazza Bengasi 26/ 10024 Moncalcri (Tori-
no). WHY ARE THEY is a band from Milano
with a female singer they are on the benefit
compilation of the Leoncavalo collective (who
covers every kind of music but all with the
same spirit about self-management!). They
play a cross of classic hardcore with Jingo De
Lunch style (another one!). For more informa-
tion write to Piero Majocchi/ Via Franchi
Maggi 21/27100 Pavia. He'll give you their
address 'cos I haven't it yet. I VIGLfACCHI is
a band which play hardcore with surf/sixties
influences. They have a demo out, and for
more information write to Vittorio Campanel-
la/ Via San Gaetanino 26/ 48100 Ravenna.
From Modena come two new promising
bands: the first play hardcore in a "positive
way." Their name is NNCC and they'll have a
demo out soon: NNCC/ Matteo Verri/ Via
Nomantolana 726/1/ 4 1 100 Modena. The
others are BIMBI A MODO who play hardcore
too but I don't know their style. BIMBI A
MODO/ Cristiano Toscan/ Via Rep.
Dell'Ossola 18/ 41100 Modena. There are
Nemesis, you owe us S20 in records, so
we wait! Coming for mid 92 are the 7" oi
SLOWDOWN. BY ALL MEANS. POINT OF
VIEW and other surprises! Write for informa-
tion and wholesales prices and ifyou want to
receive our mailorder catalog, send one IRC.
Inaudito Dischi/ Av Parameter 7
Paris/ France. Also we are searchin,
utors. so ifyou are interest helping
distribution of our productions, write! Finalh
I would like to add something: people involved
in the Italian hardcore scene, move your as>
and write scene reports from your country
It's more your job than mine and you surelj
know a lot of things that I simply ignore'
Lorenzo.
Fellow punkers ... right on from Fred
Cleaner in East Lansing, Michigan, where the
brisk Midwestern air has bred rockers with
backs as strong as their ethics. The ELHC
scene is hiding a variety of heavy noisemakers
achieving better living through sound In base-
ments, living rooms and more recently in a
strange little tavern on the outskirts of town
calledRuskin's Reef. Thanks to regular shows
at this new venue, local talent is on display
without the fear of police intervention. Lets
hope it lasts.
The ELHC is probably no different than
any other scene. There are more bands than
shows, more skateboarders than music fans
and more alcohol than is healthy for anyone.
Not that we 're of decadent stock ... indeed,
visiting dignitaries URGE OVERKILL, who
recently blew holes in the roof of Michigan
State University's Erickson Kiva this Janu-
ary, seemed shocked by the quiet, passionate
strength of the ELHC scenesters who swarmed
about them seeking truth. "This is far out,"
said one Urge member (the one with the
sunglasses) "but why does the city smell this
way?" Perhaps the sensation he describes
comes from the industrial chemicals used at
the cooperatively-owned mining operations
that most scene folk toil at. Maybe he smelled
garlic (a large number of ELHC scenesters are
also gourmet cooks, a longtime Lansing p-
rock tradition dating all the way back to DOC
DARTs infamous Sunday brunches, where
he would whip up anything from pressed
duckand cannelloni to a hearty venison roast
and invite all the area punks over to feast).
Regardless, the bands in the Lansing area
carry on in the face of obscurity.
JUST SAY NO are admittedly the king-
pins of Lansing rock and roll, and their un-
questioned leader is Steve Miller (the pen
behind such 70s megahits as "Fly Like An
Eagle" and "Jungle Love"), whose iron grip on
Lansing's crime underground has pushed
him to a high position of influence in Michi-
gan's state government and the underground
scene. No bands play or even rehearse with-
out tithing to the Go Ahead Records organiza-
tion, but JSN provides a certain "protection"
that most indie rock scenes don t enjoy, as
well as handling bets on various sports events.
JSN has more records out than anybody
needs to, and the whole story can be gotten
■■■^■■H
from
Ahead
Record s.
P.O. Box
424,Haslett,
MI 48840.
Constant-
ly under the
scrutinies of
the local
mugs are EL
SMASHO.
the darlings
of E.L.'s rad-
ical political
under-
ground (the
police de-
partment
has had a
tap on the
boys' phone
ever since
they blew up
the R.O.T.C.
office on
campus
here), play-
ing free con-
certs for the
kids at
MSU's "peo-
ple's park"
and keeping
themselves
alive thru
the sales of
various nat-
ural psyche-
delics ... all
four live to-
gether Must
like the Mon-
kees) in a
haunted
house that
serves as re-
cording stu-
dio, practice
space and
crash/fuck
pad. Inde-
pendently
wealthy and
well-known
for their ex-
travagant
generosity. EL SMASHO are not only the
richest band in town, but they also have an
on-going challenge to any area band — rock
harder and they'll give you two hundred bucks.
So far there are no takers. Their debut 7" is
some boss revoltin' for only $3.00 from Bone-
head Rex. 4746 Northgate. Ann Arbor MI.
48103, and a second is due by February.
QUEERDADDYS have recently come
out of dormancy, thanks to head bandito
Bryan Bong's early release for good behavior.
They've kicked their hot-wirin' joy-ridin' fuzz-
bustin' rock and roll Nova into fourth gear
once again, and it doesn't look like they're
going to get caught this time. They suck, but
they carry knives. A swell cassette is available
for peanuts (two or three bucks oughta do it),
plus one song will be appearing on a Flush
Records 7" comp soon. "Boredom Thing" is
the coolest pop since Hubba Bubba, so wait
for it. Contact them through Hunch fanzine
(address comes later.)
Tough men GONE DOG gig a lot but the
brawling band can't finish a performance
without Knocking someone's teeth in. Maybe
they're trying to assert their masculinity, too
many steroids, who knows. They always end
a night shirtless and battered but victorious.
When they're not picking lights with audience
members, the Doggers have been known to
play through Marshall Stacks and have long
hair. Chicks dig 'em. and every stud in town
knows that Gone Dog gigs are practically
foreplay for most red-blooded lady scenest-
ers. Rumor has it that a 7" is on the way ...
Regardless, their rare live appearances are
inspiring, a dense storm of understated ten-
sion in every three minute pop dose. Respect-
them at least ... Their Bonehead Rex 7" is
Ride the Pine and it's genius (see address
elbOVCl
New additions to the ELHC family in-
clude ex-patriate Italian hardcore demons
RAW SEWAGE. PISS AT MIDNIGHT, mem-
bers of the local Amnesty International Chap-
ter, kick out politically savvy jams (plus they
have an ex-member of the Meatmen!). I don t
know much about these bands, just the usual
rumors and prejudiced assumptions, so make
up your own minds.
Local zines are scarce, Hunch is Honest
John Olson's soapbox, and each issue is
better and more insightful than the last. It's
free. too. so write to him at 2 12 Highland. Apt.
1 22. East Lansing, MI 48823 and he'll set you
up. Dashiki Clout recently relocated to Grand
Rapids or something, but Dave's a swell guy.
so watch out for his thing. And if anyone
needs information about any Lansing doings
I'd be happy to write to you and fill you full oi
lies. Write me first at P.O. Box 6065. East
Lansing. MI, 48823.
EL SMASHOW
i_ L .' | ' |—4 — • *fw ,
Spearheading EL's unique "Slowcore
movement is famous punker Norm Bates'
new project. NEVER MIND, BABY. Slow, but
not just slow. NMB ooze out of the speakers
like week old cough syrup. Girls like them cuz
they don't get hurt in the pit. Norm is finally
back on stage after a mysterious "accident
kept him hospitalized for several years (whis-
pers of Go Ahead Records involvement have
never been properly investigated) but this
band, which fncfudes an ex-professional golf-
er and a licenced chiropractor, will surely
endure as long as Norm himself.
APOLLO 9 swing mean like that inbreed
cracker banjo savant from "Deliverance." In-
deed, lead man Soren Law is no stranger to
emotional and mental instability. Growing up
in the backwards farming community of Has-
lett formed him into a strong young man with
crazy eyes and a determined jaw that begs to
be swung at. but don't, because he's killed
more than one man. The band includes ex-
conspirators of the CRUCIFUCKS and the
LIME GIANTS, veteran scenemakers who hang
together under the intensity of their brood-
ingly disturbed front man. The result of work-
ing with such a short fused Jumping Jack ...
a raucous, dizzying countrified jangle of ieed-
back and fiddle, fit for clog or square. Talk of
a 7". but who doesn't talk ...
DOWN, up from the ashes of SNAKE
RTVER. is a quiet, sneaky trio who are never
spotted at the gas station hangouts or punk
rock beer parties. Not much is known about
these boys, or what they're laying low from.
yUVAM'A
OK, this is the 2nd time around with
the same report. It figures that I send out a
report right before the new issue w/ all the
new rules hits the stores.
Live, from the Lehigh Valley, it s Emma
Tropiano. Allentown City Council thorn. She
want s Hispanics to keep their culture conimed
to their homes. She opposes the learning ol
Spanish at city's expense so newly-arrived
I lispanics can get what they need. She got a
guy fired because he had no driver s license;
a guy who helped some touchy situations
witli police and community members. Tin
funniest tiling that this woman did was to ask
the cops how many guys took off in the Fall to
go deer hunting. Speaking of deer, a deer
hunt in Tyler State Park was protested in its
first days, then was ignored as the week wore
on. Those that have heard of live pigeon
shoots will know that protests have been
lively and one guy who coordinated the shoot
got a $500 line forliaving some lackey rednecks
spray deer piss on protesters. Enough already.
Do you want me to write a book on this shit?
When all you big and famous bands
come to the Lehigh Valley on tour, you need
some place to eat. Right? SoEatAlready is a
veggie restaurant on 4th St in Bethlehem,
just down the street from the very good Play
It Again Record Store. SoEatAlready has
reasonable prices and a mellow decor.
Carnivores will want to try the Blue Anchor on
4th st. in Bethlehem, next to the Funhousc
and Godfrey Daniels. Old style diner fare.
Veggie goods can be purchased at the
Bethlehem Co-op which is between the Five
Points and Route 412. By the way, I'm not
from Bethlehem. Band members can get
tattoos by Steve and Ajax. Good ones like
Tribal. Biomechanical and Mythical. They
sterilize, and they have good music. Roy from
Nausea got two. and he came out one satisfied
customer. Call them at (215) 820-5273.
Bandshaveequipment. and equipment
breaks. J&S Music, at 412 Chestnut St/
Emmaus. does good repairs at a fair price.
Mid they even keep an amazingly good supply
of guitars and amps under $100. If you are a
band I like, I just might loan you my bass and
guitar amps. Of course, ifyouareadick witl
I A
1*1
.M.^ I.
>— .
m
~sM4f
3SK
1
?»»e reports
~f . "
Ihe stuff I will unplug it and haul it away. Tom? John? Pafidon? Anvone
Neat parties arc coming up. but they have yet take to get a repfy? Tell, 22
io occur, so there is nothing to talk about.
Feb 1st I saw a Straightedge show al
Scarlett's in Bethlehem. It was the show thai
needed an enema. The only good band thai
played was CONCERNED, a young band thai
,„. w }}} c .? lhers awav wi,h l ust 3 songs of solid
HC. BLINDSIDE. Reveal. Resurrection, and
Mouthpiece, and ShadowSeason were barcode
scanner HC. Mother Child did danceable
stuff, but were whincy. The worst thing about
the Show Was that a cti- J irtl-.(_l,™.. ! 7... I.U
..wciua.. mi iMuus suckcg, uut tnc sice liei]
was just an attention getter. I'll say this- it did
stop the loolish display. Everybody was
inoshing. even karate- lucking. Whee! It was
sad;to see so many new LV laces at Scarlett's
lust because they won't come out again until
ihe next SE farce. Please, don't isolate
circulate!
POIIYWirV ft* nk8: RA^ID POSEY.
.MrkrJ^HV, (German record deal).
UNDERRATED HEARTBREAKERS. Punk
£^&S9&&££r i S,D KOVER. Moshable.
SLEDGEHAMMER. NO ONE'S HERO
wS!Si W? SIDE ' Melu^/grurSe:
JESSICA. Melodic-ore: WESTON. Herkv-
lerkyrhythincore: SHANE IS NOT MY DAD
OCTOPtJSSY. Noise: SAUSAGE MAMMY
i) .i i . c,ubs: Scarlett's 40 W. Broad St/
» n c Wfta/ Nick (215) 867-3095 (215)
.913413 or Chris (215) 398-3498 (call him
lirst. Now!
n h DA^f/.f;?^ 7 145 S - Chestnut St/
^o? A J 8 ,°. 14 i 2 f taniP")- Hard Copy is 50c
^. 324E ;iL h St/ Bethlehem. PA 18015.
Chumpire (#5 out Mid-Feb) is 2 stamps to RD
I box 530/ Coopersburg. PA 18036
Band I addresses: Jessica-see the F.O.E.
^ddrcss. Sideover /Option: 51 8 Campbell St/
Scranton. PA 18505. Turnbull AG's and other
tends mentioned can be contacted thru
?a t 72« > !^- Weston/ '475 Spruce Ln/ Nazareth
i A „o£ 64, Shane Is Not My Dad c/o Mark/
Broadhead Rd/ Bethlehem. PA 18017.
That's it, and I would have written
more about bands but I am so annoyed al
having to pick my brain for other information
I hat only bitter remarks would have come
out. Buy my zine. Greg from Chumpire
P.S. Hey Ten Feet Tall! When are you
going to answer my letters? Christ. I want the
L.V. to sec what I've seen! Get in touch! Daw
o » , ™1 ' r a™ a fairly new resident to the
Seattle Wa. area (5 mos.). having moving from
South Carolina. I have met a lot of other
people new to this area. So me and a friend
2 m ' ne Cassandra (a long time resident of
beattle) decided to do a scene report. Not just
tor the benefit of bands, but also for people
visiting or wanting to move here. This is are
lirst scene report so if we leave anyone out
please don't feel personally insulted. Just
contact us. This scene report is ment as an
overview of things we felt would be helpful to
readers of MRR coming to the area. Plus info
on the Seattle music scene.
. Restaurants: Healing Earth - 53rd &
University Way; vegan and low prices. Sun-
light Cafe - 6403 Roosevelt Way NE; vegetar-
i 3 ",^" mod erate prices. Morning Town -
41 10 Roosevelt Way NE; vegetarian and mod-
erate prices. Globe Cafe - 1531 14th St-
mostly vegan and moderate prices. Cyclops -
2416 Western Ave; late night (3am on week-
en , |) vegetarian and fair prices. Graiury Bar
- 4 15 Broadway E also 86 Pine St. ; vegetarian
large juice bar (will make juices out of just
^°o U ol n , vthin e ) hi g h P rices - Taquirio Express
- 4226 University Way NE; Mexican food,
large servings for low prices (not sure if beans
are vegetarian or not).
I h< : re « are man y other restaurants in
town that offer a vegetarian menu, as well as
lots of ethnic restaurants. We have just in-
cluded our personal favorites. But ifyou want
to cook at home or just pick up a couple of
treats, the PCC (Puget Sound Consumers Co-
op) is a good alternative to the major grocery
chains, for vegan, bulk foods, vegetarian and
organically raised meats, (many locations).
Book Stores: Left Bank Books - Pike
Place Market (lsfAve) anarchist book store,
arge diverse selection. Revolution Books -
University Way & 53rd; communist book
store, mostly communist related material.
Bulldog News - University Way & 43rd; very
diverse selection including political, arts and
literature, gay and lesbian periodicals and
newspapers from around the world.
There are a lot of comic book stores and
mainstream bookstores. Just look around.
Record Stores: Sound Effects - second
best selection in town (opinions). Fallout -
best selection in town also t-shirts. fanzines,
books and skateboards. Cellophane Square -
chain store but U-district branch has a pretty
good selection. Second Time Around - O.K.
selection, large import section also is a pawn
shop. r
Thrift Stores: Value Village - lots of
locales, good prices with daily sales. The New
Store - strange oddities Junk store with o.k.
prices. Retro Viva - Yo MTV dance party and
high prices. The Wise Penny - not the best
selection but okie dokie prices(kevin)
Music Stores: (we included this mainly
tor bands with equipment problems). Trading
Musician - used stuff- will barter and make
repairs. Al's Guitoruflle - mainly collectible
stuff. Seattle Music - 1210 1st Ave; used and
new stuff, sticks, strings, repairs etc. Ameri-
can Music - 4400 Fremont Ave N; electrical
drum and guitar repairs, equipment rental,
mostly new merchandise.
All Age Venues, Bars & Dance Clubs:
Party Hall - 21st & E Madison; all-ages
mainly hardcore shows, DIY, low door prices
(usually $5 for 5 bands) definitely not your big
time operation, small (about 300 cap.), no
stage and usually no advertising except flyers
and word of mouth. For booking call Cassan-
dra at (206) 526-5147. O.K. Hotel - all-ages
„ ^ariety of shows, high door prices (usu-
ally $8 for 3 or 4 bands) . art displaces, restau-
rant (also high priced) and listings in the
n%, , 4n , Hy £?' !° r booking call Rdbin (206)
^23-1721. Off Ramp - 21+. moderate door
prices mostly college music and metal bands.
Rock Candy- 21+, high door prices, mostly
sub-pop and alternative bands. Vogue - 2 1+
pleasant atmosphere, industrial dance mu-
sic. Colour Box- 21+. meat market, industrial
dance music. Underground - all-ages, indus-
trial dance music. Re-Bar - 21+. reggae, top
40 and industrial. Comet - 21+. rock & roll
beer joint. Frontier Room- restaurant by day
popular beer joint by night. '
The Rocket and Hype are free zines that
have ads and listings and other goings on.
On to the scene stuff. The Seattle bar
scene is booming as usual with it's grunge-
rnetal-retro 60s crap that seems tolje lust
about all people see when they see Seattle.
Which is fine for people into that stuff, but I
am not and there is more to Seattle than that.
So if anyone is upset that I didn't fill pages or
even lines with raves about Sub-pop and the
like, well too bad. As everybody probably
already knows the CHRIST ON A CRUTCH LP
came out a few months ago on C/Z records
and it s a pretty great album. They have also
been playing alot of all-ages shows and they
are really great live, plus they are wonderful
B?°^, I A4°^? rk ^th so catch them ifyou can.
RUINATION and the DC BEGGARS Just got
back from a tour of California and Oregon
which I heard went really well. POSITIVE
GREED my home town heroes have a split
coming out sometime in March with All You
Can Eat from SF, and I believe they will be
™,w n £ this summer. It seems like UNDER-
lOW have been playing every weekend for
about 3 or 4 months, and seem to be making
quite a name for themselves. They also just
returned from playing a few shows in Callfor-
ma ' Th , e £ have a split with Resolution out on
Overkill Records, which I think you can still
pick up ASPRIN FEAST broke up and seem to
have split in a couple different bands CHICK-
EN and LACERATION who seem to be really
W *!l , »tf/ Due to Popular demand GALLE-
ONS LAP have a tape coming out even though
they re broken up. 10:07 our friends from
LffBft
I
Bellevue have a record coming out pretty
soon, I don't know the details but look for it-
- they're great. 7 YEAR BITCH have their first
7" out onRathouse records. I heard that they
are signing a 3 record contract with C/Z. They
have been playing a lot of shows including a
few with the Red Hot Chili Peppers. 1 think
they are going for the big band thing ($13 t-
shirts) and even if that's not what their going
for that seems to be where they are headedT
But I really like them live. SICK fit WRONG are
a fairly new band I think they have only
played a few shows, but their really interest-
ing and will add a flare to any show. PEEVED,
my favorite new Seattle band, are pretty young
but they're really good. They have lots of
stickers and stuff and I hope soon to see a
demo or something from them. We have start-
ed a col-lective and have been putting on
benefit shows, to raise money for a communi-
ty center. The center will hopefully be used for
a lot of different things art, library, shows, a
place for alot of different groups in Seattle to
nave their meetings, and just a place to
create. Any complaints, questions, people we
forgot or anyone that has anything to contrib-
ute to the next scene report call Cassandra or
Kevin at (206) 526-5 147. Also people from the
rest of Washington state please contact us to
inform us of what's going on in your area, so
we can include it next time.
(£UIStAMr\
disease into the Cily Council of New Orleans.
They've passed an ordinance that says that
the Organizations (or Mardi Gras Kfewes -
that's pronounced Maddy Graw ) have to let
people join there club even though they don't
really lit in. There jusl messin' with discrim-
inatory law-stuff down here. At least the jail
term for all offenders was dropped, oooooh.
So, two (2) parades won't ride this year.. ..Boo
lloo. Oh, and one more thing, gambling has
been legalized... and now there's Lotto. Match
six (6) numbers and win eight (8) million
dollars. Oh well, now the music thang
I'll give you a synopsis on what hap-
pened to the only bands who were mentioned
in the last scene report, scene report....?.
NOT! S.I.K., I never heard of. REVAL. no-
body's heard of. SUBTONICS broke up. OXEN
TI IRUST see below. BURN VERSION is some-
how still together. FIDDLEIIEAD are a real
young band. 1 haven't seen them but I'm
f;ucssing they're I he new suburban high school
>and. I heard they get a pretty decent crowd.
SOILENTGREENI guess are still together but
I haven't heard of them playing around lately.
PSYCHO-A-GO-GO hasn't played in a while,
and the DETR1MENTZ don't eally play too
much, but they're all still together. GIMP isn't
really a band. It's a creation of Mike's head.
Street. Kagan's is on this street In the French
Quarter- they've got a really decent CD Juke
Box. it's mostly a 2:00 a.m. -til-night-spot.
But anyway, while it was really lame, the
Abatraet Bookstore and Cafe were letting
bands play, and there were also Mary Ws,
iSaO*
;*ffi.Mls«
1 ley ya'll.
Mary X here - takin' a break from the M.
Seh. - thing to fill in the rest of the world on
the N.O. scene deal. I'll start off with a little
political news first. David Duke. I'm ashamed
lo say. actually made it from a member of the
legislature, to a run-off election for Govcr-
being held for lots of out-of-town bands. I
guess I'll take a moment here to mention all
the brave souls that crept through our swamps
during this time. Thanks to: Lack of Social
Decency. Green Day. PhlegCampTrusty. Na-
tion Of Ulysses. Christ on a Crutch. All You
Can Eat, and Lost.
Lost played twice, the second time was
the first showat the RC Bridge Lounge (RCBL).
That's this really cool club that can hold
about five-hundred (500) people, now. has
great drink specials, a decent stage, and it's
got it's own N.O. style. They serve pitchers of
nor. Now. he'scurrently pullinga Presidential
campaign, that is, I'm nappy to say. being
erushedf slowly, but surely. I think that David
the kind you see at pizza places, made up out
of cardboard. So— there s been some new
bands surfacing now. since there's a place for
them to play, to hang-out, etc.
New bands, new bands let's see. DEV-
IL'S ADVOCATE are a new band. The firsl
time I saw Ihem I didn't like them, but the
second lime was heller. Someone in II iisb.mil
does a fanzine called Psychotic licaciion. I
haven't seen a copy so I can't say anything.
lay. the drummer. (I think), save me Ins
address so here it is: POB 29865/ NO. LA
701 89. BUCKO are new to this scene. They've
put out a seven (7) -song cassette called Hound
And Mown They're a slow-love song-lype
band, klnda wimpy, kinda normal, sorla All
band, klnda wimpy, kinda normal, sorla All
ish. Here's the address: 41 lf> I'rylania/ NO.
LA 701 15. BIM BOM are more new-comers.
hut this time from Indiana. They're a four-
piece, kinda garadgy. kinda industrial, they've
Hot decent speed, but not thrash-like. I Ihoiigln
they were really good when 1 saw Ihem. Their
address is: 8141/2 Frenchmen St/. NO. LA
7()1 15. LUVNUBB is another new band. This
is Kurt's band, and they rock. They played
their first show with the Dwarves al the R.( !.
in January. They sound like a cross between
the Velvet Underground and Mudhoney. The
address is: Kurt/ 4302 Dumaine St/ No. LA
701 19. That's all the really new bands I can
think of.
There's also been lots of old bands
reforming and changing styles. FLOATER is
what sorta came from FUOUS. These guys
can play, and keep going, and going, and
idling, like Duracell. The music's like a sorta-
rt eat ive-psycho-logico-delic- industrial-tribal
creation. Jay. front-man. usually dons some
type of costume for the festivity, whether it be
more, or less, or less. All the oilier guys dress-
up to. Jusl watching them on slage is most
definitely an experience. Jay's got this really
seedy looking store/warehouse place. It real
ly set the mood for the G.G.Allin show he pul
on there. He'll even help you do shows at the
RCBL. His address is: 2126 Braynard/ NO.
I.A7D1 15.
TI IE NIPPLES BAND are also along this
type of visually-stimulating trend. Always
changin' costumes, havin' a slide show be-
hind Ihem. makin' copies. Members from
SURFIN' JESUS are doing this Nipple Thing.
They humbly began as NIPPLES OF THE
JEDI. who only until recently were known as
NIPPLES OF ISIS, or NIPPLES OF SNOW
WI IITE. They'll play as NIPPLES OF (whatev-
er) . Their music is very "inlluenced". oops - 1
mean matured)- another Duracell band.
They've been gigging pretty steadily since last
summer. All correspondents eo to: Senn/
4600 Charlene Dr./ NO. LA 70127. OXEN
TI IRUST are members of CAP'N MEATI IEAD.
They've changed their name and changed
their style. Instead offast-punky-joking-type.
we hear a slower Cult-style (ahem, mature.
we near a slower Cult-style (anem. mature,
again) intluenee. All of the members of the
V1R1L NIHILS are back together as (THE)
GRASSY KNOLL, it's Keith. John. Mike.
George, and Eric. I think two of them are
playing horns, they've got that kinda King
SURFIN' JESUS are doing this Nipple Thing.
They humbly began as NIPPLES OF THE
.JEDI. who only until recently were known as
N1PPI.FS OF ISIS or NIPPI.F.S OF SNOW
Crimson style. They're so mellow that Chari-
tie's (a suburban-lush-type hang-out) let's
them play there. Don't write them, just think
good thoughts. EYE HATE GOD. They finally
got a cool record deal with decent distribut-
ion. I haven't heard it yet. but then again
neither has at least one of the guys in the
band. Last time they played, it seemed like
the Melvins' influence had been dropped and
a G.G. Allin influence had been picked up.
Maybe Mike will become a legend, like G.G;V
The address is: Mike Williams/ 4836 Zenith
St #305/ Metarie. LA 70001.
There's still lots more bands around,
and I'm sorry to say I don't know that much
about them except that they're there and
should also be recognized. VAS DEFERENS.
should also be recognized, vas uiir CKt,i\s.
ENOCH LIGHT. WHEELOF PORK, and TRIBE
OF THE GODDESS. If anyone knows any-
thing about these or any other bands, please
feel free to write to MRR. They'll print it. [Yeah,
right— Ed)
For bands coming through, as far as
other places to play, (of course. NOT as cool as
R.C.'s) are Tipitina's - talk to Sonny: 504-89 1 -
8477. I'll mention Muddy Waters, but I can'l
■SBBiw reports
recommend it. They don't promote very well,
uid the owners are complete Assholes to
work with, but here's the number: 504-866
7174. For legitimate all-ages shows, call Sta-
ry: 504-865-6275. she'll book it at the Ab-
stract. WTUL might could help for Monday
nights, they're permanently booked at Tip's
m Monday's. Ask for David at: 504-865-
5887. John (E3IM BOM) will help bands out it
lie can: 504-943-7428. Jay (FLOATER), usu-
illy linds places for things to happen, call him
it: 504-523-3022. Deborah and Pamela do
■itull every nowand then, they could help with
places to stay - their number is: 504-283
461 1. Colin and Doug arc pretty sporadic.
Iiut they're: 504-738-9416. and 504-737-
(J453. in that order. I can still be reached at:
504-288-9551. And finally.... Underground
Sounds remains the record store of choice,
still surviving, and bringing us the moat
underground of sounds. If you're in town
check them out: U.S./ 735 Octavia/ NO, LA
701 15/ 504-897-9030/ FAX 504-897-9097.
So. I think about does it. If you've got a
problem with any of this, thenfuckoff No. I'm
just kidding- well, for the most part I am.
Later - Mary X.
Well, you've asked for "different" scene
reports, so here's one of that kind. This is
meant to be an Australian report, even that I
originally come from far away Germany. Boy,
it's really damn fuckin'cold back home now
here in Germany, so I've got some time to
think about the hot & sweaty days in down
under. The time when the ventilator was my
best friend. So I'm now going to tell you about
the experiences I've had down there in Aus-
tralia.
First of all I would like to recommend to
try out Malaysian Airlines for the flight down
there. Ok. you Americans might have a prob-
lem with this airline, as Malaysian Airline
only starts off in Los Angeles, but here in
Europe they are starting off in almost every
country. I recommend them as they are one of
the cheapest airlines, plus they've got some
real good vegetarian/vegan food available.
You can choose between eastern, western
and Indian vegetarian food, which you can
order while checking in. Besides that Malay-
sia is a real great place for a stop over. If you're
a European chicken who wants to stay safe in
a European-looking airplane then you check
out your average expensive Qantas or British
Airways flights/Try out something new, that's
all I say. It s worth the experience.
Transportations in Sydney (well, that's
the city where I stayed most of the time) is
pretty good and not much of a hassle. There
are always airport busses going downtown
and that trip costs you $5. There are smaller
private busses who are doing the same tour
for $4, so it's your choice The public transpor-
tations is way cheaper. I stayed pretty far out
of town in one of the suburbs, where it took
me almost an hour to get downtown. A return
ticket is $4.80; and busses are mostly $1.20
to $2.20. There are tons of bus routes, so you
can go everywhere you want pretty easily. I
never had any problems going anywhere: but
you shouldnt forget that Sydney is a real
damn large city, and the distances will still
take you a lot time to get you to the place you
wanna go to.
Places to go see in Sydney. Well, that
depends on what you're interested in. Shows
are happening mostly in pubs or so-called
hotels, so you can imagine there's no place for
any straight edge shows, he-he! Shows in
pubs are mostly pretty hot (temperature wise)
and often packed. The beer price is pretty
high, but that doesn't stop the Australians
from boozing a lot. Besides that, most of the
pubs stop serving beer after 1 1 p.m.. just like
in the UK. To find out what's going on where
and when you should pick up the free Drum
Media magazine, which you can get in almost
every record store. The best record stores who
are carrying alternative and independent
records are still the shops of Waterfront and
Phantom records. Both are located close to
the inner city of Sydney, not far away from the
Central Station. An average Aussie LP costs
about 20 dollars, which is pretty high com-
pared with records from other countries. Im-
port records are even more expensive there,
but that shouldn't interest you Americans too
much. Waterfront sells, a lot of 2nd hand and
rare records as well, which vary in the price
from $5 to $30 or $40. The records are so
expensive in Australia cuz there's only one
pressing plant left, which is run by EMI.Vinyl
has only a few percents left of the whole music
market, as the big companies try to sell only
CD releases. But this problem sounds famil-
iar everywhere in the world . Hmm, only the T-
Shirts are too expensive in Australia, as $30
is really a shitload of money. Really the worst
thing I've seen in ages were those simple
Earache T-Shirts go for about $40. Ok. im-
porting stuff costs money, but this is almost
ridiculous.
Ok. what else should you see? Sydney
has some real great sights, so you shouldn t
miss out some of the touristic stuff. Take a
ride up the Sydney Tower (that's $6) a get a
view from above the city to decide where you
want to go to. Take a train and get off at
Circular Quay, where you get a fantastic sight
of the Sydney Opera and the Bridge, which
are the most well known sights of Sydney.
Opposite to the Opera are the renovated old
Ail-LI •
Docks ,
where it all began.
It's easy to reach every-
thing by foot, so you are going to
see loads ofcool places. A cool place is the
Botanical Garden located close behind the
Sydney Opera, where you can see bats flying
around almost in the middle of the city.
Another place you shouldn't miss is the Syd-
ney Aquarium ($10), where they have an
Oceanariumr. In two pools in the middle of the
harbor you can walk in a tunnel below the
pools and it's really thrilling to see sharks and
rays swim over you. The Aquarium is located
in Darling Harbour, not far away from the
other wellattended sights in Sydney. Beach-
es? Foryou Callfornians this might be not too
interesting, but there are lots ofcheesy look-
ing whitebreads like us Europeans, so I guess
some might be interested. Sydney's got some
of the best beaches in the world, easily com-
parable to'the Copa Cobana in Rio de Janairo.
Manly Beach is quite good, even though it
takes you some time to get there by bus The
easiest way to get there is to take a ferry
starting off at Circular Quay, but it's way
expensive to pay $6 every day for the ferry.
One of the best beaches is still Bondi Beach,
where it's easy to get there by bus. Early in the
morning and late in the evening you've got the
best waves there, just in case that you re into
surfing. If you haven't got a surfboard then
it's cheap to rent a board for the whole day
from one of the always stoned people who are
working in small surf shops. There are some
more good beaches located at Bottany Bay,
but you ve got a better chance to get your ass
bitten off there by sharks. The media still
reports on shark attacks, but it's still easier to
die in an airplane crash than get bitten by a
Music events. Well, there was the Nirva-
na tour in January /February, but I still can't
hear it any longer. I turned on the radio, the
TV, Nirvana was everywhere. Even full color
reports in TV guides. Anyway, the real big
event was the Big Day Out, which took place
in open air on 25th of January. It started off
on 12 o'clock and all the best Australian
bands played there, like RAT CAT, MASSAP-
PEAL, HARD ONS. BEASTS OF BOURBON.
HELLMEN, YOU AM I. COSMIC PSYCHOS,
MEANIES, FALLING JOYS. YOTHU Y1NDI
and various others played there. Oversea
guests were the Violent Femmes, Nirvana and
Henry Rollins. Rollins did a spoken word tour
in Australia, but he made a special appear-
ance at the Big Day Out where he blayed
together with the HARD ONS. Henry Rollins'
spoken word performance was really great.
It s amazing to see how such a shy guy gets up
on stage and turns into a real thought provok-
ing entertainer. He talked a lot about his old
friend John, who
got recently shot. IVe got the im-
pression that Henry became more "human",
whatever that means. A band you should
definitely check out is YOTHU Y1NDI, the first
aboriginal band who made it into the Austra-
lian Top 10 charts. They're doing traditional
tribal music, as well as some rock & dance-
floor songs. YOTHU Y1NDI are from the north
of Australia, called the Arnhem Land, which
belongs to the Aboriginals. The lyrics of their
songs are on the social side of things and very
much protesting against the invasion of the
white man. They got honored almost every-
where in the worldand they're going to record
their third album soon in the US.
Some more stuff about Sydney. Hmm,
to tell you the truth most of the suburbs in
Sydney are really working class. Tattoing
seems to be accepted just like wearing ear-
rings in Europe. Never saw so many tattooed
people before. Workers get paid weekly, most-
ly on Thursdays, which you notice by the
longer opening time of all the super markets
and shops.Most of the money gets wasted on
the weekend in the pubs, so often you see no
activities in the supermarkets on Tuesday
and Wednesday. I've got the impression of
Australia that it looks like as if several million
people from the UK got brought to one of the
Spanish tourist isles. I came to Australia to
see something different than big city civiliza-
tion and I was sick of it in Germany, so I
decided to go meet some more friends in
Brisbane. Sydney is fine, really, but it's not
Australia. Brisbane is a big city, too, but you
can see lots of great nature sights as well.
Brisbane is pretty much isolated through its
geographical location, but they're got a damn
good small scene. The people there are really
into the music and they are very supportive.
Never in my life have I talked to so many
people before like in Brisbane. A real great
pub to go to is the Treasury Hotel, even tho it
got a pretty bad reputation in Brisbane. Radio
stations say the Treasury Hotel is place where
you can see hardcore and thrash bands,
where you can get drunk and where you can
get beaten up. The people there might look
strange", but by no means I felt bad a single
moment. Especially Heather, who does scene
reports for MRR regularly, made my stay in
Brisbane one of thebest vacations 1 ever had.
I was almost broke when I was in Sydney, but
she paid half of the flight from Sydney to
Brisbane. And I'm glad that I took the chance
and made it over to her. First of all I have to
thank her that she made me meet loads of
nice and caring people and that she made me
see BLOW HARD live, being one of Australia's
finest bands! BLOW HARD are the reincarna-
tion of the legendary Big Boys, with a com-
plete hom-blow section and some ska influ-
ences thrown in. They were actually the first
band ever who made me dance to their songs
from the first to the last song. It's sad that
they ^^
haven t gotten
the attention which they
deserve so far. By the way the vo-
calist of BLOW HARD does the Splurt Record
label. Rollo just did the first Brisbane punk
compilation LP, which is entitled Freak Cir-
cus. There's less punk on this comp LP, as I
noticed a more Sub Pop-ish touch. All the
best Brisbane bands are featured there, so
you should check it out. Splurt Records/ PO
Box 464/ Stones Corner 4120 Qld/ Austra-
lia. The comp LP costs $15, plus postage.
Well, so far about the Brisbane music
scene. As I told you earlier Australia has some
real great nature sights to offer, and now IVe
got to thank Heather and her boyfriend Cal
again for taking me out to the nature. When
you ridejust anhour by car up north then you
can walk miles on the beach without meeting
any other people. Besides that I was really
thankful for taking me out to the rainforest. It
was one of the coolest things on earth to go for
a swim in a rockpool below a rainfall, watch-
ing other dangerfreaks jumping off the cliff
into the pool. Located close to Brisbane are
the Glasshouse mountains, which are several
hundred meters high. It's a real hassle to get
up on these mountains, as the mosquitos are
expectingyou to be their dinner, but after 1 to
2 hours you can climb up to the top. I
recommend' climbing up the N'Gun Gun
mountain, as you've get a real great view from
up there. Of course you can see a million more
places in Australia, so it's just up to you to
explore this country. Just do it.
Well, that's it basically about Australia.
Sure I could write down much more about the
experiences I made throughout the past weeks,
but that's not too interesting for you folks. I
guess. So now I'm sitting here back in Germa-
ny with a temperature of below zero degrees
Celcius and it's raining. Just makes me wish
to go back as soon as possible. OK, the hot
winds from the inside of Australia with over
35 degrees Celcius (over 100 Fahrenheit)
during the nights are a pain in the ass, but
■ now I have to get used to wearing long sleeved
shirts and trousers again ...brrr! Fuck!
I would like to thank Robert from Syd-
ney and Heather & Cal from Brisbane for
letting me stay at their houses and giving me
such a great time. Thanks for feeding me and
filling me up with this great Fourex Beer!
Besides that, thanks to Georgina Rodd for the
videos (Yeah!); thanks to Chris of Waterfront
Records for giving me all those colored-limit-
ed-rare-or-whatsoever records; and a hello to
Terry, Russ and Rollo in Brisbane! If anyone
wants to chat about Australia or travelling in
general than she/he is welcome to write.
G'day. folks! Helge Schreiber/ Dudeler-
str.!7B/ 4200 Oberhausen 1 1/ Germany.
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WRECKOAGE
451 WEST BROADWAY 2N
NEW YORK, NY 10012
FAX : (212) 388-9778
INTERVIEWS
Better late than never, right? We Jeff: We weffl hanging out in FiltKs van and" and before'vou ask the next question, I have to
did this interview a long ass time ago. chasing thesre kids from South Dakota in a car say JdwBre'jiker and Very Small Records. It's.
At any rate, Fifteen are a great melod- shootingfoottle rockets at them and they yVere very important that I say Fifteen will be on Very
'ic pop; punk band somewhere be? ^shooting bottle rockets at us. unfortunately Small Records some/day. . •■
<tween Stiff Little Fingers and thfe / there was this woman in a car belWftjs who , .lWRR: Does Very Small Records know
Steve Miller Band gfjfhat makes aiiy ; was getting hit a whole bunch. When she got" that? > ;
sense). With a 7" and ait LP under ■ to herhousesheisalled the police and this cop [Jack: Kind of...
their belt, they're carving a nitch for ; (comes" out and staps*us and tells us i ' Jeff: And there's gonna be a Filth/
themselves in thel&caJjscerie. Admi- 'Jhow they're gonna I.D. our ' ^^jk Fifteen split LP one day, when we
tadly, some of this interview is a little bp'dieS Jt&'r dental ._^*"*"'"«
dated. But it's still a good read*. Inter- record's and
view by Lance and rjarin. Remember, told -~^
never get off the boat.,. ^***
MRR: OK, who's who so we ^-^"*_ '
can/tecide it lateV, and M ^^"^"
What d,9- .ytiUi ^^^-'^-^tt
play and\ -'
Jeff- I'm
J^ff and
I'm 20, and
I play guitar '■*"
and sing. .,.«'•■'''' ;
Mark: My | \
name is ( Mark \ \
and I £ play \ \
drums and I'm \ ,»4l''
20 - \-\\i
Jack', v My name \
is Jack;' and I try I \
to play'bass. \ '■
MRR: v (To V
Mark) You were \ ... ■ ,.
in another band, »»*tVt\\\\
right East Bay f.*^M\H*
Mudfi, ;' '•*>*'»**
|0«
^#*f
olice and this cop [Jack: Kind of...
nd tells us t ' Jeff: And there's gonna be a Filth/
>ur iijrtl Fifteen split LP one day, when we
have money.
> MRR: Back to this, do you
' ..; worry that people are going
»„£' ^'■•" to lump you. with Crimp-
\****-# •« shrine, like you're the new
■. Crimpshrine.or whatever.
..,■ , v , . . Jeff: I kind of look at it like I was
-.: ■> '<J>-*"" *" \ \' n one Dar) d and now Ijn in
- \ \ \another band, and my hands
» »\ ■ are the same hands and my
throat is the same throat. So
£ ■ ... ^ \ -I guess people are going to
• » do what they're gonna do,
\ and I should just -, let them
\ ;'••:'. ! and not be pothered by it.
j .., MRR: Well, also. with
^ ? ? "^ .v»U\\\\ . ■ Mark on drums now,
^^S^" .st^UWAl*^'' y° ur s * v| e seems a
.♦*»^^\\\\U*" little more Aaron-esque.
.iiixll" ■ jk'v**" Jeff: Nah. Aaron played hell of crazy.
■''*" Like he played good, bjut it was all technically
" ,x us to wrong somehow, (laughter) I don't know. This
leave South Da- is the first time other than East Bay Mud,
rt «ttt\\\\\P V
\\m\w
\\\": \ii'* ^ota ar| d t°°k all our fire where I've been in a band where the drummer
tU' - works, except for some of them situation wasn't really weird musically or at
which I kind of hid. They didn't take the least difficult for one reason or another. It's
beer either. They just cared about the bottle like, he practiced with us fourtimes and we've
rockets. played four shows.
Mark: Yeah, and that's how we knew MRR: Wow, getting out of a whole MRR: Do you think because of that
each other. state. j Fifteen's sound is more accessible?
Jack: And he knew all our songs. Jack: Well, just one. It's kind of disappointing.'' 'Cause like you were saying,, at least
MRR: Is that true? MRR: Hadn't you planned Jhe tour playing wise it's a lot more proficient.
Mark: No... ^ before the record came out? Jeff: We fry and make it more accessible, so
! MRR: But it was a pretty easy transi- Jack: It was released the day .we. left. I guess it's a good thing.
tion for you? MRR: Was it hard to book it without 'MRR: I'm not saying it's a bad thing.
■ Mark: Yjes, we knew each other arid I kind of , having vinyl ouj? S Do you think it's an element for Fif-
.knew their songs from their tour. '', ' > Jeff: No, we didn',t even have a demo out. .-teen and do you think you can go
!M RR: So when you were on tokir did Jackt.We didn't even have to say Jeff Ott 'farther than you did with other bands
ydu learn any weird habits about each orice. Well, maybe a couple times. Mostly all with it?
jotjier? Like does, anyone talk, in their you have to say is that you're*a Lookout band. / Mark It's gotten me farther somewhat be-
[steep... Or what about tour stories?. Jeff: Yeah, Jake - (Filth) and I were talking ^ cause people come to see'us. I felt like I was
iJc ck: We$idn't get arrested this summer. about this the othej-day: you live in Berkeley, <*p the bad side when I was in East Bay Mud.
:J€ ff: Weatbrook, QT. That's where it all end- churches feed you feveryday, punk rockers let MRR: How is East Bay Mud the bad
iecf.That'lwherehiscrankshaftbroke.Andwe you : stay*at their houses, and Lawrence puts side?
hajj to give the car to a guy named Woody. But . out your records. Is kind of... utopian-isfu Mark: I don't know.. It just seems like riobody
Wpodywas nice -He'let us camp inbis parking ' Except fha('it,sucks;.orcourse i > \ likedus.ltdidn'tclickwiththegrouphere. We
* MRR: Are you sticking with Lookout? ...had to ta1<e it elsewhere. Like tq.Sacto or
tour?: C \ ■*
Jack: Yeah. * , '
Jeff: Well, actually^ went on to New Harrtp-
shire to play in my cousin's cover band. And.
went water v skiing and stuff. They live on
Golden PondNQn the actual pond where they
' filmed the movie. <v.,., j ■ /
Ja?k: They kerjt us,t.here and got new clothes
and bathed andyode a mbuntain,bike. \
MRR: What Fifteen did on their sum-
mer vacation.! And what happened in
South^akota?/ „ .*••*'
All: We. : >got kigKe^Sut!
.iJack: Yes, Lawrence fe^pretty.good tp. us.
■f We're sticking with Lookout 'And Mordam
Records'is. good toys, too... .
MRR: .Have you been having a prob-
lem with people comparing Fifteen to
Crimpshrine? Like is it a stigma for
you guys? " :
Jack: Crimpsjirine is my favorite band, how
could I beoffended by that? BOfl (Think people
are wVong in comparing us. j : - ;
MRR: You don't think you sound like
. Crimpshrine?/ .../"'
Ja/jR: Nis, Crimpshnhe was a goo8 band. Oh.
Jeff: I want.to say this one thing. Nobody liked
East Bay Mud because every single fuckin:'
person' was jealous of John Repeto. That's
what it is. That's what it is with the musicians.
He was playing something that Was beyond
people who don't play music. That's why
nobody liked East Bay Mud. I'm fuckin' abso- ,
l.utely positive of it.
MRR: Because of his guitar playin'?
Jeff: Yeah, because he's just one of those
^genius type people you happen to meet every
now and then. Basically, I figure, .{hat a lot of
people missed out on something really good.
INTERVIEWS
Because of me hooking up
with that, I don't have to just
play barre chords and have
that be the entirety of my
knowledge of guitar playing.
MRR: How did you wind
up in East Bay Mud and
how long were you in
them?
Jeff: This is how I wound up in
East Bay Mud. John Repeto
and this guy Scotty that used
to play bass for East Bay Mud
showed up at me and Jack's
house when we lived out in
Benecia at a place called the
Crack House. So they came
over and we drank a bunch of
beers and started playing gui-
tars and I just played guitars
with them since them. I don't
know how long I played with
them.
Mark: Long enough to tour
with us.
Jeff: Yeah, John John was
MRR: How smoke on the way back. So I got up on the bus
did you all and sat down. This guy comes on the
get home. loudspeaker, "There's a new law that says you
Mark: Me and can't smoke on buses anywhere in the United
Mike the 'old States. " So I was sitting in the back of the bus
drummer took with some dead heads. We ended up knock-
Greyhound. ing a hole in the wall of the bus and smoking
Jack to out of it. Here's a trick. When you get off the
Amtrack. I bus, you walk out to the back left hand side of
caught a ride the bus where the bathroom is. There's a little
with my cous- window thing with a lock on the outside.
ins from Con- You've got to unlock it every time you get off
necticut up to the bus. Sometimes the driver will go back and
New Hamp- lock it. So you've got to do this every time.
shire. Then I That way you can open it from the inside and
took Grey- let the smoke get out. Other wise it's total
hound. Grey- fuckin' fines and all sorts of shit.
hound is won- Mark: It seemed like at every stop, five people
derful by the wentrunningoffthebustosmokecigarrettes.
way. Things MRR: I always end up sitting next to
stop working one creepy guy that falls asleep on me
and they don't or something.
fix them. The Jeff: People always tell me stories. Despite all
other great the discomforts, I had a really fun time. There
thing I didn't were these dead heads that were transporting
realize before I a bunch of mushrooms across the country.
HfTE
playing drums forus and I was
playing second guitar for East
Bay Mud.
MRR: So Fifteen has
toured twice?
Jeff: Yes.
MRR: How extensive
were these tours?
Jeff: On the tour before last,
there were less shows than I
have fingers. On the last one
we played 20 or 25 shows. A
lot of shows close together.
Jack booked the first half.
Here up the coast, across the
top of the country, the East
Coast. He did a really good
job. Not too many days with-
out shows and all that. We
would have gotten a bunch of
shows if the car hadn't bust-
ed.
Mark: We were gone for
about 30 days and we played
about 25 shows.
got on the They had all this Vivaren. They were getting
bus. I was in loaded and I was taking all this Vivaren.
New Hamp- There's all these women with their kids. They
shire and the would go to sleep and we would take care of
Greyhound their kids. Once again it reaffirms my faith in
station in the idea that sometimes minor and major
Po rt s m i t h , inconveniences are laid down upon people as
New Hamp- a means of making them coagulate. Like
shire was in a earthquakes and hurricanes. People get
smoke shop, forced into a situation where they can't
They don't go,"Fuckldon'twanttobewiththisguy. He's
have taxes in the wrong color. The wrong this. The wrong
New Hamp- that." I think as long as people keep fucking
shire. Cartons up, shit like this is going to happen. Might even
of cigarrettes be why we have conflict and shit like that.
were like eight Because people don't come together at all.
bucks. My un- MRR: I don't know that it will solve
cle had given peoples problems just forcing them
me $100 to together.
eat and smoke Jeff: I don't think that it will solve problems.
with along the But every day we wake up and go do some-
way. So I thing. Most days we ignore what we learned in
bought a cou- that day. Sometimes drastic things will hap-
ple cartons of pen. Sometimes it will be so severe that even
cigarrettes to if we don't want to face up to it, we wind up
doing things that's not normally like us...
Jack: Did you say anything about the Bay
bridge yet? ■
Jeff: Oh yeah, conspiracy theory!
Jack: Jeff was trying to tell me the other night
that for every good that's done, there's bad
that's done. I can't explain what he was trying
to explain, but I thought it was a bunch of shit.
We did come to the conclusion that the only
time good things happen, is when bad things
happen. Like when the bridge came down,
everybody started coming together because
they finally realized they needed each other.
So what do we really need to happen for
people to leam the big lessons? And then
remember them because a year later...
MRR: Yeah, it was like a big party in
the city when the earthquake hap-
pened. Everybody came out and got
together. Then next day, everything
was back to normal. It was almost
depressing how life just goes on.
Jack: So the ground that we neglect over and
over everyday, that we walk on, that we pull
trees out of, that we pave, shakes and kills a
bunch of people and then we take notice. Like
Jeff: Well, up 'til right now, Jack and I mostly
write the words.
MRR: Does one person get an idea
and just others play off it or...
Jeff: Well, basically we don 't have lives so we
just sit around and play music.
Mark: Except me.
Jeff: That's right. I'm sorry.
Mark: Yeah I have to deal with life. Car pay-
ments. All these luxuries that some people
don'thave. But I've worked for it. It sucks. But
I just got promoted (.kudos all around). I'm an
apprentice in the diesel world. I don't know. I
just have to think about a lot of things.
Jack: Are you happy now?
Mark: Fuck yeah, I'm happy now.
Jack: Then that's all that matters really.
MRR: How many songs are in the key
of E? I was listening to the Maximum
comp. A random sampling of fourteen
bands and all but two songs are in the
key of E.
Jeff: It's good to have that on record so if you
don't havea tuner, you can tune to the record.
You can use a phone sometimes. But not all
have to same dial tone. Most phones you pick
INTERVIEWS
Jeff: There are people who are prejudiced
towards other people for there own whatever
reasons. You qpuld almost say that everyone
is a little prejudiced about somebody or some-
thing. So there are people that are blatantly
prejudiced against non-whites. Lately there's
been a big reaction. Which would be fine
because I'm all for that. But everything I see
about it is just about having an enemy. So
there's a problem because there are racist,
sexist, homophobic people. I see a lot of
people taking up the idea that if you create an
enemy out of that group of people, you can fix
the problem by removing the enemy. But I
think that as long as people need enemies
there are going to be problems. So long as
people can justify things that I can't find any
reason to justify, there's going to be prob-
lems. Whether it be divine or mortal, whatev-
er, people possess free will. People possess
the ability to make choices. This is a precious
thing. It seems insane to me that one person
can decide that another persons thinking is
wrong and decide that they're going to go out
and create it in anything other than a totally
loving way. In order for any of this stuff to get
that one day ayear we call Earth Day. ..It's fine
I guess, but tojust have one day to take notice
of things that should have started a long time
ago. . . And still we're pulling up trees out of the
ground to build houses.
(Lance starts rambling about food apprecia-
tion and burritos)
Jeff: That's another thing that occured to me.
You can be sitting around your house. Watch-
ing TV with the family. Then the electricity will
go off. All of a sudden the whole family is
sitting around playing monopoly by candle-
light. Everybody is together and not just star-
ing at the television.
MRR: Earthquakes, in a way, take
away everything artificial. Artificial
lighting. Television.
Jack: It's a distraction. If you can't turn on the
television, you can't distract yourself.
Jeff: Taking all that shit away. It sort of hum-
bles people. People are scared shitless. We
used to be food for some things.
MRRi To change the subject drasti-
cally, who writes the songs and how
do they come together?
up in the bay area, and it's Bflat.
MRR: Really?!?
Jeff: Yeah, the dial tone. AT&T here.
MRR: Now that's conspiracy. Have
you seen a UFO?
Jeff: Me and Jack did. Outside the Crack
House. Remember that?
Jack: It was unidentifiable, that's for sure.
Jeff: It was just hanging in the sky, hell of high
up. Hell of high up. We were just watching it
trying to figure out if it was just coffee and lack
of sleep or what. But it was really there and
high up. We were just walking around about to
get some cigarrettes or something. Then all of
a sudden it just shoots across the sky hell of
fast. Way too fast to be an airplane. It couldn't
have been an airplane because it was hover-
ing. Okay, they do have those military planes
that can hover. Like theones they sent overto
Kuwait. But one of those went over us when
we were driving across Utah. It was just as
fast. But it was so loud. It was deafening.
MRR: What the hell are UFO's doing in
Benecia? What else should we talk
about?
better, it's not going to be achieved by hating
people and making enemies out of people
because then all you have is enemies. Every
person that I've ever known that once loaned
themselves to the ideologies of racism, sex-
ism, and all that. The only people I've seen
come around from that do so simply from
being around other people who don't isolate
them and who didn't look down upon them.
Jack: The best way to get people on your side
is to create a fear and a hatred towards
somebody else. Then all of a sudden you have
a bunch of numbers on you side. You can say
anti-racist and it's appealing toa lot of people.
But most of what I see is that they're just as
prejudiced as the nazis are. The same hatred.
The same fear. In America we created this
huge fear that the communists were taking
over. It's all ridiculous. Everybodies totally
patriotic. As far as anti-racist groups, we
agree on anti-racism. But beyond that. They
want to argue that if I'm not involved I'm a
coward and I let people walk all over me. But
I'm just respecting other people's rights.
■■
As we all
know, a
distress-
ing num-
ber of mu-
s i c i an s " who got their start in
the 1960's (Jagger, Plant, et.al.) are still active
in the world of music today. The problem with
this, of course, is that most really shouldn 't be.
A refreshing tonic for the increasingly
widespread malady of flatulent dinosaur rock-
ers is Fred Cole. Fred is the driving force
behind Dead Moon, a Portland, (actually
Clackamas) Oregon-based trio, that is his
most recent of a dozen or so bands that date
back to the mid-60 's. Unlike most of his gen-
erational peers, Fred is not simply rehashing
his past and becoming an insincere parody of
what he once was, rather he and his band-
mates are creating music that is as vibrant,
seething, and relevant as anything out there
today.
Impressive as the band is on record,
there is no doubt that the live stage is theirtrue
forte. Whereas some groups are built around
a "main dude " or two complimented by a
couple of ostensibly faceless backing musi-
cians, live Dead Moon is a potent brew of
three very distinct and charismatic perform-
ers, each one possessing the ability to be the
centerpiece at any given time. Youthful drum-
mer Andrew Loomis (just barely into his thir-
ties!) draws the audience in with his manic
eyes and intense waves of his long arms, while
bassist Toody (Fred's friend and wife since
1967) fascinates with her elegant and thin
arms, and the most frightening pearly white
setofcamiverous teeth I have everseen in my
life. And, of course, there is Fred and his
trademark "Bon-Scott-meets-DaveThomas "
vocals, who adds the awe-inspiring presence
of a man who has played his instrument for
three decades without losing the jolt of enthu-
siasm he felt when he first picked it up. Be
there twenty or two hundred
people in the crowd, Dead
Moon delivers an inspiring set
of psychedelic garage rock
and roll that is the very defini-
tion of passion. For all the
fucked-up baby-boomers,
twenty-somethings, and
teens of the world, Igiveyou
Dead Moon... Interview by
Robert
MRRi I want to ask
you a little about
your background...!
mean, obviously all
three of you have
been at it for a long
time
Toody: Not as long as
Fred, but long enough
(laughs)
MRR: Fred's first
record came
out, I believe, in
1 964, the year I
was born, ac-
tually. What
was the name
of that band?
Fred: Uh well
let's see...
T: '64 was Poverty Shack
that's Poverty Shack or the Lords;
Probably the Lords thing.
MRR: And where did you meet up with
these other two? You and Toody are
married, right, or at least that's what
I read in the gossip columns...
F: Yeah, since 18.
MRRi 18 years?
F: Since we were 1 8. Our twenty-fifth wedding
anniversary is coming up in June.
MRRi So the two of you have been
playing together that whole time?
F: No, she didn't start playing until the Rats in
1979.
MRR: And where did you pick up
Andrew?
F: Off the street.
T: Behind the bar at Satryicon (a Portland
nightclub)
F: No, we've known Andrew for a long time,
since he was really just a kid--about seven-
teen-and we always wanted to end up work-
ing him into a band at some point, but it just
didn't work out until Dead Moon. It ended up
being the right combo.
MRR: And Dead Moon has been to-
gether now for 3 or 4 years now??
T: Yep, since Sept. 18, 1987.
MRR: And it's always been the three
of you?
All: Yup!
MRR: And always will be? If Toody
ran off with the guy from Poison Idea
(Everyone laughs drowning out the
tape) the band wouldn't just find a
replacement?
T: No, just these three. No one else would
have us!
MRR: I've always heard that in Ger-
many y'll are really big, that you play
packed houses...
T: Yeah, we did this last tour. We played for
bigger crowds and in bigger venues than we
did the first time.
MRRi How big?
T: The outdoorfestivals were the biggest; they
say somewhere between 10and 15,000atthe
Rotterdam festival. Most of the bigger indoor
clubs, you're looking at maybe 800 or so
MRRi Wow, that big? At the OK Hotel
(in Seattle) a few months ago, you
drew closer to 20 or 30.
T: (.Smiles) Yeah, that's right.
MRRi Fred, you write most of the
lyrics?
F: Yeah.
MRRi There seems to be a sort of
theme running through a lot of the
songs; I don't know if bitterness is the
right word...
F.Yeah well, after this many years of not
getting anywhere, a lot of it is frustration, a lot
of it is bitterness.
T: Cynical more than bitter.
F: Cynical, I mean, you get tired of looking at
the same scene, you see the same things
happening over and over...
MRRi Do you mean with yourself, or
with society in general?
F: For both me personally and for the scene
itself, it keeps rotating around. One thing
becomes popular, the press and everyone
jumps on it for a year until it's dead, then stuff
gets too overexposed. There's a lot of good
stuff out there that might last a little longer If it
didn't just get crammed down people's
throats continually.
MRR: Why do it after thirty years, why
keep playing the small clubs?
F: Oh, because I love it. I can't not do it.
MRRi Is this true with all three of you?
Is it worth doing whether you play
before 25 people in Seattle or 800 in
Germany?
T: Well, it's always better to play in front of
800, but If you've got 30 people that are
thrilled with what you're doing, it's really just
as much of a rush. We're basically live per-
formers. As you can see, recording is not our
forte! (All laugh). We all love playing live, and
I think always sound best live.
MRRi It really shows. When you
played here in April, it was the first
time you'd been up here in a couple of
years...
T: Yeah, we stayed too close to home. ..Got
lazy.
MRR: Well, the show wasn't very well
promoted...
Andrew: I never saw a poster.
MRR: Right, and there ended up being
only that 25 or 30 people in the crowd.
So, I was kind of expecting a letdown,
since there really should have been
much more of a crowd. But I was real
blown away by how great the show
was, even with next to no one there.
T: I think a lot of it is that we all came from early
punk bands, and that kind of thing was so
normal, you got used to getting out there and
performing your ass off for whoever was out
there that paid to come through the door. And
it has been the most excellent training. When
you do get that huge crowd out there, you just
feed up to that much higher a level off the
crowd. Anyhow, a lot of times we just play for
each other.
MRRi I'll tell you. ..with a lot of bands
that just works in theory, being a* that
attitude's part of the punk rock credo,
but it don't actually happen that way
a lot of the time. When it comes down
to it, a lot are resentful that they're not
getting the big car or expensive
drugs.
T: Right, but that's no reason to disappoint the
people that dig what you're doing enough to
show up.
MRRi Right on!
F: Seriously, if someone pays 5 bucks or
whatever to see us play, there's no difference
in the type of show they should see whether
there's 800 people there or just them. Believe
it ornot, when Toody and I were in the Rats, we
played a Halloween night show in Portland for
a friend of ours who had a little coffee house,
(the 9th St. Exit); one guy showed up, and we
played two sets for him and kicked butt.
T: I still remember playing here in Seattle with
Black Rag before 5 people!
F: Yeah, when Black Rag came through town
for the first time, they played for maybe 8
people and just kicked butt-both bands. But
you get to the point where you feel there's
just no difference. If you 're going to pay five .
bucks for a movie, why should it make any
difference whether the theater is packed
or empty. It's the same thing with music;
you've got to perform up to par and peo-
ple have got to get their money's worth.
MRRi In some ways, you seem to
have made a conscious decision
to stay small. I mean probably if
you wanted to sell a few more
records, they wouldn't be re-
corded in mono, and they
wouldn't be put out on your
own label ITombstonel
necessarily.. .Is there sort of a
conscious decision to stay un
derg round?
F: I like the underground, cuz I think
you live longer in the scene.
MRRi If you're any indica-
tion, that would seem to be
true.
F: No, honestly. You get major
and you get changed by all the
pressures of the major label, be-
cause they put so much money
into you. You're under a lot of
pressure from that. You're un-
der pressure to continually put
out a better record than you
did the time before. With me,
I just want to see this band
put out the best product that
it can for what we've got to
work with, and slowly
draw... I mean time isn't real-
ly a problem to me anymore. I
used to be bummed out at the fact that
was getting older, now I just look at it like,
yeah, I'll just keep doing it as long as I can walk.
T: And a lot of it is that in this particular way,
you maintain total control over what you're
doing, which is the biggest thing for Fred...
F: There's as many people out there that hate
our records as like them, at least I hope. If it
goes fifty-fifty, I'm happy. But If people think
it's a really ratty kind of recording...
MRRi Well, it is!
F: And there's people that love that, then
there's the people that hate it because it's not
a pure clean kind of thing.
MRRi When you take this DIY/as
much integrity as possible approach,
is there something more than music in
mind there — some kind of a political
or social statement attached?
F: Well, rock and roll started out to be such a
dirty form of music, and some of that's gotten
lost. If it's dirty in the tracks, it just protects
that feeling much more. It's like listening to old
blues records recorded in mono, like old Howl-
ing Wolf records, that grittiness and that
dirtiness adds to the song and makes it more
real. And that's basically where we're at, we
really are a garage band. We record that way
and play that way live. We don't use effects.
MRRi Is there a political side to that.
The song that comes to mind is
"Johnny's Got a Gun."
(from Defi-
ance). It seems maybe a little tongue
in cheek, but in many ways is a pretty
powerful political statement
F: That song is basically just saying no matter
how small anybody is, you better watch out for
him; you can't keep shoving the rest of the
world around. I kind of got a lot of these ideas
from countries like Ireland -or any small coun-
try-where you have a major force that's con-
trolling them all the time, and it goes down to
one on one with people; the bully that wants to
beat the kid up in the schoolyard everyday.
People only take so much before they start
fighting back.
MRRi Why did Toody sing that one?
T: (.laughs heartily) He put on the vocals first,
and didn't really like...
F: I just really liked the way it sounded with her
singing it.
T: Sometimes he'll do that, he'll say " Come on
in here and put the vocals on," and I won't
even know the words, but I'll try it and some-
times it comes out
MRRi So probably you'll just continue
on as Dead Moon for a while?
T: Yes!
F: Til all my hair falls out.
MRRi And If Columbia records calls
you up tomorrow and wants you,
could you see working with them?
F: Oh, that wouldn't happen. We've already
been approached by those guys, actu-
ally, and we said "No."
We aren't
INTERVIEWS
>£*©%
Buzzoven interview by Jon from 'Moo Moo
Noo Noo' 'zine.
MRR: Firstly, who's in Buzzoven.
B: Buzzoven is Scott on drums, Kirk on guitar
and vocals and Igor on bass. We all live in a
dumpster behind K-Mart. We're from the deep-
est depths of the sewer except for Igor He's a
mountain man from the deep woods of Ten-
nessee.
MRR: How did you come up with the name
Buzzoven?
K. I had constantly tried to come up with a good
name. We didn't want anything with deep
meaning, but something that sounded good
and just kind of described us It kind of de-
scribes our sound and our feelings.
MRR: What happened to Sewer Puppet (Kirk's
previous band)?
K: Well, it was just kind of fucked up all the time.
The bass player still never had any equipment
after a year of being together. The drummer
had another band that he suddenly became
more involved with. Therefore I was the only
one who still was into it and was doing every-
thing, so we just kind of said
fuck it, or I did anyway Hans
(Sewer Puppet bass player)
still has no band and no
equipment. Fred lives in
Boone with his band Boil.
They're really good More
experimental psychedelic
stuff
MRR: Buzzoven's bass
player is from Tennessee.
How did you meet him?
K: Yes, he is from Tennes-
see and we met at a party
after Schlong and Nuisance
played his town. I was on
tour with them at the time.
MRR: I guess I would de-
scribe Buzzoven's sound as
a cross between Neurosis
and the Melvins. Were they
an influence on you? How
would you describe
Buzzoven's sound?
K: I wouldn't really compare
us to either of them because
I do listen to both of those
bands and I don't really think
that we sound like either. I
think it's noticeable at times
that they are an influence,
but we don't sound like
them. We all really dig Black
Sabbath. We all listen to dif-
ferent stuff. Igor listens to
Madonna and Rick James,
and K.C and the Sunshine Band. I believe those
are the only three records he has. Describing
our sound, well, I think we have a little variety.
Some slow, some fast, some in between We
prefer the slow stuff to anything, but I think
most crowds prefer the faster stuff. We're just
grungy and heavy, at least that's what I think.
MRR: Do you read MRR? How do you feel about
MRR's new policy of not reviewing tapes any-
more, especially since at the present you only
have a demo tape out?
K: Well, I do personally read MRR, but Scott and
Igor don't pay much attention to it. I think that
them not reviewing tapes sucks, but I do under-
stand why they quit doing it because some
bands were sending in shit recordings done on
a jam box, or with a microphone etc. Plus there
are just so many bands with tapes. I think it
would be cool though if they could find some-
one who could filter through all of them and
they would still review the decent ones.
MRR: Tell us about Buzzoven's new record
deal with Allied Recordings. Allied is a big
environmental type label (with bands like Nau-
sea and Antischism). Do you think Buzzoven
will fit in?
K. He (John Yates) is i
7" for us in February, maybe something else
later on. I'm not real concerned
with fitting in with any of those
other bands. We're not politi-
cal, but I do write about my
own personal politics We
have our own concerns with
environmental issues, but we
don't push our ideas on any-
one else.
MRR: What do you think of
the North Carolina music
scene? Do you like any local
bands?
K: I think it needs some work.
I wish we could get more
bands here. It seems like I have
to drive 3-4 hours to see most
of my favorite bands. Locally
speaking, I like Tonka and
Funky Moses. Antiseen is cool
too. They're finally getting
some recognition after 7 years.
MRR: What's your connection
with the world famous Mile-
stone Club?
K. I used to work there when it
was owned by Tony of The
Inn. I helped Tony a little with
booking. I still book some
bands through Penny.
MRR: What's the future for
Buzzoven?
K: We've got a 7" coming out
on Allied as we said, and then
we plan to tour in the U.S. in
April/May. Then hopefully put out an LP, maybe
on Allied.
MRR: Any final comments?
K: Give us free beer! Think for yourself and
don't take things too seriously.
Contact Buzzoven:
P.O. Box 5366, Charlotte. N.C. 28225-5366
INTERVIEWS
/ hadn 't gone out to see bands for a
while until the UNSANE came to town. I
enjoyed their singles, thought the album
was awesome, and was curious to see
how their unholy barrage of noise would
connect in a live setting. In a word, it was
devastating, with distortion levels border-
ing on pain, a furious dischordant pummel.
Check out the moderately complete dis-
cography at the end for your lis tening plea -
sure. Interview done by Walter Glaser dur-
ing Christmas time, 199 1, at the Torbnado.
Read on.
MRR: What are your names and
instruments?
C: Chris Spencer. I play guitar.
CH: My name is Charlie Onduras and I'm
the percussionist of the group.
P: My name is Pete Shore and I'm a
rhythmist.
CH: I also have the teen appeal...
C: (.bewildered) Where does that come
from?
MRR: The hair. He's got the hair.
CH: That's easily as important as playing
drums.
C: On this tour, I think Charlie has come
across as one of the more repulsive mem-
bers of the band.
P: That's because of the teen appeal.
CH: I make every effort to be repulsive.
MRR: What is the UNSANE's deal
anyway?
C: We were three guys in school who hung
out and made crazy noise. We didn't even
play shows for a long time.
CH : We just sorta did it for the hell of it and
then...
P: Someone wanted to make a record of
ours.
C: We had no plans to put out a record orplay
shows or anything . We got a show by chance
one time in New York and the guys from the
REVERB MOTHERFUCKERS saw us and
started freaking out. We played the Pyr-
amid Club with them, we played with PUS-
SY GALORE, and it just kept going from
there.
CH: Gerard Cosby saw one of our early
shows on the recommendation from Tom
Spencer.
P: At this point, he's given us so much
respect he can only put us down now. Now
that we're officially signed to his label, he
can only speak poorly of us.
MRR: A lot of the stuff around your
band deals with quasi-violent im-
agery, like the gory record cov-
ers...
P: We're not trying to put across a violent
image. Chris and I were always into horror
movies...
C: Me and Pete used to do prosthetic
effects for certain films, like rubber gore
effects, blood, etc.
P: We would get ideas for neat things and
INTERVIEWS
■■■■:-•?•■:-.
say, 'Whatthefuck?'.Myidea for the singles
like the Sub-Pop one or the Glitterhouse one
was to make a weird image that had no
reason or purpose so people would say
What the fuck is this about?' But it's nothing
but a weird image.
C: Like the Sub-Pop single, we had a house
that was empty and abandoned out on Long
Island so we coated the walls in blood
MRU: So you actually took the pho-
to... who's the person?
C: This guy Jim, a friend of ours The
Glitterhouse one is Pete, sitting in a chair
MRR: But also your song titles like
Urge to kill", "Exterminator",
they're all...
P: "Exterminator" is about roaches.
C: It's about lying in bed and having someone
spray poison all over you.
MRR: When you see these gory cov-
ers and read the song titles, people
probably think you're mass murder-
ers...
C: "Urge to kill" is more about abuses- it's
not about an urge to kill people. That was the
first song we ever wrote.
MRR: So what kinds of things do you
sing about?
C: Shit that happens to me.
P: Gun rights, patriotism, being treated like
shit, scum on your block...
CH: Drinking fine imported beers.
C: We have yet to write a song about
drinking.
nJ^ s , Chariie s son 9. "Action Man".
' CH: That s not about drinking fine imported
DSGrS.
P: That's what happens when you drink too
many fine imported beers or maybe too many
fine domestic beers.
MRR: You guys are definitely in-
tense live.
CH: We try. We give it all.
MRR: What's that inspired by?
C: It's what we like to do.
P: We like to rock. Walter, when you go to
a rock show, what's the best one you like?
The one when they're kicking out the heavy
jams When I rock, I'm just playing straight
and having fun.
CH: Putting energy into it.
P: As much energy as you can possibly exert.
I m spinning after each show.
C: I get vertigo 3/4 of the way through the
set.
P: After the show when someone comes up
and talks to me, my heads qoinq "WONGi
WONG!" a
C: We're really loud. I think volume is crucial
to a three piece band. You need volume for
a thick sound.
MRR: Are there any bands you align
yourselves with or any bands who
are doing similar things?
C: Not similar things. Therearealotofbands
that we deal with who are friends like RAIL-
ROAD JERK or COPSHOOTCOP or SUR-
GERY. SURGERY is pretty "classic rock"
but they re good guys. Out of all the bands'
in New York, I don't think there's anything
musically similar except in terms of volume
and intensity. For style of music, I think that
e yery band is different. Like RAILROAD
JERK is into the whole country thing, COPS-
HOOTCOP is into the whole "destroy rock"
thing, the JOHN SPENCER BLUES EXPERI-
ENCE is into the whole blues thing.
P: There's no figurehead band that's leading
the way and that's good.
MRR: What are your plans for the
future?
C: We're going to try to finish this tour, go to
Europe, do the States again particularly the
south, and start working on our second
record.
MRR: Are you guys popular in New
York?
C: Yeah, we do better there than anywhere
else. We're more established there.
CH: It'll be interesting to see what effect
having an album out has on our popularity
MRR: Are you satisfied with the
record?
C: Yeah, I like the record. There are a
couple tracks I would've liked to re-record
or change for other songs, but there's
nothing you can do about that, because
it's like a representation of a certain time
and fortunately, that happens to be now.
We have live stuff in between songs...
P: So there's no blank space.
MRR: The album seems a little
less noisy than your other stuff.
C: Really?
MRR: That's what I thought.
CH: ...than the live show, that makes
sense.
MRR: No, less noisy than the
singles.
C: Most of the singles came from the
same session, which was an early ses-
sion.
P: The singles were recorded really quick-
ly and cheaply.
C: On the first two singles, the Glitter-
house one and the Treehouse one. they
were both from the same session and
sound identical, with a lot of low-end dis-
tortion. I like the way it sounds, but even
at the time, I would've liked a little more
clarity. The Sub-Pop single was done with
Steve Albini and the rhythm tracks are really
loud and the lead parts were not brought up
in the mix, so it's all just rhythm.
MRR: So are you on Matador for
good?
P: Well, if Geffen comes along, we might
reconsider.
C- I could never see us signing to a major
MRR: You told me before that you
had received letters...
C: Yeah, from MCA.
CH: Well, it was a form letter from a rep
wanting free stuff.
MRR: I just thought it was odd, it's
not like you guys are going to be the
next WINGER.
C: Or even like HELMET. They've been
approached by all these majors. They are on
a major label now.
MRR: Wow.
C: Well, some people want to make money
and some people want to do what they like to
do.
CH: I think they're going to do one in the
same.
C: They can be, but I think if you're getting
pressure from your record company to put
out a certain type of sound, you are going to
be bumming seriously. I think I'd give it up if
someone was trying to tell me what to play it
all. r '
P: Nowwith this new NIRVANAcraze, I think
bands are getting pretty free reign on what
they can do, because NIRVANA recorded
that record before they were even signed.
C: Then they just shopped it around.
MRR: It's totally amazing how popu-
lar they are now. It's weird. Do you
like them?
ALL: Yeah, they're good guys
MRR: It's actually a good record
that's totally popular. It's surprising.
They get played on MTV sandwiched
In between PAULA ABDUL and MA-
DONNA.
INTERVIEWS
C: That can only help bands like us. That can
only turn sorta mainstream people on to more
independent stuff. NIRVANA is really trying
to push bands who are their contemporaries,
not necessarily Sub-Pop bands, but like
URGE OVERKILL, they toured with them.
MRR: Same with SONIC YOUTH.
They played out here with the
LAUGHING HYENAS and GUM-
BALL. NIRVANA got so popular so
fast. It's amazing. What if that hap-
pens to you?
P: I would have a really hard time with some-
one trying to put make-up on me.
CH: As long as they make an air freshener
with me on it, I'll do whatever they ask.
MRR: Kinda like Alf?
CH: It'll say, "Action Rock N' Roll " across it.
MRR: What would you do if you were
in NIRVANA'S shoes?
P: I'd be going to the bank and depositing my
check. I'd be loving it.
CH: I'd travel around the world.
P: I mean, as soon as I'm done with this tour,
I have to go back to driving my taxi. If
someone said, "Go rock out and don't worry
about it (money). " Fuckin' A...
MRR: What do like most and least
about San Francisco?
C: We've had shows where we've played to
fifteen people and four would come up to
hang out after the show. Last night (at the
Chameleon in San Francisco), it was packed
and everyone just left and acted like we had
some sort of attitude.
CH: No one was hanging out after the show,
no parties...
MRR: Maybe it was the San Fran-
cisco banter...
CH: Oh... Frisco! It's a great place! Do you
think I put people off?
MRR: Maybe. I thought It was hilar-
ious.
C: I thought it was pretty fucking funny.
MRR: Some people don't have such
a keen sense of humor as I.
C: How can people not see the humor in
Charlie saying , " If you can follow the GRATE-
FUL DEAD, why can't you follow us to Oak-
land?" to a roomful of alternative rock peo-
ple? None of those people probably followed
the DEAD in their life.
CH: Oh, you'd be surprised.
MRR: That's true.
P: What do you hate about San Francisco?
MRR: The deadheads, laidback-
ness, people constantly hitting you
up for money. After a while, it's just
ridiculous. If you walked from here
to the end of Haight Street, you'll get
hit up for money at least twenty
times.
CH: Some guy asked me for five dollars!
MRR: I've had deadheads come up
and ask me for
money so they
can buy new gui-
tar strings. The
first thing I
thought of was...
CH: Stop playing
guitar?
MRR: I'd like to
strangle him with
guitar strings.
CH: Give him a dollar
to give it up.
MRR: Stuff like
that make me
want to say,
"Shut up. Get
out of here. Stop
just standing
around." Home-
less people don't
bother me at all.
If you're home-
less, that's a to-
tally fucked-up
situation. But
deadeads are
just rich kids
with trust funds
standing around
on the street.
P: That's like the
punk rockers that
hang out in Thomp-
kins Square Park. In
the winter time,
there's bums there,
but in the summer
time, all the punk
rockers come out
and bum change.
MRR: They're
finished cuddling by the fire with
Mommy.
C: I like San Francisco; it's a good break from
New York. I don't know if I could play in this
band and live here, because New York is
pretty high strung and I kinda need that.
MRR: Do you want to talk about New
York? I've never been there.
CH: The greatest city in the world.
C: There's a lot to do, but it has its ups and
downs. It's a definite love/hate thing.
There's a lot of drugs, crime, and bummin'
people, a lot of bad shit. At the same time,
there's a lot of good stuff to do. Bandwise,
you get a lot of local exposure. Now, the
scene there seems bigger than it ever was,
like BOSS HOG, COPSHOOTCOP, or us.
We were all playing the Pyramid Club simul-
taneously.
CH: Every week they would have shows with
new bands and out of town bands like MUD-
HONEY, TAD. COWS. etc. Now there's
nothing like that. Every week you could go
out and see a good show. It was like five
bucks; now to see the same show at CB-
GB's, it's ten bucks.
MRR: So do you think living in New
York affects your sound at all?
CH: Definitely. Your environment is always
the catalyst of what you're doing.
C: If we didn't live there...
CH: The jams would be totally different.
C: Yeah, I wouldn't be pounded by all this
constant fucking bullshit.
P: It gives you a bad attitude.
C: It's not necessarily the people there. It's
just like a police state. There you're really
controlled by a lot of things you'd rather not
be.
MRR: It makes you angry.
C: There you go.
CH: Angry? I enjoy it a great deal.
C: Some guy came up to me last night and
said, "Man, what's wrong? Were you
bummed out with the show?" just because I
threw my guitar down.
MRR: I guess he didn't understand...
UNSANE, POB 1828, NY,
NY10009
UNSANE DISCOGRAPHY
MODERATELY COMPLETE
"This Town/Urge to Kill " 7" (Treehouse)
"Concrete Bed/El Mundo " 7" (Glitter-
house)
Vandal X/Streetsweeper" 7" (Sub-
'op)
Jungle Music " EP (PCP)
"Unsane" self-titled LP/CS/CD
Songs on Compilations
"Four Sticks " on the Endangered Spe-
cies EP Box (Glitterhouse)
"This Town" on the Crunchhouse LP/
CD (Glitterhouse)
"Burn " on the Scumbait U I EP (Tree-
house)
"Boost" on the NY Ear & Eye Control
LP/CS/CD (Matador)
"Broke" on the Dope. Guns, and Fucking
in the Streets Vol. 7 EP
INTERVIEWS
over the phone by Jeff Spaz on Hal-
loween night, 11:30 PM, 10/31/91.
Present were Peter and Chris of HI-
JOS DE NADIE.
MRR: Names, ages, and instruments:
Peter-vocals, 18; Chris -bass, backing vo-
cals, 18; Javier-drums, 18; Javier -guitar. 18.
>■■...«■ v^, 1
the band.
Chris: First of all, we
started talking
about it around ..
the end of '89 .,
We never
got to it. bul ,
around De-
cember of '89,'
me and Pete
found each other
on the street and
started saying,
Hey, do you
want to make a
band?" So I
thought of it
and said,
"Let's go right
with it." So
around Janu-^^^" ary, we found
Ralph, who was 16 by then. So we started
jamming for a while. Then we found a guitarist,
Marcos, and wejust got together one Sunday
morning, we put together like 3 songs, and
one day, we saw that the chemistry was real
cool at the beginning. Well, that's really the
beginning of HDN.
MRR: How did you come up with the
name HIJOS DE NADIE?
C: Over here, in Puerto Rico, the scene, the
rock scene, the thrash scene, whatever, hard-
core, punk. ...it's not that big in Puerto Rico.
It's not a big thing here. So, in the beginning,
we were looking for places to practice and all
that crap, and ourparents too, you know, they
don't get along with our music and our style of
life, and all that So, we were like getting
-kicked out of places and they didn't let us
practice nowhere. So, one day, Pete came up
withlike, "We Ye sons of nobody." InSpanish,
its HIJOS DE NADIE. It was cool because the
first name was "Drunken Roaches". But we
didn't like that name. So, let's stay with HIJOS
DE NADIE It's a great name.
MRR: What do you think of the Puerto
Rican hardcore scene?
Peter. Okay, let's put it this way-- it's not big,
but it's good because everybody is united-
Punks, skins, thrashers, and that's good.
MRR: That's the way it should be
because in certain places, it's differ-
ent. I know you guys were previously
kicked out of HDN, can you explain
this?
P: I don't know exactly why I was kicked out. '
But they said I was like outrageous. Too '<
rowdy. I
CI could explain that more. In the beginning <
of the band, the band was supposed to be real •
hard hardcore, a pure hardcore band. And <
down the ages, down the history of HIJOS DE i
NADIE, the band has evolved into what is now
evolved into a ska skinhead band. The reason
why Pete got kicked out of the band-it was
because he was more into the punk side of the
hardcore and basically Marcos was staying
with the whole show. So it wasn't good for
Marcos to stay with Pete. So Pete got kicked
out, then I followed.
you out?
C: Well,
basically supposedly the
excuse was
real reason was that, you know, like Pete, too
hardcore, too real punk. We were like revolu-
tionaries and, you know, Marcos is a down-
core skinhead. He believes in the skinhead
different
more peaceful down there than over
here.
P; Over here in Puerto Rico, it's strictly more
like politics. It's not a way of life like in the
States. Strictly politics. Over here, they mix
the skinhead music and the skinhead move-
ment with the independent groups, the anti-
American groups, they associate *^
more like that. Well, it's not really
anti-American. It's just like skin-
heads from New York-theyjust
love New York. The skinheads
here in Puerto Rico-they just
love Puerto Rico.
MRR: Are they sepa-
ratists?
C; In a way, yes. In a
way.no.
MRR: What are your
songs about?
P: It's just like society critics. Ev-
erything that's wrong I make a song
about.
MRR: How do you feel about anarchy?
C: Well, my vision of anarchy.. ..in the begin-
ning, we were like, "Oh, anarchy!" and all this
crap down the ages. Since we've evolution-
ized and grown up, we've seen that sucks.
That 'sjust a world with no government ain't no
....„ -. „.,, al uis song basically means. If you
want something to progress, anarchy ain't the
solution. Just talkit over, fixyourproblems, fix
the government, because the people are the
ones with the power, not the government.
MRR: Pete, you once told me that
people in Puerto Rico live in a democ-
racy.
P: Yeah Okay, let me put it to you this
punks said "An-
archy", right?
' What I think about
is-if you're an an-
' archist, and it's an
anarchist govern-
ment, and you'd like
to kill whoever you
want, nobody tells you
about it, and I think
that's wrong.
C: Basically yes and no.
The government in Puer-
. to Rico is associated,
'it it's liberated
democracy. But still, over
here, the government takes
advantage of the people .You
know, right now, we're having a
I messed up crime scene, and a real
jptive government. The government
doesn't give a shit about the people. Just
taking money for themselves and selling like
recently, they sold a Puerto Rican telephone
company to Spain. They're giving a lot of
Puerto Rican-made enterprises to foreign
~'~\ instead of staying with it so people
nor of the state of Connecticut has
been raising taxes and people have
bee n getting laid off. They've been
*ak^Ak ing taxes out of my pay-
™^ check, which is a real
pain in the ass.
k C: They always do. They
. always
■promise
in the be-
ginning,
and when
they get
into pow-
er like
they al-
' ways
shTabouT^^the^^peo 9 ^ 3
They just want a seat in the house.
MRR: And the money.
C: And the money. They don't care about the
people.
MRR: I guess that's what they mean
Ulhan tliau <-aw "Tk« _3_L ....
and the poor get poorer."
INTERVIEWS
P: Orlike they say, "The rich get richer and the
poor die. "
C: I'm working right now. I finished high
school I plan on joining the Marines. But my
hobbies are right now, are, part of my life now
is the rock scene, hardcore scene, and the
band. Right now, I'm working, studying, and
playing with the band.
MRR: Chris, I hope they don't send
you off to war.
P: (Laughs)
C: Send me off to war? I hope not.
MRR: I wouldn't want to see you get
fucked up in a war. If not a body bag,
but imagine when they come back
today.
C All fucked up.
MRR:Exactly
(Discussion about a friend of one of my co-
workers who was sent to the Gulf and came
home with nightmares and regrets. Also about
Chris' uncle who was there as an MP and
came back with some frightening stories)
C: The reason why I'm joining the Marines is a
family tradition.
P: I'm starting to work on fabrics of T-shirts
and prints. My real hobby is work, music.
MRR: I heard that the Puerto Rican a
scene is united, and the real trou- ^
ble comes from the outside
from the rappers. Have you -^
had problems with
them? ^
P: Yeah!
many i
them. But
they've been '
cooling down
now.
C: Basically, over
here in Puerto Rico, it
doesn't matter if it's
rap, hardcore, punk, or
skjcw Even though we're
united, the thing that unites
us is that we consider our-
selves Puerto Rican. At least
here, there's not that murh
racism. In some pi;
like, "Hey you niggi
"You black", or "You spic"
orall that crap. Overhere, at
least, there's 3 races-ary-
just consider ourselves Pu-
erto Rican. That's one of the
things that unites us. But one of the ^"
problems in Puerto Rico, in every scene-rap,
hardcore, thrash, rock-everything is just
style. Style of clothes. You won't look cool if
you're not dressed a certain way. That's the
problem here. A recent problem I had with the
skinheads in Puerto Rico since I'm in the
military style of life, I always have a crewcut or
I get crazy and shave my head. But that
doesn't mean I'm a skinhead. They see me
playing punk or playing thrash or I like listening
to thrash music. So they start criticizing or
they start calling me 'Poser", or they start
bullshitting me and start problems.
P: This is the skinheads -They say, for exam-
ple, if you don't have Doc Martens, or if you
don't shave your head, then you're not a
skinhead.
MRR: I know I'm not.
P: (Laughs) I think that's really the point be-
cause if you feel like being a skinhead with
hair-you know, I don't think it's that bad.
C: It doesn't matter what you wear, what you
are. It's just you.
P: I used to have a skinhead, and now I have
Blue hair. It's a blue jade style of color right
now.
MRR: I know that you have new mem-
bers and you're going to do the same
songs from the upcoming 7". Also,
you're going to write new songs. Will
they be different than the single?
C: All songs..
P: The day he told me that HIJOS DE NADIE
was going to get back together again, we were
talking about the styles of music . We're think-
ing about the styles of music. We're thinking
about , like, keeping the same aggressive-
^fl^^ness in hardcore. But, you
know, not just staying -
in hardcore.
. We
ning of the year.
C: In English, it means, "Always the same".
And it's true. It's always the same thing. You
know, in Puerto Rico, even though they're
considered great, if you come down here and
check it out, people will be saying, "Man, it's
always the same shit. They're boring already. "
Right now, we're going to explore new
grounds right there. To see how people react.
I think it's going to be cool because they could
dance to everything and not get bored.
P: Music for everyone, every style.
MRR: How do you guys feel about
straight edge?
P: I like the movement, but right here in Puerto
Rico, I don't think anybody's a straight edge,
a real straight edge because
MRR: Too much Medalla beer?
P: Yeah, they can't follow the rules of straight
edge. It's just not drinking and not smoking,
not just that, it involves plenty of otherthings,
and I don't think anybody here in Puerto Rico
can be considered.
MRR: I don't like it when it gets wa-
. tered down by making it a bandwag-
on. But, do you have any future
. plans?
C: I was thinking myself, and I
haven't told Peter
yet, and it
t may be
want to
explore little
down more punk, and
a little down more cross-
over style of music.
MRR: It's a good idea.
P: Grindcore.
C: Grindcore, you know, we're just gonna
please everybody in the scene so nobody will
feel left out.
P: That's the problem of most of the bands. If
they're a grindcore band, they just play grind-
core. If they're a skinhead band, theyjust play
Oi! and Ska music. For example, SHAM PAIN,
They've been considered. ..like their new EP.
MRR: "Siempre lo mismo"?
P: "Siempre lo mismo" means "Always the
same".
MRR: I'm putting that out at the begin-
pnse. I
was think-
ing, if we get
big in Puerto
Rico, we'll ere
ate a new im-
pact with our
new lineup. I
was just think-
ing of going
down to the
States.
P: If we could go
down there for a week at
least 2 "^ or3 times, that would be just
nice, and just to get a good word over there in
the States. A good rap. It's just satisfying for
us. Or some recognition in some fanzine.
MRR: Any last words?
P: Everybody keep on fighting for what you
believe. Be yourself.
C: It happened to me. Don't let anybody get
you down. To every new instrument player--if
you're starting out, keep on practicing. And
look at me- I'm no bass expert, but, you know,
I get by. Tell all those newcomers to keep on
practicing and fight for your beliefs.
HIJOS DE NADIE Six-song T'EP
"El puto si stoma" will be out in mid-
'92 on Computer Crime Records. HI-
JOS DE NADIE/ Calle H Figueroa CI/
Villa San Anton/ Carolina, PR 00987
An Interview with Yumikimm of
[CR Record* and Fuck Geez by Do-
in Mori.
RRi The first question I have, as
>inq that you war* raised and have
in this rural area of Kyoto all
ur life, is how and when did you
Jrst get exposed to punk rock?
Y: I listened to the Sex Pistols when I was in
middle school, maybe 78. 1 was shocked by
punk rock, the Sex Pistdsf|nd Clash, so I
changed my live.* Also, since*" I was bom here
I don t want to live in a big cfy because there
e many people living there and it's too hard
ijive there. It'sokayformetoliveinthissmall
:ity If I was bom in a big city it wouldn't be a
"oblem but I was bom here.
IRRi How long ago did you start
leases have you
^been released.
5CR Records?
In' 1983.
RRi How ma
put out since tl
Yljntil now, 49 it
MRRi With all the vinyl pressing
plants in Japan going out of business
how arfyou putting out vinyl, do you
press them in foreign countries?
Y: No,' just inside Japan. But I have to try
P re S#Hf vinyl elsewhere after Japanese
pressing factories dose. Maybe it will be
American pressing plant or British.
MRRi Haven't they already stopped
making 7" vinyl in Japan?
X;. Maybe next spring or next summer. I will still
Pyp moke tr, em but young Japanese people
have no record players, just CD players it's a
very big problem. If I just made vinyl not
everyone can listen to it. I think the electric
companies don't make record players any-
more because they want to sell more CD
players. 1
MRRi Did MCR first originate as a
vehicle to release Fuck Geez re-
cords? Or was MCR around before
the band?
Y: After I finished high school mv friends and
I we started MCR together but my friends
changed their lives to pop music. So I'm
running MCR on my own.
MRR^ So what year did Fuck Gees
Y: '83.
MRRi So around the same time.
Y: No, a little later. My friends made the name
MCR.
MRRi Does running the label by your-
••J* ■• wel1 ■• k«ving a job make it
difficult for the band to tour?
Y: Yes, also I have a family. I think almost all
Japanese punks have jobs, some people just
part time others iust standard jobs. I think it's
Japanese style, I think Japanese people like to
work.
MRRi Do you think the Fuck Geez's
style of music has changed from 1 983
to 1992?
Y: Our sound has changed to rather more
hardcore. We've changed many members, so
If some member likes metal Fuck Geez
sounds metallic. It's no problem because I'm
writing lyrics by myself.
MRRi Lately a lot of your releases
have been split records with a band
from Japan on one side and a foriegn
band like Misery or Doctor and the
Crippens on the other. Is there a spe-
cial reason for this, are you trying to
encourage foreign bands to discover
Japanese bands and vice versa?
MO
MRRi I heard you were going to help
Concrete Sox come over to tour Ja-
pan, is that true?
Y: Yeah, I'm trying but I have no power in
regards to booking clubs, so I'm asking the
band Nightmare to help. So if they say okay
they'll help me Solcan'tsayyesnow.butl'm
trying.
MRRi How many of each record do
you press?
Y: Some records 1000, some records 2000
Themaximumis2000copies. The Nightmare/
Concrete Sox split EP and Sic/FVK split are
both 2000 copies.
MRRi How do you distribute them, are
most of them sold in Japan?
Y: Some copies I distribute in Japan and some
copies MCR USA and MCR UK help distrib-
ute in other countries. I also distribute other
countries records
MRRi When did MCR USA and UK
become started?
Y: Maybe a year or a year and a half ago.
MRRi Will each of those labels press
a thousand or 2000 of the records as
well? Or do you just sand them cop-
ies? » | *
Y: Yes, I send my records to them. Sc%|al is
MRRi How did you start making MCR
videos. Do you take all the video
footage yourself?
Y: Most of the videos I've recorded by myself.
I bought my camera in 1988 and started re-
cording. Sometimes my friends help me.
MRRi How many videos have you
released?
Y: Now, seven.
MRRi The Doctor and the Crippens
you video taped whan you visited
Britain?
Y: Yes, "Hard & Loud: Volume 3" with Dr &
the Crippens, Extreme Noise Terror, Filthkick
and Forcefed. Maybe I will distribute a video
with Heresy, Amebix, Ripcord and Concrete
Sox in Japan for MCR UK. It will be edited by
the bands and I think that it will just be distrib-
uted in Japan.
MRRi What does Fuck Geez mean?
Y: Nothing. Many people ask me about what
Fuck Geez means, but it's just sounds. I don't
know what it means.
(laugh ted
MRRi Some MCR releases are now on
CD as well as vinyl, how many releas-
es have been on CD?
Y: Maybe just three items.
MRRi What's you're favorite MCR
record, the record you're most proud
of releasing?
Y: The S.D.S./Misery split is maximum good
stuff from MCR: Also Fuck Geez stuff to&
because I'm playing in Fuck Geez, of course'
(Jaughted
MRRi Any other exciting things you'll
be releasing in the future?
Y: Next month I'll be releasing a compilation
album. Some songs are very funny and some
songs are very hard, but it's difficult for other
countries people to understand because the
bands are singing in Japanese
MRRi Is MCR self sufficient, or do you
have to support it with your own job?
Does each record pay for the next
one?
Y: Yes, but sometimes I must borrow money
from the bank because now I'm releasing one
or two items a month and I can't make the
money back within the month. Maybe some
record shop sends me the money 3 months
later. JT wkW Jk,-
MRRi I think that's iti do you want to
talk about anything else?
Y. I have to say to other countries people if
you want to get In contact withJapanese
punks and hardcore people please leam Jap-
aneselanguage. If you can do it maybeyou can
meet many, many Japanese people. Most
Japanese people study English for six years,
but still cannot speak it. Also so many people
write to me for record trading, that if you do,
please give me easy English. Or write in Jap-
anese If you can, then I can answer you very
quickly. Tmtrying to write and speak in English
for other countries peoples, so please try to
do the same, but in Japanese.
■an
INTERVIEWS
Spitboy is Adrienne - vocals,
Karin • guitar/vocals, Paula - bass/
vocals, Todd • drums/vocals.
Photo credits: Paul Insurrection, Rick Segal,
Murray Bowles, Danielle Damasius.
Interview by Tim and Suzanne.
MRRi Let's start it out going right to
the heart of matters. Are you all a one-
issue band?
All: No.
MRRi Explain.
Adrienne: I guess by one issue you mean
women-oriented issues because that's what
we hear a lot.
MRRi Dealing with sexism.
Adrienne: Yeah. I think if you look at our lyrics
there are a lot of songs that lean towards that
issue, but we do have other songs outside of
that and we do talk about things outside of
that. It's not just every single song hitting you
over the head with women's issues. We have
songs about feeling isolated, dysfunctional
families... things like that.
Paula: Communication. Like "Violent
Tongue. " 9
Adrienne: Yeah. It's not just a one-issue band
I think that a lot of times people might want to
take it that-way because we are four women
singing about women's issues so they're just
going to pigeon-hole it. I don't think any of us
look at it that way.
Karin: It might be easy for some people out-
side to categorize four women who are taking
kind of a strong stance on a perspective that
we feel just to say, okay, well, they sing about
this because look at this song and oh yeah,
this song is kind of similarto this song because
of this perspective or what have you.
Adrienne: "Self-righteous feminist vegan
band."
Karin: We got called that once. It's kind of hard
to defy 'cause it's what we feel most person-
ally, what we feel and see and undergo every
day, no matter whether it's playing music or
walking down the street - this impressed atti-
tude all the time, and it stinks.
Todd: And it's not like when we started playing
together we said, "Okay, let's write a song
about rape, let's write a song about sexism in
the scene, and let's write a song about phys-
ically abusive relationships. " There are just
issues that have come up that we've dealt with
personally, whether it's happened to us or to
our friends. We've dealt with it and we're very
passionate about it and decided to write about
it. It's not like we sat around and decided that
we needed to have songs about these partic-
ular issues. It just so happens that we're really
affected by them. How could we not help but
write about it? How could we help to not see
it, talk about it? '%
MRR: Do you all write lyrics?
All: Yeah.
Adrienne: It's weird because most of the lyrics
that I write usually are the ones that aren't
about those kinds of issues. Todd's written
"Violent Tongue," which isn't, but I have an-
other outlet for that, so I use SPITBOY as
something to express my feelings about
things that I am really moved by.
Paula: Mine have been focused on a lot of
different women's issues. I remember when
we were first talking about getting the band
together, I had some things in my head that I
really wanted to write down . The first song that
- 1 wrote was definitely about women'slssues.
It was "The Threat." And then Adrienne and I
moved on to "Moral Casualty," which deals
more with gender roles^d expectations and
where we get that from. The whole political
analysis that comes down from that.
Todd: I remember when people would de-
scribe us and someone said to me, "Yeah, I
was telling so and so about your band and I
was saying yeah, you've got songs about
rape' and it was like, we didn't even have a
song about rape, not until two months ago.
People assume that because we're all women
and since we do take a strong stand on sexism
that we automatically have a song about rape!-'
Now we do, but people make those assump-
tions.
MRRi The hard stance that you take
on women's issues seems like it's
directed more at men, so what re-
sponsibility do you think that women
have in keeping up those barriers?
Are your songs directed to make
women think about what they do to
keep a cycle going?
Karin: I really trjink so. The song that I com-
pletely wrote lyric-wise is "Sexism Im-
pressed." I try to describe how just too many
people sit complacently and take this shit.
They don 't try to rise above it or try to look for
an outlet against the oppression that we feel.
I really hope that women and men can get
something out of it. I'm not trying to define a
particular audience.
Adrienne: I think that it just comes down to it
just being people. Any person, male orfemale,
hopefully reading our lyrics will get a different
perspective on somethingwhetherit is rape or
whether it is a song like "Moral Casualty." It's
not just like, oh, all you men had betterjeam a
lesson because that's a bullshit attitude to
take. It's like people, myself included, need to
keep learning. That's what I hope happens.
Paula: We try to focus on the plural. We or us.
We're all involved with these issues and try
not to direct it at being the fault of men. There
are different things that we all do that play into
the cycle. I know that I have learned so much
about myself and the different things that I say
and words like " bitch. " I find that totally offen-
sive now. I used to use that word all the time.
MRRi Do you live up to what you talk
about in your own relationships and
in your own dealings with friends and
with male friends? Do you find your-
self doing the things that you sing
about that you want to change, or
have you already dealt with that and
are you now trying to educate other
people about it now that you*v«
ized it?
Adrienne: A lot of times it's things that. ;
grow towards. Something like "Interdepen-
dency" is really personal to me, and It's an
idea that I want to reach. Just because I'm
singirig about It doesn't mean that I've
reached it yet. It's just a goal. But I'm not ever
saying that I'm perfect. Just because we're
singing about it doesn't mean that we're say-
ing, "Well, we do this one hundred percent
and we're not sexist and we're not idiots."
We're human.
MRRi A lot of the lyrics that do deal
with women's issues come from a
perspective of being like kind of an-
gry or frustrated or feeling isolated.
Those again are human feelings, but
there is an element of saying, 'This is
how sexism makes us feel," and are
you saying that you want people to
think about that or do you want men to
think about that?
Paula: We want everyone to think ;
Todd: We think about it. I think about it
time and I completely try to change things that
I do and words that I use and the way I talk and
the way I treat people. I really feel that it is very
important to try yourhardest to live up to what
you're singing about.
Paula: The things that we're singing about are
things that - as a band or individually - 1 need to
follow through on what I'm singing or whatj'm
saying or what I'm presenting because'if I
don't then people will question everything else
that we're doing or what we're saying as
people; I do feef that we're human and that
we're not perfect, but I think that the things
that we do sing about and that we write about
mean a lot to us and that hopefully we are'
striving in that direction. I don't reel like we can
say. "Oh, we're here 'cause we've done
now get your shit together."
Karin: I really try to impress upon womc
conditioned elements that so many of i
under - by talking to someone who has
traditional views - I try to show ther
there's a way not to fall into that same :
replication of the past where women do th
certain things and men do these thir
overcome those gender-role attributes
Todd: Yeah, and I think we work really ha
try to educate or whatever,., for men an
women. We're not just pointing fingers at
men. But we're saying to all genders... both
genders! ^
Karin: All seven, (laughter)
Todd: ... that these are the stereotypes. This
is what you 're expected to live up toand.that's
bullshit. Its total bullshit for men and it's
bullshit for women, too. I think another really
important thing that'we try to do. like Karin
wrote in "Sexism Impressed, " is to let people
know that you can confront it. You can say
something. You have a voice. You don't I
to, whether you'-re a man or you're a won
sit back and take it;
MRRi There were a couple of things
that I was wondering in terms of the
way these topics are approached in
your lyrics in that 1 ) there's decidedly
no humor involved in this and a criti-
cism can be made and has been made
about a lot of political bands in the
past that it clubs people over the head
in a way that it's not going to have the
desired effect, and that it might actu-
ally make people turn away. The other
aspect is that there seems to be a
quality in a lot of the songs that "we're
victims, we're victims, we're victims,
we're victims." Is that something that
you would agree to or not agree to, or
that now you have to get it out of your
system, or is it a stage or is that total
bullshit?
Karin: I think that first of all, the thing about the
humor is that there isn't very much funny stuff
that we're talking about and we don't take any
of this as a joke. We don't take sexism as a
joke, and we don't take any of that attitude as
a joke. We find it really offensive when people
try to make jokes about this kind of stuff. It's
just too serious.
.MRRi In other words, if you're doing
It just to express yourself then any
way that you're doing it is fine. If
you're doing it to have an impact and
get other people to think or whatever,
do you think that this is the way to go?
Adrienne: I. don't think it's conscious that we
go, "Let's write very serious songs about very
serious issues. " The things that make us feel
very passionate orvery upset or very angry or
very hurt is what we're going to write about.
So far I haven 't been able to write a song about
really happy things, I just can't do it. Maybe
some day I will when I feel very passionate
about the good things that happen to me, but
the need to express the painful side and my
angry side is more prevalent right now.
Paula: That's a really good point, though, is
how much we'refed in oursociety about being
a victim and not being a survivor and how to
change that around. "The Threat" starts from
the stance of a victim but ends on a note of
"now with all of those who care we're going to
hopefully change this thing.' And I think that's
really important not to get stuck in the role of
a victim. The message has got to be empow-
ering.
Todd: I do think that the ends of the songs
bring you back up. Now that we have this
knowledge and we've talked about it and
bonded together, we're going to do try to do
something about it.
Paula:. My whole energy in the band or wanting
to be in the band or needing to be in the band
is to express myself. I really want to talk to
other people about the way I feel and I wonder
what other people are thinking about these
issues and I want to get some communication
going. This is another outlet to start changing
things and bring them to the surface.
Adrienne: I remember when I wrote "isolation
Bums, " which is about feeling really distant
fromyourfriendsorwhoever,it'slike...lwrote
the song because I wanted so badly for some-
one to come up to me and go, "Wow, you've
I r
felt that alone? I have too. " And to realize that
I am not that alone. I remember that Paula,
right after I wrote it, would say that she'd walk
around and she was feeling bad and she'd sing
part of the lyrics and hear them in her head. I
remember just thinking, wow, that's really
cool because I. wrote this song from a very
painful perspective of just feeling really alone
and I needed to express it but I also needed to
hearbackfrom somebody saying, "Yeah, I've
felt that down. "
MRRi It's interesting because you
were talking about how that song was
more about not having friends or feel-
ing isolated from not having friends,
and the way I took it was that you felt
that way because of sexist attitudes.
Adrienne: That's really weird!
Paula: Do you think a lot of people look at it
that way?
MRRi I don't know.
Paula: Maybe just because we're all females
in a band. It's an assumption. It would be
interesting to know that if somebody didn't
know that we were women and we had Adri-
enne's voice turned down to a really heavy
bass sound and had never seen pictures of us
and had never known what we looked like and
didn't know anything about the band, If they
would then think that it was about women or
about sexism.
MRRi Talk about the name of the
band, there's a really interesting sto-
ry behind it that you told me. Could
you retell it?
Paula: Well, the legend originally comes from
an Eskimo tale out of a book called Copper
Woman. It's about a woman who is on an
island and she is feeling very alone and very
isolated and she starts to cry and feels that
she is going to be alone forever. She's crying
and crying and all this snot and mucus and
tears are coming out of her. She looks down
in her hands and is disgusted by what she
sees and it makes her more upset.
Todd: She tries to cover it up.
Paula: So she's really disgusted by what is in
her hands and her gods speak down to her
and tell her to believe in what she has and
that it 's part of her body and that what comes
out of her body is natural.
Karin: And beautiful.
Paula: In return from this new belief...
Adrienne: A boy is formed out of the stuff in
herhands and that's why he's called Spitboy.
And it's her companion.
Paula: It's interesting because it has differ-
ent meanings in the band. I know for me that
when I first heard the story I really liked it and
I focused on the point of her feeling good
about her body and feeling good about what
comes out of her and not being ashamed of
it. Because it says in the story that she does
feel ashamed and sort of demoralized, and I
think that in this culture that is very much
pushed on us. The whole objectification of
women. And put this up in your vagina to
make you smell better. All kinds of things
Wear deodorant, shave your underarms
shave youHegs. All those kind of things that
change your body and cover it up. I think that
it s really neat then to get this whole different
INTERVIEWS
The Threat
Now my anger and fear
has new meaning.
As my power grows stronger
with those who care.
It's finally time to stop
all the violence
time for us to take
back the night.
perspective from this different culture that
says your body is great. In this culture they
actually celebrate a woman's period. It's sa-
cred. It's just really interesting.
Todd: Let's have a celebration for me then,
cause my period just started.
Paula: I feel that I sort of fight against it too in
myself and that I feel finenow about the things
that my body does,
but before I had got-
ten to the" point, like
in high school, of
feeling totally
ashamed about my
period and not talk-
ing to people about
it. Or the way you
smell. I think that for
me it's really empow-
ering. It's sort of this
goal where I'm kind
of reaching inside
myself to feel good
about myself and I think it's more of a building
of self-esteem.
Adrienne: Paula starts running around show-
ing her natural parts to everybody.
Todd: I really like using the name and talking
about it because people always ask us what it
means. It shows other people and us that
other cultures value those things and this
culture does not. Our culture makes women
feel ashamed or feel grossed out or think that
their vaginas smell gross or that it's really
disgusting that we bleed once a month. And
that's terrible because these are natural pro-
cesses that our body goes through to clean
itself. It's natural and totally... what's the
word?
Karin: It's life affirming.
Todd: It's a totally necessary function that
helps us to live.
Adrienne: I remem-
ber that when I first
heard the legend the
perspective that I
took is about how it 's
Eve from Adam's rib
and this legend is a
total reversal from
that. The boy is cre-
ated from the wom-
an's bodily fluids. I
think that that's real-
ly cool too.
Karin: ... placing
more emphasis on a
different gender, be-
cause so much of
what we're fed here
is very patriarchal
and very man based
so it's kind of an in-
teresting perspec-
tive.
MRRi It's obvi-
ous that you all
enforce each
ea
other. Reinforce each other.
Karin: Only during interviews, (laughter)
Adrienne: We fight terribly outside of this!
Todd: That's not true!
Isolation Burn*
Distancing-moving further
away
the burn of isolation
begins my mind's decay.
Disconnected-lost grip on
reality
the burn of isolation
destroys my sanity.
Drugs don't provide a way
to deal with the pain.
Arms holding me at night
couldn't begin to contain.
This burned out shell
that I have become
as my isolation and I
slowly turn into one.
k04s
Paula: We had a meeting before hand that
we'd agree on these particular things.
Adrienne: Just hold it all back until later. Paula,
you agree with me on this and I'll agree with
you.
Todd: I'll give you a pack of gum and some
cigarettes if you just say this one thing.
MRRi Obviously it's been an experi-
ence that's been
very productive
within the band.
Have you felt that
good of an impact
as you have
amongs.t your-
selves with the
rest of the world?
Karin : I really think so.
For one, I think the
whole band idea has
never been extreme-
ly deliberate in every-
thing that we've
done. We never set down any rules about
what we were going to do or what we were
going to accomplish. I'm amazed that we've
recorded twice because I never had any ex-
pectations about any of this. Maybe that is in
itself really empowering. Not just these peo-
ple that I'm working with, but what we have
accomplished in the time we have accom-
plished it. I'm still just kind of blown away by it.
I don't think that I know how-to play guitar and
yet I can hear some stuff that I've done and
know that I must know something. That's
amazing to me. I don't understand it all. We
went on this mini-tour last summer and the
feedback that we got was really, really posi-
tive. There were some really tense situations
that we encountered that were often sexist
based, but maybe even that was empowering.
Adrienne: Yeah , because it kind of pulled us all
together.
Paula: It challenged us
how we deal
on how we deal with
stuff because it is reali-
ty. We are going to have
people yelling stuff like
the guy who yelled,
"Spread your legs or
play. If you're real wom-
en that's what you'll
do. " It really challenges
us. For me, just kind of
sitting back and going,
okay, how do I deal with
this in a positive way
without alienating peo-
ple and without pointing
fingers or segregating
people? And how do we
empower ourselves
from it?
MRRi How did you
deal with that?
Adrienne: Todd threw
her drumsticks.
Todd: I totally lost it.
was totally screaming at the guy. I jumped over
my floor torn and threw my drumsticks and I
was shaking and almost crying. I was so upset.
I was asking who said that, I can't believe you
From the time of birth,
we are all manufactured
like products
by society
for society.
The human species must
realize the capability
to seize control
of individuality
and resist the
expectations and stereotypes
that are forced upon us
in everyday life.
i
I
1
t
\
]
said that. I had Neil and Phil and Kevin from
PAXSTON QUIGGLY and everyone in the
band chasing me saying, "Todd, Todd, these
guys are really dangerous. Don't even talk to
them, come over here, they're really drunk, t
You don't want to get in his face. " You want to '
talk about it and confront the situation but you
don't want to get in their face and get into a
potentially dangerous situation. ' •
Adrienne: These guys were like the killing
type. Oneguy was on "America's Most Want-
Karin: And we had to deal with them face-to-
face about really personal and then public
things. We stopped playing because there
was all this violence going on. And obviously
it was like our civic duty to stop and to not be
the soundtrack to their violence. And when we
did stop and we got that comment It was so...
I don't know. It was so inhumane or some-
thing J Just felt so empty inside about what I
was doing and then I said, wait a minute,
maybe because I'm doing all of this it's threat-
ening to this person or maybe I am making a
difference because this person is reacting so
violently to what we're doing. Not maybe
violently because he didn't hit us but violently
in a verbal way.
Paula: To me, I was really frustrated when I
first heard the comment. We had played may-
be two songs before we were told that we had
to stop. This guy didn't even hear what we had
to say. Adrienne goes around and passes out
lyric sheets before we play and this guy has
seen one or gotten one or maybe somebody
that he was with did and he didn't even care
what we were doing. His thing being there was
that this music was going and ft was a little bit
fast and so it was for him to run around and
have a good time, and we were destroying his
good time by not playing intoit. Then after that,
he had come up and talked to me and said that
he really wanted to talk to our drummer. I said.
"You know what, I don't think that she really
wants to talk to you right now because she's
pretty upset with what you said.' And he just
made some comment like, "Well, you're up on
a stage, you've got to expect that. You guys
are women and you have to expect to get
hassled.' I don't think that we have to expect
that. And then he said that If you don't Ike
what you see outside that you should stay in
your house and hide behind the curtains and I
turned around and said, 'You know what?
That's exactly why I'm out here because I
don't want to stay in the house anymore and
I don't want to see this crap going on. I want to
change It!"
Adrienne: I remember talking to him and he
was saying If you'd kept playing maybe you
could have changed my mind or done some-
thing. Right after he'd said that he started
saying, 'You need to go suck some pussy.'
Right after telling me that I could have changed
his mind and that he was open minded and that
he could have learned - boom! - his fucked up
attitude again.
Todd: He wasn't there tohear lyrics, he wasn't
there to hear anybody's lyrics. He was just
there to drink and listen to hard, fast music so
he could dance around to it.
Adrienne: We also had an incident in Petaluma
where someone yelled, "Nice butt" to me in
between songs and it was cool because
... .[wasn't coo) that he said it, what was
cool was that we stopped and we didn't Just
go, hey. that sucks, don't say that kind of
thing, but all of us had something to say. I felt
really supported by everybody in the band
because he'd yelled it at me, but everybody
said something. After we were done playing I
took him aside, which is the way I prefer to deal
with things, and Just talked to him on a person-
al level. I told him that it hurt that he would say
something like that to me and that it put me on
the spot and made me uncomfortable.
Todd: I made the point when we stopped
playing that we are up there to play music and
to express ourselves. We're not up there so
. you can relate to us in a sexual way. If you find
one of us attractive, fine, but it's like... to
violate that and to humiliate us is something
totally different.
Paula: You know what was really empowering
about those two experiences in Petaluma and
in Albuquerque is that the majority of those
people were coming up to us and talking to us.
At the Petaluma show when the guy said,
"Nice butt 'and Adrienne said, "I can't believe
you would say that to me. I am not up here •
, prancing around so you can enjoy the way I
I look. I'm up here to say what I have to say." •
The crowd really clapped and they were really l
> supportive of it.
Todd: In Albuquerque, after that horrid experi-
ence we had a really empowering, really won-
derful experience. Jessie, the man who put on
1 the show...
Karin: Did us. Just kidding.
Paula: Karin!
j Karin: I just thought that would be really funny
in there. After that we had a really empowering
experience. There's this guy Jessie... I'm to-
tally kidding.
Adrienne: I'm not editing any of this at all.
Todd: Jessie took us all into his bedroom...
Karin: PAXSTON QUIGGLY came along...
Todd: And PAXSTON QUIGGLY. who we're
jnarrjed to, and Jessie sat in his bedroom and
K • he was giving us our money.
Adrienne: For our services...
Todd: You guys, this Is awful! So. he was
giving us our money for playing the show for
playing our musical instruments...
Karin: Our sex show.
Todd: He sat us all down and he said that
before he divided the money that he wanted us
to know that he'd been putting shows on for
years and that this kind of shit happened all the
time, that these people always come to shows
and ruin things for everybody, start violent
Bts, start fights, start pushing people around
a said that no one had ever confronted it and
he started crying. It was so amazing, ft was his
last show that he was putting on before he
moved to New York and he Just wanted to
thank us because he felt that finally he had
made some kind of difference. Finally he felt
like he d reached people. That we'd reached
so mahy people. Maybe not those guys but so
many other people and it meant so much to
him.
Adrienne: And he said that it was one of the
best shows he'd ever put on. Wis were like
that was a ruined evening, it totally sucked
and he was just like. no. that was one of the
best shows.
Todd: He said ft wasn't a bad night. It made us
all look at it in a different way.
Jl MRRi Do you feel that loca|ly you ar.
„j preaching to the converted?
Karin: No. oh my gosh no. Before I want to
■ address that. I just want to say that the situa-
ft tton in Petaluma with the butt thing - i think that
K hopefully an example was set. Too often that
j* s areal complimentary sort of thing. Nice butt
g I think that so many people, whether it's men
*. orwomen.don'tknowsomeoneandtheysee
2 some physical attribute that they just want to
Hi .^"R* 81 th,s P 01 " 1 eve <yone started laugh-
•* Ing). But we stopped it right there and just
K really tried to show that this isn't a compli-
| ment. That we were being objectified Adrl-
i enne was being completely objectified. She
n wasjustabutt.
Adrienne: It made me not want to turn around!
I m just on this stage going, somebody qive
me a long Jacket! Please!
Paula: I don't think we're peaching to the
converted even when somebody doesn't say
something. But when It Is blatant, and put at us
while we re on stage and we have to deal with
tt in a split second, It's just really mind blowing
Yeah, this is why we're out here and it reallv
happens. *
Adrienne: Sometimes we'll play a punk show
especially a Gilman show, and it might feel*
more like preaching to the converted because
everyone there has read lots of different lyr-
ics But we played a show at a college co-op
and I was realfy intimidated facing that kind of
attitude. We made lots of lyrics sheets and
handed them out and I'd walk up to people that
I didn t know and ask if they'd like a lyric sheet
and people were Just like. No. " ft was weird
It s just a piece of paper, you can take it home
or give it to somebody else. But I do feel that
we try to reach out to other people
Karin: IVe always had a problem with that
whole concept of "preaching to the converted '
because I feel that It would be easy to think
that the converted are the people who are
going to your shows all the time. That those
people are punks and so they are trying to live
a life that is a little bit different from what the
rrgnstream Is and hopefully very different to
i
J
r-
INTERVIEWS
whatever degree they want. But, within that
scene there is so much disparity and so many
different ideas coming from each individual. I
don't think that anyone can be like one sort of
specimen with all the same thoughts and
everyone has reached the same perspective
on sexism or on racism or on war crimes or
whatever the topic is, and I think that because
of that I don't think you could ever preach to
the converted. I know that certain bands prob-
ably are associated with that. I feel that there's
just so much that you can learn and can
communicate and continue to learn and com-
municate. The bands, too. We learn from the
reactions of the audience and it can never be
the same. The lyrics might not change but
hopefully the emotions are maybe going to be
different every time we sing something. If we
;an just relay that to the next person in line,
\which is the audience, I just don't see it as
preaching to the converted.
Adrienne: That whole idea of preaching to the
converted means that there's this group of
people that are converted and they're all set
«4#« t!
Ring else to learn, /roniobody is like that.
Everybody has stuff to learn for the rest of
their lives. They can keep learning and keep
growing, hopefully in the direction that they
want to go.
MRRi I guess that I'm wondering,
those people that are the moat ex-
treme, like that person in Albuquer-
que, will react. Being a punk band
don't you want to get people to react?
It might be easy to get redneck* to
react but how about the average per-
son who isn't that extreme but has a
lot of sexist attitudes or whatever and
isn't going to yell at you.
Karin: Those are obviously the trickier ones to
reach.
MRRt Those are the majority.
Paula: That's why we do things like pass out
lyric sheets.
Adrienne: That's always really important. I
, always try to make the point of saying that we
[have lyric sheets up front and if you didn't ge_|
and how do I say this and try to reach this
person, because I think that it is really hard
unless there's some kind of action that shows
that they're sexist,
MRRi Most people have really inter-
nalized ways of relating to each other
that are pretty sexist. How are you
going to challenge that?
Adrienne: A lot of times I feel that we can
present these ideas and we can say how we
feel about things, but ultimately it's up to that
person. I can't come up to somebody and go,
well, this is howl feel about what you're doing
and you better change it That person has got
to take responsibility for their actions and if
they feel for their whole life that their actions
and their ideas are fine and dandy and great.
then they've lived their life they way they want
to. I can't say that that's wrong. It might be
wrong for me and it might not be where I'm
coming from and I might not want to have
those attitudes, but I can't change that if that
person is happy with what they're doing.
Todd: We're not going to reach every single
person at a show and not everyone is going to
come to see us and want to hear what we have
to say. It's not like that. But we're expressing
ourselves because we want to get this stuff
out We want to play music.
\drienne: We need to.
MRRi Have you~"al( listened to ether
i bands that are all females? Every-
thing from BABES IN TOYLAND to
L7. Do you feel any affinity with those
bands in general even if they aren't
idealogical per se or political per se.
For instance, L7, do you think there's
anything that they're doing that is
liberating or are they a step back-
wards?
Adrienne: I don't know if I feel comfortable
talking about specific bands and saying that
they do this right or they do this wrong be-
cause they're doing what they want to do. I !
personally don't feel comfortable sitting there
going, well, we don't like this about this band
and I don't like this about that band because
it's what they want to do.
Karin: I'm familiar with what some women
bands are doing and I think that some of them
arereally rockin' out and that's really totally I
i7r^.,iCT3R^BiinDfljif;ii!n7jjKw=i,v;UVav
many role models for women in the punk
scene or maybe in any music scene. It's very
male dominated, and there's not as much
incentive. When things go awry with the audi-
ence, people are like, "You've got to expect
that. You're women and you're putting your-
self up there and you're going to be on the .
spot,' and it's like, fuck that. I just want to try
to break that down and say look, we don't
have to expect anything just because we're
. women trying to express ourselves in a certain
way. I just think that's stupid.
Adrienne: I think it's totally cool that they're
out doing things and I think that that in itself is
a really cool thing. Seeing anybody in a band,
or putting out a magazine, or doing something
and motivating themselves and hopefully oth-
er people.
Karin: In general a lot otbands aren't taking a
strong stance on any sexual issues. People
are really wishy washy and they always try to
push something off on somebody else so that
they aren't on the spot. Maybe the importance
in what we're doing is that we are taking a
stance and we're standing behind that stance
as a band and we're trying to as individuals.
For me. I think that that is really important now.
It's definitely not just a stage. I've reached a
point in my life where I don't want to just sit i
back and watch things happen and not feel like ]
I'm part of trying to make a change.
Adrienne: It doesn't have to do with the gen-
der involved of the people who are doing It.
MRRi But there's a dynamic that is j
placed within an all-female band that J
is obviously going to be different f rom|
an all-male band.
Adrienne: I can understand that but if I have a
problem with something that a particular band
Is doing then if It's a strong enough feeling, I'll
come up to them and say that I don't like it. I'll
want to take it to the level of talking to them in
particular and I don't feel that this is the place
where I want to air if I have a problem with
somebody. If a band is doing something that 1 1
' like I come up to them and I say, wow, your I
lyrics really gripped me or your music move '
jne and I appreciated that so much.
' one, then please come up ancf^et one. We
have a P.O. Box on it so please write to us.
What you're saying and the kind of person
you're talking about might not even look at it,
might th row the lyric sheet away. Then it 's li ke ,
how do we reach them? Because we don't
know who has those attitudes.
Paula: I think it comes down to personal
interactions. As a band we can't actually pin-
point that person unless they say something
to us or communicate with us. Then we have
to say things individually. I know for myself
anyway when I'm out there and I see things
happen I go up and confront them. I ask
myself, how do I go aboulthisina positive way
"•a
■s»
m
i
if j
\ JiW
**,■ (
^7
MRRi But aren't there any band* that
you blatantly have a problem with that
you talk about? I don't know, there
are obviously really, really sexist
bands and you're not going to be
confrontational about that?
Adrienne: But the thing is we are confronta-
tional with them.
MRRi Yeah, but you aren't going to go
meet a lot of these bands. You aren't
going to get a chance to go tell L7
what you think of them or their music.
Are you going to get a chance to talk
to SCREWDRIVER about their music?
I don't know", I'll drop the question but
it kind of surprises me. Let's talk
about the music a bit. How would you
say you're different?
Todd: Some of the bands that I've heard that
have women in them or that are all women are
kind of rock oriented. More rock'n'roll. Or
lighter or slower. Like early GO GO's or
whatever. It's either really raunchy rock or just
kind, of jangly, bubbly KAMALA AND THE
KARNIVORES stuff. And I can say that be-
cause I was in that band.
MRRi When I think of current all-
female bands- there seems to be a
certain similarity in sound. Kind of
slow-to-medium pace, very garagey
kind of sound.
Karin : Is that what we are to you? Do you think
that we sound like someone like BABES IN
TOYLAND?
MRRi No, actually I did think in some
ways you sounded like L7.
Todd: Really? Wow.
MRRi On a certain kind of level.
Somebody else said FUGAZI. Is there
such a thing as women punk music?
Just music?
Adrienne: I've never thought about that. May-
be there is and it's hard to think and it's really
hard to pinpoint.
MRRi Do women dance to a different
drummer? Is that the expression?
Karin: That would be like hearing things in a
different way and then trying to apply... I don't
even know how we make music. It's really
weird. I don't know what there is that we do
that makes it all comes together.
Adrienne: Have we been socialized as women
in a different way to like play and listen and
hear music or something?
Karin: But then you said FUGAZI and that's an
example where there's no female in their
membership.
MRRi Do you think you're music is
entirely yours?
Paula: I think it is. We just sort of work on the
music together more than work on a style or
shoot for a style.
Todd: I think it's completely hard to not sound
like anybody else. There are seven notes in
the music family. We're all playing these really
heavy chords and this punk rock type stuff and
I think that it's really difficult to be completely
original. I just think that's impossible. But I do
think that we do have some sort of unique
sound. Or I hope that we do.
Karin: I think one thing is also that we all have
very different tastes in what we like and what
we listen to, and that hopefully shows in what
we bring togetheras a band. I think maybe we
add our own styles.
Paula: I kind of wanted to get back to the band
issues. I was thinking about it a little bit, and I'm
not sure exactly where the question was di-
rected, but I'm just sort of thinking about the
whole issue of other bands and what they're
doing. I'm not sure publicly how to go about
doing that, but I'm thinking that in general in my
head if a band has done something that as a
band we do confront them. But I think that
bands like L7 or BABES IN TOYLAND - how
do we associate with them?
MRRi Yeah, I was wondering if you
had a common affinity with them on
some level.
Paula: Orcriticisms of them?l think that mostly
the criticism that I would have of them would
come down to my own style. The only other
band I can thinkof is TRIBE 8, and I don't know
if everybody else in the band wants to make
this public in the interview, but I want to talk
about it. I feel for one that what other bands
are doing, even if they're not writing about the
kind of things that we write about and aren't
focused on certain issues that we might be
focused on, maybe they're doing the things
that they want to do as a band oras people and
they might have totally different ideas and
goals than what we have as people. Or as a
band. And so I don't try to tell them that they
should be writing about this: "You're women
so this is what you should be focused on.
You're men so this is what you should focus
on." I don't feel like I do that for any of those
bands. I feel that - and this has been argued
among different theories and different ideas
and why this happens - but to me, I feel that L7
is very much a rock'n'roll type attitude kind of
band and I feel that when they play they're very
much concerned about the money and their
performance and this attitude of 'Oh, get me
this and roadie, get me this" and snapping the
fingers. Just little things like that. That kind of
really turned me off. I had previously liked their
music. And then when we played with them
and had to deal with that whole issue of
money. It went from "Smell the Magic* to smell
the money. It kind of got me down. I had
expectations 'cause I'd listened to their music
and they were in the punk scene and I thought
they would be a certain way. But they're on
their own road. And a very different road aafar
as what we're on.
MRRi They could be described as a
female cock rock band. If that is an
appropriate description, is that some-
thing that is valid? From a political
point of view, or at least a shared
poltical point of view, is that some-
thing that is a step forward or a step
backwards?
Adrienne: But it's their steps, it's what they
have to do.
MRRi It sounds like a bunch of hippy
shit.
Adrienne: I know, but I really feel like you're
just trying to push us into saying something
bad about them or about their band.
MRRi It's a totally political question,
Adrienne. It's a totally fucking politi-
cal question.
Adrienne: I'm just feeling really pushed.
MRRi Then don't answer it.
Paula: I think that I, myself, personally - it's
just a really hard question. Call me on it if I say
something 'cause I'm just going to go ahead
and say this stuff anyway. The whole gender
thing comes to mind and I think, okay, because
they're women am I expecting them to do
something different than what men are doing
oris that just sort of my own thing in my head?
Because they are playing rock'n'roll style and
they are very much up there doing what men
do but they're women doing it. And maybe it's
only because I've seen just so many male role
models doing this type of music and style of an
attitude and I haven't seen too many women
doing it. I want to do what I want to do and I
don't feel that I have to follow any type of male
role model. Just as much as I don't have to
follow any kind of female role model. There
aren't as many women out there doing stuff
and I totally respect those who are getting up
there and doing something. When TRIBE 8
gets on stage, and we've had this talk
amongst ourselves - it's just really hard be-
cause I don't want to just concentrate on
female bands either - when TRIBE 8 plays,
they get on stage and they're very open about
their sexuality, which is great that they can get
up there and do that. I don't feel as comfort-
able doing that myself. I totally respect them
fordoing that, but at the same time I don't think
that it's fair and that it's very respectful for the
singer to shove her crotch into somebody's
face or shove her tit into somebody's face,
and I don't appreciate that when a man does
that on stage like THE DWARVES. I get totally
disgusted and totally offended when THE
DWARVES get up there and the singercomes
out with his penis hanging out and then jumps
on someone and starts dry humping them. It
happened to a friend of mine at a show. And
that is totally offensive and I don't think that it's
right for either a man ora woman to do that. It 's
fine to express your sexuality if you don't
impress it upon somebody else.
Karin: It's really, really difficult not to have a
double standard because as women we've
felt the oppression that we've been under for
so long and have been forced fed all these
images and the way that we're supposed to
be. You want to retaliate against that and it's
real easy to fall into what the men are doing.
Yeah, they're going to be macho and they're
going to be this "cock rock" as you mentioned ,
and it's hard not to do that because that's the
easy way out. All the rules have been laid out
You can look at THE DWARVES and say,
"Well, I want to do that because the singer's
doing it and he can get away with it, and I'm a
women so it's going to be even cooler to do
that," because not too many women are ever
in a position to be able to do this. But I think
that completely perpetuates the cycle of sex-
ism.
MRRi Women imiating men and their
fucked up attitudes.
Karin.- Exactly. And those are the criticisms
that I have with bands, whether it's men or
women.
Paula: There are other bands who are trying to
get out of that cycle. And they think, okay,
what do I want to do as an individual and not do
as I've been taught and what I've been fed.
Todd: One thing that I think I've had to work on
personally, when I was younger, was to learn
to relate to men , to guys , in a non-physical way
and not always in a sexual way. And one thing
that women learn is that we can only be with
men in a relationship. We can never just be
friends. And so in turn we only relate to men on
a sexual level. So when I see bands with
women in them who are just relating to the
crowd in a sexual way that bothers me. I feel
that that is an expectation of us. That we have
to be sexual. That's our role. To be an object
for someobody, somebody's fantasy. And I
don't like that at all. That's a step back. I am
very proud of my sexuality and I think of myself
as a very sexual person, but I don't just relate
to everybody in just that way.
Paula: And it's really hard to try to break out of
that cycle because that's what you're, fed
around you everywhere. All of us. It's all about
breaking out of that. Challenging yourself.
MRRi What were you going to say
about TOTAL FUCKED?
Todd: That's where the song "Ultimate Viola-
tions" was bom from.
Paula: It's not about them. It's about a situa-
tion that involved them. We played one of our
first few shows out at Dolores Park in San
Francisco and played with the band TOTAL
FUCKED. Adrienne had seen a sticker that
her friend had shown her and the sticker had
a picture of a woman lying naked on the
ground and this guy was fucking her from
behind with a gun at her head. The singer had
drawn the picture. It basically said Total
Fucked on it. Do you want to talk about how
you confronted them on it?
Adrienne: Basically, I asked one of the guys
about the stickerand he said, "Well, I'm not for
rape and I'm not against it. I'm just the guitar-
ist." All of them just seemed to have this
attitude of, "Well, it's just a sticker. It's just a
joke."
Paula: We discussed it amongst ourselves
and with ourf riends and said , " Did you see that
sticker at the show that we played? Did you
see what these guys were putting out?" Then
they ended up getting scheduled on a bill with
us at Gilman Street. We wanted to say some-
thing about the stickerand wanted to make it
public, so Adrienne wrote up a flyer. The way
she did it was really respectful because it
made more focus on the concept of what was
happening and not so much on the people in
the band. It was more like you put out this idea
and we don't agree with this it. And we're
goingtochallengeyouonit.Alotofourfriends
said, "Oh, this is a joke. The sticker is just a
joke. They're not serious about it. It isn't a rape
sticker." And we were like, hey, it's not a joke.
We don't think it's funny.
Todd: You can't make jokes about rape.
Paula: It's just not any different than that other
shit that we're fed. The man on top of this
woman. I saw it as being this dominate thing
and this is how you treat women. It's total
violence against women. And just being used
as this object. It's obvious that that's what she
was. She wasn't a part of what was going on.
Adrienne: So I made this flyer that described
the sticker because we weren't able to get a
copy of it. I'd interviewed a rape victim like a
year ago and I just put a clip of what had
happened to her after the description of the
sticker. At the bottom of it I wrote, "Somebody
explain the joke to me. Somebody tell me why
this is funny." And we handed that out to
people. I stood at the door and while TOTAL
INTERVIEWS
FUCKED was playing I gave it to people and
said, "Please read this."
Paula: We were trying to challenge people's
thinking in a sense about that idea and about
how maybe some people would just stand
back and blow it off or maybe not think twice
about a different message that someobdy
else might have gotten. That was sort of the
goal behind what we were doing. In a sense we
were trying to challenge the person who had
drawn this sticker to say, "You didn't see this
as being offensive and maybe you didn't see
it as being a pro-rape sticker, but you know
what, that's totally what I see it as," and it
doesn't look any different than what I've seen
on the billboards and what I've seen on TV.
Karin: And not only the band, but also the
people who were saying, "Ohcomeon, lighten
up, it's just a joke. Don't take this so serious-
ly." Because by having the back up that you
fe
r A
had with the quote from the rape victim that
really showed that a line drawing of the same
deptiction is just as wrong or just as hurting as
the statement from the woman who was actu-
ally raped. There is an association.
Adrienne: One point that we made that night
that I feel is really important was that they have
the right to say whatever they want. Anybody,
anywhere, whether you're racist, sexist, ho-
mophobic. . you have the right to say what you
want. But we have the right, I have the right, to
react. These bands that we were talking about
earlier, they have the right to do whatever the
fuck they want. If they want to be rock stars,
if they want to get on stage and be sexual, to
say whatever they want. There's nothing
wrong with them doing what they want to do.
But I have the right to have an opinion, and to
not agree with it. TOTAL FUCKED have the
right to put out a sticker like that. And we also
have the right to react.
Todd: But I'd hope that they'd see our per-
spective and maybe read what the rape victim
had to say and thinkabout it. I'd hope that they
would think about it and go, 'Yeah, maybe this
was going a little too far, maybe this isn't so
funny."
MRRi I've sort of run out of any other
possible questions, but are there any
other area* that you all feel like you
drastically overlooked here?
Adrienne: I think it's really important to us to
communicate, and if someone agrees or dis-
agrees with what we've said in this interview it
would be great to get a different perspective.
And I think that that's really important. That's
the whole reason that we're doing this. To get
that feedback.
Karin: That interaction is exactly what it takes
to keep your thinking going and to help modify
a thought or an idea that you have and take
that into yourwhole perspective. That's how it
all works.
Todd: As individuals, all of us are very good at
communicating. We practice good communi-
cation with each other as a band and with our
other personal relationships. Being able to talk
to someobody and relate to yourself and be
honest and not be defensive and be able to
hear what somebody else is saying without
jumping to conclusions or feeling attacked. I
just think it's really important. Communication
is so vital. Good communication. I don't think
that in our society were taught to communi-
cate and to be expressive.
MRRi Anything else?
Adrienne: I think we've sadly neglected our
Third World country discussion.
Karin: That's our next 7".
Adrienne: Okay.
Karin: We're doing thematic 7" by the way.
This one's on sexism. I'm just kidding.
Todd: I would like to say that we are pretty
funny people.
Adrienne: We have really serious lyrics but in
person we're really pretty funny. And we laugh
a lot at practice and we're really silly.
Music ■ 'Sign Language" Allied Recordings
3 x TEP box set; 'Very Small World" Very
Small Records double LP; "Give Me Back"
Ebullition LP; '?' Lookout Records compila-
tion; self-titled 3-song TEP Lookout
Records.
Tour: End of May, all of June. Contact us!
510/653-2969
PO Box 40185, Berkeley. CA
94704-4185
Bay Area Women Against Rape
357 MacArthur Blvd.
Oakland, CA
510/601-4700
Community United Against Violence
574 Castro St.
San Francisco, CA 94114
415/864-723.1
A Safe Place-A Shelter for Battered Women
P.O. Box 1075
Oakland, CA 94604
510/444-7255
Battered Women's Alternative
P.O. Box 641%
Concord, CA 94524
510/930-8300
Berkeley Women's Refuge
P.O. Box 3298
Berkeley, CA 94703
510/547-4663
National Coalition Against Domestic Violence
P.O. Box 15127
Washington, DC 20003
800/333-SAFE (24-hour hotline)
Women's Choice Clinic
2930 Mclure St.
Oakland, CA
510/444-5676
Planned Parenthood
482 W. MacArthur Blvd.
Oakland, CA 94601
510/601-471X1
(for these services in your area check local
listings in your directory under simiiiar
titles)
Interesting/Informative Books
Egalia's Daughters, by Gerd Brantenberg
Men on Rape, by Timothy Beneke
Daugliters ofCopperwoman, by Anne Cameron
So Much for Passion, by Wendy-O Matik
Healing the Wounds, by Ellen Bass
Alternative Health Care for Women, by Patsy
Westcott and Leyardia Black N.D.
Your Fertility Signs, by Merryl Winstein
Zines
Body Memories (Radical Perspectives on
Childhood Sexual Abuse)
P.O. Box 14941
Berkeley, CA 94701
OUT! - A magazine by and for survivors of
physical and sexual abuse.
ASUC Store Box #554
Bancroft Way and Telegraph Avenue
Berkeley, CA. 94720-1111
Exedra
6660AbregoRd. #15
Isla Vista, C A 93117 or
P.O. Box 422937
San Francisco, CA
94142-2937
CORDS
The tahti of institution .
Sina 19SS
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A COVENANT WITH DEATH AND AN
AGREEMENT WITH HELL!
by Eric Wilson
hat's what William Lloyd Garrison called it as he burned a copy at a public meeting on the
I Fourth of July, 1854. Garrison was a real punk of the nineteenth century, whose radical
J^antislavery newspaper, The Liberator, so pissed off the Southern states that they passed laws ,
making its possession or sale punishable by death (Garrison also supported socialism, women's rights,
and vegetarianism).
'" ut most Americans were just as outraged by Garrison's action as they are by flagburners today.
The Constitution is so widely accepted by the American public that researchers say many
people, when asked whether they approve of it, assume that the researcher must be joking, and often
threaten to beat him up. Even on the political fringes of society, both the Communist Party and David '
Duke claim loyalty to the principles of the Constitution, and in the letters and columns of this very
pillar of alternative journalism, you can often find contributors accusing their opponents of wanting
to violate the Constitution, usually without any explanation of the nature of the alleged violation, and '
f frequently revealing the author's own ignorance of Constitutional law.
This is an example of how the people of this country, which has historically been made up of splintered
racial, class, and religious groups which all hate each other, can all share this remarkable faith in the
Constitution. It's the secular equivalent of the Bible — almost everybody claims to love it, but almost
_ nobody actually reads it. Polls show that most people believe the Constitution reflects their own
, personal beliefs to a much greater extent than it actually does. 22% of Americans eligible to vote can't
name even one article of the Bill of Rights!
' <£Xo what does it really matter? Well, if the Constitution is the equivalent of the Bible, what does
y that make its authors? The worship of the Constitution is invariably linked to the worship of
the group of wealthy white men who wrote the thing, and the implicit acceptance by the public of j
their document has proven one of the most powerful weapons of the wealthy in their struggle to|
control the rest of us. *
TTf ike the rednecks I mentioned earlier, who threaten innocent sociologists for merely suggesting
^■that it might be possible for someone not to approve of the Constitution, the mainstream media
can be counted upon, whenever anyone suggests that the authors of the Constitution might have been
j inspired not only by lofty principles of justice and liberty, but by a desire to expand their already
considerable wealth and power, to attack the critic as hysterically as a fundamentalist preacher
reviewing an Annie Sprinkle performance.
for example, most academic historians agree that the best account of the writing of the \
Constitution is Charles Beard's Economic Analysis of the Constitution, published in 1913.
. I Warren G. Harding published a review of that book with the charming title "Scavengers, Hyena-Like,
Desecrate the Graves of the Dead Patriots we Revere". With a talent like that, Harding might have
been signed to Combat Records if he'd been born later on. As it was, he went on to be elected President
as a Republican and later was poisoned by his mistress... Like I said, those who study such things |
for a living have now come to agree more or less unanimously that Beard was right; but most 1
, Americans, then as now, would still agree with Harding. 1
3ftfcut there's really no reason why the subject should be controversial at all, since the framers of
^i3the Constitution themselves were so outspoken about their views and motives. Any reader who
considers him- or herself loyal to or respectful of the Constitution is hereby commanded to find^
L a copy of The Federalist Papers (commonly available in school ibraries) and carefully read (it's^B
| only about fifteen pages)Paper #10, by James Madison, another in the long list of total assholes
who went on to become President. For those of you too lazy to go to the library, here are some of*
the most revealing quotes from this document: "Democracies. ..have ever been found incompatible
with personal security or the rights of property." "The primary focus of any government is that the '
majority. ..must be rendered... unable to concert and carry into effect schemes of oppression." (The
• Constitution will) "refine and enlarge the public views by passing them through the medium of a '•
chosen body of citizens".
TThe picture you get from reading this is pretty clear — these were members of the wealthy class, /
J/ scared of the potential power of the poorer majority of the population — a population which hadl
just pulled off a revolution against the most powerful empire in the world. A careful reader will I
see that the authors of the Constitution were very much
ey -~*^r were more conservative than most Americans of the time, and
, that the democratic features of the Constitution are there, not because its authors believed in ■
democracy, but because they knew they had to make some concessions to get the thing ratified
The Constitution is not very democratic today, and was much less so when it was written. Originally, ^
each State Legislature was allowed to set its own rules about who was an eligible voter— and since
those Legislatures had been elected under pre-Revolutionary electoral laws which restricted the vote
to large property holders, they generally chose to continue such restrictions under the new, /
"democratic" government. , ... „ . . \
'he Constitution was also loaded down with what civics texts call "checks and balances , designed
_/ to protect the establishment from the majority; for instance, the terms of officeholders are
staggered, to prevent a wave of popular indignation from seizing control of the government at one
1 election As for amending the Constitution itself, all that takes is the consent of two-thirds of both
' Houses of Congress and three-fourths of the State Legislatures! In other words, nothing can possibly
pass unless it's acceptable to a large majority of the powers that be
SlThe Constitution was very controversial when it first appeared, and the fight to ratify it was a clohe
(11/ one It proved to be one of the greatest victories in the history of the American ruling class The
document, written unabashedly by and for the benefit ofthat class, and almost certainly opposed at first
by the majority, quickly became and has remained the focus of an attitude on the part of the mass public J
that can only be described through religious metaphor. It is the symbolic centerpiece of American
society— and at the same time the justification for the dominant place of the ultra-rich m that society.
The tendency toward uncritical worship of the Constitution exactly corresponds to the needs of the
' ruling class and is promoted through the Constitutionally protected stranglehold ofthat class upon
the press and educational system. ... , i u - i i r *i i
tfirhe Constitution has historically served as both an institutional and ideological shield foi the J
01 wealthiest, most reactionary elements in society. Although its "checks and balances are^
powerful protections for the status quo against the democratic will of the majority, probably the
, worst effect of the Constitution is the spirit of unquestioning zombie-like worship that it inspires in
the people, acting as a set of ideological blinders which restrict the range of political options to include
only minor reforms of the status quo.
1 7(n the decades leading up to the Civil War, certain abolitionists, even more radical than Garrison
,3) advocated violent revolution to overthrow slavery, claiming that even if the Constitution itself could
be amended to outlaw slavery, the slaveholders would never give up their power peacefully r or
daring to claim that wealthy Americans might ignore the results of democratic elections, these |
) radicals were denounced by the mainstream "antislavery" movement (the people who didn t want to
1 call themselves "abolitionists" because it sounded too radical— you know the type). They were right,
of course— the moment a President who believed, even mildly, that slavery was wrong was elected,
the Southern leaders, many of whose grandfathers had signed the Constitution, immediately threw
it over and started the Civil War. . + J
tffThey were really, really stupid to do that— President Abraham Lincoln never had any intention }
Vil/of interfering with slavery where it was already legal. Only after the South lost the war was it ,
possible to outlaw slavery— if the slave states had stayed in the Union, they could have taken
I advantage of the "checks and balances" to prevent abolition forever— or at least until the anti-
L slavers became as disrespectful of the Constitution as the slavers were! m
% f?ind of course, the abolition of slavery did very little to help the former slaves, whose ^
* let relationship to their former owners remained basically what it was before, only now it was (
described in the language of capitalism, as "employer-employee" rather than "owner-slave .
This experience should be remembered as evidence that laws duly inscribed upon paper do not
grant or protect rights-only the struggle of those who demand to exercise the rights can do that. One
of the slogans Madison came up with to sell the Constitution to a suspicious public was that it would
create a government "of tows, and not of men". But we have to realize that this is impossible, because
it is men and women who engage in the daily economic struggle for existence— laws only reflect the
outcome ofthat struggle. Only then will we be able to talk about how we need to change society in J
terms of ordinary people taking command of their collective destiny from the bottom up, not oil
lawyers and bureaucrats wafting paper airplanes of "rights" from
the top down.
:§>ctonb Thoughts on the Jfivst Amendment
bv Howard Zinn
Howard Zinn, ^^^^^^ professor emeritus at Boston University, is one of
Americ a's most distinguished historians. Professor Zinn is a decorated World War II bombar-
dier. He was an active figure in the civil rights and anti-Vietnam War movements. His seminal book, A
People s History of the United States, is widely used in college and university classrooms throughout the
country. Transcribed by David Barsamian of Alternative Radio.
^gl^ne of the things that I got out of reading history was to begin to be disabused of this notion that that's what-
Ur/i. democracv . ls j". 1 about- The more history I read, the more it seemed very clear to me that whatever progress has
^*^ bee n made in this country on various issues, whatever things have been done for people, whatever human rights
have been gained, have not been gained through the calm deliberations of Congress or the wisdom of presidents or the
ingenious decisions of the Supreme Court. Whatever progress has been made in this country has come because of the
actions of ordinary people, of citizens, of social movements. Not from the Constitution. You think of whatever progress
has been made in this country for economic iustice. Obviously, not enough progress has been made for economic justice
looking around at this country. You have to look around. You have to walk through a whole city. If you walk through half I
a city you 11 be mistaken. You have to walk through a whole city and you see the class structure in the United States the !
I hidden story of American prosperity. So obviously we haven't made a lot of progress, but we've made some progress. 1
People worked 12 and 14 and 16 hours and six days a week and seven days a week and then at a certain point we did get
auout inis mucn-iouiea consuiuuon. ine constitution doesn't say anything about economic rights, at least not for
people. It has something about freedom of contract, which is not an economic right for people but for corporations but
the Constitution has nothing about the right of people to breathe fresh air or to live in a decent house or to have medical
care or to make enough money or to work not too many hours. There isn't anything about that in the Constitution
Whatever was gained in that way for working people was gained through an enormously rich, complex history of labor
struggles in this country. r ' .
flfhis has been mostly ignored in the history books that have been written. When I was going through the historyl
l Ml/ training process, being trained as a historian, you know, they snap a whip and hold up a book and you jump at it I
l learned very little about labor history. Then I began to read on my own about labor history. I was interested because '
; 1 3 d W»nt three years working in a shipyard and I thought, hey, that's what interests me. I saw what hadn't been I
told about labor history what magnificent events had taken place, what struggles people had gone through what
sacrifices, what risks, what courage had been shown, what had been demonstrated about lhe possibilities of what
human beings can do once they get together, what people had gone through and what drama there was. I wondered "
where is Hollywood. Talk about drama! Hollywood is struggling to get a bit of drama into some stupid movies and here 1
were some of the great dramatic events in American history. It wasn't there in our culture, our books, our literature '
on the screen. Thats how whatever modicum of economic justice we have was gained
What about the rights of women? Where is that in the Constitution? People have been struggling to get something
fiCinto the Constitution about that, but there isn't. Whatever has been gained for women, and something has been i
gained for women in this country over the years, especially in this century and especially maybe in the last ten or fifteen
years, but whatever has been gained has been gained through the struggles of women themselves. Emma Goldman made 'i
this very clear when they were campaigning at the beginning of the twentieth century for women's suffrage. She said
Look, I have nothing against women s suffrage. She didn't want to alienate too many people. She had already alienated
almost everybody She had seven friends left. She didn't want to alienate them. It's OK It's good for women to vote. Men
vote, sure, why shouldn t women vote? But look, don't kid yourself. The vote isn't going to get you much. Look what it's
gotten men! She said whatever women get they're going to have to get through direct action against the circumstances
ot their oppression against the situations that oppress them in the home, in the workplace, in the community. They're
going to have to act directly. Forget about Constitutional amendments and law and this and that. They may follow but
tney will iollow, not lead. '
flThis is the point I'm making about how things have happened, how things have changed, what progress has been
^1/made, is perhaps no more vividly illustrated than in the case of black people in this country. Yes there is
something in the Constitution. There was something in the Constitution. What there was in the Constitution was bad.
It affirmed slavery. That s why William Lloyd Garrison and the New England Slavery Society went out to their annual ,
picnic and Garrison held up a copy of the Constitution and held a match to it and burned the Constitution. They're
getting excited about the flag? How would they like that— the Constitution. You remember guys used to burn their "*
draft cards and politicians went apoplectic? What about burning the entire Constitution? He burned it because he
said it s a covenant with hell.
flThen finally, when they did amend the Constitution, and they didn't amend it just because Congress thought
L >iUone day hey, it would be good to have equal rights. The 13th, 14th, and 15th Amendments came after an*
enormous struggle I m not just talking about the Civil War. I'm talking about the struggle that preceded and
took place during the Civil War, the anti-slavery movement. It was that movement that created the atmosphere
in which slavery could be done away with. It was that movement that created the pressure that pushed Abraham <
Lincoln to write that rather piddling document called the Emancipation Proclamation. It was piddline. It had ereat
moral force, but if you read the language of the Emancipation Proclamation, it was so meager. He said? I now declare
the slaves free m all the areas where we can't enforce it. In all the parts of the country where we can enforce it, the parts
\hl\%\t A g J wt £ «[' 3 ?ll?? th, ! e to * orrv abojit your slaves. They're still around. But whatever happened then,
the 13th Amendment, the 14th Amendment, resulted from the pressure of the anti-slavery movement, the atmosphere
created by that enormous movement, which started out very small. And then when the 13th, 14th and 15th '
Amendments were passed and finally we had in the Constitution the obliteration of those terrible words that made it
a proslavery document, finally we had in the Constitution's words about the equal protection of the laws and life liberty A
and so on. Property, yes, you can't leave that out. But when we had those noble words about equal protection of the'l
laws, finally and you can t deny people the right to vote on the basis of race, color or previous condition of servitude J
there it was, powerful, finally. The states can't do this to anybody. And everybody knows it!
was ignored.
o you have "^B ^^^^^^T it in the Constitution. It didn't
mean a thine. ^^^^^ For 100 years it was ignored. The 14th Amendment didn't take on any
meaning until black people rose up in the 1950s and 1960s in the South in mass movements in the hardest,
toughest, most dangerous places for anybody to rise up anywhere. They created an excitement, an embarrassment '
to the national government that finally began to bring some changes. They made whatever words there were in the
Constitution and the 14th Amendment have some meaning for the first time. That's what did it. Not the 14th
Amendment. Not the Supreme Court. Some people date the civil rights movement from the 1954 decision of the Supreme <
Court, as if these nine guys suddenly looked at the 14th Amendment and said, hey, we haven't looked at this for a while.
Maybe we ought to reconsider the 14th Amendment. Of course not. Aside from the fact that the cases would never come
before them if black people in the South hadn't taken enormous risks to everything, including their lives, to bring those
cases before the Supreme Court. But also, in 1954, the world was changing. We were in the Cold War and we were vying \
with the Soviet Union for the allegiance of the Third World and somebody discovered that the Third World is mostly '
nonwhite. It's takes a while to discover that the world isn't mostly white. It's a shocking thing for white people to wake
up one day and look at a map or statistics and find out, hey, we're a minority. The Supreme Court was very conscious that |
it would be a nice thing politically. I'm paraphrasing the Supreme Court, Attorney General Brownell, who argued as
much before the Supreme Court when he asked the Supreme Court to do this: I think it would be helpful for us to have
a nice, resounding statement about equality. But it was all that commotion that did it.
•TIThen of course on the matter of foreign policy and the Constitution, the Constitution has a few things to say about
ViU foreign policy. That hardly means anything, as has become clearer and clearer. Who pays attention to the
Constitution? Does the President pay attention to the Constitution? The Constitution says it's Congress that declares
war. Does the President pay any attention to that? He makes war when he wants to make war. Korea, Vietnam, who cares
about what the Constitution says about who shall declare war? So if you're going to do anything in foreign policy, like if
you're going to help stop a war, you're certainly not going to do it through the channels, through the Supreme Court or
Congress. There's the Vietnam War. They actually gave a Nobel Prize to Henry Kissinger for helping to stop the Vietnam
War. It's enough to make you want to build 97 statues to Jean-Paul Sartre, who refused the Nobel Prize because he saidj
it was a political prize . Imagine giving one of the architects of the war a prize for helping to stop the war because he signed'
that treaty at the end. But the war was not stopped by any of the formal institutions of government. In fact, the Supreme .
Court, which should have been — we learned that in elementary or junior high school — we learned somewhere that the
Supreme Courtis the guardian of the Constitution and when anybody does something that violates the Constitution
the Supreme Court is there to say, no, you can't do this. So these G.I.'s from the Vietnam War came up before the
Supreme Court and said, we refuse to go to Vietnam because it's an unconstitutional war. You're the Supreme Court.
O.KThe Supreme Court didn't rule against them. It just refused to hear the case. Wouldn't discuss it. The Supreme j
Court is great on little things. But you get to matters of life and death, it's nowhere. So a movement had to be created]
in this country to stop the war. That's what happened. It bypassed the formal institutions of government, bypassed
that sheepish, timorous, obsequious Congress that kept voting money for the war again and again, bypassed all the
institutions and created an enormous commotion and tumult in the country and scared the President and Congress. You
have to read the Pentagon Papers about what attention they were paying to public opinion and demonstrations and draft I
refusals to see how it affected their decisions about the war and their decision to start retrenching and not escalating the
war any more.
-Tlfhat's what democracy is. It's what people do on behalf of human needs outside of. sometimes against the law, even, i
\ii/ against the Constitution. When the Constitution was pro-slavery, the people had to go not just against the laws but
against the Constitution itself in the 1850s when they were doing all that civil disobedience against the Fugitive Slave
Act. People have to create disorder, which goes against what we learn about law and order and orderly society and you
must obey the law. Obey the law. Obey the law. It's a wonderful way of containing things. I was reading something,
I made the mistake again of reading. Somebody interviewed Gertrude Schulz-Klinck. Anybody ever heard of Gertrude
Schulz-Klinck? She was Chief of the Women's Bureau under Hitler. Did you know there was a Women's Bureau under
Hitler? He was a great person for women's freedom [laughter]. Schulz-Klinck made sure that women were doing what
had to be done for the State. That was her job. She's around, having fun. Somebody interviewed her about the Jewish
policy of the Nazis and asked her how come people went along with that. She said, we always obey the law. Isn't that
what you do in America? That's a nasty thing to say. [laughter] We're just doing what you do. We obey the law. You
obey the law. Even if you don't agree with the law personally, you still obey it. Otherwise, life would be chaos. We don't i
not
want chaos. We want order.
/jfSn the other side you have Garrison and the abolitionists saying, let's not create too much commotion. Let's do things
\i/ more quietly. Yes, I'm against slavery too, but you're really speaking too loud. Garrison replied, Slavery will nc
be overthrown without excitement, a tremendous excitement. That has a lot to do with democracy.
Now I'm finally going to get to the subject of my talk. I wanted to create a context. We always claim that when
we go on and on about something, we're creating a context. I want to create a context for talking about the First'
Amendment because what I'm going to say about the First Amendment fits into this general theme about what
democracy really is and whether democracy comes to you through the existence of these formal institutions or
whether it requires all sorts of action and organization and risk and sacrifice and energy which goes on outside of
the formal apparatus and which is engaged in by ordinary people. So second thoughts on the First Amendment.
First thoughts on the First Amendment, I suppose we all have them. You read the First Amendment, hear about
it, write essays for the Reader's Digest essay contest on Bill of Rights Day, and how wonderful it is to have a First
Amendment: "Congress shall make no law respecting the establishment of religion or abridging the free exercise
thereof, abridging the freedom of speech or the press or the right of persons peaceable to assemble, to petition the
government for redress of grievances ..." It's a terrific amendment. It makes you feel good to have something like that
m the Constitution as the basic law of the land, the highest law of the land. It's language is absolute. There are no
icceptions in it, no but's or however's. It's there. It's flat. It's absolute speech. It's fantastic. But.. .there are bad but's...
Twill only use good but's. Freedom of expression does not depend on the First Amendment. Let me give you an
example. It took me a while to figure this out. It took me longer than it should have. I don't know exactly when I
did, but I know one of the moments when I began to think about it very forcibly. __^^^^_ When 1
asin the South teaching at Spelean College which is a black
exce
college for worn- ^B JP""^^^^^' en in At- lanta, Georgia. I was
teaching there for ^^^^^ seven years, from 1956 to 1963. It was an amazing time to be there. I could
see my students move from a situation that seemed absolutely courtesy, politeness, quiet, order and
suddenly burst out in the way things happen when people have despaired that anything will ever happen in the
situation and suddenly things happen. Then you realize that you don't know anything about the way human beings
are. You think you know what human beings are thinking by watching their external behavior. You don't know what's
going on inside people, what they're thinking and feeling, what they're holding back, that they're waiting for the rights
moment, how indignant they are, now wise they are. You look at people not doing anything andyou put them down. People |
are not dopes. People have common sense. There's a reality there, and people feel it. They may not say anything about
it. It may not be practical to say anything about it. But when the practical moment comes, things will happen.
A.o my students began to do these things. One day, a group of students who lived on campus came to my house and
3«P said, can we borrow your car. I was a great force in the civil rights movement: I had a car. [laughter] I had a
typewriter to type petitions on and really played a key role, [laughter] I said, Where are you going? They said, we're going
downtown. In fact, we have a question to ask of you. You teach Constitutional law. I drew myself up to my full height,
Oliver Wendell Holmes. We're going to distribute leaflets on Peachtree Street in downtown Atlanta against racial
segregation. You have to understand, Atlanta was as tightly segregated at that time as Johannesburg, South Africa. You
didn't see a black mayor, black policemen, no such thing. We're going to go downtown, to the white downtown of Atlanta
and we're going to distribute leaflets, we black students, against racial segregation. Do we have a Constitutional right
to do that?
'TTT'he answer is easy for anybody who studied Constitutional law. There are a lot of ambiguities in Supreme Court
\y decisions, a lot of things that are uncertain. But there's probably nothing in the Bill of Rights on which the speakers
of the Supreme Court had been more firm than the right to distribute leaflets on the public street. That is clear. So the
answer is an easy one: Yes. You have an absolute right to distribute leaflets on Peachtree Street. Don't worry, [laughter]
That's what I might have said if I were a real idiot. I was half an idiot, but not a real idiot. So I had to say, yes, you do have
a Constitutional right, but if a policeman comes up to you and says what policemen say in such situations, you can imagine j
what policemen say, something like, "Leave." Policemen have their principles. They don't like the sight of people '
distributing leaflets on certain subjects on public streets. Policemen will say "Leave." So what do you do then? Obviously, i
t the policeman is not quite aware of the Supreme Court decisions. So you say to the policeman "Sir, I think I should [
inform you that I have an absolute Constitutional right to do this, Marsh vs. Alabama, 1946." At that point the situation
is very clear. You have on your side the Constitution of the United States and the words of the Supreme Court. The
policeman, all he has is his club and his gun. That stands for so much, tells so much about the difference between words .
on paper and the realities of power in the world. .
■YVJhat happened, of course, in the civil rights movement is that understanding that in some way because it was so |
t£f clear and because black people in the South had so much experience with it, they didn't wait for the Supreme
Court to come to a new decision on the right of black people to sit at lunch counters. In fact, the law was against that.
If you studied Constitutional law, you know that the law, by the early 1960s, had been set down in 1883 for civil rights
cases and private entrepreneurs, restaurants and hotels, were not covered by the 14th Amendment. They could!
discriminate and you had no Constitutional right to ask for service at a lunch counter or a hotel or any public place. So
what did they do? That was the situation when those kids sat in in Greensboro, NC in February 1960. That was the
situation for all the subsequent sit-inners, all over the South in 1960 when sit-ins spread all over the South. They were J
going against the Constitution. But they won. They succeeded, one after one against demonstrations and persistence and
mass arrests and television pictures going around the world and embarrassment and boycotts and trouble, places gave
in. Constitution or no Constitution, whatever. Because what the movement did was to create a power as a
countervailing power to the policeman with a club and a gun. That's essentially what movements do: They create
countervailing powers to counter that reality of power which is much more important than what is written down in the
Constitution or the laws.
TT et me say a little about the First Amendment. It says, "Congress shall make no law abridging the freedom of speech."
>£»ln 1791 the First Amendment was passed. Seven years later Congress passes a law abridging the freedom of
speech: the Sedition Act of 1798 says that if you criticize the government you're going to be put in jail. No problem.
The law's passed against the Constitution. The Supreme Court will take care of it, right? It goes into the courts. They
try to put people in jail for violating the Sedition Act and critici zing the administration. They cite the First Amendment '
and the Supreme Court justices say, "Sorry, the First Amendment doesn't apply." "Why not? It says Congress shall
make no law abridging the freedom of speech. They're abridging our freedom of speech! You don't understand. People
are reallv very thick. They think they can just read words and know what they mean, [laughter] Why do people go
to law school: to see what words really mean, [laughter] How do you become a judge? You don't understand. You
have to go behind those words, far behind those words, and you have to look: what does freedom of speech mean? %
You have to go back to British Common Law. Let's see what freedom of speech means in English Common Law.
Really, that was the argument of the judges. English Common Law? We just had a revolution against England!
It tells you a lot about revolutions. You had a revolution against England andyour law's still English Common Law.
English Common Law, you want to know what it is, you read Blackstone. Blackstone's put English Common Law '
you say it we can put you in prison, i nat is tne doctrine ot no pnor i
Supreme Court is serious. They're all serious. Down to the present day, that is still what the First Amendment means.
I'm serious. That's doubly serious. People are always astonished to hear this. You might say, ifyou were just an ordinary
person, but let's see. You're not going to stop me, but if I say it I'll go to jail. If I know that, doesn't that stop me? Isn't
that prior restraint? You don't understand. There are big differences between common law and common sense. t
' o there we are with no prior restraint. That's why Congress can pass laws abridging the freedom of speech. And]
' it does, did, in the Sedition Act of 1798, and again in World War I. They passed the Espionage Act in World War|
I. The Espionage Act, another lesson, don't think you can tell a law from its^^^^fc_ title. Es-
jonage Act, you think, oh, good— we don't want espionage.
pionage? It turns out the Espionage Act does have some
onage. It also has other things, like *you can't say this. You can't write this. You can't
\±tho wants es-
"Hf things on espi-
print this. You can't publish this. You can't utter this." They Fove the word "utter." I guess if you say it but don't utter
it it's O.K. The Act said you can't say or publish things that will discourage recruitment in the armed forces of the
United States. They passed this in 1917. The United States had just gone to war, joined that noble crusade World War
I, where 10 million men died in the battlefields and at the end of it nobody knew why the war was fought. Not an atypical
situation for wars. At the end of it people look around at the debris and say, "Hey, what happened here?" The Espionage '
Act is passed. You can't say things that would discourage recruitment or enlistment into the armed forces of the United
States. In other words, you can't speak against the war. That's what it meant. Do not criticize the war. Then it was tested.
The Socialist Party was quite strong in those early years of the twentieth century, really strong. They had 57 Socialist
locals in Oklahoma. Shenk was a Socialist and distributed leaflets against the draft and against the war. He was brought
in under the Espionage Act, which provided for up to twenty years in prison, by the way, for saying things, and he was
convicted and he came up before the Supreme Court. He said, "How about the First Amendment? The Supreme Court
was unanimous: Oliver Wendell Holmes wrote the decision, who has a great reputation, an intellectual, one of the really I
awesome figures in American jurisprudence, intellectual history, etc. Holmes writes the decision. He says what people
have said. You hear this all the time. Your mother said it to you, your brother-in-law said it, who knows? Somebody you
heard said this: Freedom of speech is fine, but you can't shout "Fire" in a crowded theater. How many times have you heard
that? How many times have you opened your mouth and looked? That stops you. Who wants to shout "Fire" in a crowded
theater? That's the end of it. That takes care of that. Holmes, this brilliant man, gives this stupid metaphor, this
ridiculous analogy, that Shenk distributing a leaflet criticizing our entrance into the war is like somebody getting up in
a crowded theater and falsely shouting "Fire." A clear and present danger to all these people. Who was creating a danger:
Wilson by sending us into the war, or Shenk by protesting against the war? Who started the fire that's burning in Europe
and that's killing all these people? What's going on here? A unanimous Supreme Court: clear and present danger. So they
prosecute 2,000 and send 900 people to prison under this Espionage Act, including Eugene Debs, the leader of the Socialist
Party. Holmes writes that decision, too. I'm more bitter against people who are revered as liberals, people with three \
names. It was too much.
3Efcy the way, a guy who made a film was prosecuted under the Espionage Act. He made a film about the American i
i ^43Kevolution. What's wrong with that, you might say? A film about the American Revolution. We were fighting
against the British. This is World War I; we're fighting with the British! This film is going to arouse sentiment. It's going
to divide the Allies. It's going to arouse sentiment against the British, and the British are our allies! So he violated i
the Espionage Act. He was found guilty and sentenced to ten years in prison. The guy who made this film. Ten years
in prison. The film was called The Spirit of 76. The case was called U.S. vs. Spirit of '76! I
TFThe First Amendment has always been shoved aside in times of war or near war, 1798 was near war, 1917 was war. I
VtU In 1940 when the Smith Act was passed was near war. The Smith Act was used against the Socialist Workers Party
and then against the Communist Party for things that they said and wrote. What happened in those trials against the
Communist and Socialist Workers Party and the courtroom was full with stuff the prosecution had brought in. What ,
had they brought in? Guns, bombs, dynamite fuses? No, they brought in the works of Marx, Lenin, Engels, Stalin. That's "
like a bomb. So people went to jail. National security. People fall prostrate before the words national security. All you
have to do is use the phrase "national security." Oh, well, I'm sorry, do whatever you want to if it's for national security.
If any of you read the transcripts of the Nixon tapes, those famous Nixon tapes, Watergate? At one point Nixon says to '
Haldemann, he always had this plaintive tone, "What'll we do, what'll we do, gee, what'll we say, what are they going to
ask us?" Haldemann said, "Say it's national security." Just recently, a few years ago in Cambridge, a debate was
scheduled at Harvard between Alan Dershowitz, who teaches at Harvard Law School, a Zionist and strong supporter
of Israel, and a guy named Terzi, who's a representative of the PLO at the U .N. It was going to be an interesting debate.
PLO vs. Zionist at Harvard. The State Department went to court to prevent Terzi from travelling from New York to
Boston. Why? They were worried about his safety on Amtrak? Why? Because the appearance of this PLO guy in Boston
and the things he would say might undermine the foreign policy of the United States. And the court upheld that. Terzi
could not come. National security is invoked to keep people out, to keep playwrights and Nobel Prizewinners and '
writers. A lot of those writers overseas are socialists or communists or anarchists. Keep them out. National security.
TTphe First Amendment, for a long, long time, only applied to the national government. It didn't apply to the states. |
k ViU The states could make any law they wanted abridging the freedom of speech. Georgia and Louisiana in the 1830s '
passed laws against the distribution of anti-slavery literature. Anybody who distributed anti-slavery literature in
Georgia or Louisiana in the 1830s could be sentenced to death. It was not a violation of the First Amendment. It was '
perfectly constitutional becausehere again you have to be careful reading things the First Amendment says Congress
shall make no law abridging the freedom of speech. It doesn't say Georgia shall make no law abridging the freedom
of speech, or Louisiana. The states could do whatever they want. We never reckoned with the cleverness of the^
Founding Fathers and all of those people who write these things. When the 14th Amendment was passed that
might have put a little different thing on it, because the 14th Amendment was directed against states now. The
14th Amendment says no state can deprive a person of life, liberty. Now we can act against the states. If we say i
no state can deprive a person of liberty without due process of law, maybe that should include freedom of the press,
so now we do have protection for freedom of expression against the states. That came up in 1895 with some guy who
wanted to speak on the Boston Common. They wouldn't let him speak on the Boston Common without getting a permit
from the mayor. The mayor wouldn't give him a permit. He went to the court and they say, no, the 14th Amendment
doesn't apply. It wasn't until the 1920s, 1930s that this First Amendment was applied to the states. So we say, now ■'
the states cannot pass laws abridging the freedom of speech except that anybody who went out on the street to say ' ,
something or distribute leaflets or make a speech was still at the mercy of the police and the state. Nothing new. There's
such a thing as the police powers of the state, which the Supreme Court brings up again. The state has police powers
and they're always balancing the First Amendment rights against the police powers of the state . The First Amendment*'
doesn't say that your right to free speech should be balanced against anything. But the Supreme Court has decided, J
and it's a very handy thing, that it should be balanced against the police powers ofthe state, just as on a na-
tional level it's balanced against national security interests. Whatever the.
K state has to do to ^^r^^ maintain order, etc. So some student who gets up in 1949 in Syracuse, NY and J
K makes a speech criti- cizing the government, gets arrested for it, goes up to the Supreme Court, and they say J
V sorry, police powers of the state and so on.
W Mfjhat you' 1 * gathering from all this, I hope, is that the First Amendment is not as strong as it seems. I'm trying to \
W Of hint at that. The First Amendment is not a bulwark for us. Interpretations by the courts are only the beginning
I of the problem, because the real problems come outside of court. Very few people get to court. Very few free speech cases 1
I are settled in court. Most free speech cases are settled out of court, that is, on the street or at work or in a family or at i
I school, that is, they're settled in the world of reality. An enormous deal is made of what happens in the courts, what
r happens in the Constitution, Supreme Court decisions. The Supreme Court has said that high school kids can be M
censored. They said that, yes ? high school authorities have a right to censor the things that high school kids write. What ■
if the Supreme Court had said high school kids cannot be censored? How much of a difference would that make in the ^
reality of a high school and the reality of the authoritarian atmosphere of a high school and the reality of what the power A
ofprincipals, of teachers, etc.? The fact that you have a Constitutional right doesn't mean you're going to get that right. I
i Who has the power there on the spot? The policeman on the street? The principal in the school? The employer on the job? l
t The Constitution does not cover private employment. In other words, the Constitution does not cover most of reality. It ^
p doesn't cover most of the situations in which you need free speech. Therefore, you have to get it yourself. You have to do
i what the IWW [Industrial Workers of the World] did. It did not have a constitutional right to go to the mining towns and '
| lumber towns of the Northwest in the early twentieth century. The First Amendment had not been applied to the states.
P The states could do whatever they wanted to the IWW. The IWW was not a legalistic outfit. No. Arrest our comrade, our .
I brother? We'll send 100 people into that town. Arrest 100 people? Well send 1000 people into that town. We're going to
fill their jails, their streets, we're going to make life impossible for them until we can finally speak on that street corner.
That's what the free speech fights were. Emma Goldman did the same thing. She had no constitutional right to speak in
these places. She was arrested again and again, especially when she spoke about birth control or marriage. That's much ,
more serious than war. She came back. She refused to be silenced. She came back and spoke, was arrested and came back J
k and spoke. What did workers do, being fired for speaking their minds? They formed unions. That's a more important!
function of unions when unions were created than wages and hours and that is job security, that you can't simply be J
i arbitrarily fired for something you said to your foreman. The union will come to your defense. The union will go out on J
strike if they fire you. People got together, collectivized, organized in order to defend themselves. %
~*here are several problems about free speech that I haven't talked about which are very important. Suppose they J
''didn't interfere with your right to speak. Suppose none of these restrictions, none of these Supreme Court J
interpretations, no policemen interfering with you, none of these interferences were there. There you are. Say what J
you want. What resources do you have to speak out? How many people can you reach? You can get up on a soapbox!
and no one arrests you, and you reach 200 people. Proctor and Gamble, which made the soapbox, has the money to ^M
go on the air and reach five million people. Freedom of speech is not just a quality. It's a quantity. It's not a matter of ^
do you have free speech, like, in America we have free speech. Just like in America we have money. How much do you m
have? How much freedom of speech do you have? Do you have as much freedom of speech as Exxon? A nice little fl
community radio station. They're not CBS, NBC, prime time. They're trying to reach some people in a local area and doing I
a wonderftdjob, but they have to fight for a small audience. Resources. Who has the resources? The press is monopolized. ]
Turn from CBS to NBC to CNN, it s all the same. Resources. The biggest problem with freedom of speech is the economic ^
problem, who has the money to speak out, to reach large numbers of people. There is an additional problem. Suppose you
even overcame that and you had the resources. Now you could speak and reach a lot of people. What if you then were
in that position and you had nothing to say? [laughter] I'm serious. You had nothing to say because you didn't know ■
anything, because all you knew was what the government told you, what CBS told you, ABC, you didn't have any I
alternate sources of information? If you don't have anything important to say, what's the point? Freedom of speech is ^
meaningless if the sources of information are controlled, if the government is putting pressure on the press to withhold 1
information as it did in the Bay of Pigs, as in the CIA overthrow in Guatemala, the government put pressure on to pull
a New York Times reporter, Sidney Grusin, back from Guatemala because he was reporting the facts. They put jA
pressure on to get another Times reporter, Ray Bonner, pulled back from El Salvador because they didn't like the ^k
stories he was printing. The government reaches in, the CIA hires people in the media to do their job for them. It's not I
that the press is being taken advantage of by the government. Noam Chomsky said something about it in his book fl
Manufacturing Consent. It's a wonderful book, as is any book by Noam Chomsky. Hesaidyoureafly can't totally blame V
the government for taking advantage of the press when the press seems to be so eager to be taken advantage of. 1
Information: where are you going to get it? The government is lying to you. I.F. Stone said. "The first rule for 1
newspaper people: governments he. The government is lying to you and concealing information, deceivingyou." ^d
You have to have something to say. You have to have independent sources of information. It puts a tremendous^^
I responsibility on all of us. If we want freedom of expression, it's up to us. We have a tremendous job to do. We ^B
have to take risks. We have to speak out. The Constitution won't do it for us, nor the courts. We have to create ^B
social movements that create atmospheres of protection for people who will take risks and speak up. We have to J
create alternative sources of information. We have to do what was done during the Vietnam War when you had ^
teach-ins outside the regular class curriculum, which had given people no information about Asia or Vietnam, just like 1
the whole education system has given people no education about Latin America. This continent which is the closest to M
us, with which we have the most to do, we have the least education about. So we obviously need alternative sources of J
information. We need to do what was done during the Vietnam War: community newspapers, underground fl
newspapers, alternate press services, such as Dispatch News Service, this little radical news service in Southeast Asia W
which broke the story of the My Lai massacre before anyone else did. There's a lot of work to be done in speaking up. ^
We need to create that excitement about the issues of the time, excitement about the war, excitement about the ^
misallocation, the waste of the country's wealth on the military. We have to create excitement about homelessness and^
poverty and the class system in this country. We need information. People have to know things. People have to spreadl
^fc the information. That is a job that all of us have to be engaged in day by day. That's what democracy consists ofl
||^ ^^^ flfhat's the only thing I've been trying to say. ^^^^^
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Piercing and Tattooing: Self-Expression at the Surface by Lily Brain
drop
Body modifications^particularly piercings and tattoos, have reached a
popularity. Once the rarely-seen mark of the outlaw, piercings
e now commonlv seen nn frpAks<'nr''nltorn!»tim»ri«»nT>l,»*;<\,«.,\.,.
new neigm in , — r -...-. .._,. ■»,..»,«, „..<= 10 icyoccn mam ui me uuuaw, piercings
and tattoos are now commonly seen on freaks (or "alternative people 1 ' if you're
sensitive to the «F" word) and Yuppies alike. By far, however, more freaks
than Yuppies are sporting this "body art'.
Certainly the practice of body modification is nothing new. Cultures all
over the world have been tattooing, piercing, scarifying and otherwise perma-
nently changing their bodies for centuries. A quick look aXNational Geograph-
ic r magazine will tell you that these practices are still going on in many parts
of the world today.... though those folks at NG seem content to overlook the
current interest in body modifications in the United States, Canada and
Europe (You know, those white countries). Guess it's quaint when those
uncivilized natives" do it, but heaven forbid an "enlightened American"
should look beyond the world of acid-wash and baseball jackets....but I
digress...
There are many reasons why an alternative-leaning person would
appreciate, and therefore appropriate, permanent body modifications. For
many permanently marking one's body is a way of claiming it as one's own.
San Francisco professional body piercer Michaela talks about her body
modifying experience: "Coming out of a history of mental, physical and sexual
abuse, my piercings and tattoos to me are really reclaiming This is my body '
I have had this experience (of body modification) and this beautiful thing to
show for it. It's mine and I've chosen to do it for myself."
For others, body modification is a statement of individuality. Mike a
heavily-tattooed punk from Washington states, "My tats tell the world that
1 man outsider and proud of it. I've put a lot of thought, energy, time and oh
yeah, money, into my tats, and I really feel like the designs (Mike's tattoos
include a large tribal-style back piece and several skull designs) show who I
SOSES
Sn^^SS^^^fS^^iT^fil
'am. Plus, they scare the right people and that's cool."
Other people favor permanent body modifications as ameans marking
a rite of passage. Some choose to get a piercing or tattoo commemorate a
birthday, a relationship (such as the piercing of a slave in an s/m relationship,
or a biker woman being tattooed "Property of..."), inclusion in a group (such
as a band, club, or sect) or even a death. Michaela: "My Ball Python died
recently, and I had his bones tattooed in white down my back."
In addition to reclaiming the body, stating individuality, andmarking
rites of passage, piercing and tattooing also represent something else:
Commitment. Fickle trendies take note; a tattoo (and a piercing, if jewelery
is worn in it long enough) is forever. Certainly, one who craves body
modification but is less eternity-oriented than the typical tattoo and/or
permanent piercing enthusiast has other prospects to persue. Among them:
temporary piercings (usually done with hypodermic tips); temporary tattoos
(available in decal form and removable with rubbing alcohol); corseting (why
not bind your waist down to a comely 18" or so when the mood strikes?); and
of course, the funky haircut and color (the purple mohawk still lives...and it
still grows back!).
What are the options for someone ready to take the permanent body-
marking plunge? As for the ancient art of tattooing, virtually any external
body surface can be tattooed (though the genitals, soles of the feet, inside of
the mouth and the eye area are thehardest, and subsequently, least common
areas to tattoo). Careful consideration should be given to the placement,
design and artist of the tattoo. Reknowned Chicago-based tattooist Guy
Aitcheson stresses the importance of choosing a tattoo artist who you not only
feel is qualified, but trustworthy and likeable as well. "When you're carrying
a tattoo around, you're also carrying the experience of getting that tattoo. If
it was an ugly experience, you're not gonna like the tattoo as much."
The tattooing itself is a transformative experience. As with all acts
beautiful and daring, it is bound to be a little painful, though the degree of
sensation varies, depending on what area is being tattooed and the tattoo-ees/
%
pain tolerance. Also, if the tattoo being applied is of substantial size, the
process can be quite time consuming. (Some tattoos can take weeks, or even
months, to complete). In addition, tattooing is not cheap. According to
Aitcheson, mosttattooists charge and hourly rate between $100 and $150 an
hour. Expense, however, should not be a deterrent to the determined, for a
quality tattoo is well worth the money. No one wants to moan in regret over
a bargain-basement tat from here to the grave. Or as Ben Weasel so aptly
stated during his interview with Aitcheson, "If you're getting something
tattooed on you for life, it's worth shelling out some cash for it.
The same can be said for permanent piercing. Despite what one might
think, getting a proper permanent body piercing is not as simple as bribing
the lady at the mall jewel ery store to use her ear piercing gun on your nipple.
Piercing requires just as much preparation and care as any other form of body
manipulation.
As for piercable parts of the body, basically any fleshy protuberance
away from veins and arteries is fair game. These parts of the body include ear
lobes, ear cartilage, tragus (the little bitty part protruding over the ear canal
opening), eyebrow, nostril, septum (the flesh below the cartilage in the center
of the nose), lips, tongue, nipple (both male and female), navel, inner and
outer labia, clitoris, clitoral hood, perineum (area between the genitals and
rectum), various points on the penile head and shaft, and the skin of the
scrotum. According to Michaela, who pierces at the San Francisco Gauntlet
store, flat body surfaces are very difficult to pierce and these piercings tend
to work their way to the surface of the skin as they heal and close up, so such
areas are generally avoided .
A trained piercer will help you select the best placement for your
piercing. The piercing should be done with a special body piercing needle and
the appropriate iewelery should be inserted. Proper piercing jewelery is
made of a non-allergemc metal, such as surgical stainless steel, gold or
niobium. It is also quite thick, as compared to a standard earring or wire,
which, if inserted into a body piercing is likely to slice right through the flesh.
As for the pain of the procedure, Michaela gives us the scoop, "I have
a real hard time talking about piercing in terms of pain." Heavily pierced
herself, Michaela reports, "Every piercing had a real different sensation to
me. My fourchette stung, my clit hood felt like an 'eek', and my nipples
thudded. It's like it was occurring to me that it was about to hurt, and then
it was over. It never actually hurt." As with tattooing, the amount of pain one
feels hinges largely on the area being pierced and the individual's pain
tolerance.
Great care must be taken during the healing period of a piercing. The
area must be cleansed with a surgical scrub and fabric, hair and other
potential irritants must not touch the piercing. Otherwise, gnarly infections
and ugly scars could result. Be warned!
Body piercers are much less common than tattoo artists, and the
prospective piercee who doesn't live in a major city will probably have a hard
time finding a qualified piercer. With this geographic shortcoming in mind,
Gauntlet publishes piercing how-to articles inPFIQ (Piercing Fans Interna-
tional Quarterly) magazine and also has mail-order piercing supplies
available. (See resource guide for more info)
Articles like this further expose the current trend of body modifica-
tion. Like any trend, piercing and tattooing will inevitably become just
another "thing to do" for the impressionable. However, getting rid of a tattoo
or a poorly-healed piercing is a lot harder than packing away the bell-
bottoms or dumping off all those straight-edge records at the next Gilman
record swap. Tattoos and piercings should be means of saying "This is how
I want to express myself to the world, " not "There's one born every minute."
Think carefully (Sorry, I've met too many "wish-1-hadn'ts" to refrain from
the sermon here...). As Guy Aitcheson says, "If it's done for the right reasons,
they're gonna love it for the rest of their life. They're never gonna regret it."
You decide what the right reason is. ..and if ya got it, DO IT.
INTERVIEWS
Michaels Gray is a professional piercer at tha San
Francisco Gauntlet studios. Talk about ona intensely
interesting parson! I interviewed har in her home ona
evening, with har Ball Python snaka in lap. aha delved
into a subject of many facets and controversy. Inter-
view by Suzanne Bartchy.
MRRi When did you first get into piercing.?
Michaela: I asked my mother to pierce my ears when I was three
years old. She did it with
an ice cube and a needle;
a hippy mom... but she
flipped out and only did
one, and I ended up do-
ing the other one myself.
At the age of three. So
whatever that means, I
don't know, but I didn't
see anymore piercing
type stuff until much lat-
er, although I did related
stuff. Like when I was
four years old, I tied up
this boy I used to play
with, stuck an apple in
his mouth, and then
Keed on him.
IRRi Is there a con-
nection between
sexuality and pierc-
ing?
Michaela: Very much so:
Piercing is a great thing
to talk about, because
there's so many differ-
ent levels to talk about it
on.
MRRi Do you think
there is something
to the opinion that
piercinqs are self
mutilation, and
therefore some-
what masochistic?
Michaela: I don't feel
that way. To me, it's all
about context. I mean, if
somebody said, "I'm
gonna ram this safety pin
through my cheek, punk
rock!", that's mutilation.
And you know, even that
I could question, be-
cause what's the reason fordoing that, instead of something else.
Orwhen an twelve year old girl is depressed and slashes herself.
You know, women are much more into blood, and into actually
cutting theirown bodies than men are. Men are real freaked out by
blood. Men always come in to the store and ask if it's gonna hurt
and if it will bleed, almost every time. Women are nervous, but they
never ask if it's going to bleed. Never. Women aren't freaked by
the fact that it might bleed, and have much more of a concept that
it's okay, that it's going to hurt and maybe bleed.
MRRi Do you think that women have a higher mental
or emotional strength when it comes to enduring pain?
Michaela: Ithinkwomen definitely haveahigherpain tolerance. But
there are so many factors that determine if a piercing is appropriate
for someone. This one day, I did a frenum piercing on a man, and
he had wanted to get pierced the following day. But his friend
wanted his nipples done that day, so they came in , and he was not
really into getting a frenum piercing. But he got it done anyway. He
came back the next day to do a second frenum piercing, because
he just didn't feel the placement was right. The day before we'd
talked about it. and I had asked him again and again if the placement
was where he wanted it. ..and he just had a "Yeah, yeah, whatever
attitude. And the second piercing, the sensation was much smooth-
er; it was a perfect placement. He ended up keeping both piercings.
But definitely the day he had put himself in the right mind frame to
be pierced, he had a whole different experience. I've had piercings
where I didn't really feel good about the experience, and they grew
out. They actually grew towards the surface. Your body will reject
piercings, for various reasons, like a piercing that's on your elbow
is gonna grow out because
it's a flat broad area. It's
also important that you be
in the right emotional
state, and the person that
pierces you is really impor-
tant, the people that are
around you in the room,
whether you're holding
someone's hand, or some-
one's touching you, the
music's that's playing, and
the smells.
MRRi Have you ever
refused to pierce
someone after talking
to them?
Michaela: I've strongly
suggested not to pierce, or
to think about getting a dif-
ferent piercing for the first
time. A lot of women will
come in and they'll say
"Oh, I want my clit
pierced" . The clit is one of
the most intense piercings
you can do. I think it's the
most intense piercing any-
one can get, more than any
male piercing. You're talk-
ing every nerve that's in
the head of a penis, in one
centimeter of space.
That's intense! I mean you
gotta know you're ready
for it. I'm doing mine Janu-
ary 15th. But I've been
waiting for three years. I
feel ready to do this and I
know what it takes. I've got
two clit hood piercings and
another on the fourchette
I know what a genital pierc
ing is like, and I know it's
going to be like all my otherpiercings combined. And it's not like that
for everyone. Some people get their clit done and they can laugh
when they get off the table "That was great, thanks! " And it was
really pleasurable, they wanna do it again. Some people have a real
agonizing, intense experience. So we try to dissuade people from
that being their first piercing. I tell them we've got five other female
genital piercings, why not try one of those first. And I have actually
told people "no" if they insisted.
MRRi Do genital or nipple piercings actually increase
the sensitivity and pleasure that can be felt?
Michaela: Yes, they definitely have increased my sensitivity. I had
no sensitivity in my nipples. I had a breast reduction, talk about the
ultimate piercing experience, I had one hundred metal staples in my
breasts plus sutures. It's pretty relative. This is pretty official for me,
this is what I tell people when asked if the piercing will hurt. I have
a real hard time talking about piercing in terms of pain. Every piercing
has a real distinct sensation to me. My fourchette stung, mynipples
thudded, my clit hoods felt like an eeekk. It's like it was just
occurring to me that it was about to hurt, and then it was over. It
never actually hurt. So people that come in on a dare or think it's
•* a ~r ■■■—..» , ...... — r v^,i. .nai ^uinc 111 mi a uaie ui uiiiik II 5
\tf*Sfc
CLITORIS
#»
PRINCE ALBERT
NAVEL
LABIA
DRAWINGS: JIM WARD
really weird or "I'm being so fringe", I personally refuse to do them and let
another piercer that's more equipped to deal with them do it. If you think it's
weird, why are you doing it? I don't do anything that I think is weird, I do things
that have meaning for me. I get really personally insulted when people treat
piercing that way because it's something that I have some real heavy spiritual
roots in, you know.
MRRt When you did start piercing again, after the three year old
experience) was it something you did on yourself?
Michaela: My lover (at that time), and I pierced each other; I pierced her labia,
and she pierced my clit hood. The first clit hood piercing I had seen was in On
Our Backs. Then I saw Modern Primitives, and was like, "Oh good, informa-
tion!" I sent away for the Gauntlet catalog, and that took forever to get, and
then sent away for the equipment, and waited and waited. I got the equipment
just before Christmas vacation in New York, so I went home, and every night
on Christmas break, I tried to do it myself. I'd put the forceps on, got the cork
and the needle ready, and then I just couldn't do it! So finally the last day of
break we pierced each other and went to 7- 1 1 and got food. And I'd gotten on
the mailing list forthe Gauntlet to PFIQ (Piercing Fans International Quarterly),
and thought," This is great!" We have a new one coming out at the end of
January this year, and I'm featured in it. Anyway, then I found out that Jim was
coming to town, and I wanted my clit done.
MRRi Could you expand on who Jim is in the world of piercing?
Michaela: Jim Ward, he's the founder of the Gauntlet, the person that is pretty
much responsible forthe resurgence of interest in piercing. He's one of those
few people you hear about before you meet , then you meet them, and they live
up to your expectations. And you're not thinking, "This guy is an ego-ridden
fool " .
MRRi So, what do you think about the whole Modern Primitives
attitude, for example, the "We're reclaiming our bodies through
ing is, my hippy mom said something that I'm gonna repeat,
and it's gonna sound really stupid coming out of my mouth, but when she said
it, it was like " Ahhh, wow" . You know, that' the only thing left for humans to
evolve in is their consciousness, and I think that's what's really coming about
right now. The whole new age thing, which is really fake and bourgeois, and
middle class. ..but there is some truth to it. And it's definitely bringing
awareness to a certain population that otherwise wouldn't have gotten access
to it. The whole interest in piercing and tattooing, the whole S/M resurgence,
the fact that there'-s this total gay revolution right now, and that people are
proud of being who they are, and 'fuck you' if you can't deal with thaL Just all
of that is really part of a pattern, and I feel like it is part of this evolution of
consciousness. If you want to talk about it in terms, of art, S/M is performance
art, piercing and tattooing is really a personal art; instead of art being this thing
that hangs on your wall. Instead, you have a really personal experience with it.
To take an active role in determining your art, instead. of watching TV/and
watching other people create art. Something you would feel out of control of.
If anything, you should have control of how you designyourself. There's so
many different levels that you can look at it, on! Spiritually, before I got my
to ngue pierced, I never re ally knew how rriuch I used my tongue. I real!
. ] A^IM<J..lUJ. I , l .ll!Jl l . ff^! U ! .M l lL^J..MM.SIIIJJ.Mli. ll M A^
INTERVIEWS
kiss someone, eat, drink, talk, or sleep. By the end of my healing period, I was
just so thankful and respectful of what my tongue does for me. Also, coming
out of a history of mental, physical, and sexual abuse, my piercing and
tattooing to me is really like a reclaiming. This is my body. Especially because
those experiences involved what other people call pain. That I have this
experience and I have this beautiful thing to show for it and it's mine, and I'm
chosing to do it to myself. Everything I have done has a real personal meaning
to it. I peirced my tongue as a committment to Kristen. Just before I went back
to Hawaii to reconnect with my mother, who I've been separated from since
I was six, I had this dream that there was this society, where for an initiation
ceremony, the mothers pierced their daughters nipples. I was like, "Whooa,
what am I trying to tell myself? " I had to have my nipples pierced. I really think
carefully before I choose to get a piercing or a tattoo. I'm not just like randomly
picking places on my body to get pierced, I've given it thought. My other Ball
Python died recently, and I had his bones tattooed in white down my back. So,
on a physical/sexual level, I can definitely say I had increased sensation. My
nipples had no sensation in them before I pierced them. I thought that the
piercings hadn't made a difference, but then I had to take them out, because
they were growing out, and wait a while to re-pierce them. And I missed them,
they really had made a difference. And my clitoral hood and fourchette, it's
great! I was totally wet for two weeks, being like extremely stimulated in this
J area. On the other hand, you know, my breast reduction, and having large
W- ■ ■ •■»
AMPALLANG
V,: ■)
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FRENUM
NIPPLE
HAFADA
INTERVIEWS
rafwfps
HJ that done, was it for the
H sake of comfort?
f.' Michaela: Well, I was a 34
Jj body. My body image was just
JU shit. I mean people would call
Jfj' me a Jersey cow... (momen-
I ti-irilir Irfncn ir\n/~i o r> & Alfli mnfi
IP' and another woman that has
|j just entered the room, roll
!fl around on the bed, making
ifj body modification thing. Ev-
|U eryone tells me, "Oh, it's
il men, for a male to get pierced,
JF is really like a lesson, to have
=r| something in you. It makes
fc, them more aware, especially
Jfi the guiche piercing, that male
erotic responces are not only
Jfj' centered in the genitals, and
|j makes them more aware of
Q what's there, and what this
P' society has been cheating
H them out of, with things like
p, circumcision.
Jjj MRR: Is it possible for
Q the placement to be off,
S\ genital piercing
jjj Michaela: No, that's not really
E an issue; there are dangerous
<M shaft of the penis, because
Qi there's a lot of blood going
jE 1 through there. No way should
jjjj think they had it done surgical-
31 ly, orthey were lucky. We also
||jjj won't pierce through the actu-
I what's done in a traditional
, as a form
L!l of birth control. But placement
jn anywhere within a limited area
J is fine. We can pierce pretty
Iff MRR: What's the most bi-
ll zarre piercing you've
jjy ever done for someone?
jjj Michaela: I just pierced Chris-
l__ f in « o frtrah r\*±f\ f l-i *■*•■ r\ kY\ r\
I weirdest piercing I've ever
done, and it's probably gonna
LA, has one, and it's been
ever seen, the one piercing that
really freaks me out, is a man who
has half inch diammeter holes in
his achilles tendons. He likes be-
ing hung by meathooks from the
ceiling, and have people-stick pins
in his feet. Now, I'm sure that he's
got some reasons fordoing that,
he doesn't do it for shock value,
he's totally doing it for sexual gnat -
ification, and spiritual
gratification. So, I have to respect
that, that he's got his reasons,
. that that's his form of therapy. But
to me, that's a real hard one to
deal with, because my feet are
very sensitive. When I was eleven
years old I stepped on a curtain
hook, which went all the way
through my foot.
MRRi Do people ever re-
quest certain environments
to be pierced in?
Michae-
I. a
Yeah.
HOW MUG
CAN Y<|
TO SOMEO
MAKING THE
I CERTAINLY G
HIGH OF
pierce
m y
friends
usually
at my
house,
and I
pierce
people
at their
house in
ritual
s e t -
tings. I try not to pierce in settings
that are too bizarre. You know,
candles and the right music... but
there has to be proper lighting for
the actual piercing. You know, it's
not really a good idea to get to
bizarre and wild, because you've
got to maintain sterility, and the
person has to be real prepared for
what's going on. If they 're floating
off into an S/M induced haze,
then they might not be in the right
space to be pierced. It just has to
be real controlled environment.
It's definitely a craft, an art.
MRRi This seems like this
art is something that's been
taken from other cultures.
Do you agree with that?
Michaela: Actually it's not. The
European culture, where we've
gotten most of our ideas about
our culture from, definitely did do
piercings. Piercings were used
for chastity purposes, both labia
were pierced together, and that's
even pretty commomly being
done in Europe today. Also,
Christians and religious people
would get tattoos when they went
on pilrimage, and everyone thinks
no European society has ever
done these things. I mean, let's
think about tight lacings and cor-
sets, talk about body
manipulation! I've got a corset
that laces me down to 18jnches.
That's a total body modification.
But it's air about appreciating
yourself, and understanding how
your body works, and feeling the
need to decorate it the way you
want to. But I do feel there's
something really basic that's get-
ting reawakened in people
because otherwise I would say,
yes, this is just a fad, just young
people doing this on a whim. But
it's not, because we get grand-
mothers coming in getting both
nipples pierced for their- 50th
birthday, loving the experience
and saying "I'll be back for my
labia!" I get 60 year old men
coming in saying " I've been want-
ing to pierce my ears for 20 years,
and I'm
^ gonna do
i t
godam-
mit! " And
o f
course, I
get the
18 year
old kids
coming in
saying ,
"Oh, this
CLOSER
GET
NE THAN
SCREAM?
ET A CONTACT
THAT."
is so
weird "
know, even those people, we
wouldn't turn away if they were
i & — i
rock, because when those people
will get their tongues pierced be-
cause they want to freak people
out, ultimately they maybe think,
" I appreciate my tongue, this is an
intense spiritual experience!"
They might really start thinking
about it; of course, not every-
one's going to be that way, but
I've seen it happen.
MRR: Is there a difference
in the techniques or atti-
tude that the newer
piercers have to their ad-
vantage?
Michaela: Yes, the older
piercers, when they first started,
had a reticence to do the actual
piercing because they would be
afraid they might hurt someone.
More recently, piercings have
become somewhat accepted, so
we're used to being around it.
Like I'm sure the piercers afterme
will be even more firm and sure.
But the three newest Gauntlet
piercers are very much confident
that the needle has got to go right
through. It should be done in a
quarter of a second. This is the
time of all piercings, "Ready?
Pop." That's it, it's done, then
you put the jewlery through.
Anybody that's taking longer
than that doesn't know what
they're doing.
MRRi Do people ever re-
quest that it take longer?
Michaela: We've had a couple [I
of weirdos. We get a lot of
wank calls, like, "So, my wife
is interested in getting her nip-
ples pierced, are your nipples
pierced?" Another guy called
and wanted a Prince Albert Jjji
done with a high heeled shoe, i
But we couldn't sterilize the I!
shoe, so we said no. One guy 5
called and asked if we coud jl
pierce him, but not put any
jewlery in. I mean, play pierc-
ing is great, I don't see why he
didn't just buy a needle and go
home and have fun. And we do
get people that ask to mastur-
bate while they're having their
nipples pierced. As long as
they keep it out of the way of
what we're doing, I personally
don't mind. But it's up to the
individual piercer. We have
totally private rooms, but they
are connected with the rest of
the room, which is important
because if I need help when
someone passes out, I need
to be able to get help without
leaving the room. And the peo-
ple that pass out are the ones
that have their earlobes done,
I've never had anyone else
pass out on me. Since we are
located on the Castro, we get
a lot of Castro clones that are
like, "Damn my mother, I'm 35 ire
years old, and I'll do as I i
please, I'm gonna pierce my "
earlobe!" That's the majority 5
of my customers. Nipples run jl
a close second. ~.
MRRi What's the largest *
piercing you'll do? , i
Michaela: Any larger than10|5
guage people are not gonna [ jl
have a clear understanding of j,
what goes into the aftercare, ' j!
and they're probably gonna ' ^
fuck it up. So the largest thing 5
that we can pierce a large jl
number of people with is a 1 , js
guage. I personally find that ~i
healing a 10 guage piercing is 1!
a bitch. After that heals ||
though, we can always stretch j |
it to a bigger guage with an i js
insertion needle. It depends l jj
on the area as to how easy it I j;
will be to stretch out. And we , ffi
can stretch it out to a double ' jl
zero guage, but beyond that, jjj
it's something that you can do J
yourself. Different body parts 'p
stretch differently. My clit
hood, I didn't even need to put
| a needle in. I started out with a
16 guage and two years later
I put an 8 guage in. But I tug on
them all the time, so of course,
they're gonna be more
stretchy. Nipples, navels, and
cartilige can be hell to stretch.
But you should never let pain
deter you from what you wan-
na do. I think that's a good
thing to say. When people
considerthepain, orthe after-
care period, which to me, is
the more intense pain; the af-
tercare is really the biggest
part of the process. What you
do when you leave the store is
95% of thepiercing. Even if it's
something that you're scared
of, and it's gonna take a long
time to heal, if those things are
something that's gonna deter
you from doing something you
would want to do like a tongue
piercing, if it's something that
you feel like a strong inner
need todo, than, my god, doit!
| Your body is trying to tell you
something. Do this! I do think
that in 20 years, people are
gonna get pierced for their
barmitzvah. You're now a
member of the community,
I you're an adult, because you
can deal with it. It's something
this society doesn't have. Which
is why we have adolescence.
Now that's fucked up. It leaves
you feeling very empty. It's been
said in so many dopey ways, but I
think what we are doing is creat-
ing our own rituals.
MRRi Do you think piercing
and S/M have any connec-
tions?
Michaela: Definite connections!
I've been noticing as I've been
getting more into the whole thing,
the difference between Western
and Easten culture. Eastern cul-
tures are much more aware of
themselves, cultures that other
people would call primitive; I have
a real hard time saying. An East-
em tattoo or tribal tattoo is a
design that's incorporated onto
your specific body, whereas a
Western tattoo is uaually just a
picture slapped anywhere on your
body. Eastern tattoos are not just
limited to a three dimentional pic-
ture. And IthinkS/M is one way of
getting back in touch. ..it's like,
fuck all this basic day to day shit,
let's just get back into what's real.
When I'm getting pierced, tat-
tooed, or undergoing an S/M
experience, or putting someone
else through an S/M experience,
you have to be right there. You're
right there in the moment. You
cannot be anywhere else but
where you are. Whereas in most
of your daily life, as a basic urban
person, you're kind of floating
away. You're having sex with
someone and you're not really
into it, and you're thinking about
the laundry that you have to do
tonight. But you have to be there
for this intense experience your
body is going through. It grounds
you so much. I'm here, now. S/M
is really about that, and so is
Ciercing. Everytime you remem-
er the experience or you look at
your piercings.. .there you are!
Besides just that physical aspect,
it is about redefining this real fear
of our bodies. Which is all about
shame, and male fear of blood,
and this fear of bodily fluids in
general. This is what gives us life,
blood is beautiful! And it's about
not being afraid of the actual inter-
nal processes of our bodies, of
which pain is one. That's a denial
to me, like denying the pain in your
life is like denying the pleasure in
yourlif e. They do really connect to
each other. Like I said, I don't
even feel that it's pain, I feel like
it's varing degrees of sensation. I
mean, if you whack on some-
body's- ass for an hour, just the
lightest stroke or even just blow-
ing is a delightful, pleasurable
sensation. Whereas if you touch
someone in the same place with-
INTERVIEWS
out the whacking on their ass
for an hour, it's not the same;
"Oh, someone's touching my
butt, big deal." It's just differ-
ent. It is a whole body
experience, it's not like grope,
fondle, fuck. It is total whole
body ecstasy. I mean, how
much closer can you get to
someone than making them
scream? I certainly get a con-
tact high off that.
MRRi So would you say
that, as a piercer, you get
something out of it when
you give a piercing?
Michaela: I get a tangible rush
of energy, because people are
putting it out. I had a lot of back
tension for a while, and I got
two temporary piercings for a
performance I was doing at
Club Snatch, and when I let my
breath out as I was getting the
piercings, all the tension just
went right out. It lasted just for
a week; it was a flat area pierc-
ing that wouldn't have taken
anyway. They looked nice, and
they felt great, but it wasn't
really practical. However, the
one thing thing about piercing
is every individual body is a
totally different body. With lit-
tle exception, none of these
things I'm saying are hard and
fast.
mm
^
1 1
u
BODY
ART
| PHOTO BY MARTIN SORRONDEGUY I
INTERVIEWS
The last time I interviewed Guy
Aitchison for MRR was in the
j spring of 1989. At the time, he was
J torn Tattooing on Lincoln Avenue
j in Chicago. Eventually, Guy left
\ Custom Tattooing and, along with
tattooer/piercer Mad Jack,
opened his own studio, Guilty &
Innocent Productions.
When I went on tour last winter,
I was pleasantly surprised to hear
punk tattoo buffs all over the coun-
try talking about Guy's work; it
seems that he's gotten a lot of
press in some of the larger tattoo-
ing publication lately. These days,
Guy works out of a spacious two
level studio in Chicago. In many
February, I talked to Guy about him
progression from local famm to na-
tional notoriety. Harm's what hm
had to mayi Interview by Ben Wea-
sel, photos , by Martin
Sorrondeguy.
MRRr Somebody recently told me
that a lot of the reason for your ri se
in popularity had something to do
with Ministry.
G: Not really. I tattooed one of the guys in
the band... .
pMRRi Did they credit you on an
album?
G: Not that I know of. They might have,
there's pictures of Al in certain magazines
showing off his tattoos but I don't think any
credit is given.
MRRi riow did you become so fa-
mous sine* the last time I talked to
you?
G: Well, there's a certain publication out of
New York which I fell in favor with and
they've taken good care of me, they print
a lot of my stuff.
MRR. What's the nam* of that on*?
G: Outlaw BikerTattoo Review. It'slikethe
main tattoo magazine available right now
that's under $20. It's not super glossy or
anything but they consistently print pretty
good work.
MRRi After you left Custom, how
hard was it for you to gat started
here?
G: Well, we were in another space before
I
I
1
I
1
1
1
I
1
I
1
I
| this one, a cheaper one. I went partners
= with Mad Jack and we had a great, thriving
| partnership We were there for a year, but
| in that time, the space really started going
| downhill. The roof started leaking, the
= dumpsters got locked up and the landlords
= just started fucking with us in every con-
[| ceivable manner until it was just time to
z leave. We just opened up this new space.
= Jack set it up while I was on the road. I like
= this arrangement. We're not completely
I finished, we're building a work station for
| guest tattooers, just trying to jazz it up and
| spend some money and time and effort on
^ the place to make it look nice. We've got
^ a receptionist downstairs and I think peo-
| pie really like the fact that we have private
=j] offices.
MRRi It's interesting that you're
working with someone who does
piercingsr it seems like those two
E.iraiiironrniiiRj|irajii[njiiraiin!jiirnj|irnj|irnjiircjiiriiiiiraj|i
things are going hand in hand...
G: Well yeah, because people who are into
body decoration in general are going to be into
L.~il, _t lL M_» _l L...1 :.' - ....
accurate generalization. Often people will get
tattoos around theirpiercings or piercings that
work with their tattoos.
MRRi You work by appointment only
nowi can people still come in and look
around?
G: Oh, people can come in and look at our
photo books and ask questions or make ap-
pointments, just get a feel forthe kind of work
we're doing. and the kind of people we are,
which is important too. When you're carrying
a tattoo around, you're also carrying the expe-
rience of getting that tattoo and if it was an ugly
RESOURCES:
BOOKS: MODERN PRIMITIVES -
FULL RANGE OF INTERVIEWS WITH
BODY MODIFICATION ENTHUSISTS
FROM ALL OVE RTHE WORLD. A MUST.
$17 PPD FROM RESEARCH PUBLICA-
TIONS, 20 RAM0LO, SUITE B, SAN
FRANCISCO, CA 94133.
MAGAZINES: PFIQ THE ONLY MAGA-
ZINE STRICTLY DEVOTED TO PIERC-
ING. $13 FROM GAUNTLET, 1201
OLD COUNTRY RD., BELMONT, CA
94002.
Body play All forms of body
mopdifications in a "how-to"
style. $1 2 from insight books, po
box 421668, san franciso, ca
94142-1668.
ARTICLES OF INTEREST:
SO YOU WANT A TATTOO FROM DRUM-
MER #141. TATTOOIST MAD DOG ON
"YOUR FIRST TATTOO". WHAT YOU
NEED TO KNOW. $7 FROM
DESMODUS, P0 BOX 11314, SAN
FRANCISCO, CA 94101.
MAIL ORDER PIERCING SUPPLIES:
WRITE TO GAUNTLET/PFIQ ADDRESS
ABOVE. SEND $3 PLUS A SIGNED AGE
STATEMENT (OVER 21) FOR CATA-
LOGUE.
experience, you ' re not gonna like the tattoo as
much.
MRRi la the "appointment only" poli-
cy an indication of how busy you are?
G: Right now I'm booked until summertime.
Also, it's just a way of organizing things. As
you can see, there aren't any designs on the
wall so people can come in and say, "I want
Number 237 " . We sit down with our clients,
take a deposit, have a consultation and do a
drawing either from scratch or from whatever
references they might bring in. We also have
a pretty extensive library of art books just to
spark people's imaginations.
MRRi So nowadays you're doing
more of what you want to do.
G: Pretty much. Because the work that gets
published are pieces that I did and sent in
because I liked those particular pieces. So
people see them and say, "I want some- 'eh
thing like that " . So I get to do more of that ( 11
type of thing but elaborate on it and gojfjl
progress - it's kind of a domino effect.
ling now, right?
G: Well, just because I don't want to get j
too bored with being here. I pay my way as j
I go by doing tattoos. It's also fun because
when you tattoo people you get to know
them and often when you're out of town, ]
working in a different shop orin someone's,
house, you meet a lot of people. So the]
workday ends and you get to run around J
and do whatever you're gonna do withj
these people you just met. You can get to |
know people pretty well when you're tat- j
tooing them because you're face to face
forfourorfive hours sometimes with noth-
ing to do but talk.
MRRi Who does most of your tat- *_
toos? |
G: The gentleman upstairs, Eddie Deutsch 3
(from San Francisco) is a good friend and fj
a fellow tattooer and he's been doing a lot ^
of work on me like the big torso piece and =
some other things. I've collected from 1
about two dozen artists rightnowjust from a
travelling around. Sometimes I'll make an fj
appointment far ahead of time and fly out to =
get it done, sometimes I'll just meet an i
artist that I really click with and maybe not I!
that time but two years later we'll get f
around to tattooing each other. =
MRRi I guess eventually you'll run 1
out of space. |]
G: Yeah, once I run out of space I'll be really fj
happy because I won't have to sit through =
this anymore. I
MRRi Are you still working in other I
mediums other than tattooing? =[
G: I'm not doing album covers profession- =
ally right now. I did a couple last year that |
I just did for free for my friends. I never |
charged for that because if I calculated my jz
hourly tattooing rate for that, people Sj
wouldn't be able to afford it. Right now I'm =
trying to learn to oil paint with what little |
spare time I have. I got tired of airbrush and |1 1
acrylics, I don't really like the look of it so
much anymore. Right how I'm just playing
around with my tattoo imagery. I m not
gonna try to do any really intense paintings
until I've got the medium down. *
MRRi Recently someone told me
that "No one goes to Guy anymore
because he's too expensive". Do
you have anything to say to that?
G: Well, most tattooists charge an hourly
rate, somehwere between $1 00 and $1 50
an hour. There's a couple out there who
charge more than that and a few who
charge less. I'm at $150 an hour which is
maybe a little bit higher than some people
but. not to toot my own horn but I'm very
quick. I really think that people are getting
a better deal from me than they are from
most people. They probably just assume
I'm expensive because I have a long wait
and a reputation and everything.
MRRi I figure if you're getting
something tattooed on you for life,
it's worth shelling out some cash
for it.
E
^PPlPPIRl^l^PIMppjn^
P'l
INTERVIEWS
G: Yeah, and also I like to get down to
business and just get it done. A piece that
might take me three hours might take
someone else three sittings at three hours
each and that's not even an exaggeration.
I think I can get away with charging a little
bit more because I get more done in that
amount of time.
MRRi If somebody comes in with a
vague idea and you kind of help to
flash it out in a drawing and it's
something you really want to do,
does that affect your price?
G: Oh yeah, definitely. I mean, if they've
got the money then I won't even worry
about it but if it's a project I
really wanna do then I might
spend some more time on it
than they can afford just
because I really want to
make it the way that I envi-
sioned it.
MRRi What do you
t|>ink about tha recent
explosion in populari-
ty' of tha tattooing and
piercing scenes?
Cg I think it's great. I think
body decorations are fun to
have, they're fun to do and
it's fun to have friends who
are all decorated. I think the
fact that it's a little bit fad-
dish right now might be a
slightly negative thing be-
cause there are probably a
lot of people getting tat-
tooed or pierced or
whatever for the wrong rea-
sons. But I also think that
deep down inside, just
J about everyone out there
|] has room in their life for a
■ tattoo. And if it's done right and done for
the right reasons, they're gonna love it for
the rest of their life.
MRRi It seems like it's becoming
much mora acceptable nowi you
see these Hollywood stars with tat-
toos.
G: That's too bad because people are
going to be getting tattoos because their
favorite Hollywood people are tattooed.
Again, that's for all the wrong reasons.
MRRi It
seems that,
at least in
tha punk
scene, peo-
ple are
getting bet-
ter quality
tattoos |
things like
tribal pat-
terns or
bizarre
land-
scapes.
What do
you think
started
this?
G: A bt of this is because of certain publi-
cations. I think something that sparked it
i WcnSM?n^^^^^l!!iLql!ai^^i3TM !: il [: ?l l ?il l: !l g il^igi515l i
was a series of four books that were released
probably five or six years ago by a guy named
Ed Hardy, who has re-
GUY AITCHISON
1
to
Ed Hardy, who has re-
ally made a lot of TATTflflC "
advances in this art. ■■*■ IWUD
The books were called
Tattootime and they ,
featured a lot of really PHOTOS
cutting edge work, ft ■"**■** J
was shown on all sorts
of people, especially
younger, more pro- r
gressive types of
people. You'd see
some chick with a
bright
red
mohawk *
, ?r a „a, a G"YAITCHIS
too on the side of her head and
piercings in her face. Most of the
work that was in there was really
, good. So people would see it and
they'd be like, "Wow, I had no
idea!" That's when I first got in-
already had a couple by then but
I had no idea that I was gonna go
this far with it, I didn't picture
myself getting body suited. Then
the Tattoo Reviews that have
been coming out
these last two
years have been
really slick and c -
they've been fea-
turing really nice
work. They're also
a lot easier to get
ahold of now. A lot
of just ordinary L
drugstores carry
them. So just having good work
in print and available to the pub-
lic, it's gonna plant a seed in
people's heads. 'X
MRRi I think a lot of it had
to do with the Re/Search
Modern Primitives book /
that came out in 1 989 too.
G: Yeah, Ed Hardy was in that
and the Greg Kulz work that was
in there, I think a lot of people
r were jfS
really t'Xt
into that
and
then all the other
chapters, it had a little
bit of everything. I've
also noticed there are
a lot of people who'll
call me up and they'll
want to make an ap-
pointment fora tattoo
and sometimes they'll
• . be from out of town
and they've been
looking at these mag-
azines for years and
they're not tattooed
yet. They're really interested in tattoos but
they've been taking their time about it. I've
been seeing a lot of that.
MRRi Do you sea yourself doing
this for the rest of your life?
G: I don't know
"~ r ]MW'elMl ft I'd De doing it
MiJtM professionally,
spending 60 or
80 hours a week
doing tattoos,
just because
there are other
things I want to
do and when
you're a tattoo-
ist it really takes
over your life.
You don't just
go to work, tat-
too and go
home. You're a
tattooer wher-
ever you go, whatever you do. People
come up to you and ask you questions all
the time. I cannot go to a bar without being
assaulted by questions. My friends will go
to bars or whatever and people will come
up to them, "Can you get me an appoint-
ment with Guy?" or, "Can you get me a
deal?" People they just met asking them if
they can get a deaf from me . On top of that ,
with all the preparation time I spend setting
up to tattoo and all that, I'm at home in front
of the TV waiting for my pizza to be deliv-
ered and I m working on
drawings. I'm spending 20
hours a week, just at home,
drawing, on top of all the time I
spend here.
MRRi How many hours a
week do you usually
work?
G: Including all my preparation
time and everything, 60 to 80
I'd say. That would include time
I spend driving across the
country because I'm driving as
a tattooer. When I suddenly
realized that being a tattooer is
this art form and that this cul-
ture was totally sucking me in
and taking over my life, I didn't
object at all and I still don't. It's
kind of a neat feeling; it's a lot
more than just a job.
MRRi I think when you
start to make money off
of what you really love
doing, that's when you
realize that you're work-
ing way more than you ever would
at any job.
G: Right, cause it's not just a job, it's your
life. And at this point, I wouldn't trade my
life for anything. I would eventually like to
paint a lot more. I'd like to be able to make
a living selling my paintings. But I can't
imagine not tattooing, it's such a neat
medium and I love working on people, I love
working with people. My interactions with
my clients, that's one of the things that
really makes it for me. And the opportunity
for travel is definitely a plus.
Guy Aitchison can be con-
tacted c/o Guilty & Innocent
Productions/ 613 W. Briar/ Chica-
go, IL 60657.
IS
a
I
3Mi3iaa][fli>i1f^MMM[flTO^
aaaaaaa
PRODUCTION
BY FURY
AGNOSTIC FRONT
UNITED BLOOD EP
VICTIM IN PAIN LP
ONE VOICE LP*
BAD TRIP
POSITIVELY BAD EP
FEAR & LOATHING LP*
BORN AGAINST
EULOGY EP
HALF MAST EP
BURN
BURN EP
CITIZENS ARREST
A LIGHT IN THE DARKNESS EP
COLOSSUS LP
FARSIDE
KEEP MY SOUL AWAKE EP
GO
WHY SUFFER EP
YOUR POWER MEANS NOTHING EP
AND THE TIME IS NOW EP
TOTAL LP
GOD IS MY CO-PILOT
GOD IS MY CO-PILOT EP*
ON A WING AND A PRAYER EP*
HOW I GOT OVER EP*
I AM NOT THIS BODY LP*
GORILLA BISCUITS
GORILLA BISCUITS EP
START TODAY LP
HELMET
BORN ANNOYING EP
INTO ANOTHER
INTO ANOTHER LP*
JUDGE
NEW YORK CREW EP
AFTER THE STORM EP
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cassettes again, but they must represent a decent amount of effort. We are also reviewing CDs, but only CD-only releases.
If releases are in all 3 formats, send vinyl for a review. No reviews of test pressings.
Sta ,?L < l S ? ) . Su . zanne Bartch y> (MQ Mel Cheplowitz, (CD) Chris Dodge, (HD) Harvey Dent, (BD) Brian Devereux.
(LD) Lab Donovan, (KG) Karin Gembus, (WG) Walter Glaser, (MH) Michelle Haunold, (DH) David Hayes,
CKK) JKenny Kaos, (SK) Sebastian Kimmell, (MK) Mick Krash, (ML) Mike La Vella, (McM) Mike Mcniel,
(TM) Timojhen Mark, (MM) Mike Millett, (SM) Smelly Mustafa, (NN) Neil Nordstrom, (BR) Bruce Roehrs,
(DS) Dave Seifert, (SS) Steve Spinali, (KW) Kevin Wickersham, (TY) Tim Yohannan
A.C. - "Unplugged" KI'
iikWM?
esters have now broken another record:
1 they've released the "first ever acoustic
«j noise record". It still sounds likca rcgu-
** larol" blender-inspired A.C.plattcr. The
'* only difference is there isn't any distor-
tion on the guitar. Even though they
could have milked the gimmick to a
wider extent this is still pretty funny.
A.C. still does their duty keeping music
■ in its most primal state. Wonderful. (CD)
(i'svehomania, I'O Box 19, Alloa, FKIO
2YE, IK)
ACAO DIRETA - "Resi.vlirei" II'
Straightforward NY style punk/speed punk/thrash from this Brazil-
ian band. Song <|Uality ranges from very good to poor. Songs are in
Portuguese with English translations. (KK)
(Jurgen Hcgew aid, Fricdricli-Eherlslr. 29, 2210 Itzchoc, GERMANY)
AGAINST ALL HOPE - Breaking Through" KP
This music has a lollow-all-thc-rtilcs-to-SEHC approach complete
with vocal attack and a number of inoshy parts infused with the fast stulT.
(K<;>
(Round Flat Records, 63 Lennox Ave, Buffalo, NY 14226)
AMAZING SCREAMING YVII.MES. EP
Side one is hard rockin' funny punk Willi wailin' metal guitar way in
tile background where it belongs. Side two is a lot more melodic and shows
that these guys probably like the TOY DOLLS a whole lot. Good vocalist
with clear enunciation and those irresistibly pogo-inducing British inflec-
tions. Recommended. (KW)
(Weird Records, 61 London Rd.Baldeiion, New ark, Notts. NG243AG, UK)
AMERICAN STANDARD - "Salvation" EP
This 2-song EP has a mid-tempo, power-rock feel and polished
production similar to their earlier material. The overall mood seems more
tame with singy vocals. This could have college radio appeal. Nomine
shocking. (MK)
(Blackout Records. I'O Box 544, Yonkcrs, NY 10701)
AMYGDALA - "The Nocturnal Burrito" tape
Erog-stomping music if ever there was any! Grungy, noise hell with
back-breaking heals. Played with a sense of humor and lack of self-con-
sciousness that only true nerds can achieve. (DS)
($2 ppd: Jon, 2161 Bunker Hill Dr, San Mateo, CA 94402)
ANAL CUNT- "Live" El'
Well, if they have any fans, they might enjoy this. It's loud, it's last,
it's sloppy, it's unintelligible. For me velty value only. Best part of the
whole thing was hearing someone in the crowd say "Boy, these euvs reallv
suck.". Ha. (I'M) } h 3 '}
(Psycho Mania, PO Box 19, Alloa, EKIO 2YE, SCOTLAND)
ASTl RZENDE BKIII TAl BIN - •• Ausser Kontrolle" CD
Live recordings <if 29 songs. I hadn't ever heard them before this, but
apparently they 'vc been at it for some time. Pretty basic German punk. I
certainly was awed by the depth and diversity of their merchandise. ISoxcr
Shorts and "Portrait" posters??? (TM)
(K. Kittllcr, Poslfach 91 05 02, 3000 Hannover 91, GERMANY)
ATOMIC FOSSILS- tape
Melodic, upbeat rock n' roll from this SI. Louis trio. They remind me
a bit of GREEN ON RED, especially Hie first song "Cnclc Sam". Very clean
production. (KW)
(3S52 Russell til. St. Louis, MO 631 10)
ATOMIC 61 -"Hcaitworm" 10"
Light years better than their 7", I now hear the psychosis of the
JESUS LIZA Rl) or STEELPt H.E BATHTUB, the force and guitars ol late
BLACK II. AG. and the soulful rhythms of J1MI HENDRIX. Although a
couple tracks went on loo long. I liked all of them line. A nice surprise. (WG)
(Box Dog Sound, PO Box 9609, Seattle. WA)
B.S.G. - "Warm Inside" LP
Very weird, must be some kind of Hessian joke. Although these
Germans can play a variety of different sly les (primarily a brand of syrupy
pop-punk/rock, that at times borders on melodic hardcore), none of the
material really meshes. Perhaps this suffers from the "loo many cooks"
syndrome. (McM)
(X-Mist Records, Meisenweg 10. 7270 Nagold, GERMANY)
BEATNIK TERMITES - "Ode To Susie
And Joey/Termite Hop"
Last year Cleveland's popular Top
40 station, WMMS, played what Ihcy con-
sidered the town's best new hands. That
consisted of a zillion talentless music busi-
ness wannabees, and Cleveland's one good
band. BEATNIK TERMITES, who got a
chance to plug their excellent debut 12".
This new single might he an even more
entertaining dose ofspcedpop. Musically.
the TERMITES are a cross between llie
UNDERTONES and RAMONES. If that
sounds likcyou might like it, you will. (MC)
(St. Valentine Records, PO Box 06121.
Cleveland, OH 44106)
BECK'S PISTOLS - "Lockruf" EP
German) \ tardy response to thcSEX
PISTOLS, with apparently very little influ-
ence from them. Straightforward punk/
hardcore with throaty vocals and occasional
German-style chanting. A tribute to the Ar-
gentinean/Italian soccer star. Maradona. is
puzzling. (KK)
(Teenage Rebel Records, GcrrcshcimcrStr.
16, 4000 Dusseldoi I I, GERMANY)
BEflTMK TERMTTES
&SP1R1N FEAS4.
Police Beat e.r
AkiiHlri. gentler |
notice burnt
ASPIRIN FEAST- "Police Beat" EP
The production on this sucker
finally does these guys justice. What we
got here is a relentless wall of hardcore
and screams that puts old DRI to shame.
By the time this lets up you'll feel as
though your ears are gonna melt. I be-
lieve these guys are gone now but their
legacy will live on forever thanks to this
disc. (NN)
(Urban Alert, B.P. 21,93340 Le Raincy,
FRANCE)
BENCH - "Hey Mister/Out Back" ■*"
BENCH are a rock hand with a capital R; I did not realize this. Full-
on thick metallic rock guitar riffs abound on this making a heavy mid-tempo
crunch which could very well propel them into stardom, you never know...
(Noiseville, PO Box 124, Yonkcrs, NY 10710)
BIG CHIEF - "Strange Notes" 45
A one-sided slab that epitomizes, at least in my mind, what is wrong
with so much of today's "underground" sounds. Go back and listen to THE
GERMS original, and then play this. Il hurts. Depressing, lifeless and self-
indulgent ego-rock. Why fucking bother? (TY)
(SFTRI, 4901 Virginia Ave, Long Beach. CA 90X05)
<$:
BIG MOUTH ."Fat, Drunk and Stupid" tape
Early 80\ midwest style hardcore with snotty vocals. There's modern
punk) and ska influences present as well. This hand probably stirs up quite
a pit, eh? (Mi)
($3ppd. to I'O Box 270684, Corpus Christi, TX 7X427)
IIIRDSKIN - "Home/She Builds"
Competent tunellul alternative pop from the Netherlands. Sorta
sounds like major label craHUSKERDU (especially the very Bob Mould-ish
chorus in "Home"). Nothing that will start a new era or anything, hut I
suspect I'll be playing "Home" a lot more than some of the other poop I aet.
(Hl)i
(Kelt Records. Jacobijnenstraat 10, 3512 TH Utrecht, HOLLAND)
BOORISH BOOT -KP
Records like this keep mc awake ut night. You can feel that this band
loves what they're doing. 6 songs on this rager. All classic in their own right.
Punk as fuck! D.I.Y. production! Lyrics about social life and P.C. Dig this
one up if you can. (S.\I)
(Black & Blue, Suite 152, 400D Putnam Pike, Smithtield, Rl 02917)
THE BROOD - ••Vendetta" LP
The second LP for these fuzz-drenched garage dwellers. Take a step
hack into the hip femme-powered world of "Faster Pussycat" and immerse
yourself in simple 3 chord psych garage rockers. The inevitable surf guitar,
growling screams, key hoards" and lots of fuzz will be there to greet you. (MH)
(Kstrus Records, PO Box 2125, Bellingliam, VVA 98227)
BUILD UP - "Keep Up The Fight" tape
Basic last hardcore similar to AMERICA'S HARDCORE or VISU-
AL DISCRIMINATION. Ordinarily I wouldn't go ape over something like
this, but there's just something about this tape that has me playing it
constantly (while simultaneously lighting off a strange urge for bananas).
Pissed vocals and lyrics. Anti-racist yet violent lyrics. Raw production (4-
track?). Strong material. Aggressive would he an understatement. From
what I can gather, these blokes are SUA RP skins. Cosh. Butt stompin' to say
the least. (CD)
(PO Box 11422, Pueblo, CO 81001)
BULLOCKS - "15 Hours" EP
Cool, simple, '77 style, melodic, punk rock. Doesn't sound unlike
early SPIZZENERGI's "Where's Captain Kirk?". (What did Spock And in
the balliroom?...The Captain's log.] German band, English lyrics. (KK)
(Teenage Rebel Records, Gcrrcshcimcr Str. 16, 4000 Dusseldorf 1, GER-
% -9Clpl
MANY)
HUM - "Promise is a Promise/Wedding
Day-
Extra catchy pop-punk rock. Raw-
production makes it sound better. Bar-
chord rock with melodic vocals. (GF)
(Lance Rock Records, 3200 Island
Hg»y, Country Club Mall, Nanalmo,
BC,V9T1W1, CANADA)
BUNCHOFUCKINGOOFS - "Carni-
I val Of Chaos and Carnage" CD
These fuckin' goofs have been
around forever, so why has it taken me
* until now to finally hear their music?
What can I say...I lead a sheltered life. CAPITOL PUNISHMENT is the
closest reference point for the efforts of these kooky Canucks. Full-bodied,
abrasive hardcore and basic catchy thrash with porky production. "Fucked
system" lyrics and even skulls with mohawks. Not terribly original, but this
live-piece pulls it off with such moxic you'd be a fool not to dig it. "Punk as
fuck" is an apt description. (CD)
(Fringe Product, PO Box 670, Station A, Toronto, Ont., M5W 1G2, CANA-
IDA)
BUZZOVEN - "Wound" EP
Delightfully sludgy goo-core
that would feel comfy with DRUNKS
WITH GUNS or any band off or the
first "Noise From Nowhere" compila-
tion. Three slugs pump out four cuts of
vinyl cyanide packed with feedback.
The drum sound is a mite on the "pa-
per box" side, but otherwise this is
heavy enough to leave tire tracks on
the walls. Gear! (CD)
(Allied Recordings, PO Box 460683,
San Francisco, CA 94146)
CHEMICAL PEOPLE - "Soundtracks" LP
An LP featuring CHKMK.AL PEOPLE original instrumental. Tal-
ented musicians drawing from a number of different styles (punk, metal,
reggae, funk...). While this might sound interesting, it's actually pretty
boring. According to the jacket these "jams" were meant for films- 1 have no
reason to doubt them. (KK)
(Crtu Records. PO Box 7756. Long Beach, CA 90807)
CHINO HORDE - "Merit/Racket"
Plaintive, philosophical emocore with vocals occasionally reminis-
cent of RAIN. The music, however, plays second fiddle to the mini-issue of
Ahmillim zinc. which ischock full o'inl'oon the LittleRock.ARsccneand has
personal essays b> the hand members and several others. (DS)
($3 ppd: Long Arm Records, 20 Patricia I.n. Little Rock, AR 72205)
CHUMBAWAMBA - "1 Never Gave Up" 12"
The 12" dance mix record of the year is here! Yoowww, get down!
Total disco-) remixed versions ol'"I Never Gave Up" off the SltipfLP, only
these are much better. Anyone up for a Rave, dude? As bitingly political as
ever. (SB)
(Agit-Prop. Box 4, 52 Call I.n. Leeds. LSI
6DT, IK) i
CIRCLE JERKS - "Unfortunate Son'
forever ...geez, all rie.ht I still like CIRCLE
JERKS. Okay!?! A live 5 soon, bootleg of
fairly decent sound quality, this is a nice little
bootleg to pick up, and includes an interest-
ing version of "Nervous Breakdown" 7 For
other well known goodies. (LD)
(address unknown)
CLINT Rl 1N7LYDIA LUNCH - "Don't I ear the Reaper" 12"
Space)' type new-wave music/noise with equally space) vocals. Very
artsy-l'arlsy. The kind of music which could really drive a person insane.
Cool cover art. though. (KK)
(Big Cat U.K. Records)
COLD WORLD - LP
Oh shit. I thought this was yet another bad Euro band trying to
imitate an even worse U.S. band. As usual, I'm totally wrong. COLD
WORLD is actually a great band! Their cover pose, in muscle T's and
holding baseball hats, is actually a joke about "macho" bands. Whew...
Awesome tunes and a variety of styles with tracks ranging from slower
illusion' ditties to LARM-ish hypcrspced rage, and some of the fastest
around at that. Intelligent lyrics and decent recordings of songs from '88 to
'91. "Sailin" and "More To Come" are my prime choices. Atypical. (CD)
(Sacro Egoismo. cAi Tihcriju, Polschnergasse 9, 2500 Baden, AUSTRIA)
CONSPIRACY OF EQUALS - "Grand Illu-
sion" EP
Ever listen to a record for the first time
and yearn to see what thcy'rclikclive? Thanks
to (the now defunct) llippycure for helping put
out this Arizona hand, we've got an amazing
release here. Far above the multitude, they ri p
out a well produced, tight, intensely winding
MELVINS meets CHRIST ON PARADE. And
one look at their lyrics tells that they look at
hardcore as more than just a style of music.
The best release this month, as far as I'm
concerned. (SB)
(Dog Day Sunrise, BP 77, 75623 Paris Cedes
13, FRANCE)
UK WD II I I Mi>\
CORN FLAKES - "Childish" LP
The Spanish ALL!? Singer sure sounds the same, hut the music is much
better. Same stuff — pop punk with lotsa pop. Hooks galore. Vocals in
English. I'll leave it at thai— a more powerful ALL. (GF)
(Jordi, Apd. Correus 35.221, 08080 Barcelona, SPAIN)
COUSIN IT - tape
A live-song dose of metallic hardcore (emphasis on metallic) that's
really powerful when everything gels. With time (and a few voice lessons)
great things will come. (DS)
(House o' Pain, PO Box 120861, Nashville, TN 37212)
RECBRB^REXSBVS
■/'
COWS - "Cuiiiiinii Stunts" IJ
God. You know. Ihi' bin
eavcn? Well, be plays on
-letup. As much as Hike
l he best yet. I'll he playing this when I'm 75 and smut-kin' my neighbors kids
mound. Don't miss them live either. (Ml.)
l.-VniKep. 2541 Nicollet Ave. S. Minneapolis, M\ 554111)
DRIVE - "Out Freakage" LP
First nl'all this conies with ;i I'ree 7" spoof on SST with a cover of the
MINI TlvMKN's "This Ain't No Pienie" and DESCENDANTS "My World"
which are verj enjoyable. The l.l' itself is vcrv pleasant pop punk from the
IK which to me sounds like a cross iifSot'IKKKI, BAIT, SNIFF and THE
BLISTERS. (LD)
(First Strike Records, IK)
CRl CIITX - "Nineteen Eighty-Four" IP
A 3-smig hoot from a San Francisco recording done in "82. Great
sound. Includes a poster with an essay (;i meditation on war) by John
Slolenherg that comprises the notion of "Disarmament and Masculinity,"
discilssiug gender issues in relation to war vs. peace. Be one of 800 to own.
(K(;>
(no address)
Cl'STOM FLOOR - "Homeless" EP
Twangy . discordant guitar work lights up this trio of atmospheric
post-punkers. Spare, simple — by and large, an okay disc. (SS)
(Goldenrod, 228-19th SI.. Del Mar, CA 92014)
CZARNOBYL ZDRO.I - "Hipokryzja" EP
Cynical, sinister dirges for a doomed world. Rock- steady drumbeats
count olfthcsccondsuntii humanity is consumed hy its apathy and escapism.
The bass will relentlessly pursue us to the edge of our graves. The snarl in the
vocals tells us we deserve it. (DS)
(no address, POLAND)
DAISY - "Brave Mr. Real/My Dog Died"
A decent slab of fuzz-pop with a slight Creation label feel to it.
Musically, it's appropriately noisy and dreamy and melodic, but the vocals
detract from the impact. Liked the tunes; singing not. (WG)
( Planned Obsolescence, 495 Satula Ave., Athens, GA 30601)
DAMNABLE KXCITK ZOMBIES - "Suck Your Soul" EP
Yes. this is what made Japanese hardcore infamous! All the ingredi-
ents are here: nonstop blistering noise, shrill as fuck screamed vocals, and a
wonderfully amusing name. Forget SOB, these guys are the future of
cni-cs. Male/female vocals work well. Catch) al times, but it could be a little
more straightforward, with less null' and lurkv-jerktness. (KK)
(Jeiinj Heuer, Am Sood 1. 2000 Hamburg 50, GERMANY)
E-TYPES! - "Action Packed" EP
There was an I,.A. band in thcoO's with the same name, and more-or-
less Ihesa me sound... that hcingMONKEES.BYRD.S, mod-influenced sounds.
Not much improvement in the peppv. preppy, pop world. (TY)
(I'O Box 1S9092, Sacramento. CA 95XIX-9092)
F.LMERH ASSEL - "Honour Your Partners" 12"
This British band is reminiscent of MEGA CITY FOUR. The songs
don'l have quite the punch, and the vocalist isn't as great as Wiz, hut the
songs are fairly good. A promising debut. (MC)
(Vinyl-Japan, 281 Camden High St., London NW1 7BX, ENGLAND)
ENGAGE- "Turning Point" EP
Picking up Willi improved production where the last EP left off.
ENCAGE do their own unique blend of hardcore, metal,. jazz and straight-
forw aid rock. Al times the music can be a little eclectic hut the means make
the ends on this record. The lyrical and political content and communicative
intent of this project make this an ample example of the Do It Yourself ethic.
(MK)
(Re-evolution Records, I'O Box 4842, Santa Rosa, CA 95402)
ERCHINT - -Blaze" I
(Amok Records c/oHolgerSchnudt,Droste-Hulsholf-Slr.42,W-4709Bergka-
men, GERMANY)
Punk rock that's full in sound and feeling. Some of mis has a bit of a
rock feel, with vocals from lliegul that lap the mud-crunching guitar riffs.
<KC>
(Self-Destruct Records. 1901 Bainbridgerow Dr.. Louisville, KY 40207)
DARE TO DEFY - EP
Buzz-saw fuzz guitars slice in a
metallic, mean NYHC kind of way. Vo-
cals sound mean and distant. FromPenn-
sylvania. (KG)
(Inner Rage Records, c/o Jean-Marc
Dablin, 5 Rue A. Fleming, 95460 Ezau-
ville, FRANCE)
DAYGLO ABORTIONS - "Two Dogs
Fucking" CD
Believe it or don't, they sound
-■ just the same as always! Riding the crest
of Canadian 'tardcore, the DAYGLOs carry on the tradition of idiocy by
spewing 15 new warped anthems. Good mid-speed thrash with the usual
laste of metallic guitar licks and humor that I could only truly appreciate it
I was 13 years old. Rockin' loons hut they're lyrically as funny as Andrew
Dice Clay or "Married With Children"....in other words, not at all. More
classic punk stupor or (be masses. Dub. (CD)
(Fringe Product, I'O Box 670. Station A, Toronto, Out M5W 1G2, CANA-
DA)
DIRT FISHERMAN - "Tattoo" EP
Boise is back on the map. First Pushead, then TAD, then the TREE-
PEOPLE and now this. Four songs total, pretty unique really. Sounds more
like some of what's coming out of the East Coast than the Northwest.
Haunting female vocals play edovei .somedrivingstufl'at limes. Well alright.
(Scrcemin' Fez, I'O Box 3633, Boise, ID 83702)
THE FALL - "Dresden Dolls/Psycho Mafia Industrial Estate"
Apparently there is enough interest in THE FALL to warrant boot-
legs. THE FALL don't sound too different now than they did back in -77
when this rehearsal was recorded. The defects in this recording may have
you checking your needle, hut other than the fluctuations in volume the
sound quality is all right. (MC)
(Total Eclipse Records, no address)
FEINE DEUTSCHE ART - "Von Anfang An" EP.
Tlie front cover reveals they have leather jackets, cigarettes, and
STRAY CATS hair. The vinyl reveals they have no distortion pedals, a
hoi cd-sounding vocalist, no particular songw riling skills, and no lyric sheet.
The hack cover reveals this was recorded eight years ago. Does anybody still
care? (EW)
(Teenage Rebel Recs, Gci i esheimci Sli . 16. 4000 Diissddorfl, GERMANY)
FLATUS - "(Jet it While Your Young" tape
Metallic New Jersey style pop punk. Well recorded and catchy. (DH)
(15 Lawrence SI., Hamburg, NJ 07419)
FLEISCH LEGO- Die Hass" EP
Evil, nasty, snarling German hardcore mixed liberally with eerie
industrial gothoid effects. Ly Ties deal with can
Ihe toilet". On blue vinyl, entertaining lyric
poster (ifyou read German) and animal rights
info enclosed. Fans of this style should enjoy.
(EW)
(Der Bdolf. 7800 Freiburg 1. Bremen, GER-
MANY)
,and"breakin'
DOWN AND AWAY -tape
Ex-PHANTOM TOLLBOOTH bassist Gerard Smith and drummer
Ion Coates. and guitarist Billy Pilgrim create a cryptic, swirling, non-
pretentious sound, (ileal guitar work on "Circut" aiid plenty of original
changes and hooks. A pleasant surprise, since the tape cover looks kinda
straight-edgy. (KW)
(Gerard Smith, 196 Avenue A #2, New York, NY 10009)
FRATRICIDE - EP
A Canadian hand that has an old-style
Kalian HC thunder to them. Out and mil
thrash at limes that picks you up and throws
(Heart First Records. Dorian Helmchew,
BiM.-k.sti-. 39, W-1000 Berlin 61, GERMANY)
RKBRFHEW5TO
THE EREEZE - "Five Way Fury" LP
9 out of HI times, live I. IN area waste of lime and vinyl, In it mil no
mid then. ..Recorded somewhere/sometime (Europe I assume) litis is a "best
nl'° bj this might) Boston hand. Good sound quality and lull of energy. 1
wasn't crazy about their last LP, hut this reminds me of why I still love their
old stuff. Kockin' as lull. They even do "Boston Not I..A." I'm happy. Il.l>)
(Lost & Found, IM Moore 8,'3000 Hannover 1, GERMANY)
GALLEONS LAP -"Themes and Variations" tape
Poetic yet direct lyrics sung with frantically urgent passion. Music
that soars like an eagle and then plummets earthward like a 300 megaton
bomb. I'm stunned. (DS)
($5 ppd: Greg Anderson, 1218 Terry Ave #309, Seattle. WA 9X101)
THE GEAR- "Flip Top Bop" EP
3 good sunns. Basic rock music. Really good vocals make it work well.
This is straight pop-rock, hut it sounds great. (GF)
(Hey-Hay Records)
CAS HUEEER/NR DHONEY - split 45
GAS HITTER turns in a pretty cool version ol' a SILLi 'KILLERS
tune (old Seattle punk hand that once housed a future GUNS'N'ROSES
dude), while MUDHONEY does a so-so version ol the ANGRY SA MOANS
"You St lipid Asshole". (TY)
(Empty, I'O Box 12034, Seattle. \VA 98102)
GLORIUM - ••Demolition" tape
Aggressive yet mellow , mellow yet exciting. Sonic of the coolest, offbeat
lyrics comhined with a nice thick guitar sound and great rhythms. Why do
I gel the impression thai these gms do a lot of drugs? (OS)
(George Lara, jr.. 509 \V. Aviation, Universal City, 'IX 78148)
ilk ccr
GORIES - "My Baby Says UuhVThc
Idol With The Golden Head" EP
This band has perfected such a
, fractured, messed-up guitar sound thai
on t know if they are vii lu-
ososor missing lingers! These two cover
tunes aren't <|iiitc as hot as the last lime
■i out hut if you have been ignoring 'cm,
your missing out on one of a handful of
i inspired handsinthcsclcan ycars.(BD)
(Estrus, PO Box 2125, Bellingham. \VA
98225)
GORILLA BISCUITS - "A New Direction" EP
Six songs recorded live in Germany. Admittedly, this'll probably he
enjoyed by only the die-hardest of tans - sounds like it was recorded on one
of those big rectangular portable tape recorders from the '70s. (KG)
(no address)
GRAVEL - EP
Reminds me of THE MEICES: slow, plodding bass; boring, luzzcd-
out guitar rills played into eternity: and "I'm hungover, but I gotta go to
hand practice anyway" vocals. Sorry guvs, this just isn't my tiling. (DS)
(K Records, PO Box 7154, Oly mpia, WA 98507)
HAI.l ION .25- EP
Recorded live onto a cassette al one of their practices in 1989. Only
Mill pressed. The songs are okay, basic punk on one side, slightly more
ambient stuff with a keyboard on the Hip. I enjoyed its atrocious sound
quality, most people wouldn't. (I'M)
. New Pl\ mouth, NEW ZEAL AND)
HAMMERHEAD -"Load King/Slumber. \ aid"
Perhaps nut as immediately gripping as their first 7"; This one see
to lack a little ol' the adrenaline gon/.o. while adding some melody a
subtlety. Still rough guitar driven noise reminiscent of thcUNSANE, tin
guys have a future. A good blast. (WG)
(Amphetamine Reptile, 2541 Nicollet Ave. S.. Minneapolis. MN 55404)
THEE HI AIR O MS
••Something Went Wrong Again/It's Your Own
middle on the wide-ranging CHILDISH quality
(Diom sus. PO Box 1975. Bui -bank, CA 91 507)
HELL, RICHARD - "3 New Songs" EP
Backed by SONIC Vol TIL these
tunes all vary substantially One is a noisy but
mid-tempo song that sounds like MICK.IAG-
OERincclsl LIPPER. Another islikea VEL-
VET UNDERGROUND poem-spoken-ovcr-
guilnr noise affair. And the last sounds like a
hand. (TY)
(Overground Records, IK)
HELL BENDER - "Kickhutton" EP
I'pheat. melodic punk with some funky
rock parts. The high point is the moiiv ational
ly lies with a cool song about racism. (\lk)
(Oedipus Records, no address)
reminds me of a e
music which
i VICTIM "S
( Wardauce. 35-18 93rd. St. Jacks
11372)
HGl'AL - "Riding on Three Wheels" CD
have that nonexistent DC sound. The vocals are a combination of IGNITION'
and late RITES OF SPRLNG, while ••Chime" is out-and-out MARGINAL
MAN. Metal emocore? Yeah, except lor those two reggae songs. (D^' 1
(Skene!, PO Box 5422. St Paul, MN 55104)
GRUNTER/ARM THE INSANE - split LP
GRUNTER performs fast, grimy HC with metallic squigglcs — at full
speed, they wail. ARM THE INSANE play s last basic punk, but their songs
are badly flcsltcd-out in comparison. (SS)
(Dnminator Records, PO Box 743 Norwood, SA 5067, AUSTRALIA)
CITTERMOITH - "Full Length" LP
Two part review here. The music is true to the older SoCal vein (old
SOCIAL DISTOR Tit )N. VANDALS, etc). In and of itself unspectacular.
Cover that with vapid knee- jerk lyrics showcasing idiocy that ranges from
misplaced patriotism to straight ahead racism. Too had there isn't curhside
vinvl recycling available here. (I'M)
(Dr. Strange, PO Box 7000-17, Alta Loma, CA 91701)
HAGGIS - "Can You Stomach Is?" tape
Quick, snappy hardcore with hoarse, straining vocals (works well)
and guitars distorted and fuzzed into oblivion. They cover "Dancing Queen
by ABBA! Cool. (DS)
($4 ppd: Zentrum Productions, 4890 Lakcvicw PI, Boise, ID 83703)
HOBBLEDEHOY - "Max. Marks Dog" tape
Kitchvinidlcinponielodicpopunk with song titles like "Rat Part" and
"I Like Cirls Who Smoke" and a GG AI.I.IN cover (ack). (DH)
(Gator Farm, 800 Crooks Ave. Kaukauna, \\ I 54130)
ings. London 1 1-9
(no address)
s is a bootleg of a Peel session I guess (studio record-
e sleeve scz). 4 songs total, sounds pretty good really,
et around to putting it out for real one of these davs.
NG/GERMS cover is too much! (ML)
HONCHO OVERLOAD - EP
A quiet pulsating psj ch-pop piece on the A side that would' ve may be
sounded like VELOCITY GIRL Hit weren't for the mediocre male singer.
Side two shil'ts years instantly and results in 2 somewhat directionless fast
tunes with olTkcv singing and Inlsa Hailing about, sorta sounding like a bad
SURGERY or somelhin'. (HI))
(Mud. 2801 N. Coler, Croatia, IE 61801)
mmsnms9s
sus r mtcrmm
,...<M»M»|, WW* lack*.*.
iCKy
BOYFRIENDS
ICKY BOYFRIENDS -EP
"What We H;ul" leads a set of
sic though charming slow and
.■■iiuivuiish punkcrs wild more than
llicir share «»J" personality. The simple
•i „.»« production complements the hand's
' ..™.'.^i-, sneering humor. Pretty good. (SS)
1 (C&P Records, 109 Minna SI. #341,
"mfn Sil " 1 '' ,;,ncisl "- CA "4105)
n mm...
ptttact* IDENTITY - '* To Be" LP
~~ Powcrfu|,melodiclhrasli/punk
with lots of changes and crunch. Very
are in English (although the song lilies are). The singer's gruff voice rattles
along with the quick pace of the music and no lyric sheet is provided. Definite
bonus points taken away for that, hul if you like speedy punk with harmony
you'll probably like Ihisonc. Reminds of.NOFX or early PITCHFORK. (SR)
(B-Core, Jordi. Apd. Con ens 35.221. 0X0X0 Barcelona, SPAIN)
INHUMAN CONDITIONS - "Secrets" LP
Melodic German hardcore that lias a metal influenced SoCal sound.
1 lie vocalist has a strong, clear voice which in combination with the music
reminds mcolTWASON TO BELIEVE. Thclvrics deal with love(or lack of)
(Amok Records. Droste-Hulshoff-Slr. 42, W-4709 Bergkamen, GERMA-
IRON WORKS - '•Toll/Here II Comes" llexi
The A-side sounds like PINK FLOYD, miff said. The Hip has more
danger to it, more of a heat, a punk edge that cuts and makes it a keeper
Comes with issue #12 of... (TV)
(The Village Noizc. 48-54 213th St.. Bay side, NV 1 1364-1234)
JACK WITH KILLER - "Death To Timid Pop" tape
Japanese hardcore that's quirky and jumpy and hard to get a grasp
on. I hey s«iieh between last harsh stuff and seemingly happy tunes with
goofy vocals. With no song lilies I really can't lell what's going on hut Ihey
seem to have a good attitude. (NN)
(Yoshiyuki Takahashi. 1-17-21-205 Katakura, Kanagawa-Ku, Yokohama-
■■ Kanaeawa 221. lAI'ANi
JACKONT TS - EP
BL'TTHOLE SURFER like delay effects with treated vocals hul, with
more structure. I he address on the sleeve is in Alliens, GA. Bet Ihey never
get to play with REM and Ihat ilk.(MM)
(S.O.I../Homestead)
JAWBOX - EP
This two song 7" features new material since having added a second
guitarist. Their sound has definitely developed heavily and mechanically
ringing with discordant melody. The lyrical content is abstract and image
provoking. I he sound works well with the production of Iain Burgess who
worked wilh Big Black. (MK)
(Dischord)
JOHNNY KANNIS - "King of the Surl/Pushin' Too Hard"
BEACH BOY/CHICK BERRY surf meets RAMONES type drive
makes the A-side totally enjoyable. The Hip is the SEEDS classic, done well
but not quite up to to SKV SAXON'S insanity. (TV)
(Dog Meal. GPO Box 2366V, Melbourne 3001, AUSTRALIA)
Jt'KE - "Don't Hate Is Because We're
Beautiful" EP
From the ashes of other cynical
KaslBayhands(SoupandSpent)coiiies
Jt'KE. Simple music made hy over
educated aging punk rockers. Comes
complete with a Jt'KE essay on it's
VC I philosophy which seems likesomething
ij I plagiarized from an MC5 record.
' Quirky as can be, this is hound to be a
hit with grouchy punks having large
I vocabularies. (LD)
(Lookout)
+'**&,.
Vaos*^
KINt; LOUIE KATZ - "Back of the North Wind" lape
A pleasant surprise. The last lliing I expected to hear was a bunch of wall-
ol'-soimd. fu/zcd-oul. psychedelic rave-ups! Stare al Ihegroovy cover and let
I he DiLANcsque vocals lake y on back to the 60's. (DS)
($4 ppd J. Zadorozny, 34S Pembroke Si E, Pembroke. Out KXA3K4
CANVDA)
LACERATION -lape
low growl and chuckled but the joke was
these guys aiecsp
Musically
Icasa nl change
(106 10th Ave. E., Seattle, \\ A 9X102)
KRAYONS - "Total Fucking Chaos" lape
Seems that this baud has been together since 19X8 or so. 90 minutes
ol limes combining melodic pop punk, metalh hardcore, DC style stuff and
more. (I)H)
($4.50 ppd. lo 6237 Hanky, Corpus Christi. IX 784121
LARGE - "Bring II Rack/Hate&Dcvotion"
I give them credit foi addingsaxes and slightly adventurous arrange-
ments but this is still of the "Suhl'op generation". I dunno, if you (that's all
ol "you") think you can make belter records than the JIMI HENDRIX
EXPERIENCE or R( >X V Ml SIC. more power to you. I'll be glad to listen
to your records in (en years but until then don't record! (BD)
(6717 Conway Ave., Takoma Park, Ml)
20912)
LEGITIME DEFONCE - "Don't Slop The
Madness" EP
As someone recently said to me. "Boy,
punk bands have been churning iail some
totally hot slulf for a while now, and this
debut is no exception. Quick-paced, hook-
' "I-I-J 1"".' ""H •■"" .•>.■! |« |/l HIIIK-
lion all make the grade. Top notch melodic
hardcore. (TV)
(Pans. UP 5058. 31033 Toulouse, FRANCE)
LOOTBAC - "Next IS KM" lape
Way better than average tape here. The first tune is a metallic reggae
ska dub Ihing. Then the melodic punk rock kicks in, then more ska, more
melodic punk, dub, you gel the idea. Cool lyrics, too. Tasty. (DH)
($3 ppd to Tony (;oluza.#l-507Simcoc St, Victoria BCVXV1L7, CANADA)
M.D.C. - "Hey Cop!!! II I Had a Face Like Yours" LP
A new studio recording that has MDC going back to a more straight
lorward punk/hardcore sound. A few songs. "Ill Had a FaceLike Yours" Tor
example.ai e reminiscent of the first MDC LP, while others forsake speed for
more power. 1 his is pretty good, hut the production could have been better.
(McM)
(R Radical. 2440 16th St. #103, SF.CA 941(H)
.MALI: - -No Future In 1977" EP
Originally recorded in 1977. this pur-
ports lo be the first punk recording done in
Germany. Appropriately raw, these 6 songs
are generally fast punk with really great vocals
in the vein ol Switzerland's DI.ITER MEIER
or FRESH COLOR. But, the sound is so tinny
that it's more of a lease than a rewardine
listen. (TY)
(Teenage Rebel Records. Gcrrcsllci liter Str
16. 4000 Dusscldorl" 1, GERMANY)
DT.BT03 112 nUfjfi
MAN IS THE BASTARD - "Backward Species" EP
..... .' vt ' dl ' ti<u ' d •<» permanently nail this to my stereo. SoCal's MAN IS
I HE BASTARD (formerly CHARRED REMAINS) is a ruthless, four
member unit lhal adds yet another branch lo punk...what the band likes to
call "power violence". Ihey defy any categorization though. Imagine a
iiionohlh ol twin bass guitar feedback, laced with noisy ullra-fuzz guitar
united in chaos with thundering, intricate, jazz influenced drumming. This
'^V , °r ,1 l MUlll,l '' Usl ' :llkh '' nt ' ,orr '' i,l ' il, f :v ' ,t ' alst ' i,i,1 K a <r<»t'il'es(.rhumanevil
All ol this and a dose of droning industrial suffering solidify this as a bona-
fide musical threat. (CD)
(Keocenlric Records, Dlcsdencrstr. 30, 5400 Koblenz, GERMANY)
MANACLED- EP
Httw can I put it...Ihesc guys sound like a Vermiform band. Harsh
- brash songs (hat grab you by the balls and
J don'tlct go. Pretty heavy guitar work and
an overall snotty" feel make this record
en joyable. There's a lot of in-stiidio chat-
ter that gels pretty annoying but some-
how I doubt thev care. (NN)
(Vermiform, PO Box 1145, Cooper Sta-
tion, NY, NY 10276)
TH£ NATION OF ULYSSES
•I he Birth Of
<^UNttm**£l
MEATHOOKS
MAYDAY - "The I ndcidark" EP
Cultural hardcore grind of the
post NEUROSIS school. Slowish tempos,
massive rifling, angst vocals, you get the
idea <HD)
(Vicious Circle. PO Box 3607, Langley
Park, MD 202787)
MEATHOOKS - "God Crash DOA/Beg
For Your Ass"
Not even sure what speed this
spins at, hut we'll try 33. "God Crash
DOA"isastructurediioisecollagc,hcavy
on sampled insanity, while the Hip is
more "musical", but with echocy vocals
and a ton of distortion. Could be a hit,
but this kinda strikes me as noise for
noises sake. (WG)
(Disastro Mix-N'oiseville, no address)
MEATHOUR CHICAGO I.R.A. -
"Steak" CD
A power disk jammed with dark and deepP.C. lyrics. Nineteen songs
on this disk. Giving a till ofinduslrial disco metal, but yet a sound of its own!
The I.R.A. will love their ingredients! (SM)
( Indies Records Milady Horakoue 25, 60200 Brno, CZECHOSLOVAKIA)
THE MEICES - EP
Three melodic rocking songs. "Don't Let the Soap Run Out" reminded
meof SI 'PERCHl'NK with acid inspired lyrics. "We're Freezing" hasa cool
screechy guitar solo as it fades out. "Back In Your Life" isa good JONATHAN
RICHMAN cover. (MM)
(Empty Records)
MKI.VINS - "Night Goat/Adolescent
K> ■* W ■ JHi 3»* j Wet Dream"
A representative slab of the
MKI.VINS' oxen-style musical trample.
"Night Goat" slugs you like the school
i bully on Quaaludes, while "Adolescent
Wet Dream" is a skewed garage smash.
OK, OK, I like it... (WG)
(Amphetamine Reptile, 2541 Nicollet
Ave. S., Minneapolis, MN 55404)
,*** • M()B 47 - "Racist Regime" LP
It's quick, it's thrashy. They
certainly seem more adept at their faster
material - the faster songs were more
memorable than the slower, more straightforward punk songs. I found it
refreshing; it's great that there are still some bands who aren't plavi ng to be
on SubPop or AmRep. (TM)
(Revoltation Records, PO Box 49, Scarborough, North Yorkshire, YOU
2ZY, ENGLAND)
MONOMEN - "Took That Thing" EP
Seattle-csquc hardcore rock, not too sludgy. Side one is from a
forthcoming LP, side two is a pair of "novelty" covers ("Shakin' All Over"
and "Mr. Eliminator"). Probably of interest primarily to dedicated fans and
collectors for the robin's egg vinyl and Cherry Poptart on the cover. (EW)
(Sympathy for the Record Industry)
NAKED AGGRESSION - "Keep Your
Eyes Open" EP
This is an awesome follow up to
their lirst EP. As good as that one was,
ithis one blows the other away. Great
female/male vocals which still continue
in the AVENGERS vein. (But harder),
with live politically aware songs, this is a
sure fire "pick of the litter". Great work!
(ID)
($3.50 ppd. to:Broken Rekids, PO Box
NATION Ol I T.YSSES.
The llvsses Aesthetic" El
Point one: their ae
terrorism put to action. I
analysis makes the import;
existential despair and I
Point three: they're Jouil
credible hair style. (LH)
(Discllord Records)
NATIONS ON EIRE . "Strike the Match"
LP
I can't say enough great things about
this record, lien HC. with super vocals
and highly intelligent lyrics. Possibly the
best record of the month. Sharp looking
cover photo. This is so good I can't think of
anything else to say besides buy it, or you'll
kick you i sell 'forever. Besides 'they gave us
a really nice pat on the back in the liner
notes - 1 blush. Niimero I' no. (I.D)
(Strive records. Gartciistrassc 14. 6729
Rulzehcim. GERMANY)
NEIL SMITH - |.i,e Potato ' EP
Well, Stevie Slilletlo has come a
long way since his "Blow This Taco Stand"
days. This adventure lakes in visits lo
O/.ZY'S studio where Neil records coun-
try ditties like "All the Girls Have Zits"
backed up by SOCIAL DISTORTION. A
huge audience howls their approval. Ev-
eryonc goes home completely befuddled.
(BR)
(Razor Records, P( ) Box 420X65. San Fran-
cisco, CA 94142)
NIRVANA - ■Coming Down Heavy" EP
The continuing saga.... NIRVANA bootlegs spewing rorth from un-
named sources. This one is a good quality live recording from two venues;
Hollywood Paladium 1990, and one from January of this year. Great
negative creep kind of sleeve- sil\er and black. Pick it up at your friendly
neighborhood record store. (BR)
(Blood Breath Records, no address)
NOISE CCLTVRE - "Face the Future" EP
The styles range from gruff rap-punk and VICTIM'S FAMILY-ish
jams to committed positive punk. Didn't conned with me. (SS)
(Rainer Sprehe, 1 'heo-Claas-Damm 5, 4834 Hacscwinkcl, GERMANY)
PITCHBLENDE - "Sum/Lacquer Box"
Emo pop played by some guys who have heard a SONIC YOl'TH
record or two in their lives. Veterans of many different bands, PITCH-
BLENDE are based in the D.C. area. Nice package, first release on the new
Land Speed label. (ML)
(Land Speed, PO Box 4066 Duke Sin., Durham, NC 27706)
THE PLAGIARISTS - "Disposable Girl" EP
Music is cool— sounds like early POLICE with a guitar that is too clean.
But the cheezy vocals are too much. Sounds like early new-wave/rock skinny
lie stuff. Might pass with some K nerds. (GE")
(Disposable Records, 2135 Haste Si., Berkeley, CA. 94704)
PRESSl REHEI) - "Wired lor Sound/Hcd Strap" flexi
This one's a I'reehie that comes with Flipside77. The tunes here have
a trance), drone), qua.si-psy chadclic feel which alternately sedates and
bores me, depending on my mood. I'm tired now soitsoundsOK,butIcould
see this getting on my nerves. (WG)
(Ilipside, PO Box 60790. Pasadena, CA 91 1 16)
PRIMITIVE TRIBES - "New World Death Frenzy" tape
Wow, this is good! My head was bobbing before I realized it. Mid-
paced hardcore with effective breaks and lyrics that rate high on the
punkometer. A good deal of variation keeps this release interesting and
unique. These guvs are going places. (NN)
(PO Box 785, Flagstaff, AZ 86002-0785)
RKBRBTESS35
*■_! «*■ *^ Another I'XCC
core.'); no, punk, hand nul ol Germany.
I'm into this fuller, heavier (no) l» be
misconstrued as slow, mind you), hard-
er, nol-so-perfcctl) -produced sound. Def-
initely get a hold of this, as I don't think
I'm doing them justice here, oh, and it
comes with CoiljritilUttiuil ttl. (SB)
($7.00 p|)d, c/o Corey V. Villicz, Irisstr
19, (.700 Ludwigshal'cn, GERMANY)
THE RAGS -CHINCH!! LP
Th«w ouy s say their iiilluences are the DAMNED and the DEAD
on't quite come up to those standards, but this is basically
entertaining melodic retro-punk from (Germany with English lyrics. If
they'd taken the best four songs and put out an EPit would have gotten a rave
rev iew. but the lull l.l* does drag a bit in places. (KW)
( Incognito Records, Hochlli slstr. 23, 70IMI Stuttgart HO, GERMANY)
RAINHOl SE - tape-
Melodic, metallic punk with a tinny, kinda weird, kinda neat guitar
sound. Lyrics are basically about personal frustration, and the vocals have
that strange, GOVERNMENT ISSUE cadence every now and then. (DS)
($3 pad: Mike Scully, 85 West Northrup, Buffalo, NY 14214)
itfjJirliEffil
IB
■Ulfl
■MM HMIT
■■n §j>TA"
RIPCORDZ - "Kidnoise" LP
Ever wonder how a PALLA
ABDl'L song would come across in a '77
punk style? Well, these Canadian punk-
ers did. On a more serious note, "No
Choice" deals with teenage pregnancy
and and it's tragic results. All in all, a
respectable follow-up to their first LI* of
•77 punk. (McM)
(En Guard Records. 1671 St-Hubert,
Montreal, 1'Q, H2L 3Z1, CANADA)
RISE ABOVE - "B is lor Bootleg" EP
Hard and last hardcore with lyrics that exude a disgust for meat
eating. "Where the Meat is Red" is an educational tune describing the
plausible cancerous deaths that come to those who consume. (KG)
( Warehouse c/o Jeroen, PO Box 90. 85110 Kortr'jk, BELGIl'M)
RISE FROM THE DEAD/FILTHKICK - split EP
A convergence of thundering power from opposite sides of the globe.
Japan's RISK l'"Rt ).M THE DEAD belts out a couple of brawny megaton h.c.
doses. As wicked as most Japanese thrash hands but with enough character
'•• distinguish themselves from the pack. FILTHKICK, from England,
„ger two violent exercises in early C.O.C.-land. Froggy vocals over dirty
hardcore grunge. Not recommended for the mentally unstable. MCR de-
serves a pat on the back. (CD)
(MCR Co., 157 Kanuagu, Maizuru, Kyoto 624, JAPAN)
SAMIAM-"Bcauf"12"
This new European 12" contains new songs on the first side and re-
recorded versions of old songs on the second. The production is great. It
seems as though SAMIAM have actualized their potential sound. The songs
are lull and well structured with a heavy, dark and yet melodic momentum.
(MK)
(Beri Bert, Marsh nerstr. 32, 2000 Hamburg 76, GERMANY)
SHELTER - "Quest For Certainly/Alter Forever" EP
Could it be? SHELTER doing BLACK SABBATH covers? I can just
picture w hat inspired them. Ray Cappo and company sitting in a dark room,
babbling about "the pretty colors" while staring in amazement at a purple
lava lamp. In the background, we hear Pink Floyd, Black Sabbath, and Deep
Purple swirling out of the stereo as the bong is passed from hand member to
hand member. As the walls in the smoke tilled room become less and less
distinguishable; they finally fully understand w hat complete idiots they used
to he, and decide on the spot to put out a full length LP entitled "Sticky Green
Buds". For now you'll have to settle for the bootleg. (SB)
(you got it, no address)
SHARKBAIT - "PHI. A/Total Domination. Total Submission"
'Tribal lech' (which lo me means that there's drums, right?) indus-
trial stilt t from SF. Features the usual barrage of produced iudustrialisms:
the extra percussion instruments, bin electro "whomps" endless vocal de-
canting/chanting. Or you might say. a cross between KILLING JOKE and
KRAI IWIRK.lHD)'
(Priiiiilech. 3501 California St. #204. SF. CA 941 18)
SHEEP SQUEEZE
Well, run me over with a punk rock bulldozer. These guys don't stand
in line, they 're fhe ones who cut lo he first. Full on punk rock. Screaming
vocals, messy drummer, noisj guitars. There's a cover of Bl'TTHOLE
SURFERS -The Shah Sleeps in Lee Harvey's Grave'*! You get the point.
(MM)
($3.00 Chicken Farm Records, 509 Little York-Mount Pleasant Rd.Milford,
N.I 08848)
SILLY ENCORES - "Merchant Bankers" LP
These guys show a good sense for varied instrumentation, melody,
and song-structure. ..ranging from slick melodic punk to change-of-pace
rockers. Not entirely distinctive, hut very lisleuable. (SS)
■teliel, Gcrrcshcimcrstr. 16. 41)00 Dusseldorf I, GERMANY)
SLAVE STATE - "Evil Empire" tape
Hands down this is the best tape I've heard Ibis year. Astouudingly
tight, slop-and-stai t. Black-and-Dcckcr thrash. Rabid hardcore that's a
tagteam of the best qualities of INFEST, ASPIRIN FEAST, and HELLNA-
TION. A "must get" for high speed addicts. (CD)
($3 to Mike GilTord, PO Box 1201, Buffalo. NY 14213-1201)
SLOT - "Grandma/10 Ft. Stare"
Pretty decent loud-pounding hut-still-wilh-a-laconic groove type
stuff. Imagine the TOILING MIDGETS crossed with the JESUS LIZARD
and you might come close. "Granma" also comes with el he real femme vocals
ala Ll'SII and with the noisy underpinnings, actually comes together to
result in something pretty engaging. (HD)
(Sympathy or PO Box 8(141, Ann Arbor, MI 48107)
SMEAR - EP
This three-bee gi\es you the best of both worlds: some seriously
distorted guitar noise tempered by subtly infectious, poppy rhythms. On top
of this, you get sincere, pertinent lyrics- not meandering, "confused young
adult" bullshit. Ties Wen. (DS)
(Subcorridor Records, PO Box 936, Astor Station, Boston, MA 02123)
SOILCH ARGE - "Crossing the Line" EP
Try ASEXl'AL-sty le vocals atop less poppy DAG NASTY -sounding
music. Mid-tempo melody with a slight rock production feel. Quality job.
(KG)
(42 Records, Nelkenweg 45, 7303 Ncuhauscn, GERMxNY)
SPERMBIRDS - "Ealing (Mass" LP
Maybe not quite as sharp as most of their releases, but still acut above
most straight hardcore hands. Lee Hollis's vocals still are intense as hell, and
the band still rips, hut they're experimenting a hit, which is both good and
bad. Good, in that it breaks the repitilion, hut bad in that they lose a bit of
their rage due to structural quirkiness. sacrificed for more power. Still one
of Europe's best. (TY)
(X-Mist. Meiserweg 10, 7270 Nagold, GERMANY)
SPITBOY - EP
Having seen SPITBOY play around the Bay Area the last year or so I knew
this would be a good record. I wasn't prepared for iLs absolute greatness.
Musically, it's mid-tempo punk rock with angry/raw vocals. The lyrics
reflect what it's like to be a woman in 20 century America and to deal with
rape, sexism and fear of the streets daily. I think this record will encourage
quite a few women to start bands of their own. Truly inspiring. (MM)
(Lookout Records)
SPl NK - "You Gonna Eat This" EP
This debut EP from a Houston hand sits in the over-crowded pool of
metal-tinged hardcore. Side one brings you two ham-fisted tunes with
powerful vocals, while side two gives up one charmingly catchy rocker and
one disposable funky wank. The hand has obvious talent, but seems to lack
a certain punk edge. (McM)
(Fist-O-Fury House, 8834 Winningham, Houston, TX 77055)
*»
m-xri&jimwxm.Jk.Tiar
STRA WMAN - 'Politics On The Pave-
mcnl" EP
Great debut from one of the
hist local hands. Raw vocals and catchy,
tunes. Intelligent lyrics with the kind of
meaning you don't expect from Frisco
hands. Great packaging, of course. Es-
sentia). <LH)
(Allied Records l'O Box 460683, San
Francisco, CA 94146)
STRUGGLE - EP
Yes, yes, yes, yes, yes. A way hot
7" by a San Diego band that is so intense
and emotional and unsurpassable live...
The music here is heavy hardcore with
moving grooves. The cover is a booklet
with a cool expose of thoughts, lyrics,
photos and more. Get it. (KG)
($2.5(1 ppd. Ebullition, FO Box 680, Go-
Ida, CA 93116)
-J til SUGAR SHACK - "Fearless Frat Kill-
* /»« ; J er"EP
This new three songcr shows a
iiulii cable change of direction for these boys; gone is their heavy 70s guitar
assault, now replaced by a raw, treble), almost HEAUCOATS-slyle stomp.
The title cut reveals a lad of their old "thickness", while the two llipsongs are
roikiif garage tunes. (WG)
(Anomie, l'O Box 131172, Houston, TX 77219)
~~ ' SUNSPRING - "Slinky" EP
The best bands always defy
• description. This is one of the most
creative, hardest records I've heard in
a long time! Surging, churning guitar,
"~ ' drenched in feedback and distortion,
batters against tortured vocals, stops
on a dime, staggers through someof the
most demented guitar harmonics I've
'* | ever heard, then turns on its heel and
plunges headlong back into the macl-
1 strom. Word. (DS)
JL ' '} , ($3.50 ppd: Slamdek Records, PO Box
43551, Louisville, KY 40253)
Sl'RFIV DEAD BOYS - "Surf and
Destroy" liP
This Finnish band seems rattl-
er obsessed with surf. Other than the
English lyrics this really has little to do
with the surf music genre. The 4 songs
aregaragey pop which have so me catch)
moments, but that's about it. (MC)
(Alternative Action, PO Box 74, SF-
11101 Riihimaki, FINLAND)
SURGERY - "Little Debbie/Queen To
Queen Level Three"
These guys are quickly becoming the boogie rock lords of the NYC-
Amrep-7" crowd. Take away the proto-punk/lower east side trappings and
you get basically big swagger rock albeit with an indie bent. "Little Debbie"
unapologctically celebrates these qualities down to the blooz-rock guitar
solos and lascivious subject matter, too man) riff-cliches here for me, but it
does 'rock' okay? (HD)
(Amphetamine Reptile, 2541 Nicollet Ave, S. Minneapolis, MN 55404)
tfwA@b
sail), snotty-sounding vocals help give this a
THIN WHITE LINE - "Enough Is Enough" EP
Apparently, (his band has been around for years. Four catchy songs,
musically somewhere between BIG DRILL CAR and early DA VID BOWIE
(if you can believe it). Strange combination thai works most of the time.
Incredible vocal range. From Pittsburgh... (LH)
(Smog Veil Records. 441 Fast 222. Apt 13 Cleveland, OH 44123)
THOUGHTCRIME - "Reconsider H
Clank) guitar, and nasally, si
trash) sound. (;<iod nngst-riddcii Im
hute.(MK)
(13 Powell Street, Seneca. SC 29678)
THREE STONED MEN - "Higher Than Cod" LP
David Nudclman, the enigmatic, self-proclaimed "czar of the San
Maleo folk scene", debuts with a new a new outfit determined to shake the
"new Dylan" lag. The results are pseudo-concept album about the non-
dangers of dope-smoking filled with spare, low-key rockers (and some very
unlikely cover tunes) that bring to mind JONATHAN RICHMAN, the
FUGS and even the K WHEATS. Apparently most of the pressing shipped
(Shit-()n-Fire, 380 Magellan Ave., SF, CA 941 1ft)
THUNDER MUG - "Pork Some Beef" CD
A five song CD that puis you on your feel! This thing is a rager! It's
hard to compare THUNDER MUG with any other band, so I won't! They
write songs with tousol parts and bridges. A grinding sludge part thai jumps
to a punk tune that ends with a killer lead! 1 can some it all up in one word
- "Hcllma". (SM)
(Nieuwe Inslag, 77B 4X17 GN, Breda. HOLLAND)
TOTEN HOSEN - "Learning English Lesson 1" LP
Even though litis came out late last year and is on a major, the concept
here deserves recognition. This long-standing Cer man punk band lias done
an album of covers of early punk rock. Big deal, hul....lhcy have brought in
members oflhe original hands (usiiallv the singers) to join them in a remake.
Includes RAMONES, SHAM69, HEARTBREAKERS, ADVERTS, BOYS,
999, UK SUBS, LURKERS, VIBRATORS, CHELSEA, DAMNED and
more, with other 'stars' thrown in (Ronald Biggs, Cheetah Chrome, Dick
Manitoba). Polished punk, but done in a classy way that makes it re-exciting.
(TV)
(Virgin Records. GERMANY)
UNBORN SF - "And We Don't Care" EP
This is a remake of an old UNBORNSFEP. Sound quality is poor, but
the energy level is still there. Loud and abrasive. '77 punkish style. Only 100
made so dig in fast. (SM)
(Alternative Action Records. PO Box 74, SF, 1 1 101, Riihimaki, FINLAND)
UNION MORBIDi: - "015" EP
From the moment I pul this on the turn table, I was hooked, three
songs thai deal with personal/emo kind of stuff. It's sung with truly standout
vocals which remind me vaguely of Gary Floyd (The DICKS). Good fast pace
with loads of melody . You should really try to find this somewhere. (LD)
(Let's Make Our Own Record, Vcncida'an 47, 1623 RA Hoorn, HOLLAND)
THE URGE "Sell Respect, Manners and Decency" LP
This is as described within: Pure Punk Rock. The slash and burn
guitar technique compliments CHARLIE HARPER-csque vocals. Call it
tribute lo 1977 UK SUBS. The song titles such as "I've Got No Religion" and
"Burning Church" are clear indicators of the band's leanings. The lyrics
embody strength and conviction. A good record. (BR)
(Incognito Records, Hochfiistslr 23. 7000 Stuttgart 80, GERMANY) j
SWIRLIES - "Sarah Sitting" EP
The A-side "Sarah Sitting" is an ethereal swirling mass of melody,
distorted guitars and barely perceptible vocals. "Didn't Understand" is a
MY BLOODY VALENTINE influenced atonal song sounding somewhat
off-center, and "Chris R", the second B-side cut is a wispily-sung quiet pop
lune.(MH)
(3.50 ppd., Slumberland Records, PO Box 8012, Silver Springs, MD 20907)
TECH AHEAD - "Certain Revenge" LP
Loud guitars. Thumping, bottom-y bass. Drum machine. Sorta going
for a Chicago sound. Almost shameless in that respect. Still, lots of weird
parts and good production. Nice lookin' cover too. (LH)
(Ant Arctic Records, Kirchstr. 5, 8901 Aindling, GERMANY)
VELOCITY GIRL - "My Forgotten Favorite/Why Should I Be Nice lo
You?"
Warm fuzzy English style pop. Reallv good. Neat production. Very
sweet, but kinda dark. Like if THE PRIMITIVES were still good. (GF")
(Slumberland Records. PO Box 8012, Silver Spring, MD. 20907)
VICTIMS FAMILY - "The Germ" LP
VICTIMS FAMILY always amaze me. This LP displays the usual
excellent musicianship and catch) songs with punk,j:izz and funk influences.
Most bands would lake the riffs in "My Evil Twin" and make 6 different
songs out of them. Schwartz-core to the max. (MM)
vixdic n\ i:s - -invisible Man" ep
Very cool garage |>nnk which sounds like hands such the OUEERS,
and another cci lain unnamed hand from Chicago who a certain member of
I his hand sings fur. Vague enough, for you? Neat stuff here kids, pick one up
lndav!(U>)
($3.0(1 ppd. I'O Box 183. Franklin Pk.. II. 60131)
VIIU.S4-"Undcs
ell Nichls" EP
or refined. Kind of ri
THE SWELL MAI'S
1988. no label. (KK)
III" address)
LEVEL, TV PERSONALITIES and
Jacgcrincisler kicks ass. Recorded in
\ INK )NS IAIN - "Tilt Campsite" El"
A pleasant 3 song FP w bleb brings to mind the PIXIES. Hut why do
hands insist on covering stupid bauds like The SUNDAYS (at least that's
YUPPICIDE- "Fear Love" I .1"
Big heavy NewYurk hardcore. (read that with a highcavy NY accent)
10 songs about gang hangers (thugs not rapists). AIDS, egotism, and bow the
press has labeled them skinheads. Hard billing, and intelligent. (l.D)
(Wreck age. 451 West Broadwav 2N.Ncw York.
NY 10(1121
V/A - "Als Je Hilar Maar Goal /.at" II"
Twenty hands from the Netherlands
slammed together on a lull length compilation.
Ibis slab of vilij I has a flannel style to it "that
is art rock"! Soil uf a soil punk thing with
melodies. Hands that stand out are cour-
agi:. ri vi. NCFoiGARRoTs. ami DEA\.
ONDEN, Hie harder punk thrush bauds are
IIOHWIKE. D.O.T.. and MUSHROOM AT-
TACK. I'll stick wild the harder stuff. (SM)
Ohdum. NETHERLANDS)
W AKSHIN<;TON - "First Strike'' l.l"
Ibis German 3-piece cranks along at varied tempos and has an
interesting!} heavy sound. \ ague, personal lyrics, although a satirical side
shines through on "I'm a Patriot". Definitely had my toes tapping and my
head shaking, but Ibis isn't really breaking any new ground. Strong produc-
tion and light musicianship make this better than average. Best tracks, I feel,
are "I. earn" and "Watch Yourself, for the sheer sake of their respective
power. (SR>
(HassProduktionc/oTomMarschal.HcrncrStr. 143.4350 Recklinghausen,
GERMANY)
WEIRD FEELING NUMBER 3 - "You Are Good" EP
lb ree songs on this beefy slab. Solid punk with good hooks. They
have a very early RAMI >NES influence. These guys are totally good. (SM)
(Standby "Brothers, PO Box 20034, Seattle, WA 98102-1034)
WILD BREED "live" IP
Four tracks of demented garage trash of dubious sound quality. Mr.
Nudelman's bellowing and twisted ly rjes under ly one of the few attempts to
infuse these recycled garage riffs with even a modicum of originality.
Reminds me (strangely enough) of a RANCID VAT, pointing to excessive
substance abuse as the springpool of any good music. (BD)
(PO Box 1591, Hurlingamc, CA 94010) '
WOGGLES - "I Col Your Number" EP
Superior playing and an attention to detail set this apart from the run-
of-lhe mill 60s retro record. The hand does not adhere to the strict '66 cave-
rock guidebook hut instead adopts a more refined (yet punchy) sound. This
wouldn't sound outta place on some cheapo movie from '68 and I'm sure
Mure were decent barbands doing similar stuff as late as '71. Surprisingly
good. (HI))
(Eslrus, PO Box 2125, Bellingham, WA 98225)
WOMBELS- "Too Long" EP
The title track has a fast, FUNERAL ORATION feel to it (that's a
compliment), and Ihe slow tune, "Faith," chips away at a slow, memorable
lime with piccato guitar work. Recommended. (SS)
(Incognito Records, Hochlirslslr 23, 7000 Stuttgart, GERMANY)
WYNONA RIDERS - "Some Enchanted Evening" EP
Blending mid-tempo punk energy and post-punk complexity, the
WYNOXA RIDERS deliver an appealing first single. "Childhood Games"
starts out with a CIRCLE JERKS style guitar riff and uses melody and
screamed vocals to push the song forward. "Pack Rat" is the standout cut
building tension with its minor key three chord barrage and incorporating
a honking trumpet. While that cut is short fast and to the point, "Catfish
Discipline" is nicely sung vocals, multi-layered guitar, wanky solos and
echoey hacking vocals. The first two songs, however, make this a great
release. (Mil)
(Lookout Records. PO Box 1 1374, Berkeley, CA 94701)
YUMMY- "Candy Day "45
Side It is melodic THUNDERS punk with hooks galore and some
powerful drumming and bass work. "Do Your Fix" is more cesspool oriented
with dangling raw appendages and small furry creatures bludgeoned all
about their heads. Good stuff. (BR)
(Bag of Hammers Records, PO Box 928. Seattle, WA 98111)
V/A- "Chickcnsbit Conformity" tape
This is what happens when people drink loo much Jolt. Strange
'spoken word' things and strange 'musical' things. •Hands' like EEYORE
POWER TOOL, SHU, PIKE, and GANG OF PORK. Actually quite
entertaining in a .jiinior-highsrhool-hulhroi mi-humor kinda way. This would
sound way heller after a eolipla foul lies. (DH)
(Burping Turds Cassettes & Cheese, 635 Princeton l)r, Sunnyvale, CA
94087)
V/A - "Clamcbowder + Ice vs. BigMacs + Bombers" LP
Kooky compilation with all Canadian hands on one side and all IS
hands on the other. IS side mostly covers the pop/garage/surf (and all
combinations uf) genres and includes HEAT HAPPENING, the DEVIL
DOGS, local heroes the MUMMIES doing a faithful version of DEVO's
"Uncontrollable Urge" and Ml DHONEY doing a straight surf instrumen-
tal. The Canadian side has some slightly more noisier fare in the contribu-
tions of NO MEANS NO and SUPERCONDUCTOR as well as stuff in the
aforementioned genres courtesy of SHADOWY MEN. the GRUESOMES,
etc. All u ii released stuff and really worth vour while. (HD)
(Nardwiiar. POItox 27021, 1395 Marine Drive. W. Vancouver, BC, CANA-
DA)
V/A - "Die Baudmappe" tape
A project of Tubebreak magazine, Ibis is designed to give worldwide
exposure to uukuow u German hands. Musically, this is all over the map, so
with eleven hands and twenty-three songs you're bound to find something
you like. (DS)
(Tubebreak. T. Paul. Auerstr. 29. 8201 Neuheiiern, W. GERMANY)
V/A - "Dope. Guns, and Fucking in the Streets, Vol. 4-7" LP
A pretty wonderful compilation of the last four "Dope. Guns, ..."7 ins;
Sixteen exclusive tracks total including sonatas by HELMET, JESUS LIZ-
ARD, DWARVES, MIGHTY CAESARS. JONESTOWN, and oodles more.
Standouts on m during the MEI.VINS pou tid-
ing "Euthanasia", the swirling INS ANE cut. —
and GAS HI ITER'S janiuiiii' "Before I Kill
Again". Fun for the whole family. (WG)
(Amphetamine Reptile, 2541 Niccolel Ave. S.,
Minneapolis, MN 55404)
GRIN£> EM DolVAi'
V/A - "Grind 'Em Down" LP
A luck load of bands from Oz on a skate
comp that seems to have zip to do with skating.
A plethora of different styles here, super-fast,
plain old 3 chord and core, and one icky funk
tune. A little something for everyone from
ditching school to surf to why war is had.
Includes BASTARD SQUAD, PERDITION,
LIFE AFTER REAGAN, ORDER OF DE- f
CAY and more. (1.1)1
(PO Box 743 Norwood. S A. AUSTRALIA)
V/A - "Guns n' Roses Punk Rock Roots Vol.
1" IP
From the vaults of Seattle comes this
bootleg collection ol'hard to find punk classics
from the No Threes Record label. Two cuts
from the VAINS' "3 Action Hits" single, one
from the THE SILLYKII.LERS ("Social
Bitch") and the FASTBACKS doing "It's
Your Birthday". Excellent raw fast spit-in-
your-face punk that still sounds great. (MH)
^t&a^*,^
REVOLVER. USA
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Item; then .50
I
PRODUCTIONS
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FROM THE
,vj „• END OF '91
' . '.VITH AN
- •.- ' ADDED
CHAPTER OF
HARD
HITTING JAIL
WRITING.
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BY SPEW:
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CITIZEN FISH
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BETWEEN THE LIONS
Reviews by (MS) Martin Sprouse, (LH) Lance Hahn, (JX) Jux, (KO) Katy Odell,
(HH) Harold Hartmann, (TM) Timojhen Mark, (MW) Matt Wobensmith (MM)
Mike McNiel, (SB) Suzanne Bartchy, (SA) Steve Aycock, (JD) Joe Donohw
When sending in a zine for review,
please include a complete address
and a post paid price.
GOAR#5/$5.00ppd
8 x 12 - offset - 68pgs - German
Strange to say some lines appear just too slick, and this is one of
them. It comes across with that reek of "money". Articles on plenty
of bands, to name a few; Gwar, Go, Dead Moon, Hard-Ons, Helmet
Urge, God Bullies- lots of reviews and ads. (HH)
Goar / c/o Mingo Diener / Postfach 3/6601 Saarbrucken-Scheidt /
Germany
VERAKANT #4 / $2.00ppd
5 x 6 - offset - 28pgs - Dutch
A colorful zine from Holland, this issue reviewing films from the
Rotterdam Film Festival, and articles on the bands, The Killek Pearl
.*)?' Antiseen . ™<< Gun Club; plus record reviews. (HH)
J.C. Vera / Oosterstraat 44 / 9711 NV Groningen 050-128776 /
Holland
YUPPIEKILL #2991 / $4.00ppd
8 x 12 - offset - 48pgs - French
There is a lot of punk to read in this zine, a long letter in someones
journal about Green Day, an interview with Mike Bullshit of Go
spending a weekend with Shonen Knife, plenty of reviews of shows'
records and zines. (HH) »-"w»,
Yuppiekill / c/o Gwenael Rattke / 3 Rue Isidore Louveau / 35700
Rennes / France
GRIEZL#3/$2.00ppd
5 x 6 - offset - 28pgs - Dutch
Some fanzines are amazing just for the amount of creativity that goes
into them, and this is one of them. Simply excellent for the graphics
and layout, plus comes with a smaller 28 page booklet attached to the
zine that includes all the record reviews. Interviews with Coffin
Break, Firehose, Shimmy Disc, and Spermbirds. DIY' (HH)
HoUmd' c/o ^"l ' Madoerastraat 12B / 9715 H6 Groningen /
CONFRONTATION #2 / $3.00ppd
8 x 12 - offset - 60pgs - German
This issue has sexism as it's main theme, from the front cover of a
picture of a nude woman straddling a motorcycle with purchase bar
codes covering her private parts to the last few pages, an interview
with two women who work at the Mannheim Women's House
Interviews with Hammerhead, Upside (Italy), Profax, and SFA
«™ y S record reviews - Cam *s w>U) Profax 7" if you send them
>B.uu. Hope to see more issues of this zine! (HH)
Equality Records / c/o Corey ViUiez / Iris Sir. 19 / 6700 Ludwig-
shaven / Germany 6
SINCE#4/$3.00ppd
8 x 12 - offset - 52pgs - French
Aslick well-produced rock'n'roll zine, this one has articles on the
Cramps, Toy Dolls, Black Rag, Hard-Ons, Guns'n'Roses.and Gun
Club. Has plenty of record reviews, ads and addresses. (HH)
Bee Pee /! Place Genevieres/ 59000 Lille/ France
OX#ll/$4.00ppd
12x18 - newsprint - 36pgs - German
Upright Citizens cover the front page of this newspaper like zine
Tons of info, over 200 record reviews, plus reviews of T-shirts
zines, tapes, comics, and videos. Interviews with Violent Arrest]
Hallraker, Upright Citizens, and Triple X records. Plenty of ads and
&gmbaio d mm 8 " comes Wim 4 band 7 " tSamtam ' Rise ' Abs '
Ox / c/o Joachim Hiller / Joseph Boismard Weg 5 / 4300 Essen /
Oermany
BLAST#6/$4.00ppd
8 x 1 1 1/2 - offset - 52pg s- Italian
A professionally put together zine, has an article on Cro-Mags'
singer, John Joseph who has joined the Hare Krishnas, Poison Idea,
Smashing Pumpkins, plus an articleon the label Iloky, the Clash and
a Rawpower scrapebook. Zine also has horror film reviews (HH)
Blast/ Via EQ Visconti 20/ 00193 Roma /Italy
WISCH-MOB-ZINE #6 /$5.00
8x11 1/2 - offset - 44pgs - German
A pretty cool zine from Germany with feature articles on No Means
No, Coffin Break, and Grey Matter. Has record and zine reviews a
crossword puzzle and comes with a Noise Culture 7"EP (HH)
RalnerSprehe/Theo-Claas-Damm5/4834Harsewinkel/Germany
ALIEN REALITY #4 / 3 stamps
8 1/2 x 1 1 - copied - 34 pgs.
Finally someone attacking the stupid "Hate Crime" ordinances.
And offenrig some great pieces on Dahmer, Hardline, poetry and
real y, really cool drawings. This zine is definitely worth getting.
lake / 383 17 Sunset Dr. / Ocon, WI 53066
GARBLES #2 /$1 ppd.
5 1/2 x 8 1/2 - copied - 28 pgs.
Bloody fucking great comics in this UK rag. Almost scary Also
some reviews and an interview with All You Can Eat Not alot here
but what there is, is good.(JX)
5 New House Close / Caterbury / Kent / CT4 7B0 / England
LIZARD'S EYELID #winter / $2.75ppd.
8 1/2x11 -offset -24 pgs.
OKAY-it's celebrity week here at zine reviews. This one's got an
interview with Charles Bukowski (that might not be bullshit)- a
summer travel diary that includes Lollapollooza and small town
rednecks; an interview with tattoo artist Lou Lombi; games- advice
to presidential hopefuls and the Wussies. Above averare (SD1
POB 8561 / Jupiter, FL 33468 * ' y '
THE UNMENTIONABLE #13 / $2.50 ppd.
5 3/8 x 8 - offset - 88 pgs.
There's some people In Santa Cruz who are really into doing things
and Kelina is one of them. This is the latest of her attractive and
unconventional zine. One of the refreshing qualities of her work is
that she actively encourages input from her readers by doing mailout
surveys concerning people's sexual mores or what have you open-
ing doors for whole possibilities of information. She always wel-
comes submitted artwork as well. One highlight is the reproduced
graffiti from a girl's bathroom wall at UC Berkeley You know I've
always wondered... (JD)
Kelina / POB 72 19 / Santa Cruz, CA 95061
JUST EVERYTHING #2/2 stamps or a strange family picture
5 1/2 x 8 1/2 - copied - 40 pgs.
Wow, an Easfbay zine that's not a Cometbus ripof f and still comes
across fuckin cool. Actually, its got astrange kinda of humor linklne
it all together. Uke the story about Telegraph hippies, misquote!
trom Filth, proper drug use, the 3 reviews, suffering In the art
industry, tattoos, and a guide to the "How to be Punk Rock Hand-
book book. Cyrus puts alot here so check It out already ( JX1
PO Box 8591 / Albany, CA 94707 ' '
BLUE RYDER #22 / $2.25 ppd.
8 1/2x11 -offset -40 pgs.
A lot of thought ammo here. Blue Ryder is a kind of Vote Reader for
people who are aware of the last twenty years of history, providing
an alternative media forum from various sources consisting of
various opinions and perspectives. There's libertarian articles on
Christian police states, interviews with racist skinheads on how they
feel about David Duke, Ace Backwards comics and a satirical look
at Disneyland among other bits. Due to the collective nature of the
fJDi SOme atures ***• of couree ' be,ter P" 'ogether than others.
Blue Ryder Network / POB 587 / Olean, NY 14760
DETOX #1/ $3.00 ppd.
8 1/2 x 1 1 - copied - 64 pgs.
This zine deals with interviews and nothing else. Included herein are
Cosmic Psychos, Aussie record label Dog Meat, Einsturzende
Neubauten, Hellmenn, Low Meato, Noose and Poison Idea It's
always refreshing to read the comments of Pig Champion Poison
Idea's Mr. Friendly. (JD) r . » »>«
POB 666 / Indoorpilly / Q 4068 / Australia
FLIPSIDE #77 / $2.00 ppd.
8 1/2 x 1 1 - newsprint (glossy cover) - 120 pgs.
The highlights of this issue are the better interviews with Hole and
Naked Aggression, the Dwarves tour diary (done by Thorn in which
we see the more sensitive side of these thoughtful musicians) and
cooking with the Jolly Roger. The Rog. gives some info, on how to
have fun with Ma Bell (to be applied in theory only, of course) in the
not so straightest sense. Also included are Das Klown, Electric
Ferrets, Paul Bearer, Stinkerbell, Victim 's Family etal. Also find out
the dirt on Kelly from Stinkerbell and Bladge! (JD1
POB 60790/ Pasadena, CA 9 11 16
TRUKPEZ#3/$1.00ppd.
8 1/2x11 -offset -24 pgs.
Truk Pez is neat for a number of reasons. First, and most importantly
they have a Pez of the Month (this issue it's Spiderman). It also has
reviews of Eighiball and Hate comics, a Peter Greenaway interview
(that English guy who makes the really arty but sick movies about
cannibalism, murder and circumcision. No, I don't know how they
got a hold of him but it's not pirated.) and some words from Detroit
rude boys the Deceptions on ska, art and death. Also the Didiits
Fishbone and Victim's Family. (JD) '
POB 1746 / Royal Oak, MI 48068
BUNDLE OF STICKS #4 / $2 ppd.
5 1/2 x 8 1/2 - offset - 64 pgs.
Irs notsomuch the great lettersection asTeg'sresponses thatmakes
ttus issue standout. Some can be alienating and condescending but
others offer a cool perspective on queemess AND non-queemess
1 om J offers the best insight I've read on punk and the response
about non-sexual relationships had me thinking for days. BOS also
nas lots of homoerotic stories, poems and reviews. The thing that did
oother me this time around was the noticeable absence of women I
TvS5™ a ^ be "' least a contributor or something..Anyways if
ANYONE out there likes letters from readers and personal relation-
ships, then this zine is for you. (JX)
54 South 9th St /Suite 132 /Minneapolis, MN 55402
FURTHER TOO.. #2 / $1 .50ppd.
5 3/4 x 8 3/4 - copied - 24 pgs.
^ CW H. al . an ^ > ? ous ^ daUm « wifll P°P. «« ««1 football
(soccer that is) in Europe and various other places. Detailed in here
are Moscow s home team, Spartak, as interpreted by a resident fan.
band interviews with Velvet Sidewalk, Pitchshifter and Daisy Chita.
saw. Also some bits on punk vinyl rarities. ^^
Not as boring as it may sound. (JD)
40 Darwin Ct /Barlow St. / London SE17 1HR / England
THE ONE AND ONLY BULLET ZINE #2 /$2.00ppd
5 3/8 x 8 1/4 - copied - 38 pgs.
This is a German skate zine (in German) that for the most part
explores the world of Euro skating while interviewing such Amer-
icans as Tony Hawk. There's some political stuff here too and
reviews of underground videos. Their slogan is (written in English)-
RESISTANCE IS USELESS BUT KCTrTNG (JD) ''
c/o Moritz Gottwald / Ritterstr. 14 / 3572 Amoneburg / Germany
SOULLESS STRUCTURES #5 / $1 .OOppd.
8 1/2 x 7 - copied - 44 pgs.
Preachy zine that concentrates on politics. There is one essay here
which states that the government has norighl toprohibit people from
taking drugs, stating that people can do to themselves what they
please and then three pages later the same author tells me I can't
smoke tobacco. I guess it could be said the Soulless Structures staff
isn't passing laws keeping me from smoking. Not yet anyway so
maybe my concern is unnecessary, but time will tell. Still, Michael
and crew have got guts arguing with Nazi's at a David Duke rally
Put your march where your mouth is! Thoughtful book reviews
interviews with fellow zine makers, etc. (JD)
550 Pinewood Dr. / Pendleton, SC 29670
KEEP LAUGHING #4 /$1. OOppd.
8 1/2x11 13/16 - copied - 20pgs.
Keep Laughing Is also titled Positive Peer Pressure Zine, which is
the stupider of the two titles, so I'll just leave this one. This is a
Belgian zine that has been translated into not always so precise
English. All the bands and whatnot interviewed are asked if they are
either vegetarians ornon-smokers. Interviewed are Endpoint L4 F
Records, Otherwise and the Dark Side. Some interesting comments
on racism in Eastern Germany and its economic roots. Yes this is a
S.E. zine. (JD)
Hans / J. Demeesterstraat 33 / 8800 Roeslare / Belgium
STRANGE DAMAGE #8 /$1 ppd.
5 1/2 x 8 1/2 - copied - 52 pgs.
Yes, there are losers, and sometimes they do zines. Like this one
And it snot likehesaysbe'sa loser, it just kinda comes across.From
one line letters, to stories, plays, quotes, a strange survey, and road
trips. Also some interviews with Eeyore Power Tools and Gang of
Pork, with some actually interesting questions. And It's sIopdv
enough to be cool. (JX)
635 Princeton Dr. / Sunnyvale, CA 94087
KINGFISH#l/$.50ppd.
5 1/2 x 8 1/2 - copied - 36 pgs.
From the house that brought you a corpse - Oh wait, she moved out
before that happened...Anyways, straight from Sam's heart comes
entertainment 'bout insomnia (fun), comics (funnier) and Sad Brad
(funniest), a story about his nervous breakdown and a crazy mom.
There's also record and movie reviews. And cool-ass dra wings. Get
PO Box 14841 / Berkeley, CA 94701
PEASANT LICKER #6 / free
5 1/2 x 8 1/2 - copied - 20 pgs.
Mr. Licker thinks It's punk of us to do one sentence reviews of free
zines. I'll try. This is mostly a review Issue. Which is OK. And to
save on space they only do the ones fhey Uke. Except for my record
which they didn't like and a Crimpshrine split which they alsodidn't
like. But hey, this isn't influencing my review. It has alot of news
clippings which are annotated (talked about) and a self portrait,
which explains the bad taste. Actually, except for the one record
review and John's erection, I liked this zine. Hell, I might even trade
emarecordforit.(JX)
442 Route 146 / Clifton Park, NY 12065
REALITY CONTROL #5 / 3 stamps
5 1/2 x 8 1/2 - copied - 44 pgs.
Fun ass cover of someone stage diving into a dumpster. And inside
you ' II see more photos, actually alot, and also some stories like what
to do with your life and job, fun things to do, and general Santa
Barbara kinda sniff. There's also a piece about not judging punks by
what they wear and how they look, but it failed to mention how we
do that with suit and ties, jocks, etc.A quick zine, but cool (JX>
5970 Birch #2 / Carpinteria, CA 93013 V '
LOVE AND RAGE - Vol. 3 No. 1 / $1.00
newspaper w/ seccion en Espanol
AU the usual in depth coverage of international resistance and
struggles. What makes this a standout is the consistency and read-
ability of the timely articles. I have to say that the addition of the
A.Y.F. page gave this paper a breath of fresh air (as self-described,
it s funny and sexy). I'd like to see the return of a more humorous
tinge throughout the paper, which gives it the vibrancy which so
many political papers lack.(SB)
PO Box 3 / Prince St. Station / New York, NY / 10012
AM I TOTALLY NORMAL TOO? #2 / $3 ppd.
5 1/2 X 8 1/2 - offset - 44 pgs.
Ever notice how people can be so different, but at the same time be
so simitar? How about how different punks are from Normal people,
but then how similar we make punk mimic normalcy? Yeah, that
strange contrast is kinda what this zine's about But not in a serious
way, more like that dark humor Cleese and friends do so well. An
example: A comic strip about a hero with comments about what it
was like as a kid to want be that hero, but knowing you were even
inept at simple sports, yeah, you remember.. In fact, this zine is
"bloody heir amazing) So get it. Oh, the price? Well, I haven't
bought a 7" lately, that I* ve liked as well as this zine, if that gives you
any glue. (JX)
BM CRL / London WC1N 3XX / England
IT #23 / 1 stamp
7 x 8 1/2 - copied - 8 pgs.
It is small, but it has less than you mink. It's a collage type punk
thing, but I really didn' t get much out of It. It's from Tulsa, so maybe
it's a local thing.(JX)
PO Box 472084 / Tulsa, Oklahoma 74147
PINCHPOINT mil* stamp
5 1/2 x 8 1/2 - copied - 28 pgs.
Cool thing about mis zine is toe editor. Chuck Damage, comes
across as, well ah, cool. Not like the "hey look at me and imitate"
kind of cool, but more like interesting and personable. Which you
notice when talks on what it was like to be sexist, or rethinking
Nirvana. There's alsosome good stories and aGodBullies interview.
So, I guess this zine is, well ah, cool. (JX)
PO Box 69 / New Boston, MI 48164-0069
THE BIG TAKEOVER #9 / $1 ppd.
51/2x81/2- copied - 16 pgs.
High School and its infinite uncoolness is the focus this time around.
The letters are pretty much local kinda stuff but mere's some
amusing anecdotes from school days too. Captures the feel of high
school pretty fuckin well and hey this zine's gotta be good cause it's
banned from their own High School. (JX)
10 Dahl St. / Warren, PA 16365
VEGETARIAN SKATERS FOR SOCIAL RESPONSIBILITY
#6/ $.75 ppd.
5 1/2x8 1/2 -copied- 16 pgs.
The previous five issues came out several years ago by some
students in a Humboldt collage. And this issue is kinda the "where
are we now" issue. And it comes off pretty Interesting. It should/
have/could have been longer, through. (JX)
9SS Page St. #3 / San Francisco, CA 941 17
FREAK ANTIZINE #2 / $1 ppd.
8 1/2x11 -copied -32 pgs.
Do you like freaky, deformed, mutated, gross, ugly, disgusting
photos of gross mutants? Well then this must be your place. In
between stories you'll find those awful / great photos. (JX)
431 W. Johnson apt 1 / Madison, WI 53703
EDITH #1/ $1.50 ppd
8 1/2" x 11" - copied - 42 pgs
Any zine that numbers it's pages so I don't have to count them
automatically gets a good review. This zine deserves one anyway.
It's got all kinds of neat stuff... there are band interviews (Kicking
Giant, Bikini Kill, Nation of Ulysses, zine reviews, and show
reviews. The fun starts with all kinds of neat editorials, recipes, and
a good review of the last Star Trek movie. High in fiber and low in
saturated fat. That last sentence doesn't mean a damn thing. #2 is
also available. (KO)
1 Mead Way / Bronxville, NY 10708
SUCKS TO BE YOU #1 / free!
5 1/2" x 8 1/2" - copied - 20 pgs
Wowl This is fucking awesome! Not just awesome, mind you - but
fucking awesome! Basically, this is the most inspirational tome I
have ever seen, full of well- written articles by punk women from all
over the world that discuss their roles in the subversive cultures of
their various locals. With somany different voices of so many varied
backgrounds, this is really groundbreaking and not in the least bit
dogmatic. Also, I must commend the graphics - some of them really
moved me. (KO)
Happy Huntin' Productions - C/O Andrea Solano / PO Box 19654
/Denver, CO 80219
SUBNORMAL #1 / $1.00 ppd
8 1/2" x 11" -copied - 12pgs
Sloppy and kind of thrown-together looking, I still think this one has
promise. The theme of this issue is sex - sexual freedom and anti-
censorship editorials being the bulk of the zine. One point I
particularly agree with is that we cannot be really free and in control
of our bodies until prostitution and pornography are fully legal. (KO)
C/O Bruce E. / PO Box 602 / Normal, IL 61761
ATMOSFEAR #6/ $2.00 ppd.
81/2x11- copied - 20 pgs.
A grindcore/crust kinda punkzine, but mostly music, with a couple
political editorials. Features Disrupt, Resist, Capitalist Casualties,
Embittered, and 976. Excellent print quality and layout. (SA)
Denis Cullen / 3 5093 Maidstone a. /Newark, CA 94 560.
BLACKBELT TECHNOFIX #1/229* stamps
5 1/2 x 8 1/2 - copied - 28 pes.
This is a very intelligent zine here. The fact that the editor is currently
in college as he does this probably explains why the writing here is
so darn intellectual, but it is definitely readable as far as squids like
me are concerned. Excellent essays on sociological topics, econom-
ics, freedom and such, but don't let the labels turn you off from
reading this, cuzl found it fascinating. And to top it off, the cartoons
rule! Urn, check it out. (MW)
Jason Read / Box 763 / Hampshire College / Amherst, MA 01002
THE BEST OF TOUCH AND GO $4.00
8 1/2 x 11 - newsprint - 64 pgs.
Believe it or not, one of the best early 80's hardcore/punk zines came
from the mid-west and was edited by none other man Tesco Vee.
This collection of interviews, comics, photos and ads make for a
great blast from the past. If you' ve never saw the zine then this gives
you a good taste of early 80' s hardcore and Tesco' s sense of humor.
My only complaint is that this could of been at least three times as
thick without being boring. Comes with free 7" (see review section).
MS
Selfless Records / 8827 Hanford, Dallas, TX 75243
FUR BEARING TROUT #0 / $3.50 ppd
8 1/2" X 7" - copied - 44 pgs
Jeepers, this is really good. First of all, it's funny and sarcastic as
hell. Then, it's got cool interviews with local Queer Nation activists
and a zine called The Third Side, erotic fiction staring Betty Page,
great zine reviews. And if THAT isn't enough, let me tell you that
this is the nicest looking thing I've been farced to review in a long,
long time. Oh, the theme is something about being pro-sex, omni-
sexual anti-censorship but isn't limited to just that. This makes me
ever so happy. (KO)
23 Nelson St. #3 / Kingston, ONT / K7L 3W6 / CANADA
NOT YOUR BITCH #7 1/2 / $2.50 ppd
5 1/2" x 1 1" - copied - 52 pgs
This is a sort of "Best Of" issue, although I'm not exactly sure what
that is supposed to mean. Like Y ve said the last three or four times
I re vie wed this zine, NY B is a rough, very basic, punk chick feminist
rag that has short rants against just about everything a feminist could
possibly complain about. By "short" I mean one or two paragraphs.
On one hand, this keeps us from getting bored - on the other, I get a
little confused because nothing is explained very fully. For example
- 1 know that at least one of the women who writes for this has/had
a son named Roan Chaos something - or - other, but they've never
explained what that's all about and what happened to him. (KO)
SOMEBODY THREW AWAY THE FUCKING ADDRESS!
[1276 Wilson Ave #230 / St. Paul MN 55106?]
DISHWASHER #5 / 2 stamps.
5 1/2 x 8 1/2 - copied - 20 pgs.
Kinda cute idea (short stories about dish washing). Thekind of stuff
most people can relate to. I was a dish washer and it sucked. A good
read even though I'd almost rather forget. (LH)
Pete / 1825 11th St. #6 / Areata, CA 95521
THIEVES AND PROSTITUTES #5 / no price listed.
8 1/2x11 -copied- 12 pgs.
Lame Christian zine. Not punk. (LH)
4009 Johnson St. / Hollywood, PL 33021
CHAIN LETTER #2 / $1 ppd.
5 1/2 x 8 1/2 - copied - 32 pgs.
The only kind of chain letter I like. Okay, the high point here are the
comics. Totally rad especially "What Fate Has In Store". Very cool.
(LH)
PO Box 72671 / Las Vegas, NV 89170-2671
GOOD AND PLENTY #7 / $2 ppd
8 1/2x11 -offset -60 pgs.
No way. This has got to cost more than $2. This zine never stood out
that much for me. But this time around, it's really catching my eye.
First of all, the band coverage seems to be a lot more diverse (not
strictly SEHC). Second! y, the photos are pretty great. Great printing
and a great zine even though I still hate the candy. Hey, where do I
get a "Straight Edge Isn't Cool Anymore" t-shirt? (LH)
2 1 1 6 Salem / Zion, IL 60099
FLEM#2/$lppd.
5 1/2 x 8 1/2 - copied - 44 pgs.
Not the most detailed commentary, but this is pretty fun to read.
Interviews and editorials with lots of personality and fun sloppy
layouts. It's about time someone took a stand against these glitter
punks I (LH)
PO Box 193 / South Milwaukee, WI 53172
PAGAN PLACE #4 / $1 ppd.
8 1/2 x 1 1 - copied - 22 pgs.
Kind of a cool mish-mash. Experiments in writing. Sometimes
interesting. Sometimes funny. Sometimes I skip to the next page.
Enough to keep me pretty interested. (LH)
Trevor Wagon / 626 Beverly Road / Brooklyn, NY 1 1218
BAYOU LA ROSE #37 / $3 ppd.
1 1 1/2 x 18 - newsprint - 48 pgs.
How much Peltier news can you take? Actual! y, it's pretty great that
this anarchist publication is still pumping out. Lots of news and other
snips of info. At times it can be pretty dry. But that doesn't make the
issues any less important. (LH)
Heart of Angiolilk) / PO Box 5464 / Tacoma, WA 98405-0464
LIVE WILD OR DIE! #3 /$3 ppd.
I I 1/2 x 18 - newsprint - 44 pgs.
Jesus, when was the last time this hush puppy came out? At any rate,
this another of the well-known, big-sized anarcho papers. Lots of
news with more of a Santa Cruzian bent (if you get my drift... tree
hugging and stuff). Still, I can 't slag off this kind of effort even if it's
not the most up-to-date or regular. Lots to read. (LH)
PO Box 329 / Santa Cruz, CA 95061
PUDDLE FANZINE #7 / $1 ppd.
5 1/2 X 8 1/2 - copied - 36 pgs.
If you're not familiar with Puddle, you're really missing out. Not
only does Chrisser do neat layouts with crazy artwork, but he's got
a lot to say too. No Earth shattering revelations. More like having a
good long conversation with a friend over coffee. Not to be missed.
(LH)
PO Box 14841 / Berkeley, CA 94701
FAMZINE REVIEWS
WIND CHILL FACTOR #5 / $1.50 ppd.
8 1/2 x 1 1 - copied - 50 pgs.
This is a zine of the burly variety, so the price above is my guess
about postage costs. It's free, you know. At first glance I expected
to be assaulted with rhetoric from the anarcho-crustoid vein, but this
turned out to be quite informative, entertaining, and sincere. This
thing is fucking packed to the gills with news clippings, columns,
angry slogans, and the like. I was glad to see that the content here is
aiming to provoke change rather than pointless bitching about how
fukt the world is. Great zine, kids. (MW)
POB 81961 /Chicago, IL 60681
DEEPSIX SUPERSTITION #3 / 2 29* stamps
5 1/2 x 8 1/2 - copied - 28 pgs.
Hey, I really liked this one! The editor uses most of the space here
to vent his frustrations and views, which has the potential to be
boring, but there is alot of writing here worth merit. Subject matter
revolves around masturbation, sex, homosexuality, sex, and some
reviews, too. While this is kinda small, it holds your interest all the
way through. Cool. (MW)
Alejandro deAcosta/POB 391 /Hampshire College /Amherst, MA
01002
BAG O' STINK / $2.00 ppd.
5 1/2 X 8 1/2 - copied - 18 pgs.
Comprised almost entirely of of fbeat and bizarre news clippings and
articles, nothing here was particularly gripping or novel. It seems to
be a recent trend in zine-making to construct a zine all out of other
people's stuff, and I think it has to be exceptionally different in order
to distinguish itself from the pile. This ain't bad, but it seems like a
side project. (MW)
Popular Reality / POB 2942 / Ann Arbor, MI 48106
CYGNET COMMITTEE #3 / FILTHY MOUTH # 1 spUt zine /
2 29* stamps
5 1/2 x 8 1/2 - copied - 36 pgs.
You know it's a punk zine when you start flipping through the pages
of a "split" zine - neat concept. Cygnet Committee is made up of
some pretty fucking angry writing, dealing with gender, scene
hierarchies, and some severe alienation. I have to give this woman
some credit - it takes alot of guts to be able to spill your beans on
paper for everyone to read, and I admire her for it. Filthy Mouth starts
out with a more sarcastic, shock-value approach, and it ends up
working well. Good piece on being bisexual, and a pissed off look
at religion. I think these zines' publishers are homeless, and that
might start to explain the incredible angst contained within. Any-
way, they're pissed as hell. I can identify with this. (MW)
POB 684 /Mankato, MN 56002-0684
POPULAR MECHANICS #1 /$1.19 ppd.
8 1/2 x 1 1 - copied - 18 pgs.
This is another of those zines comprised of wacky news clippings
and weird flyers and such. I suppose someone could defend this sort
of publication as a Dadajst artistic statement, but in general it comes
off as being kind of scatterbrained and distracting. This can be bad
if you intend for someonetoactuallycgailyour zine, but if this is what
you're trying to express, well then so be it. Check out some of these
twisted flyers - it's a scary world out there. (MW)
Nick Johnson / 945 E 43 / Eugene, OR 97405
BEN IS DEAD - #18/ $3.00 ppd.
8 1/2 x 1 1 - printed - 64 pgs.
Darby and company have completely out-did themselves with this
glamour issue. Beauty tips, interviews, (Glue, Goddess Bunny, J.
Vallance, and J. Alberti), and much more. BID has become the best
zine ever. Totally great cover. (MM)
PO Box 3166, Hollywood, CA 9002
SUBURBAN WASTELAND #2/ $.75 ppd.
8 1/2 x 1 1 - copied - 24 pes.
This must be kind of the "Japanese issue"- features interviews with
Shonen Knife and Public Bath. Has comprehensive discographies
of the above, plus some record reviews. Neat, simple layout- well
worth the price (free locally). (SA)
Jon / 2161 Bunker Hill Dr. / San Mateo, CA 94402.
CRYPTIC TIMES #3/ ?
8 1/2x11 -offset -95 pgs.
A massive and very comprehensive music zine carrying on in the
'60's garage/psych/punk kind of tradition, but in an inclusive sort of
way. Covers way too much stuff to list, but has page numbers and
a table of contents, which is great, esp. for a zine of this size. (SA)
23 Nelson St. #3 / Kingston, Ont. K7 3W6 Canada
THINK AGAIN #1/ $1 .50 ppd.
8 1/2 x 1 1 - copied - 56 pgs.
"A Hardcore and power pop zine covering as many rides as
possible. " I'm glad they're trying to be open-minded, but I wonder
what "sides" they're talking about. Is going to be another forum for
mindless debate? Not really- it's mostly music (411, Down By Law,
etc.). Readability is no problem, as the layout is of the shit-simple,
black&white, all bold type variety. (SA)
PO Box 1223 / Claremont, CA 91711-1223
TEENAGE ANOREXIC SEX GODS #8/ $3.00 ppd.
8 1/2 x 1 1 - copied - 44 pgs.
This was addresed to Jeff Bale (sorry, but he doesn't do these zine
reviews) and fans of his column might dig this. Full of punk/rock
kinda stuff with a very '70's punk' layout, which is cool. (SA)
Dimitri /78 Pleasant St. / Cambridge, MA 02139
HOUSE OF PAIN #7/ $2.00 ppd.
81/2x11 offset - 44 pgs.
This is a quality publication. Slick cover, tho black & white, good
printing, good writin', and fun layouts. Has i-views with firehose,
Rollins, U.K. Subs, and Trusty and tells a little about the local
'scene'. (SA)
PO Box 120861 /Nashville, TN 37212.
SBT INC./ SPONGE ON THE BRAIN # A/ $1.50 ppd.
81/2x11 -copied- 32 pgs.
Good. Basic uni-staple design, full of issue-oriented columns and
articles, punctuated with cool collages. Does have music stuff
(sparse reviews + Born Against & Screeching Weasel int.'s) but the
articles A graphics are the best. But which part Is Sht Inc. and which
US.O.T.B.? (SA)
102 Fennec Dr. / Undenberg, PA 19350.
TUATARA#1/ $2.00 ppd.
5 1/2 x 8 1/2 - copied - 32 pgs.
If you're looking for an English-language Dutch fanzine covering
rock from New Zealand, look no further- this is apparently the only
one in existence. It's well written, too. Print quality is okay- small
type and dark photocopied graphics. (SA)
Paul Schwarte / A-Kerhaf 33 / 9712 BC Orcein gen / Holland
WHAT'S NEXT #3/ $1.50 ppd.
8 1/2 x 11 - copied - 30 pgs.
Mostly record reviews, with three band interviews (Big Drill Car,
Changeof Heart, JuaroFracus) and smatterings of poetry. Straight-
forward, readable enough typewritten-looking layout. A couple
pages are out of order, though. (SA)
Dan Lajoie / 301 Edgewood Grd. Unit #22 / Samia, Ontario / N7S
4X7 / Canada.
SLUR -#4/ $1.00
8 X 10 1/2 - newsprint - 24 pgs.
Thoughtful and informative zine covering western Canada, as well
as articles on Jello Biafra coming through town (with a bit of DK
history), excerpts from Pressure Drop Press's Threat By Example,
and an article on the Brave New World Order. Of most interest to me
though, was the column that challenges the celebration of Christmas,
kinda thoughts that I've been kicking around for awhile now, too.
The only suggestion I could offer is that the computer graphics
shouldn't be distorted as much, cuz it makes it kinda hard to
read.(SB)
Room 362-21 / 10405 lasper Ave. / Edmonton, AB / Canada
PUBLIC OUTRAGE #2 / 2 stamps
5 1/2 x 8 - copied - 32 pgs.
Interviews with Rabid Salesman, Jim SpeUman of Velocity Girl /
High Back Chairs, some art, show, record reviews, and a restaurant
reviews. (TM)
5808 Timberridge Dr. / Raleigh, NC 27609
RAW/IDEA - *3 / free ■
5 1/2 x 8 1/2 - copied - 12 pgs.
More cool anti-establishment anarchist propaganda. An assortment
of articles, comics, and flyers, some that have been reprinted such as
Profane Existence's "Here's your brick back". Has the "youth
liberation" feel to it. Less reprints and more original articles might
add to the freshness of this material.(SB)
435 W. Delavan / Buffalo, NY / 14213
DtSCORDER » 1 10 / $2.00 ppd.
9 x 13 - newsprint - 32 pgs.
Columns, letters, lots of advertising (it's free locally), interviews
with filmmaker Bruce MacDonald and TV show host Pierre Berton,
record reviews, opinions, etc. It's a program guide for CfTR Radio
in Vancouver, and one of the best program guides I've ever seen
1233-6138 Sub Blvd/ Vancouver BC/ Canada V6T 1Z1
SQUAT OR ROT - #3 / buy it cheap or steal it!
newspaper comes w/ Squat or Rot comp EP
If you've liked the first two projects by Squat or Rot, you won't be
disappointed by #3. The graphics are so strong that you'll wish you
could make each page a poster. Each new NY band has one page
dedicated to their lyrics and artwork; while articles on homelessness
and the shelter system, and factory farming/vivisection occupy the
rest of the paper. Interested in the EP? Check out this month's record
reviews to bear 5 more reasons as to why you should order this
now.(SB)
PO Box 20691 / New York, NY 10009
FANTASTIC FANZINE - #2 /S1.00
5 1/2 x 8 1/2 - offset - 48 pgs.
Righteously angry girls retell their stories of surviving rape, insest
and molestation, and trying to overcome feelings of insecurity and
jealously in the here and now. These are stark, powerful stories that
really get under your skin and make you feel helpless. At least there
is an intelligent forum to express the anger that comes from not being
in control of your body, and in a punk forum. Everyone should read
this. Oh, and Erika, keep up the good work, and thanks.(SB)
(For zine and sending contributions: c/o Erika, 850 N. Edison St
Arlington, VA 22205)
DEVIANT #1/ $1.00 ppd
8 1/2x11 - copied - 24 pgs.
Contains plenty of editorials by the editor (not as bad as it sounds),
poetry, interviews with Meatwagon, Polluted Views, Scratch My
Ass Heartattack, and zine reviews. Although the editors attitudes are
well thought out at most times, he certainly sinks into juvenile banter
at times. Not bad. (TM)
211 Greenbraith Way / Las Vegas, NV 89121
RAVEN #12/ $1.50 ppd
8 1/2 x 1 1 - copied - 34 pgs.
Lots of crazy art, record/zine reviews, short stories, and interviews
with the Wallmen, GG Allin (with lots of clippings), and the
Mentors. I can certainly live without the idolization laid upon the
Mentors and GG. There's got to bea better way to spend your time
PO Box 4546 / Polk, LA 7 1459
RECLAIMING OUR FUTURE #1 /$3.00 ppd
8 1/2 x 1 1 - copied - 18 pgs.
National Newsletter of the Campus Green Network. This issue
contains interviews with Noam Chomsky, Herbert Marcuse, articles
on the Iraqi war, efforts to remove ROTC from Campuses, reprint of
a Katy Odell article from MRR, War Tax Resistance, Enlighten-
ment, Columbus Day, and the Green Summit in San Francisco.
Although I've seen a lot of this information in other places, It's
certainly a collection of valuable data. (TM)
PO Box 30208 / Kansas City, MO 641 12
PUBLIC ENEMA - #2 / free
8 1/2x11 -offset- 18 pgs.
Here to upset the established "revolutionary anarchist" guidelines is
Kaos Revolution/Ideology and reasons are not important. Do! Act!
Livel Live Revolution! Don't think about it. Thinking is boring and
a waste of time. If you think too much, you're gonna miss the action."
Join now before they destroy you. (SB)
c/o S.M. Steppen wolf / PO Box 4472 /Long Beach, CA 90804-0472
STAFFICIDAL TENDENCIES 114/2:
'pinions on society and poetry by Wiseu
MORE UNCLEAN ZINES
sin D&D heads (hirtu-
. \V| 53547-2382
/ New Brunswk k. NJ 08903 POB 4444 / Riw
MCLEAN #3 / tree with piwtage
lauorced pain, politics A: hand interview* Some good siult.
II il) 921)07 /Sallla liarbara. CA 931911
K M>|<> RIOT IIV / lav Willi S 29 slump
Opinions "ii "alternative" publications. Demo tape reviews and
iu.ru Iroin WRSl' DIM.m
kadioRi.it/WRSU/126CollcgeAve /NewBrunswick.XJ
MUTATION. D3/.29
Mmiij handwritten zine covering the industrial and punk music
cenes. Information on Northern Ireland and how to be an inexpen-
sive Skinny Puppy.
Kelly/ 69-4 1 185th St /Fresh Meadows, NY 11365
BOY DOES HIGH SCHOOL EVER SICK KS/lree with postage
»'e have reviewed you in lliisvillc in detail! Stories' and essays lor
'lid hy inmates in llie American high school system.
Uabe Meline/540 I os Alios Cuurl /Santa Rosa, CA 95403
HIE LEGION OK FUCKERS ill / iree + stamp
Pleasure Fuckers 1 page laiizinc
ilolino Devientu / B5 I). INT 2 Sum /Madrid, Spain
MONKEYSHISE FANZINE »l /Sl.OOppd
Interview wilhNarlromSacramcntoandrccordreviews.Poclryand
niinv quotations also.
-I12's. Spokane Si / Senile, \VA 9S144
'IIAOS COMIX 1127' .SI OOpptl
s,, nic tunny, ii basic, comics.
Kandy / Upper 348 UcUley Ave / Victoria. BC V8V 1.15
( 'UCMI , IREZINE#6/$*l)ppd
1 luuiically structured interviews with hand personality trees
1 iteg / POB 5.10 K<l 2 / Coopersburg, PA 1 8036
CEASEFIRE #29 /-50ppd
Intellectual nieanderings by the Ceasel ire people and comment
llie histories »| various bands.
Pi Hi 29 / 82 Ave / Edmonton, AB. Canada, T6E IZ3
CULTURE COLLISIONS /$.8llppd
Sonic more or less in depth band interviews and the like.
Frederik Poekebeckbro / 21 871X1 Tiell .' Belgium
WALRUS REVIEW II B / $.5i)ppd
Criticism ol society and its structures as well as Mime interesi
GREEK PINK ZINE f!2 / S.60ppd
Looks good hui I c.hi'i rc.nl Greek None oi us can.
1 can't tell y ou what the title is. Stive Albini inten
Dill Pavlides/ IVPindouSt. 13231 /Alheas.Gree
CAFFINE 111 /$1.00ppd
Cui and paste everything Irom newspaper clipping
with .Sewer Trout. MTX and The Fiendz. The broke
very punk roek.
James / 149 Eldcrwood Ave / Pelliam, NY 10803
DROP KICK 115 /SI 33ppd
Mostly newspaper clippuigswiihsoinehclpiul ml. n
in start your own lape making label ami oilier slull
1 16 32 Coldbrook Ave 1114 / Downey. CA 90241
SLUG & LECTURE #24 /S.29ppd
Newspaper wiih relevant intormution, classiiieds,
record reviews.
Cllrislnie / I'OB 201.7 / Peter Stuy Sin / NY, NY 1
IIANLEV NEWS n\ 3, 4 a f, /SI OOppd
i 'oinics poking lun ar S.E., bad punk gr.uiiin.ir, eel
one zine here bui Kiev decided to Bive il three numl
>ad punk grammar, eel. The
■d In give il three numbers,
ucson. AZ857IU
W4ZINE &V\EW$
77
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Reviews by: Harald Hartmann (HH), Tom Vague (TV)
Stewart Home, The Assault
On Culture (Utopian Cur-
rents From Lettrisme To
Class War), ($10 ppd from:
AK Distribution, PO Box
40682, San Francisco, CA
94140-0682)
Asger ran off with
Constant's wife - Fanaticism
saved their working rela-
tionship. Michelle married
Guy and together they plot-
ted to overthrow capitalism.
George was a revolutionary
communist but debt forced
him into a job for the US
govt. Gustav was sentenced
for putting on an indecent
exhibition. John was busted
on a drugs charge. Jerry be-
came imramous as the man
who had a thousand orgasms
for art. Read their stories in
this fascinating expose of
cultural agitation.
It's alright, I take it all back, you don't have to read all those
boring old situationist texts after all. Someone has at last said the
unsalable - Don't bother, it isn't worth it, you'll just end up as boring
and insane as the people who wrote them. I should know,
Shake in your shoes, Situationists, the international power of the
pulp novel plagiarists will soon wipe you out'
Assault on Culture' is an anti-art book, chronicling the contradict-
ions, counter-culture coups and contentious capers of the various post-
war groups from Lettrisme to Class War, in a way not dissimilar to 'The
Boy Looked At Johnny'. No stone is left unturned, no ideological
unsoundness left unslagged, all thestuffthatisleftoutelsewhereishere.
Mostly, it has to be said, at the expense of the Situationist International.
And you don't have to be too familiar with the Theory of Misery/
Misery of Theory to follow Stewart's Utopian Currents. Which makes
a nice change for a start. It's all written sensibly enough for a beginner
to understand, there's plenty of good anecdotes and trivia, and if you
get bogged down in some of the more arty stuff, don't worry, the
rockin Situationists, Motherfuckers and punks are never far away.
(TV)
Stewart Home, The Art Strike
Papers/Neoist Manifestos, ($10
ppd from: AK Distribution,
PO Box 40682, San Francisco,
CA 94140-0682)
Back to back and twice
as mean, nicely packaged pro-
paganda of the years without
art (1990-1993) and the best
of Smile, the most radical anti-
art magazine of the 80's.
Hopelessly confused?
Then buy this book and you'll
find all you ever wanted to
know about the art strike, the
Festival of Plagiarism, Neoism
and all that kind of stuff, but
were afraid to ask.
You might not be any
less confused after reading it
but it should give you second
thoughts about a career in art -
If you ever had such a dumb
thought in the first place. (TV)
Eclipse Books Trading
Cards, (PO Box 1099,
Forestville, CA. 95436)
Maybe a lot of you
readers remember the
Frankenchrist LP by the
DK's that was censored
because of the Geiger post-
er," Penis Landscape' that
was included with the al-
bum. Well, there is a sim-
ilar controversy starting to
brew only this time it in-
volves trading cards. Yep,
that's right, trading cards,
ormore simplyput, "base-
ball cards".
Let's start at the begin-
ning. There is a publish-
ing firm located in north-
ern California called
Eclipse Books, and over the past decade they have been putting out
series of trading cards very similar to baseball cards, i.e. a picture on the
front side, and information on the backside. There are usually 36 cards
to a box. Over the years the publishers have printed a series on the many
different scandals that have rocked the US government. Included are
the Watergate Scandal, the Iran-Contragate Scandal, the Savings and
Loan Scandal, and Baseball's Greatest Scandals. They have also putout
a series on who the players are in the US Drug Wars, who has influence
on President Bush's policy decisions, and their latest collection called
"Coup D'Etat" is a set of cards on the people directly involved with the
Kennedy assassination. My favorite series is "The Friendly Dictators",
America's most embarrassing allies, with graphics that are astounding.
They have also put out cards that are not so negative such as Great
Players of the Negro Baseball League, and 3 sets on the Heros of the
Blues, Jazz, and Country music scenes with graphics by R. Crumb.
It seems that the Jeffery Dahmer mass murder case in Wisconsin
inspired the folks at Eclipse Books to do a series on true crime. This
series will cover information on the police, mafia bosses, FBI agents,
and sociopathic criminals. Remember, dear reader, the purpose of
these cards has always been as an inexpensive and fun way to edcuate
and learn. When it was announced that this "True Crime" series would
be printed and distributed this May, who would have realized that these
cards, mostly found in specality bookstores and comic shops, would
create a national furor over their release? This is exactly what has
happened. First it was announced that a group called "Parents Of The
Victims Of Serial Killers" would fight the cards release on the grounds
that these serial killers would get publicity, suggesting that young
people would want to emulate them?? Nothing could be more absurd!
Then in mid-February, South Carolina and Arkansas passed laws
stating these cards could neither be sold nor possessed in these states,
meaning iust owning a set could land you in jail.
Let s get the facts straight. America is an extremely violent society
where we gun each other down over the slightest provocation, and if we
are so violent then it goes without saying we need to learn, and educated
ourselves about this kind of society and the people inhabiting it. If we
oudaw information on these kinds of criminals, and then execute them,
we will only be pushing the problem under the rug. Mass murder will
not end, itwill just become apart of our secretshame such as child abuse
and incest. It is absolutely imperative that this series on criminals be
printed and distributed. All or us must understand our environment,
whether we are reading about a Jeffery Dahmer, or a Lt. Calley who led
the massacre at Mai Lai in the Vietnam War.
Remember those who forget the past are prone to repeat it.
Censoring information, no matter how ugly, is an attempt to forget.
And if we censor serial killers it is only a step away from censoring
institutional murder, and there is a hell of a lot more of the latter than
the former. (HH)
MOVIE REVIEWS
HOW PLEASANT 7
Brie Bradford
raining, and the
complete ly ex-
posed line tor the
night's last show-
ing of MirhaelApl-
ed's 31 SI Up
stretches around
the block. Was I
wise to join the
shivering masses
for the half hour
wait; 1 In the immor-
tal words of George
Washington Carver, you're damn Skippy.
This was the tilth in Apted's series that started with ¥ U p, in
which a groupof seven yearolds representing each of England's rigidly
defined socioeconomic strata were interviewed. The idea was" that
similar interviews would be staged with the same kids every seven
years until the year 2000. Each film draws heavily on all of the previous
unes, juxtaposing the individual kids' answers with their past answers
lo the same questions. On the surface, this concept's appeal may seem
lo 1 1 to same questions, un tlie surface, tins concept s appeal may seem
lo be strictly voyeuristic, but Apted's approach takes it to another level.
Without interjecting any ana lysis of his own, ho carefully mate Iv
us past footage with pointed questions to draw out the qualities of his
subjects that, as wo can now see, were there from the start. The theme
>f the series is "show me a boy at seven and I'll show you the man",
ind it would seem that Apted's whole point is that personal manifest
lestiny is nearly impossible; that seven year old losers will always be
losers and seven yearold "winners" will always be "winners". You and
I know different. Go see the movie. Listen to the conformist little kid
become the pathetic adult. Watch the rich, wise-ass group of boys
become the rich, one-dimensional 35 year olds. Mosfof all, watch
them all fall into some sort of trap from which they'll never esc ape, and
try not to let the same thing happen to you.
Deep breath - I've always been a Charles Bukowski tan. Not as
slavish as some, maybe, but I've checked out most of his books and
-■veil own the four hour IEUkOWSk.1 Tapes video. So I was
pleasantly surprised to find a 1981 movie based on his Tales of
Ordinary Madness short story collection. It stars Ben
(Jazzara as Bukowski/Chinaski/whatever they call him this time. The
book, for those of you not familiar with "Buke", is a great introduc tion
lo his work: lean, punchy, and heavy on his characteristic shoe k
ladies. Strung together into one screenplay, though, it gets really
muddled, and even boring in spots. The shock is definitely there, but
the cohesion isn't. If you're forced to go to Blockbuster as a last resort
'as I was) and you like Bukowski, you could do a whole lot worse.
Otherwise, start with IP a rf ly (reviewed in a previous MRR). Until
next time, remember: to rent is human, to dub divine.
1 I saw the new
thriller IEaslC In-
stinct recently. This
is the flick that had
stirred up a huge
amount of protest from
homosexual ac livist
groups who were urg-
ing people to boycott
it because of its nega-
tive portrayal of lesbi-
ans.
From their point
>l view, and rightly so, there seems to be a trend in movies these days
lo characterize gays and lesbians as extremely hating people, raging
iiomocidal maniacs. There was that Al Pacino film, Sea Of love,
is well as Silence Of The iambs.
The arguement can be made that there are many more movies
ihat depict straight white males as equally bruta I psychotics, so why get
all bent out of shape? And the simple answer is that there are also a huge
amount of movies that depict SWM's as loving, caring heros, oral least
as average, semi-balanced human beings — but that there are precious
lew films that display gays/lesbians in an equally warm light.
Generally, I think this is a true characterization, although there
ire several exceptions, such as the Torch Sonq TrllogV and
Hy Own IPrlvate Idaho. But the more typical Hollywood
approach is to pray on people's negative stereotypes (that sells,
although you know movies that portrayed, say, jews ihat way very
rarely make it lo the screen), or to sanitize out anything that might make
lomosexuals appear as healthy, loving people, as was done wilh
fried Green Tomatoes.
What about this particular release? IEaslC llnstlnct is a
.lightly better-than-average thriller that has a few good twists and turns,
ind several scenes that had me talking out lourfin discomfort. But it
does borrow heavily from Hitchcock's 'VertlQO (and the San
Francisco backdrop) and a bit from Psycho. If there wasn'l a big to-do
Tim | yo
about the movie, it would probably not be drawing huge crowds and
would soon be forgotten.
And is it a vicious portrayal of lesbians. Relatively, yes, although
I found it lo be much more of a woman-hating film than an anli
homosexual film. All the women portrayed are lesbians, although the
main suspec I isbi-sexual, not homosexual. They are. it seems, all mass
murderers, devious and hard, no one who seems to nave any redeem -
The main male charac ter comes off in a not too much better light
although the charges that he glorifies rape in this movie are greatly
exaggerated. There is a sc ene where some very hard and ugly sex takes
plac e. There is mutual hatred and mutual c onsent. It ain't pretty, but il
Apparently, the fellow that wrote the sc ript offered to do some re-
writes alter the initial reaction of the gay community here during
filming, but Iheproducerand diree lor rejec led them. If there had been
the addition ot some lesbian, gay or female characters that were
portayed as human beings, the bigoted edge would have been re-
moved. That wouldn't have undermined the basic plot, would have
balane ed things out nicely, and would have been a respectful gesture
towards the values of the community where the film was being made.
Ciiven all of this, I think it's important for communities that are
being stereotyped or debased by I he pandering mass media to respond,
to pressure Hollywood or whoever lo gel their act together, but it can
backfire as well. In the case of IE aslc Instinct, it seems to have
c realed c uriousity, and seems lo have been an over-simplification and
over-exaggeration of what was really going on. But if women's groups
had gone apeshit, I think they would've had more of a leg to stand on.
Kr^ T m T m TW r T^m ii 1 1 ii i "I"P 1 Andrei Tark-
l r ,.^, '..'.' Li 1 *. n j | ^ ' " M SI ovski is viewed by
l^ Wtf/FfTOfffflffl ^^^_. fj^'H I many people, who
I jr ^ESHa ft^^Pr L ' arn the j r ';, '."# sa v-
■/ _^ wmmmmL^K, ^ -vTvNV*? ln R bUch things, a-
M W0L 1 ■l^^C^-^i^ one of the greatest
li ^3 1 ■LL-. '";^«/|.:.'_£<Li I Sovietfilmmakersot
I if mm 1 ■Bs^r VVUArv > "'"~ the twentieth centu
I m..^^r . m m \ '•- VZ't'S* X V> if not one of me
mW ' w^ m M ■•*.• . f^S'i] '*■> greatest film makers
^ii ^^^ »v**i > . fK«i" "*•" period. I kind of
"mml 1 1 <£'•£" l- * - ' *' h ree wilh ,his so
l^-i4 ' J!33^ '" ' . whenever I get a
^L . .... r-T^ffff'l— T"^^"^ chance to see one of
* f ■■''■' ' ' • . | f | ' i | - | i , 1js works | do _ Tark .
ovski lilms are not adrenalin rushes, nor are they fun. They're what
they call High Art, so if that doesn't sound like something that will light
the ol' lire tor you then it probably won't but you never know.
I like Tarkovski films because they're beautiful and because they
deal with concepts that are timeless and always troubling, like religion,
death, war, hope and despair and because the man who makes mem
didn't learn about these things in art school.
A n d re I IR U h lev (1966) concerns itself with one of Tarkovs-
ki's recurrent themes, the nature of the artist in society and what
happens to personal belief under the attrition of politics, age and war.
Andrei Rublev was a famous icon painter in 15th century Russia, a time
of plagues and invasion. Being a gentle soul, he is a monk who can't
even bring himself to paint the required souls burning in hell on the
Vladimir cathedral wall yet he is driven to create great art for the
majesty of his god. When the Tartars invade, the spectacle of human
betrayal and altrocity causes him lo renounce his gift and take a vow
oi si knee, despite protestations from the ghost of his teacher, Theophanes
who contronts him in the ruined cathedral. For years he grows old in
silence until a young bell makers minor miracle restores his faith in the
human race and he resumes the practice of his calling.
The film, like his others, tells a story through silent imagery as
much as through narration. Expanding on the Soviet Montage tech-
nique pioneered by Sergei Eisenslein, Tarkovski lets his visions expand
like Russian landscapes. Charac ter development is slow and labored
and the faces of his actors express pain or joy quietly, allowing for the
audience to decide on motive. Visual clues as to the meaning of action
or inac tion are offered in the background of various frames. Haunting
smokey woodlands frame backdrops for human dramas and madwom-
en scream, for no apparent reason, at while walls smeared with mud.
The c amera lingers for not always obvious reasons on flowing streams
or snow falling on a crucified peasant. Sometimes it's hard to know
what's going on but there are brilliant moments when the raw human
emotion comes through the stateliness. The director, it must be said,
has his weaknesses however. We never get to see Andrei actually paint
anything (big mistake) and the ending (the only segment done in colon
l< loses its potential power becuase of the amount of time spent on it as
well as the choices Tarkovski makes as to what the audience should see
from the world of icons. Tarkovski deserves a try. His commitment to
the mystical and the personal, made in a society which didn't revere
sue hillings (he was exiled in the 70's and died in Finland), marks him
as an independent (hi nkeranc I like I said, his stuff is beautiful. It is magic
cinema. Okay, next month Wavne'l World!
VIA - "Hi-ad Start in Purgatory" 1.1'
,..,. £'!", " U ' K " Area """''■ ' "'""K 1 " *«•■ strongest tracks were from
CRASH \\()KSHlI>.l)KI\i:i.lKi:.|i:iU.yii:.SArAIJi:ZA. ;,,,(! OI.IVK-
LAW V Also contains I ISHWII E. CRANKSHAI 1 , 1IKI1' TANK HIT I-
COPTER. HOLY LOVE SNAKES, ROCKET FROM THE CRYPT, and
41 1. All said, it's ;i (-real thing tn hear, as there's certainly a good amount of
cool Moll coming from (lie region. What's Willi all the dual noun names?
(HeadHtinter c/o Cargo)
VIA - "How Much Longer?" EP
EARTH CITIZENS are last, gruff, tight hardcore. DEKADENT
are more catchy, (heir pace varies more without having awkward transi-
tions. 1 preferred the DEKADENT side, hut that's certainly not to take
"">:' « ;'""> from EARTH CITIZENS. Lyrics of both hands covered
topics such as solidarity, materialism, dissent, etc. Comes with a polylingual
booklet. Impressive offering for a first release! (TM)
(Romp Productions, PO Box 6347, 6000 Lucerne 6, SWITZERLAND)
VIA - "Ox" HP
A comp. brought to you by Ox Fanzine. Includes THK ABS (from
South Wales, kinda punk), RISK (a Canadian hand with easy to follow
ill} thins that have a college music feel and good production), EIGHT BAI I
(from Pennsylvania, punk with a nick/driven groove) and SAMIAM (from
California, doing "Conditions," a song that's on their new German 12"
release). (KG)
(Ox Fanzine e/o Joachim Hiller, Joseph-Boismard-Weg 5, 4300 Essen 14
GERMANY,)
V/A - "Qwertyuiop!" KP
A 4-band Sacramento comp of
up-and-coming punk bands: GUN,
LIZZARDS, SLA PIGS, and NAR.
Most cuts are pop-punk, but there's a
dab of slow pain as well. Well done. Oh
yeah, the title is the first line off the top
A- "Reagan Regime Review" EP
Quite a package. This batch of
live recordings (early Touch & Go
bands like THE MEATMEN, THE
FIX, MCDONALDS, TOXIC REA-
SONS, NEGATIVE APPROACH)
comes with a zinc, a "best of" of the
ancient Touch <£ Co zinc that Tesco
used to put out. Neat bit of history!
(TV) }
(Sellless, 8827 Hanlbrd, Dallas, TX
75243)
\ »- VIA - "Self Mutilation Volume Two"
EP
SUPERCHUNK's acoustic
lu'il'r-i'i"!^] ^vSerlwS'7 ' Ut ' kin ' t00l! SANDY DUNCAN'S EYE and
l«»N01 ONI. also rock accordingly. Don't know about POP-
.. Pretty great record ifjust for the Sl'PERCHUNK tune.
< .V i y,' > .^." , , , i l " Rw,,rds ' (:, '° B «* W GG. Melbourne, Victoria 3001
■At S 1 KAI.IA)
VIA - "Sick But Slick" EP
5 bands: SFA.Hl ASIPL'NGO,
AWKWARD THOUGHT, YUPPI-
CIDE & NO WIN SITUATION. SFA
doarockin'PLASMATICScover(cek).
HUASIPUNGO kind of a grind/funk
tune about death squads. AWKWARD
THOUGHTS - a true gem of "hate
core". YUPPICTDE are your basic
NYHC with intelligent lyrics, and NO
WIN SITUATION are kind of vaguely
AN I'HRAX if they were crushes. Not
bad. (LD)
(Nawpost, PO Box 245, Buchanan, NY
10511)
mages
V/A - "Smells like Smoked Sausages" 2xEP
The AinRep rosier |
Suhi'op for one pretty fucking awesome re-
lease. One cut each from TAR. t'OWS. lit-
I.IOS CREED. VERTIGO, BOSS Hot;,
(who do ;i MEM INS cover of all things). 1
don't know, I'm excited (surprise!) about it.
Now let's sec Ha/c put out a WALKABOUTS
single. (ML)
(SllbPop)
V/A- "Squat Or Rot #3" EP
These camps, have consistently had f^K&n^Vjl/uiTpi
some of the best new New York bands, and #3 J\"3I?C3»' , «UT»^J
doesn't break the tradition. Allhougli not all cj
the bands songs keep with the overall themeof
the record, this provides a refreshing change
ol pace. SUMMER'S EVE throws down the ^
most Ij rically original song, while MAGGOT K
and WAR are the standouts as far as the IJ 1
intricate. loud, throaty, and (/i,(/«h v /i/)ciusIj X
bandsgo(yeali!). Finally. you'vegol CRAWL"- £
PAPPY and REJUVENATE, also worth f "< .
checking out! Comes with Sqmil()rKnl#MSli) f
(PO Box 20691, New York. NY 10009) /.. '>*,
VIA - " Thieves and Beggars" tape
Musically this is fairly competent metallic puiik/hardcore/exneri-
mental stuff h„t lyrically all of the hands spout off about mythological
bullshit (mm thousands of years ago (Christianity) (I)H)
(4009 Johnson Sl„ Hollywood. IT.. 33021)
VIA - "This Town We Own" EP
A compilation featuring TERROR-
CAKE, GLEE CLUB, INTENT, SIB-
STANCE and VERTEBRAE. Each band's
got a different approach. The common ele-
ment, I gather, is Albany. NY. (KG)
(Rake, 3 Highland Dr.,E. Greenbush, NY
12061)
\7A - "Transition" tape
Hardcore- plain and simple. Nothing spe- *
cial. hul iiolliing disappointing. Above average
CERS. COI.LAPS, and SUBMACHINE. (DS)
($5 ppd: No Name Productions. 614 L a'l'ou relic
CANADA)
, J""''* ! 2K.
#2, Quebec, PQ.G1R1E5,
VIA - "The Violence Inherent in the System" CD
This twenty-two band compilation from Noise fur Heroes 'zinc brings us
deprived Americans some good old. garagey rock V roll from France,
* inland, Germany, and Sweden. A list of standout tracks would be ridicu-
lously long. Buy this or bad things will happen to you. (DS)
92122) A ' $ ' 2 W " rld PPdi N " fcW l '" 1 ' Hir " t!i ' 531 ° Bl " 8S St ' San Dkg0 ' CA
V/A - "Where the Wild Things Are" 2x45
k , i. A '! L '^' Ul '!" t "'" r 8 , " ss > l,,ur l»'^kage showcasing two of Australia's
best bands. I he HARD-ONS "Lose It" starts out as a slow ballad, then
peimulales into lull scale marsupial-core. "Sorry" is a frisky RAMONFS
type rockc. The CELIBATE RIFLES record includes one upturn.,,! "rcvi?
oiisly released number: "5 Lamps" as well as a slow moody one: "Electric
Mowers . Here s hoping the lour comes Stateside. (BR)
(Waterfront Records, PO Box A537, Sydney So, NSW 2000, AUSTRALIA)
V/A - "Women's Liberation" CD
Without a doubt, the best thing I've heard in a long time. Japanese
comp ol all women bands. Contents include - WORMCAST, GAIA GUSH
and 1 ISS I otally mind boggling. I lean towards WORMCAST and GAIa'
but every band on this totally kills. It's fast, it's brutal, it's angry. This is how
I think hardcore should sound. (TM)
T^kyo h 16MAPAN)° ^'^ ^"^ ^^ K "' K " ii **—** Su S inami - ku >
"WEAK"
LP/CASS/CD
Bill / Pumpkin 7"
| S-U»B |
'ES3,
Touring the Midwest
and South This Spring
Speed Boat
o.k. corral
MACGREGOR'S
Edmonton. Alberta Bronx
calgary. alberta republik
saskatoon. saskatchewan amigo's
winnipeg. manitoba royal albert
Minneapolis. MN Uptown
St. Paul. MN with luncfish Speed Boat
Madison, wi O.K. corral
Champaign.IL Blind Pig
Chicago. IL Metro
elmhurst.il MACGREGOR'S
Kalamazoo. Ml Club Soda
Detroit, Ml St. Andrew's
Louisville, KY Another Place
TUSCALOOSA. AL CHUCKKERS
ATLANTA. GA MASQUERADE
MELBOURNE. FL WITH REIN SANCTION POWER STATION
Gainesville. FL with Rein Sanction Hardback
Orlando. FL with rein Sanction Beach Club
Tampa, fl with rein Sanction USFL
PENSACOLA, FL with REIN SANCTION NIGHT OWL
HOUSTON. TX EMOS
AUSTIN, TX CAVITY
st. andrew's
Another Place Sandwich Shop
Masquerade
beach Club
IOX 20645. SEI
usively by Caroline records, inc
Springfield. MO
Lawrence. KS
LARAMIE. WY
Seattle. WA with holy Rollers
Commercial St. Club
Bottleneck
Hall Shon
crazy Horse
O.K. Hotel
Q
c*MsHc*w/\r-r* r^sHWirc* ck/svh worship* Qoe*ACABe2A° H€UCopr€fc.»
HoL-< Lt»M€ ^M^«S * \>R»P -TAW K» MtAO HUWTC* # 0/0 AD : PICK P*s K
U
"•'.'<■.■'■ < '■'..' ' '
Poison Idea
JONES VERY
QSE3CHQ3EI3B
ALLOY
" ELIMINATE - LP / CD
THE FREEZE
" DOUBLE DOSED " LP / CD
HEART ATTACK
" NEW YORK'S PREMIER HC " LP / CD
DUTCH COURAGE lp /cd
RECORDED LIVE '91 IN HOLLAND
MAKE IT STOP lp /cd
EVEN BETTER !! 14 BRANDNEW HITS PRODUCED
BY PAUL MAHERN . EUROP. TOUR IN SUMMER '92
RADIO WAVE LP I CD
2ND LP FROM THIS BOSTON BAND AROUND
VIC BONDI - THEY'RE NOW CALLED ALLOY !
EUROPEAN TOUR IN SUMMER '92
ARTICLES OF WITH WILL TOUR EUROPE IN MARCH I
NORTHAMERICAN CUSTOMERS SHOULD CONTACT
BLOOM REC. ***GET HIP REC. *** ROTZ REC.
*** GAINSAW MAILORDER OR CARGO
BITZCORE FAX 49 *° 782783
REEPERBAHN 63 * D - 2000 HAMBURC 56
l ARTICLES OF FAITH
f+± "CORE" UP/CD +3BONUSSONGS
V-> BLACK MARKET BABY
CO
CD CONTAINS BOTH LP'S
BLACK MARKET BABY
* BABY ON BOARD ' LP
TOXIC REASONS
" INDEPENDENCE " LP /CD
OFFENDERS
WE MUST REBEL LP /CD + 7"
THE UNDERGROUND Quarterly is now
monthly! Ifyoua re involved in the underground
economy or want tostay out of jail orneed hard
to get info send S3. 00 cash to: Quarterly, Box
26517, Phila., PA 19141.
SELLING my record, tape and t-shirt collect.
All kinds of music. From the 60's, 70's, and 80's.
From folk to punk. Please send your want list
to: Bob Farrington, 7 Florence Drive, Clark, NJ
07066.
DISORDER. DISCHARGE, Crass, Blitz, No
Future plus more golden oldie punk and oi
records for sale. For full list send 2 IRC to
"Yokel Records" 53 Louise Rd., Dorchester,
Dorset, DTI2LU U.K.
WANTED: Back issues Maximum Rock N' Roll,
No's 1-36, 39-41, 53,54. Write quoting prices.
A. E. Roach, 6919 Harrison LN, Alexandria,
VA 22306
FOR SALE: Meatmen - Crippled Children 7",
Now We'll Make Lotsa Pals, Vintage Meat,
Iron Cross- Hated and Proud, Blight 7 ",Necros
- Conquest 7", Govt. Issue - Legless Bull,
Misguided - Options, Make offer to: Dave/ PO
Box 7673, Esat Rutherford, NJ 07063.
T-SHIRTS: Bad Brains, Bold, Burn, Chain of
Strength, DOA, Dead Kennedys, Exploited,
Fluid, Fugazi, Gorilla Biscuits, Judge, Intent,
Lemonheads, Mekons, Minor Threat,
Quicksand, Pistols, Shelter, Slapshot, Sloppy
Seconds, Soul Asylum, Specials, Mighty
Bosstones, Toften Entry, Undead, Youth of
Today, Refuse To Fall, Uncle Tupelo, Into
Another, For catalog send $1 name + address to
Prehensile T's, 73a Main St. #213, Waltham,
MA 02154.
FUCKTOOTH - The new gay/homopunk zinc
Issue #2 out now. Submissions neededlScnd it
all to: 1298 Som Center Rd. #130, Mayfield
Hts., OH 44124
MISFITS, AGNOSTIC FRONT< MUDHONEY,
and much, much more, mostly hardcore. Find
stuff from '77 until now. US, UK and more.
Including bootlegs, all for sale or trade. Send $
for full list - first come first serve if offers are
fair. Francois Bouthioux, Victor Hugo PI, 25000
Besancon, France.
TRADE: I have Agnostic Front - "The Early
Demo Trax" (studio), Crippled Youth - "Join
the Fight" (German bootleg), Youth of Today
"Yesterday /Today" 7", End The Warzone -
Sampler, Noclurnous - "Science of Horror"
(rare studio outtakes). Wants: US -HC 7"s,
bootlegs etc., Please write to: Udo Meixner,
G. Semper, Weg 36, 8580 Bayreuth, West
Germany.
TRADES: Napalm Death "Tour 89 Live" 7",
Mellaka "EI" 7", G-Zet "Boot" 7", Gism
"PictureDisc" 7", Generic "Doom" 7", Disorder
"Mental Dis", AYS "s/t" 7", Antisect 7",
Amebix "Winter /Enemy" 7",. Extreme Noise
Terror "Live Burladigen" 12", Amebix
"Monolith" 12". Wants: 7"s by authorities,
Genetic Control, Faction, Dissident, Cyanamid
or the 1st Dayglow Abortions "Out of the
Womb" 12". No other trades can be accepted.
Write direct: Franck Herges, Schtiren 11, 6670
St. Ingbert, West Germany.
FREE SKA CATALOG from America's #1 ska
label. Releases from: Toasters/ Citizens/
Scoff laws/ Let's Go Bowling/ Busters/ King
Apparatus/ Hepcat/ ska comps & more. Plus:
T-shirts/ buttons/ patches/ stickers/ videos.
Send a SASE to Moon Records/ PO Box 1412/
Cooper Station/New York/ NY 10276.
21 YEAR OLDFEMALE seeks correspondence
with someone who can alter my consciousness.
Interest in mid- west (Arizona) but not limited.
Send letter, poetry, art work, etc.. .Will write
back. Carolyn, 2 Thistle Road, "The
Wilderness", Baltimore, MD, 21228
RARE I'UNK RECORDS at low pieces. X-Ray
Spex, Misfits, Dickies, Red Alert, Social
Distortion, and hundreds more. CD's, tapes,
shirts, badges, and stickers too. For complete
catalog send twostamps to; Dr. strange Records,
PO Box 7000-117, Alta Loin a, CA 91701.
COMING SOON from Dr. Strange records:
Picture Disc compilation, limted and hand
numbered featuring Face To Face, Jabbemowl,
Guttermouth, Rhthym Collision, 12 Pack Pretty,
The Bolsheviks, Watch for it soon.
FOR SALE 12": Conflict "Bust Fund", Dead
Silence "Beginning", HuskcrDu "Land Speed"
(Orig., New Alliance) Misfits "Hatebreeders ',
"Attitude", "Hitsville", and 20 song LP on
Wolfsbane, "SexPistols "Interview Disc#849"
7", Poison Idea "Discontent" official bootleg,
"Live In Vienna"#438, Resist "S/T" transparent
vinyl, Christ On A Crutch "Kill Williman
Bennett", Jerry's Kids "Spymaster" red vinyl.
Send bids bids or will trade for anything on
Crass records (7" and 12"). Roger, 1 Galwood
Dr., Rochester, NY, 14622. PS include # so I can
get back to you.
FORSALE7": Amenia "S/T"green vinyl, Sofa
Head "Invitation", Plaid Retina "S/T/",
Rejection (Hand #214, red vinyl), Media
Children "But They Ignore", Go! "Why Suffer",
"Your Power", Dissent "Expression" white
vinyl, Danzig "Trouble", 65/500, Misfits
"Beware" boot, "Hybrid Moments", "Perfect
Crime", Doom "Police Bastard" AsbestosDeath
"Dejection", Hippycore comp. "Hell Rajsers
and Earth Rapers" (1 st press), Neighborhood
Watch "S/T" orange vinyl, "Smiling Faces".
Send bids or will trade for any anarcho-punk.
Roger, 1 Galwood Dr., Rochester, NY 14622.
BARF O RAMA needs submissions now! Send
me your art, poetry and letters. Fred Mertz c/o
Vomitorium Productions, 710 N. Main St., La
Habra, CA 90631.
WE'VE GOTTHEFANZTNES you want! Fora
free catalog send an SASE to: Vomitorium
Production, 710 N. Main St., La Habra, CA
90631.
SKA SKA SKA: Rude Boy estate sale! Over 75
titles, LP's, singles, CD's, videos. Also lots of
mix tapes and tapes of rare ska records. 2-
Tone, Bad Manners, Fishbone, Prince Buster,
Equators, Toasters-you name it. Send large
SASE to MJS, 169 Buena Vista Terrace #10,
San Francisco, CA 94117. Also wanted: Hot
Knives- Way Things Are, Buster's Allstars LP,
Zoot Double LP Compilation, Ska Beats CD.
NEW RELEASE FROM Zen Butcher " Degreed
in the Greed" six song EP featuring "Johnny on
a Rope" for $5. Still have copies of "Lousy
Animals" EP by Buff Napper for $3. Send
concealed cash to Bring It On Records, 1230
City Park, Columbus, OH43206. Cassette only.
HOMEMADE RECORDS presents it's first
release: Jabberjaw "Novelty "4 song 7 ".Sounds
likeScreeching Weasel and Monsulagot thrown
in a blender at high speed. $3.00 ppd USA,
$4.00 Canada/Mexico, $5.00 anywhere else.
Send weel concealed cash, or money order
payable to O wen Peny,to:HomemadeRecords,
3907 Piedmont Ave. #5, Oakland, CA 94611.
Coining soon: Grimple 7", Good Grief 7", and
7" comp w/ J-Church, Grimple and others.
TRADE: WIDE AWAKE Schism XL red t-
shirt, Uniform Choice "Live and Alert" 7 "(300
made), Agnostic Front "Banned in Europe" 7",
Stalag 13 demo 7", YOT "Vienna" lp, YOT
"Yesterday" live7",DagNasty "Just in Transit"
7", Fugazi "Blackout" 7" and more. Want:
Turning Point and New Age sweatshirts,
Undertow "Edge" 7", Confront 7" and many
straight edge 7"s on colored vinyl-send list to:
Giampaolo Bi 1 1 ia, via Livid Tempcsta 22,00151
Rome, Italy. P.S.-Dan Mys, Philadelphia, you
owe me 6 7"ssince June! P.P. S. -Bryan Leitgcb
(Progression rec), where's my "By All Means"
compilation which I ordered in Sept. '90?
LOOKING FOR SUBHUMANS - No Wishes,
No Prayers LP. Also want Pussy Galore- Exile
On Main Street, and any Unsane. Write to: Joe
Marchi, 44 Varda, Rohnert Park, CA 94928.
Will pay $$$ for original or copy. Trades, too.
"THE FALL LYRICS" - by Mark E. Smith.
Looking fora copy of said book. Contact Gavin.
PO Box 8001, New Haven, CT 06530 or phone
9203)776-0321.
RARE DISCHORD LP's, tapes, and
memorabilia. You won't believe some of this
shit! Send SASE for list to : Playhouse
Productions, PO Box 1 12 6 1 , Takoma Park, MD
20913.
VICIOUS INTERFERENCE fanzine is in need
of contributors. We needart, ads, articles, poems
and more. We want to interview grindcore and
hard core bands that Leave OutThe Metal! ! ! !
The purest punk is also demanded. If any out
there have such material that is offensive,
controversial or just plain rude, send it in!!
This zine has guts!! Freedom of speech is a
must!! Typed material is preferred. Free copy
for all contributors. Contact at...M. Castro, A.
4-5 F.A., Ft Riley KS 66442 USA.
FOR TRADE/SALE: I have Dwarves "Toolin'
for a Warm Teabag" (boot?); Nirvana "2 x 7"
Peel Sessions; L-7 "Peel Sessions", etc. I want
Dwarves "She's Dead" 7"; SY/Mudhoney 7";
1st L-7; Nirvana, and more. Write Stephen
Dilley, 909 Holly St, Copperas CoveTX 76522.
NEW ZEALANDER wanting to trade tapes of
LPs, etc. Interests Dag Nasty, 7 Seconds, 999,
Sloppy Seconds, Gorilla Biscuits, DOA, etc.
Large list of local & overseas alternative punk,
pop & metal. If you just want to write do it.
Write to Chris, 35 Knowles St, Palmerston
North, NZ.
HARDCORE RECORD SALE: I have 51!
Turning Point LPs on clear vinyl and more.
Write for a complete list. Possibly interested in
trading records for T-shirts in brand new
condition. Also seeking correspondence from
males and females in the scene. Especially
hoping to hear from anyone in Western NY,
Canada, or Erie, PA. Scott Doucette, 154 Pine
St, N. Tonawanda NY 14120.
7"S FOR SALE! 2000 D.S. "Crowborough" $4
ppd.; Twisted Cry For Help/ Celibate
Commandos split 7" on red vinyl $4 ppd.;
Juggling Jugulars "Gun in My Heart" (from
Finland" $4 ppd.; Gods Lonely Men "Proud of
Being" (from Finland) $4 ppd. andMahoMeitsyt
"Ottaa Paahan Ja Vituttaa" ; Also Oxymorons
cassettes! Oxymorons S4 ppd. and Oxymorons
"Bash on Regardless" $5 ppd. to: Sea Monkey
Records c/o Kenin Laveau/ PO Box 5461/
Laurel/ MD 20726.
SNAILS (EX) GUITARIST! Where did you go?
1988, Lake Tahoe, Kings Beach, Russel'shouse,
Gabby. Drop me a line! Lyle, 725 Walnut St./
Santa Cruz, CA 95060.
^
CALI SKA COMPILATION - "California Ska
Quake" feat: Let's Go Bowling/ Dance Hall
Crashers/ Skankin'Pickle/Hcpcat/ Jump with
Joey/ Imperials/ Gangbusters/ Skeletones/
Crucial DBC/ Specs/ Upbeat/ Los Rudiments/
No Doubt. CS - $7.98/ CD - 12.98 plus $3.00
S&H. Checks or money orders. Send a SASE
for free catalogue. Moon Records/ PO Box
1412/ Cooper Station/ New York/ NY 10276.
RUDY, A MESSAGE TO YOU: MRR wouldn't
let us take out an ad to tell you about our ska
releases - send a SASE for catalogue. Moon
Records/ PO Box 1412/ Cooper Station/ New
York/ NY 10276.
DISCOGKAPHIES FOR SALE: I sell typed
discographies of most alternativeand hardcore
bands. I specialize in Misfits (boots and
originals), Nirvana, etc. Send $1 and band
names to receive a list. Vicious Vinyl please
write to me for a thorough list of Misfits boot leg
records, tapes, and, videos. Also, anyone selling
Misfits boots should get in touch with me.
Address all letters to: Matt Ball/ 4336 Wayne
St./ Hilliard/ OH 4302(5.
SPAZ (Subpoeticanarchyzine) ishere! Reviews,
music, art & poetry from New York's MEAN
streets. Send tapes/books/fanzines/ for review
and/or $1.50 ppd. to: SPAZ/ 112 Duane St./
Box 7/ New York/ NY 10007.
PUNK FOR SALE: Exploited "Jesus is Dead"
12" uncensored cover, fully autographed (SO)
Exploited "Troops of Tomorrow "original, fully
autographed (35) also over 200 punk records.
Send two stamps for list and flyers. Wanted:
Rare Dayglo Abortions, G.G. Allin, and punk
compact discs. Paul Holstein/ 1515 Sashabaw/
Ortonville/ MI 48462.
NEW BANDS, please get in touch. I'm starting
a record label and I'm interested in hearing
some fresh music. I'm vegan and straight edge,
but am influenced by all types of hardcore.
Also, Armslength 7" will be out soon. $3.50
ppd. ($5.00 world). Contact Reflection Records
c/o Shane Durgee/ 1 14 Watertree/E. Syracuse/
NY 13057/ USA.
JO'S GARBAGE - Have you any cheesy relics
from your past (i.e. Evel Knievel bikes, huge
kiss posters, size 10 platforms, Saturday Night
Fever cologne) that you might want to part
with?Ifso,gctintoueh! J. Hunter/ PO Box 195/
Tulsa/ OK 74171.
AVENGING DISCO GODFATHER -If anyone
knows where I can get an original poster of this
move, please enlightenme! Also lookingf or the
Dolemite soundtrack. Can you help? Send
replies and contributions to build a Rudy Ray
Moore shrine to: J. Hunter/ PO Box 195/ Tulsa/
OK 74171. Don't ask how and why, just put yo'
weight on it and write!
GRINDING INSANITY - Autopsy, Bolt
Thrower, Carcass, Dcicide, Deceased,
Entombed, Morbid, and Sheer Terror,
Carnivore, Slap Shot, Agnostic, Plasmatics
Pentagram (US), Vitus, Obsessed, Sabbath, etc.
and of course Jimi. Rare vinyl/video/audio etc.
Mike P./ PO Box 226/ Meffifield/ VA 22116-
0226. USA.
MORE BRAZILIAN CONNECTION: Olho
Seco/ Brigada do Odio (split), Olho Seco "Os
Primeiros Dias"12"EP + "Fome Nuclear"7"
and Terveet Kadet "Black God", Massacre
(Finland) "From Womb to Grave" + "Afflicted
Cries in the Darkness of War"(Swedish comp
with Anti-Cimex, Crude SS..). For wanted, see
otherad.. Manoel-Rua Man oelGaia, 1636, Sao
Paulo, S.P., 02313, Brasil.
FOR SALE/ TRADE: Ripcord "The Damage is
done"flexi, Icons of Filth "Filth & Fury" 7",
Crucifix "1984 7", Business "Harry May"7",
also Disorder, Discharge, Crass, A.Y.S., Flux,
GBH, Varukers, Zounds, Conflict, Blitz,
Oppressed, Riot Squad, etc. Andrew Burton, 2,
Barrow Close, Churchill, Bristol, Avon BS19
5ND England.
FOR TRADE: I have Agnostic Front "The early
Demo t rax " 7 "( 1 984), Crippled Youth "Join the
Fight "7 "(German boot), Youth of Today
"Yesterday-Today"7"(boot), Ramones "Live,
fast and punk over Deutschland"7"(boot),
Chain of Strenth - 1st 7", Side by Side 7 ",
Cromags "Age of QuarreT'LP (fully
auti igraphed by Harley, Doug, John, Pete, Parris
in '86). Write to: Udo Meixner, G.-Semper-
Weg 36, 8580 Bayreuth, West Germany.
YOUNG PUNTER, graphics major, male,
Teddy boy rocker looking to write, hang out
with girls into 77 punk, H.C., oi, and ska. I can
read and write in Spanish. Write to: Ern, 430
E.14th St.#2RE, NY NY 10009
PLASTIC FORK. Bands, labels, fanzines:
looking to get your stuff sold in our part of the
world, please write. Please include wholesale
prices: 723 Whitney Landing Drive,
Crownsville, MD 21032
HARDCORE CALIFORNIA, best book on the
California hardcore scene, $19.95. Skinhead,
the UK skin scene, $11. 95. 12 Days on theRoad:
The Sex Pistols and America, $19.95, Iggy Pop:
I Need More, $9.95. To order: add $2.50 for
postage, CA residents add 8% tax, send check
or MO to: James Stark, PO Box 170381, San
Francisco, CA 94117. Catalog Available.
28 YEAR OLD MALE looking for contacts for
a possible move to Minneapolis in August. I'm
intersted in a rooinate(s), people to hang out
with, plus possible help in finding a job: Agus,
916 Ohoi. Lawrence. KS 66044.
I AM PLANNING A TRIP to the UK around
July or August. I'm looking for interesting,
friendly, open-minded, and creative people to
show me around, go to shows, hang out with,
and eat with. I do a zine and I plan to use this
trip as a "writing experience." I'm especially
interested in meeting zine writers. If you would
be interested in meeting me, please write soon
so I can write back! I'm also thinking about
going to Holland, so if you are in
Holland.... Alyssa Isenstein, One Mead Way,
Bronxville, NY, 10708
MINDWARP VAMPIRES and black leather
poets of yearning and gloom. Please share my
thought cages and burn in my disco inferno.
Stand with me in the moonlight of the spirit.
Older, versatile, creative male hetero flower
lover seeks stimulating exchanges of words,
muisic, love and understanding. Rodney, Rt. 1
Box 564, Brookline, MO 65619
TRADEbrazilian early/ rare HC/Punk records:
Lixomania "Violencia e Sobrevivencia" 7",
Olho Seco "Botas.."7", "O Comeco do Fim do
Mundo"(live comp with 19 bands - '83),
Inocentes "Miseria e Fome"7", "Grito
Suburbano"(comp), R.D.P./ Colera "Ao vivo
no Lira Paulistina "(live split) and (see other ad
please). Manoel, Rua Manoel Gaia, 1636, Sao
Paulo, S.P., 02313, Brasil
HUNDREDS of Punk, thrash, death, noise,
industrial records, tapes, zines, shirts, etc. at
the fairest prices! Lots of Greek stuff as well,
write now for FREE mailorder list to:
Decapitated Records, Panos Tzanetalos,
Aspasias 55, 15561 Holargos, Athens, Greece.
WANTED: Larm/ Stanx (split), Larm
"Straight..", both 7"s + "Farewell
Cassette"(original), MDC 7"s, Final Conflict
7"s, "End the WarZone"(comp), Ripcord(flexi
+ 7"), Heresy "Thanks", "Like Attack" +
"Voice...", Chaos UK 7"s, 7 Seconds/ Youth
Brigade (split), Minor Threat - early 7"s +
bootlegs, MRR back issues. ..Trade too recent
records and flyers. Manoel - Rua Manoel Gaia,
1636, Sao Paulo, S.P., 02313, Brasil.
WANTED: MRR issues 0-30, 1 need someone to
make me a cassette copy of "MRR presents Not
So Quiet..", old 7"ers ('77-'84), and I'd like
female correspondence (18 or older, send pic):
Wayne R.Garrard Jr., 2417 Sandle St., ALBQ.,
NM 87112
NIRVANA 7" SALE: Acoustic EP, Molly's Lips,
Here She Comes, Silver, Smells Like Teen,
About a Girl boot, Mudhoney/Melvins boot.
L7, Hole, STP, Babes boot. Bids to: Ernie, 466
W. Washington Ave.#77, El Cajon, CA 92020-
5062
RECORDS, CHEAP 7"s: Beaver, Germs, Sham
69, Damage (Fl), Coma (Jap.), Nekron 99,
Explosives, Nighters (Italy). 12"s: Conflict,
Disorder, Sleepers, Weirdos, Fix, Hated
Principles, Skunks, and more. For list send $1
to: Jeremy, Astor Station, Box 969, Boston, MA
02123
FOR SALE/ TRADE: Big Black Headache bag
(sealed), Fugazi "Song no. 1 "(test press), Reagan
Youth ep, Mudhoney live LP, Big Black
"Kerosene"LP. Make me an offer: Mark, PO
Box 40275, Long Beach, CA 90804
RECORDS FOR SALE - New lower prices. 7
Seconds, Blast fan club press, Nuke your Dink
comp, DOA "Triumph 12", Negativland "U2
ct.", Necros "Conquesf'LP, Busted at 02 comp,
SubPop singles, Amphetamine Reptile,
Damned, Sham 69, Bauhaus, Pussy Galore,
Killdozer, Crucial Youth first 2 7"s, Misfits,
Naked Raygun "Treason" 12 ".Meatmen, Touch
& Go colored 7"s, Spacemen 3/ Sonic Boom,
The Freeze, Lots more. Send SASE to;
Requerdos a Todos, PO Box 162113, Sac, CA
95816
AUCTION - 7"s: Helmet "Annoying", NOFX
"PMRC", Warzone (Rev.#l,, DK's
"Halloween", "Bleed", (Statik), Halo of Flies
"Death ".Poison Idea "Darby Crash"( 1st press,
auto., blue v., 80/80). 12"s: Damned "3x" (blue
v., ultra-rare), Poison Idea "Record
Collectors"(F.E), Bad Religion "Original",
D.O.A. "Something..", "HC '81", F.U.'s "Kill
For". Bids to: Chris, Box 73, Yale Station, New
Haven. CT 06520.
RARE HC & PUNK: Old and new, American
and English, Buzzcocks (Spiral Scratch), X-
Ray Spex, Undead, SubPop, Cynics (Dionysus),
Scratch Acid, Exploited, every thing under the
sun, practically. Send a stamp! Very reasonable
prices. Chris, Box 73, Yale Station, New Haven,
CT 06520.
BANNED IN FLORIDA? Not yet! Here Cums
Sickness-T-shirts. Perverse filth you won't
believe. Get one now before we're arrested!
Graphic artwork by Mike Diana. $10 ppd. or
$14 ppd. longsleeve. S/M Graphics PO Box
10701, Bradenton, FL 34282-0701 Checks to
Steve Sanborn. SASE for catalog.
HELLO! We are the process of trying to put
together a zine, if anyone has anything they
would like to advertise in it (records, zines,
etc.), send youradd to: So What, 1 957 Belvedere
Cr., Cornwall, Ont. K6H 6L9. Nothing racist,
sexist or homophobic please.
ko
TRAVELING/TRAVELING TRAVELING, to
Europe mid/end summer '92. Paula & Richard
are looking for places to stay, places to go & a
motorcycle to take us all over. Willing to trade
room in East Bay house for use of motorcycle.
Write: Paula, 4924 Webster St., Oakland,' CA.
94009....
BUMBLE BEE WHERE THE fuck are you?
Hey Berkeley area do you know where my
friend is? Breaking away from the brain
pumpings. Getting back to an instinctual
natural state of being. Please no organized
religious bullshit. I'm hitting a cross country
trip in May and June. Need contacts. Hemlock
Sony Newpaltz Bouton, Box 115, New Paltz,
NY 12561
SALE: "Something To Believe In" comp., "Let
Them Eat Jellybeans" comp., "City Of LA"
comp. (Flipside), Dickies "Banana" 10"maxi.,
Hogans Heroes "Built To Last" (original
straight -on), CH3 12" EP, Damned "New
Rose", "Sanity Clause", "Rabbit", "Happy
Today", Rocky Erickson "Bermuda",
Buzzcocks "Chainstore", 7 Seconds
"Committed", 999 "Alive", "Separates",
"Concrete". Offers to: POBox 865, Agoura, CA
91376
MISFITS: autographed singles and LPs, rare
Venom and punk/Hardcore items, all
reasonably priced. Send S.A.S.E. to: Ethan
Walker, 11828 Mafaya Woods Ct., Orlando, FL
32826.
SALE/TRADE: 12" Halo of Flies "Garbage
Rock" (Grey), YOT WW 1st press, blue & red
cover 7" - UO Ticket To LA 1st 1000
autographed. TAD "Loser" (green). Turning
Point 1st (red), Crippled Youth (black), Bad
Bra ins- iguanas.Big Chief "Get Down" (green),
Dinosaur Jr. "The Wagon" (white), Side By
Side 1st . Send lists: Jennifer Cousino, 273
Windsor Ct. Perrysburg, OH 43551-1753.
(419)872-0614.
WANTS: Youth Brigade "What Price
Happiness" (black oryellow), Necros "Conquest
For Death" LP (US, T&G), MasterTape Comps.,
Fang "Landshark" Jerrys Kids "Is This My
World?" FUs "My America", SSD "Get It
Away" SOA 7", BigBoys"Where'sMy Towel".
Ratcage stuff. Will buy or trade. Send Lists:
Jennifer Cousino, 273 Windsor Ct., Perrysburg,
OH 43551-1753. (419) 872-0614.
EXTREMELY RARE ORIGINAL transcend
1990 demo - $5. Only 11 of these left! We've
stopped making these since our record came
out. well concealed cash only. Alan Intrusion,
4090 N. Detroit Ave., Toledo, OH 43612
SOUL REACTION LP - From Minneapolis/St.
Paul, influenced by Bad Brains, 24-7 Spyz, and
Living Color, the time is now to own this. $5.00
ppd., cash, check or money order payable to:
Jennifer Cousino, 273 WindsorCt., Perrysburg,
OH 43551-11753.
SELLING MY COLLECTION— 100s of
records — I've been trading/buying punk vinyl
for 10 years — mostly obscure foreign stuff —
punk, he, pop-punk, wave-reasonabls prices —
rarest stuff beingauctioned (see below) — send
Slformy 16pglist — RonLacer/41 Mystic Ave/
Medford, MA 02155 USA
UNEVEN DISTRIBUTION: 7"s - Blister
"Stitches", Affirmative Action "Blind Eyes",
Econochrist/ Detonators split, Volkswhale/
Titwrench split, Volkswhale "Borschta",
Faggot in the pit comp, Where are they now
comp. $3 each ppd.: Uneven. 6934 Calvin,
Reseda, CA 91335
STRAIGHT EDGE people living in theOttawa
vicinity. I am looking for a "Straight Edge-
United Against Drugs" patch. Will trade for
Winnipeg Straight Edge stickers or will send
money, or both. Would 1 i ke about 4 or 5 . Please
write Jon/ 1038 Prince Rupert Ave./ Winnipeg,
Manitoba/R2KlXl.
T-SHIRTS MADE by new underground
silkscreening company, Graphic Assault,
catering to the upcoming West coast bands.
For all your silkscreening desires call (818)
222-4754 ext. 3825 or write 17120 Rinaldi
Street/ Granada Hills, CA 91344.
STRAIGHTEDGE/HARDCOREitemsforsale.
I have LP's, 7"s, t-shirts, demos and videos.
Prices are reasonable and stock is plentiful.
Send me your want lists or call to see if I have
what you need. Chuck/ 8820 South 85lh Ct./
Hickory Hills, IL 60457. (708) 430-0685.
FAMOUS HARDCORE BACK ISSUES,
feature #3 Psycho #4 Negative Approach, #4
Sons of Ishmael, #6 Impulse Manslaughter
$1.00 each - outside US/Canada Add $2.0(
airmail, Craig Hill, 220 Standish #1, Redwooc
City, CA 94063. Cash Only.
CHEAP 7" SET SALE: Infa-Riot "Kids of the
80's", Anti-Pasti "Let Them Free" and "Six
Guns", Redskins "Bring it Down" double 7",
Haywire "Painless Steel", Halfoff "Shoot
Guns". All $6 each ppd. to: Ryan. 6934 Calvin
ave., Reseda, CA 91335.
AUCTION— min $25: Thought Criminals
"Edgc"7"(test,scratchy) Extrem/Miekeyman
split LP (test) (one track skips)— Subhumans
"Firing"7" (original)— v/a "Soundtracks zum
Untcrgang 7" LP (uncensored) — Comes 1st
12"— Fuck Geez 1st flexi— Zolge 1st 12"—
Violadores 1st LP— KSMB"Rovarnas"7"—
Appendix7" (original)— Kohu 63 1st 7" and
7"s by Inocentes, Cretins, Blut + Eisen, Slime,
Cani, Kjolt — Ron Lacer, see above.
AUCTION— min $25: Rattus "Disco" 7" &
"WC" LP— ShitterLtd 1st 12"— TerveetKadet
"Suojelee" 7" (original)— Tyhifat Patterit
7 "(test) Pahkrti 1st 7"— Pekinska Patka 1st
7"— v/a "Noui Punk Val 78-80" LP— min
$30:Aburadako 85 LP— Lixomania 7"—
Thought Criminals "Oceania" 7" — Betong
Hysteria 7"— Dirt Shit 7"— min $35: Fresh
Color 1st 7" — Ron Lacer, see above.
NEWSFLASH FROM JAPAN! The average
American doesn't know where Venezuela is!
We can help you stay stoopid! Send $5 for
"Fistful of Sky " by Mister Guy. 50 min. chrome
tape. Third Eye Records/ PO Box 385/
Cheltenham, PA 19012.
AVAILABLE MARCH 1992. "Native Son" by
Mister Guy. 50 min. chrome tape. After George
Bush dug this cassette, he abdicated presidency
to become a Zen monk! You too can attain
Samadhi! Send $5 to Third Eye Records/ PO
Box 385/ Cheltenham, PA 19012.
AVAILABLE JULY 1992. Mister Guy's
"Exobiological Memoirs" goes against the
principles of Catholicism ! What would the pope
say? Shield your children from this menace!
Send $5 for 50 min. chrome cassette, Third Eye
Records/ PO Box 385/ Cheltenham, PA 19012.
WARNING! LISTENING to "Starbound" by
Mister Guy can decrease your desire to be a
productive obedient replaceable member of
the industrial-military work force! 50 min.
chrome tape available May 1992. $5 to Third
Eye Records/ PO Box 385/ Cheltenham, PA
19012.
TOM IS AN Alternative Affordable National
Promoter. Tom can broaden your fanbaso. For
free information on the current TOM service
and future TOM services, and a SASE to
TOMPACKRd#5Box 1031, Altoona.PA 16601.
Support Local Music! ! !
LP'S: REALLY RED "Teaching the Fear"
(sealed) $20, Samhain "Unholy Passion" (1st
press, 400 tan cover) $40, Faith "Subject" (blue)
$25, DYS (Modern Method) $10, Gang Green
"Wasted Night" (German, unreleased tracks,
500 green) $25, GI "Fun" (500 yellow) $20,
"Baltimore's Buried" comp. $10. All near mint
or better. Ryan Richardson/ Box 5090 Wes
Sta./Middletown, CT 06459. Phone: (203) 638-
1012.
GET AIRPLAY IN the U.K.. Cambridge
Community Radio is looking for tapes and
records from your band. All sorts welcome
(HC, experimental, garage, etc.). Send material
plus contact info to: CCR/ 4a Gonville Place/
Cambridge CB1-1LY, U.K..
GATOR FARM ZINE#1! Available now! Only
250 + stamp or IRC for overseas! Send for free
distribution list list! Comp. tapes on the way I
Gator Farm, 800 Crooks Ave., Kaukauna, WI
54130.
HOBBLEDEHOY! WI cheese punk! demo only
S3ppd (or $5 ppd. overseas). Shirts only $5 ppd
($7ppd overseas) tape. Comp. people and zine
people please write! Hobbledehoy, 800 Crooks
Ave., Kaukauna, WI 54130.
MAIL ART PROJECT Theme: Graffiti. Need:
Photos, newspaper clippings, old stencils for
book. Deadline: Late Spring. Write for details
Catalog also available: Pas de Chance, PO Box
6704, Station "A", Toronto, Ontario, M5W 1X5,
Canada.
BOTTOM LINE issue #1 out now with 411,
Triggerman, Groundwork, Pitbull, opinions,
reviews, and photos. $1.00 and one 29(t stamp
fromGregD'Avis, 1 E-5 Desert Sky Rd.,Tuscon,
AZ 85737. #2 with Bom Against and more
coming.
BOTTOM LINE ZINE wants your photos of
hardcore bands! Send them to Greg Davis, 1 E-
5 Desert Sky Rd., Tuscon, AZ 85737. #1 out
now with 411, Triggerman, Ground work, and
more. #2 with Born Against in the works.
TOTAL MALE, 18 willing to share honest
perspectives of emotion, sexuality, tightening
up, and letting go with females everwhere.
Let's trade pics, opinions, and life!! Joshua,
Box 811, Burleson, TX 76028.
MOURNING NOISE - rare warehouse find!
The original EP with picture sleeve and lyrics.
This is the real thing, not a counterfeit! Hurry,
onlyalimitednumberforsale! $15 each plus $3
shipping. Tom 193 Anthony PI., Wyckoff, NJ
07481
CHRISTIAN DEATH/ Southern Death Cult:
vintage vinyl by both and others. Send SASE
for list. Jerzy Space, PO Box 4110, Star City,
WV 26505
AM LOOKING for Newtown Neurotics stuff,
especially "Beggars Can be Choosers" and
"Blitzkrieg Bop . Also am looking for Billy
BraggandChumbawamba stuff. .cash or trades.
Send lists to: Scott Oldenburg, 4021 8th Ave.
apt.#4, San Diego, CA 92103.
ALL SYSTEMS GONE 7": Orange County
peace punk. Limited edition. Only $2 ppd. to:
Uneven, 6934 Calvin ave., Reseda, CA 91335
FREE ZINES!: Well almost,. you send mc copies
of your zine, and so do 50 other people, and I
collate them, and send you 50 new zines. Send
copv of your zine for info: LUKQ Inc., 1430
Valencia Rd., Niskayuna, NY, 12309.
7" SALE: Bad Brains "Pay to Cum" (orig. no
PS) $40, D.R.I. "Violent Pacification" $15, L7
"Insanity "(T&G) $25, MorbidOpera $10, Seven
Seconds "Blasts"(green) $20, Can't Help
It.. .from Florida comp $20, Turn itaround (2x7
in) comp $20. All near mint. Early CA trades
considered. Ryan Richardson, Box 5090, Wes
Sta., Middletown, CT 06459. Phone: 203-638-
1012.
RESIST will Ijc touring Europe and the UK.
During May /June this spring Anyone who can
holpus with anything- food, lodging, etc. ..please
writef! See you at the shows! Resist/1951 W.
Burnside/ Box 1654/ Portland, OR 97209.
ATTENTION: Write right now for your FREE
copy of the single most important zine ever
published. Send name ana full address to:
C.F.B.E., PO Box 060 382, Staten Island, NY
10306. Add 2 stamps if you would like quick
delivery. This is absolutely no joke.
zine, and hang out. I'm into: anarchism, gay
rights, feminism, Heresy, Neurosis, and coffee.
If you are interested in the same stuff, and can
help me out, then write soon (I travel alot). I
will answer Kevin Campbell, 12103 Crest wood
Dr., Carmel, Indiana 46033.
STICKERS!!! $1.00 each Cows, 7-Seconds,
Madness, Brutal Attack, Operation Ivy, Necros,
Dwarves, Misf its, KMFDM,D.O.A.,SexPistols,
Offspring, Agression, Judge, Crass, GWAR,
Discharge, Fear, Bolt Thrower, Butthole
Surfers, Boot-Boys, Bad Religion, Sharp, Oil,
Adolescents, Cowboy Killers, Social Distortion,
Insted, Minor Threat, Primus, Ministry, Jeff
Hill (714)449-3229 1186 S. Diamond Bar Blvd.
#106, Diamond Bar, CA 91763.
PATCHES!!! $3.50 each NapalmDealh.Nitzer
Ebb, Megadeth, D.O.A., Minor Threat, Nine
Inch Nails, Replacements, Johnny Rotten, Dead
Kennedys, Aggression, Cramps, Bauhaus,
Adicts, Husker Du, Anarchy, Black Flag, Fear,
Dead Milkmen, P.I.L., Cult, Fishbone, Oil,
Crass, Samhain, Subhumans, Trojan, Skin
Moonstoinp, Last Resort, Bad Manners. Jeff
Hill (714) 449-3229, 1 1 86 S Diamond Bar
Blvd.#106, Diamond Bar, CA 91763.
WANTED VERY BAD: information on the
band: Head On (old S.E. stuff) + original demo
tape. Freewill shirt, razors edge zine + t-shirts,
pictures of bands wearing PPP shirts. Have
tons of records in trade, send want list. PPP
shirts up to trade, for other s.e. shirts. Send in
your stuff for review in PPP zine. Hans PPP. J.
Demeesterstraat 33, 8800 Roeselare, Belgium.
Phone: 32-51-240154.
XSTRAIGHT EDGEX AUCTION! Judge LP
on green vinyl and sealed! Up Front LP 1st
pressing, SSD 7" (boot), Youth of Today
"Yesterday", Relapse 1st on green, Amenity
"This is our struggle", Insted 7" on yellow and
red, Against the wall 7" on grey, X marks the
Spot 7", Scared Straight 7" on marble! Write
or call to place bids: Pedro Ramos- Box 1729,
Gettysburg College, Gettysburg, PA 17325,
(717)337-7186.
STRAIGHT EDGE IS ALIVE! Let's keep it
that way. Write me now. I'm 1 8, male, involved
in animal rights, and open-minded. I need
correspondence! Max, 303 S. 3rd St., Sterling,
CO 80751
XSTRAIGHT EDGEX kid will be visitii
London, France, and all over Spain (between
Madrid and Sevilla) from May 16 through June
2, 1992 1 Anyone who wants to meet up with me
to hang out and trade records and shirts, get in
touch! Write or call and let me know what you
want! Pedro Ramos- Box 1729, Gettysburg
College, Gettysburg.PA 17325,(717)337-7186!
Love that snapper!
VAMPIRELLA GODDESSES of the holy
mind warp, geniuses of love, and blossoming
nymphs of the night spawn; older goth punk
needs your letters, tape trades, love and
understanding: Rodney Rt. 1, Box 564,
Brookline, MO 65619. Hardcore holocaust
survivors also welcome.
HELP ! 2 1 year old vegetarian poet seeks similar
man in the Manhattan area. Into the Sex Pistols
and trading comics. Please send
correspondence, photos and poems to: Lonely
Gil, 75 3rd Ave. #203S, New York, NY 10003.
EYE KILLED YOUK MOM, Butt she's not
dead, She is reborn in Heavenly Chaos. She
wants you to join her on this Eerie Planet,
listening to Kingdom Scum. Free catalog for
Good Idiots. Send money and mucus fore
musick to: POBox 14592, Richmond, VA 23221.
JOE COOL NEEDS: old, old Hardcore, Punk,
Oil, Ska singles 7", demos, flyers, posters,
pictures of any kind, and punk n'pie chicks to
write back! Will buy, sell or trade in return!
Start sending: Joe Cool, 50 Brighton Ave.,
Kearny, NJ 07032.
HEY, I had to split till May so all of my
correspondence is on hold. Sorry. But if you see
a boy with long blue hair and a plaid bondage
coat in your town give him a place to sleep ok!
Thanks and to my friends in Europe, see you
soon! Collin, 3625 N. Sheffield 2R, Chicago IL
B0613
SLIPPED DISK PRODUCTIONS located in
Common Ground 1109 Lagoon, Dallas, TX,
75207. All ages alternative DIY venue since
1990. Same number (214) 637-4404 terms open.
BYOB, sleep, house PA/ lights. 250+ cap., no
WANTED: Eat "Communist Radio"7", Vomit
Pigs 7", Fresh Colour "the source"?", Roach
Motel 7", What the hell, Rocks 7", Anti-Sect
"Peace is bctter"livc LP. Have lots for trade
like all Halos 7 "ers + 2nd Queers + more! Write
to: Edwin Feenstra, 1 Helmersstraat 103, 1054
DM Amsterdam, Holland
D.I.Y. DISTRIBUTORS WANTED: Sell the
latest Infest EP in your hometown. U. S. prices:
$25 for 10 7 "ers, $50 for 20 . Anywhere else add
$10 to U.S. cost. Single copies are $3 U.S., $5
anywhere else. Postage paid. Cash only. Write
to Drawblank Rec./ 23010 Magnolia Glen Dr./
Valencia, CA 91354 USA
FUCKED UP, CONFUSED, bored, & lonely
male ( sounds like the picture of misery-but
fuck no it's me) age 21, vegctcrian, anti-Fa 8t a
bloody lot more ( of course I'm into HC-why
else should I read MRR) is looking for all kinds
of correspondence. So what the fuck are you
waiting for! DietmarEichcr/Karajangasse 13/
1 6/ 1 200 Vienna/ Austria (If you're visiting this
area or if you live here call 3562373.
YO! WHASSUP! Ultra SXE tees. Cool "Stand
Up, Stand Tall!" Design with 4 colors. $8
short/ $10 long sleeve. For 12 page list of SXE
releases, T's, zines etc. Send $1 plus SASE:
Wide Awake Productions/ 467 Spicer St./
Akron, OH 44311.
-*-> K.rtHksi M/*iv*i fy^/Ki'yi k,<ir^si two/mi. »■
FOR SALE - Dinosaur Jr. Sub Pop 7", white
vinyl - $6. Die Kruezen "Gone Away" on white
vinyl - SI 2. The Unwanted "Secret Past" LP
$15 up front. Spirit LP $7. Dah, PO Box 40483
Portland, OR 97240
IT'S OURXTURN ! OurXTurn issue 2 out now!
Large, in-depth interview with Worlds Collide,
columns, animal rights, reviews and tons of
photos. Straight Edge to the bone. $3 ppd.
everywhere. To: Peter Amdam/ Skoweien 39a/
N-0258 Oslo 2/ Norway. Shayne Robb: send
out my stuff! !
HEY. ALL YOU BANDS!! Alternative college
radio show wants to play your tunes. Any style
of music ok. Send tapes/records/CD's to:
WUMA/ A. Perry/ 719 Washington St./ Suite
169/ Newtonville, MA 02160. Please include a
breif bio and address/ phone so listeners can
send love/hate mail and buy your music.
Thanks!
AUCTION! Mudhoney, Soundgarden, Tad,
Nirvana, Big Black, Misfits, Samhain, more!
Send SASE to: Arik/ 1706 2nd Ave. #24/
Minneapolis, MN 55403.
KALAMAZOO, MI! German spends summer
term at college there. Need contacts, adresses
to visit and hints from there and all of the
states. I do the Gags&Gorc zine and am into
HC, politics, vegetarianism, age 23, and. ..fuck,
evertried to reduce what youare into 60 words?
Gotta find out for yourself, write: Lars
Reppesgaard/Deisterstrass 18/ 3000 Hannover
91, Germany.
APARTMENT WANTED! Arrivingin Bay Area
mid June, lookingforaplaceneeding roommate,
low-moderate rent preferred; negotiable. I'm
25, male, nonsmoker, politically left/active,
into punk, reggae, industrial. Age, race, sex,
sexual preference unimportant. No racists,
sexists or homophobes. Substance use not
abuse. Smokers, pets, children ok. Patt/ 288
Highland Street/ Worcester, MA 01602. 508-
756-9202. Let's talk.
BAD RELIGION-freak from Germany is
searching forany Bad Religion material (flyers,
posters, photos, bootleges, tour shirts) got lots
of Bad Religion bootlegs and photos for trade,
but can also pay (good!) if necessary. So write
to: Michael Pahl/ Nordstranderstr. 16/ 2250
Husum/W. Germany.
PRISONER WOULD LIKE correspondence
from interesting people everywhere. Please
write and I'll write back. Into DYS, Shelter,
Judge, ska, reggae, etc. Like to travel, the
outdoors, photography and other exciting
things. Shane Archer/ Housing Unit E/
Cumberland Cnty. Prison/ PO Box 820/ 1101
Claremont Rd./ Carlisle, PA 17013.
LIQUIDATING RECORD (7" & 12")
Collection! Mostly 70's punk through mid 80's
hardcore. Over 200 titles! Send 520 stamp for
Huge 9 page catalog. A sampling of artists
includes - Christ on Parade, Crucifix, Misfits
(stuff signed by Danzig), Rudimentary Peni,
etc. Act now! No trades. Matt "Pegleg"
Fitzgerald, 20931 Morewood Pkwy., Rocky
River, Ohio 44116.
CELL 63 - a new all-ages club in the San
Fernando valley (20 min. North of Hollywood)
is looking for bands to book. Please send tapes
to 4071 Meadowlark Drive, Calabasas, CA
91302 or call (818) 222-4754 ext. 3825 and
leave message. Also, call and inquire about
having your t-shirts made by a new
underground silkscreening company, Graphic
Assault. Thanks.
mmmmm§mmmmm&
iHksr #s*tv*t I'-vrrvi'
BILL BRAGG WANTED - Any live stuff:
videos, tapes, LP's. Any comps; rarities. ALSO
WANTED: Stuff from No Escape, Life's Blood,
Go! , Sheer Terror, and Sticks and Stones. Have
records and other stuff to trade or I will pay
cash. WriteMarkManago, 10 15 Wesley Avenue,
Evanston, IL 60202. What I really need is any
In Touch paraphernalia Peace to Columbo.
THE HIGHER GROUND VEGAN Cookbook
is out! Only $1.75 ppd. to: 427 Monticello Dr.,
Ballwin, MO 63011. All orders sent next day.
VEGANS! Send all your cool recipes and essays
to 427 Monticello Dr., Ballwin, MO 63011 for
the next issue of the Higher Ground Vegan
Cookbook.
TRADE! Wasted Youth "Wild Life" 7",
Pressured Release 7", Crass "Merry Crassmas"
('81) 7", plus YOT, Fugazi, Violent Children,
Crippled Youth 7 " boots. WANT: Underdog 7",
Mc Rad 12", Drunk Injuns 10" and Italian old
7 "s. Send bids to Arrigo Bemardi, via PiaveNr.
4 31100, Treviso, Italy.
MISFITS! Life '79 Perfect Crime 7" $8.00/ea.,
Bad Brains/Danzig 7" (live Germany '91 #cd.
to 1000) $8.00/each, Misfits "Horror Hotel" 7"
ltd. 300 $5.00/ea., Morbid Angel "Decline of
Rome" 7" red ltd. 500 $5.00/ea., Glenn Danzig
"Who Killed Marilyn" 7" $5.00/ca. Please add
$2.00 to total for 1st class post. Write: V. Street
Records, 2611 Via Campo, Suite 228,
Montebello, CA 90640. Please make anything
payable to Eric Kwan. Cash is fine. All letters
answered, a stamp is very appreciated. Foreign
please write first.
I'M POOR BUT THESE "Came From Pit"
(comp.) $10.00,Battalion of Saints (2nd Coming)
$15.00, Melvins (Alchemy) $25.00, Justice
League(lst7")$15.00, 7 Seconds (Blasts, Blue,
insert) $15.00, Crippled Youth (Join Fight, clear)
$25.00, 'fThat Was Then, etc.)" (comp.) $10.00,
Tad (Jinx, yellow) $7.00, Big Citys (comp.)
$10.00, Vicious Circle (comp.) $10.00, B.Y.O.
(comp.) $10.00. Call or write: Larry, 2324
Church Ave. #5, Sacramento, CA 95821.
(916)487-6220.
WANTED: Does anyone have any old issues of
Hippycore or Cometbus they would beprepared
to trade or sell me. If so please contact Steve
Hyland, 17 St. Paul's Road, Colchester, Essex.
C01 SQ England. Thanks.
SUBURBAN WASTELAND #@ is out, with
Public Bath Records, Shonen Knife, reviews
and other funs stuff. Also have issue #1 with
reviews, etc. .75 ppd. a piece. #3, the "short
stories" issue slated for June release, write for
info on free advertising! Suburban Wasteland,
c/o Jon, 2161 Bunker Hill Dr., San Mateo, CA
94402.
SHORT STORIES WANTED for issue #3 of
Suburban Wasteland. Non-fiction or fiction
"authors" please write for info! Also labels,
zines, etc. write for info on free advertising to:
Suburban Wasteland, c/o Jon, 2161 Bunker
Hill Dr., San Mateo, CA 94402.
WANTED: Germs 7"s, any Angry Samoans,
Dils 7"s, Sham 69, original GG Allin 7"s or
12"s, SOA 7"s, Stiff Little Fingers 45's, Dead
Boys 45's, X-Ray Spex 45's, anything by VOM,
Zero Boys "Living in the 80's", the Zeros 7"s.
Will buy or trade. I have the "Crime of the
Century" box set, Vibrators 45's, X-Ray Spex
"Germ Free..." 7", Negative Approach "Tied
Down", Adverts 45's, Weirdos, Angelic
Upstarts, etc. Send lists, want ads, offers to: B.
Wagner, 236 The Mall, Berea, Ohio 44017. or
call (216) 243-2744.
SHONEN KNIFE WANTED: original Japanese
pressings, videos, bootlegs, photos, and other
obscure items wanted, esp. recordings of MTV
and KUSF interviews. Will pay good money for
any of the above. Fans of Japanese noise/punk/
HC please write! Jon, 2161 Bunker Hill Dr.,
San Mateo, CA 94402. Big thanks and hello to:
Betsy and David, Sekiri, Elden, Mason and
Eggplant.
NEW SODA CAN STUFF! The new Soda Can
7" will be out in early April on Forefront
Records includes the gems. . . sublima-bean,
Frankcncrack, and some lives stuff from the
WFMU hardcore show. . . all on spankin' red
vinyl. Fanzines get in touch lor interviews or
ad rates. Write our new address for more info,
T's, free shit, etc. 4609 Jenkins Rd., Winston-
Salem, NC 27105.
LAST CHANCE! Mudhoney, Nirvana, Fugazi,
Halo of Flies, Smashing Pumpkins, Big Chief.
Tons of Sub Pop, Am Rep and Assorted for
sale/auction. Call Tom: (908)752-4778 after 6,
or write: P.O. Box 4256, Dunellen, NJ 08812.
Move it! !
JEFFREY DAHMER T-SHIRTS are now
available from the sickos at S/M Graphics. Be
the first on your block to wear one of these
"sure lobecollectors items" shirts. High quality
tee available for $12 ppd. or in long-sleeve for
$16 ppd. Look for ad in this issue. SASE for our
catalog. S/MGraphics,POB 10701, Bradenton,
FL 34282-0701.
THE DIVINE PERVERSION. Send me your
Soul, and I will take your to" the depths of
Pleasure and Pain. Hand in Hand, walk the
razors edge with me. Do you dare? No limits or
boundaries, choose the path. Steve, POB 10701,
Bradenton, FL 34282-0701.
HELP ME! Send me mail, pictures, etc. 20 yr.
old female looking to leave this town. Would
love to hear from punk and skins ASAP! M.,
2841 Moland #16, Madison, WI 53704.
BUBBLE GUM HITS. French bassman look
for reform his band: Girls biginners in guitar,
synthe+rhythm box and vocal. Industrial
(trash), minimalist-psyche. Lyrics in French
(and American if you want). Frank Malko (Les
Faquins), 1831 Idyllwild, Redwood City, CA
94062.
COMPACT DISCS WANTED: Circle Jerks
"Golden Shower," Doom "Total Doom, "J.F.A.
"Live, "Foetus "Hole," AdrenalinO.D. "Wacky/
Humungous," Dead Milkmen "Big Lizard" &
"Eat Your Paisley," G.B.H. "City Baby
Attacked/Revenge," Surf Pun ks"LocalsOnly,"
any Chaos U.K. or Disorder. Splatterpuss, 300
Meyran, 1-C, PGH, PA 15213, USA.
GG ALLIN - "Bleedin', Stinkin', andDrinkin'"
cassette only release available now for $5 (ppd
cash only). For your new acoustic songs and
interviews from the summer ofl991.60minutes
in all. Vinyl Retentive Productions 3 12 W. South
Ave. Tampa, FL 33603.
GIRL SEEKS others to correspond with. Into
the Cure, Janes Addiction, Human Drama,
Bauhaus, and some industrial. Will write to
anyone. I await your response. Kristine
Anderson, 1 1990 Ha'vencrest St. Moorpark, CA
93021.
WHERE THE HELL are the anarchists? Aren't
there any anarchists in Massachusetts? I'd like
to hear from you. Also, where are the female
anarchists? I need to hear from you, so get
writing! Andy What?, PO Box 708, Littleton,
MA 01460-2708.
CORRESPONDENCE WANTED: To share
sensual and erotic dreams, fantasies, photos,
and videos with mature, sensual male. Al I may
apply - bi, homo, hetero. Prefer female. Send
to: Sep, Box 295, Somerdale, NJ 08083.
CONFRONTATIONAL Graphic T-shirts.
Renegade Graphex action wear/
deprogramming paraphenalia isnow available
to the masses. Includes the "We are all
prostitutes" t-shirt, the favorite of Operation
Desert Storm participants. T's and hats that
stop the blind & stupid dead in their tracks in
the bluntest, cruelest fashion possible. Send
two stamps for free catalog to: Renegade
Graphex, PO Box 963, Kalamazoo, MI 49005.
SMOKE THE SOUL Press has published the
most intense books in this country. Titles like
"Cutthroat Blues" & "Blood Rain" will hand
youbackyour heart. Send SASE to: Smoke the
Soul Press, PO Box 8347, Ann Arbor, MI48107.
FLOWERING JUDAS? Ken Carps? Anybody
know where he is? Please show him this or
write to me. I have lost a friend. Ian c/o Pas De
Chance, PO Box 6704, Station "A", Toronto,
Canada, M5W 1X5.
I'M A 21 YEAR-OLD female who may be
spending the summer in Ft. Lauderdale area of
Florida. Like lots of music, especially stuff on
Sub Pop, Touch and Go, punk, hardcore, girl
groups, even the Beatlesand some metal. Please
inform me of cool record stores, clubs/bars,
museums/galleries. Jennifer, 1219 Rebecca
Ave., Pittsburgh, PA 15221.
LONELY FOR MAIL, submissive devilocked
slave boy-23, bodypiercings, bondage,
cemeteries, likes wearing pantyhose. Aren't
there any wild dominant aggressive female
punks, goths, skins anymore? Spooky, 4336
Byesville Blvd., Dayton, OH 45431. D.I.,
Cramps, Flipper, Vandals, Misfits, Black Flag.
DRI-1ST 7" 22 song $65, Misfits Halloween 7"
original $65, Max's Kansas City 7" $20, Y.O.T.
"Yesterday" 7" $9, G.I. "Stabb" 7" red #25/100
$25, F-Word 7" red original, Posh Boy 1st $20,
Iconoclast 7", Flipside '84 $25. All Mint. Please
write: Kelly, PO Box 3162, Montebello, CA
90640.
I AM A COMPLETE fucking loser. All I do is
skate, avoid washing my hair and listen to
Monsula. Please send me letters cause I need
friends. I promise to writeback. Ethan Caldwell,
PO Box 30771, Tucson, AZ 85751.
MERCY! !! HUNCH NUMERO 4. Action loaded
& ready with dives into the minds of Snailboy ,
Slot, Mike Doskocil of Drunks with Guns,
Bomp!!, and heaps of more greatness at the
backdoor of American entertainment. Reet.
3rd pressing is graced with hand-embossed
cover. Given the current state of economy, this
issue's on thehouse. Request a copy from Johnny
Hunch, 212 Highland, Apartment 122, East
Lansing, MI 48823. (517)336-8781.
RECORD AUCTION: 7"s: Fugazi - Subpop 3
songs; Nirvana - Love Buzz, #'d 941/1000;
Misfits - Li ve at Max's green w/poster, Beware,
Bullet yellow, 4 Hits From Hell (Live at 9:30);
Youth of Today - Can't Close... on Positive
Force; Minor Threat - Buff Hall. Bids to Ian
Miller, 486 41st St #1, Oakland, CA 94609 or
(510)655-5810. Thanks!
HELP! Just returned from school in Scotland.
I need correspondents in No. Cal. especially
Santa Rosa. I hope to return to school there
Please write A.S.A.P.: Ariel Nicolini, PO Box
1643, Lexington, KY 40507.
RECORD AUCTION: 12"s,LP's: BYO: SNFU
- If You SwearRred, And No One Else. . . French
import/different cover; 7 Seconds -New Wind
red, The Crew green/blue; Youth Brigade -
Sound and Fuiy green; Social Distortion -
Mommy's... clear; New York Hardcore, Wild
Things orange/black marbled. Bids to Ian
Miller, 486 41st St #1, Oakland, CA 94609 or
(ol0)655-5810. Send for list. Thanks!
PUNKGOTH WOMAN do you exist? Bachelor,
38, recovering, attractive, intelligent, artistic
and articulate, soon bankrupt, free at lastl
Does love still blossom in the spring? Rodney
Rt 1 Box 564, Brookline MO 65619.
SKOINK (> (punk, oi, ska hardcore fanzine)
now available featuring Red Alert, The
Skatterbrains, the Way, Red London, Blanks
'77, and articles on S.E. hardline, the scenes in
Colombia, Finland, Spain, etc., plus news and
tonsof record/fanzine reviews (all fully written
in English), send $1.50 (surface) $2.50 (air
mail) to Johan Van Mieghem, Postbus 41 , 9550
Hcrzele, Belgium.
WHAFUCK? Is anyone out there who can send
me a clue? My situation has me trapped and
unaware. Some tapes and letters might help.
Unique letters will be your reward. Female
responses appreciated. T.,3911 17thAve. NW,
Rochester, MN 55901.
FEMINISM NOW! "Our Bodies, Our Rights,
No Compromise". Pro-choice T-shirts $10.00.
Female biology sign with fist on front, words
on back. Also, Take Control zine $2. 00. Articles
on home abortion, feminist networking, and
defending abortion. Cash or MO to Radical
Wimmin, PO Box 41584, Memphis TN 38174.
No checks.
FOR SALE: Oi Polloi "Outraged at Atomic
Menace" LP $10.00, Cowboy Killers "Press.
LP $7.00 and Media Children 7" $3.00. Also,
send a stamp for a list of Anarcho punk stuff
I'm auctioning off. Write to PO Box 241532,
Memphis TN 38124.
PRAYING MANTIS MAILORDER. Records,
tapes, zincs. Ebullition, Simple Machines,
Profane Existence... for a complete list send
SASE to: Brix, POB 144, W Bend WI 53095.
FOR SALE!!! Huge stock of quality Bondage
Bracelets $8.00 each (made with black genuine
leather & shiny silver loops) — Huge stock of
quality Bondage Belts $16.00 each (made with
black genuine leather & shiny silver loops).
Ledandustruphy Enterprizes, PO Box 86217,
Phoenix AZ 85080.
18 YEAR OLD MOHAWKED PUNK from
Colombia into Exploited, Chaos UK, GBH,
Circle Jerks, Filth, anarchy, occult, chicks with
fucked up hair and mail, unfortunately I'm not
receiving any. Send me anything: Poems, Art,
Pictures, Flyers etc. Write to Danny Pratt,
11324 NW Flagler Ln, Miami FL 33172.
MANY RECORDS FOR TRADE (Warzone 1st
press/ COSA ep/ CroMags 10" bla bla bla...)
Looking for: Icons of Filth, Antisect and many
more. Please send lists: A. Ujma, Uberweg 50,
7334 SufJen, W Germany.
AUCTION! Mudhoney, Soundgarden, Tad,
Nirvana, Big Black, Rapeman, Misfits,
Samhain, more! Send S.A.S.E. to: Arik, 1706
Second Ave. SO. #24, Minneapolis, MN 55403
LAS VEGAS OR BUST! Learn how to beat the
casinos & your buddies at blackjack, poker,
etc. Send 50 cents for a list of books. M. E.,
Dept. GA-R, Santa Barbara CA 93121.
LOTS OF T-SHIRTS and patches and zines
and books and records and tapes and shit. Send
a SASE for free catalog and sticker. Everything
is pretty cheap. Write to Neverendingvegetable,
PO Box 263, Colorado Springs CO 80901-0263.
INFINITE ONION zine #6. Stuff on Rasta,
Hitler's B-day party, the draft,
Phantasmorgasm tour diarrhea, interviews
withex-nazi skin leader and Profane Existence.
Also art, scams, and more. $1 from PO box 263,
Colorado Springs CO 80901.
PUNK SUCKS SO FUCK YOU.. .Real
Misanthrope seeks 3 AM hell/bliss survivors,
neuroticgoth chicks, borderlineschizophrenics,
apocalypse watchers, subgenii, pagans,
surrealists, insomniacs, and anyone bearing
the wounds of Christ. I'm 2 1 into :Death In June
Current 93, Swans, Black flag, Sonic Youth,
Ministry and watching the world disappear.
Please write: Dave grave, 14 Rundel PK. #2,
Rochester, NY 14607.
POLY BAGS - sleeves for your records, prices
ppd. 7": 120 - $5.00, 500 - $17.00, 1000—
$32.00. 12": 60 - $5.00, 200 - $15.00, 500 -
$32.00. 10":10 - $2.00. Cash or blank postal
money order to: Greg, PO Box 482, Paoli, PA
19301.
DONT READ THIS! Underdog records for
sale: Shaggy?Eskimo Nation split 7", Tasty
Bush 7", Eskimo Nation 7", 8 Barks 7"s (EP #1
& #2), I.M.F. 7", Dead Steel mill 7", each $3.50
ppd. Send stamp for catalog/newsletter! D.I. Y.
or don't do it. Underdog Records, PO Box
14182, Chicago, IL 60614.
FEMINIST/PUNKZINESil'mlookingforany
and all. Please send info.! I would also
appreciate any observations, opinions, essays,
pics, about punk women, feminism.etc. Also
looking for girl bands. Valerie Taylor, 1600
Grand Ave., St. Paul, MN 55105.
MRR READER AND FRIEND (male/female)
traveling in Europe Sept. - Dec. 1992. Hope to
correspond with anyone having advice about
cheap eats, cool clubs, and especially who might
offer a night's free accommodations in your
city. We are easy-going and honest. Will return
kindness if you come to US. Robert Zieger, 230
12th Ave., Seattle, WA 98102. USA.
URGENT. WANTED: Devo - Live LP. Blurt
"Friday the 12th" LP, Quartet - 2X - LP, Big
Black"Lungs", Black Flag Live promo 7", &
Live in.Hamburg (orig., vid.), REM "Radio free
Europe" (1st on Hiptone), Butthole Surfers
"Blind Eye" video (w/5" record), Half Japanese
"Calling All Girls" 7", Shonen Knife "Pretty
Little Baka Guy" (1st): Doug, 11 Country LN,
Collinsville, CT, 06022.
E CRAMPS, FLAMING LIPS, Sex Pistols,
DOA, Social distortion and more! For a free
CD mail order catalog, send a stamped self-
addressed envelope to: Restless Mail Order, PO
Box 6420, Hollywood, CA 90028.
HEY YOU! Check this out. 3 stamps gets you a
copy of 312 skate zine plus catalogs for Sluggo's
skates and stickers. Maybe my chick will kiss
your envelope. Send to: 312, 2524 Lincoln Ave.
#105, Chicago, IL 60614.
FOR SALE - Youth Of Today "Breakdown the
Walls" on Wishing Well, lstpressingfor$25.00.
4 Uniform Choice "Screaming For Change"
LPs, 1st pressing for $20, read and green for
$25 each and marble for $35 and a Unity 7 " for
$15. All prices O.B.O. Brett BceRoberson, (602)
491-1205, or write: 1659 W.Millagro, Mesa, AZ
85202.
BANG! #23 Special all babe issue is available
with; Lydia Lunch, Kayla Kleevage, Beverlee
Hills, Kristy Swanson, and more. We're looking
fora few rock n' roll writers. Send $1 cash and
two stamps per issue to: Bang! 77 Newborn
Ave., Medford, MA 02155-6430.
PLEASE HELP: I'm a 17 year oldgothic
princess. Loves Sisters Of Mercy, Janes
Addiction, Bauhaus etc., Looking for black
clothed punk & gothic gods to worship. Let me
serve you. come with me on a walk theough the
darkness of eternity. Write to: Barbara, 79Port
Monmouth Rd., Port Monmouth, NJ 07758.
WANTED! TheDamned. Serious collector will
pay top prices for records, acetates, promos,
press kits, posters, etc. from Japan, USA, New
Zealand, Canada, Italy, Thailand, India,
Phillipines, Greece, Africa, Mexico, Holland,
Germany, etc., Anything at all considered.
Please write any thime. All letters replied: Carl
Gee, 56 Zetland St., Darlington, Co. Durham,
DL3 0NF, England.
OUT NOW! Dare to Defy 7" - 4 songs of brutal
metallic hardcore and Test of Time - 4 songs 7 " :
danceable hardcore from Connecticut. - $5
ppd. world to: Inner Rage records c/o Jean -
MarcDablin, 5. rue A. Fleming, 94560 Ezanville,
France.
WE HA VEIN TRADE: Judge: Schism 7 ", Septic
Death: Burial 7 ", SubPop singles club 7 "s, Bad
Religion: into the UnknownLP, Weirdos: Action
Design 12", DOA: Triumph of the Ignoroids
12", Minor Threat: In My Eyes 7", Terveet
Kadet: Message 12" andhundredsmore... Stuff
we need: DOA: Prisoner 7", Cock Sparrer:
Shock troops LP, Toxic Reasons: Ghostown &
War heroes 7"s, Really Red: Crowd control,
Modern needs, & Despise moral majority 7"s,
Subhumans (Can.): All 7" & 12"s, Viletones:
Look back in anger 7 " + much more, so write &
send lists to: A.A. Records, Box 74, SF-11101
Riihimaki, Finland.
MAC USERS!! Don't throwyourmoney away!!
I can get you Pagemaker 4.2 for $275 and MS
Word 5 for $175. No, this is not a scam and
there's no catch, I just have connections and
want to help you out. Call me!! Greye, (805)564-
6021, POBox42242, Santa Barbara, CA 93140.
This is for real.
WHERE OH WHERE can I find the triple
grooved glow-in-dark 10" ep called "Yo
Rumpus Room" by the band Rump? I saw them
live and haven't been the same since. Are they
from CA (No. or So.)? Juana Fauk. 511 Kimberly,
San Dimas, CA 91733.
ANDROMEDA PRESS is still looking for good
writers of all varieties to contribute to an
alternative compilation book of fiction/poetry.
The book will be a benefit for Earth First! , and
contributors wilkl recieve a free copy. Send
your best stuff along with a SASE to:
Andromeda Press, PO Box 423592, San
Francisco, CA 94102.
COMPLETE PUNK AUCTION: Recordsanda
ton o printed matter. S.A.S.E. or 2 IRCs for the
list to: Seidboard World Enterprises, PO Box
137-M, Prince Street Station, New York NY
10012.
NATION OF ULYSSES: Please send any all
NOU related materials; ie: articles and
interviews (any publication), photographs,
flyers, information on audi o and video bootlegs
for sale, etc. Monetary reimbursement will have
to suffice. I'll cover all postage costs as well.
Dan Eldridge Jr., PO Box 1362, McMurray, PA
15317
WSm^mm 40 WORDS S2CASH
HARDCORE & EXPERIMENTAL videos wanted lor a national
alternative music program - Noise Bazaar. To be considered,
VHS tapes should be submitted to: WNEU-TV/ 1001 East
Entry Dr./ Pittsburgh/ PA 1 52 1 6. Tapes can also be submitted
for a home-video program in production. Videos will not be
returned.
LIVE AUDIO/VIDEO FOR SALE/TRADE. Punk, hardcore, thrash.
Over on* thousand shows, Excellent prices and quality, S«ad
your list or two stamps and list of bands yaw looking far.
Nada KhodL 547 Alleghany Ave. #3, Towson, MD 21204.
SHLONK! SHLONK! SHLONK! Guaranteed to annoy your
parents!!! Live tape $4.00. Recorded Dec. 31st '91 Krelr IJ
V e L» Jft.._h«..llT .l:.i.(om 11M..1.
Dick design (multi color on white) 2) same on black. Arm Your
UVE SOCIAL DISTORTION audio 1 1 different shows fro*
1982-90. Also iva shews by TSOl and Minor Thrent, plus
some others. Write t* Rich Kfin*. 122 HI St., Lock Haven, PA,
17745. Hole Mafcoda. I love ywlH
AMAZING UFO. VIDEO! new on 1/2" VHS send $25.00
P&P to: PI-SANO, Bx. 621 554 Int. Airport, Orlando, Florida
32862. Order today! First time ever offered!
UVE AUDIO FOR SALE. 17: Seattle, WA 8/91, 65 minutes.
Samium: Gomau St., InrknUy, CA 12/90, 45 minutes, loth
are $8 tech ppd. N. America and $10 elsewhere, loth
receromgs ire of oxcolwl snnnd lenity. Jeff Coulter, 6
Windy Hi, Eiview, WV 25071. C.sk or MO, $1 gets 1st
Contagious.
Children video $6.00. Package Deal!! Includes: 1 tape, I T WOULDANYBODYhappcnrohavedemosby Dove (early '83)
Shirt, 1 Video, 1 Glossy Band Photo, $1 5 total. Angie Shlonk, and Insurrection (DC) that I could possibly gel a copy of?
3032 St. Anloine West, Montreal, PO, H40 IA5, Canada. Please write! Thanks. Adam, 4220 Sl.James PI, San Diego,
JANE'S ADDICTION— 11/25/88 Cabaret Metro. Chicago.
70 mm. Sound ax. Performance Ex+++ Kettle Whistle!! $8
ppd. cash or M0. Also have list of many hot Jim's videos far
under $20. Rage! Paul Losoff, 246 Crescent Drive, Glenview
IL 60025-4616.
SATAN SMASHING HEADS, ripping limbs, and gutting our
bodies. Killing, Mayhem, Death. Satan is strongest in the
• I f.l *^ . • J . •! _Li L.-I.I-IJ. - T uA J
IIII1IUSVI I HO WICIWKUCiii ivmuic »miwvi imiiu. ii. ■ u yv " -i UIIU
pamphlet only $4, send money: CNF, Box VI 52, Virginia
Beach VA 23450.
GLEN DAN ZIG VIDEO - Live from Gold's Gym. Join Glen is he
pumps iron, takes steroids, and performs decedent sexual ids
on his bodyguards. For $50 cash only is I'm financing ■ enr
with this video. Write: Dickhead Ripping Yon Off Videos.
VIDEO - Wanna trade? I have: Nation of Ulysses, Shudder to
Think, Riles of Spring, Kiss, Dwarves, Holy Rollers, Severin,
Superchinq, and Jawbox. Want: Rites of Spring, Kingface,
Nation of Ulysses, Melvins, Helmet, Body Count, Shudder to
Think, and Masters of Reality. Also want good MST 3000
episodes. J. Hunter/ PO Box 195/ Tulsa/ OK 741 71 . Sorry
for late responses, school has kept me busy.
70S AND 80'S are back! - 1 bavi been persuaded ((books to
Loveslug) to start my cheesy covers compilation again. H yon
have a bad 70's or 8u's song already recorded that! could use,
let me know. J. Hunter/ PO Box 195/ Tulsa/ OK 74171.
FREE VIDEOS!!?? Fuck No! Send 2 stamps or $1 for 1 1 page
list full of video, audio, and 7" trade list. 100's of videos
available, including Melvins, Unsane, Surgery, Babes, Helios,
Boss Hog, Oxbow, Helmet, Lizard, and tons more - cooler
prices than those other fuckers! Everybody write: Jay Kuehm/
\ am, vi m i , ■■ i i - / ■■ i nni A r ■ .L .■ n
AUDIO VIDEO TRADERS we can't do it H you don't send them
lists. Still need stuff by The Catalonics, Antiseen, G.G. Attn,
Bloody Mess & the Skabs, Cedar St. Sluts, Altitude Adjustment.
Does anyone have i Zero Boys "Vicious Circle" LP tboy wi
sell? Also need Bloody Mess 7". Kevin Sisk, 303 SW Blvd.,
Aberdeen, WA 98520.
VIDEOS WANTED! Alien Sex Fiend, Kiss, Metallico w/cliff
Burton, Nine Inch Nails, Bullhole Surfers, Ozzy, Nirvana,
Soundgarden, and more: Looking for good quality only. Will
buy or trade. Write to: Darren Schulte, 1019 Willot Rd, St.
Peters. MO 63376. Also looking to trade Metallica concert
photos.. .please write, I'm bored.
VIDEOS FOR SALE: Crass, Conflict, Discharge, UK Subs, Damned,
GBR Misfits, GG, Abrasive Wheels, Screamers, Undertones,
Buiicocks, SLF, Jam, BobbySox, Meatmen, Gwnr, Japanese
HC/Punk and more. For list send $1 to: Jeremy, Aslar Station,
Box 969, Boston, MA 02123
MISFITS OUTTAKES, unreleased recordings, and live excerps
on 30-song, 90-minute tape. With interview. The ultimate in
Misfits compilations! Contians "Cough Cool", "Rat Fink",
"Return of the Fly", "Spook City USA ', plus outlakes on old
, .. I.I url II iPr It ii\l : II -»- ft AA
per tape. Send cash or money order to: Brian Sheppard/ 240 1
Spring Creek #3007/ Piano/ TX 75023.
CA 92103.
VIDEO FOR SALE OR TRADE: 1 00's to choose from. GG Aim
al 1 991 t 1992 Shows. Jesus lizard. Bad Religion, Fugazi,
Inttbolas, No-van, Helmet, 17, Thunders, Siouxsie, Primus,
Jones, Cramps, Ramones, Misfits, t many many mora. Wrilo
Merle Attn, $98 Mulberry st.#7D, Now York, NY 10012. Or
col (212)274-0803.
1992 shows. Over 20 shows from our last three tours. All
excellent quality from the masters, lots of shit & blood. Also
have the Orlando show & the Austin show where he got
arrested. Write: Merle AHin, 298 Mulberry St. #7D, New
York, NY 10012. Or coll (212) 274-0803.
VIDEOS: Hundreds of Hardcore I metal videos vid's. Sold o
seK-addrossed stomped envelope far ■ complete 1st today.
Video traders - your 1st gals ■bo. Frank/ Videos P.O. Box
165, Olmsted Fans, OH, 44138 USA (VHS only)
Up, Release, Resurrection, Shelter, PX, Outspoken, Inside
Out, Chain, Turning Point, Wide Awake and lots more. Your
list gets mine! Looking for Schism and Touihxd own shirts (XL),
also Confront, Breakaway 7"s (have TP on gold (200 made)).
Coming: Onward shirts. Pete OurXTurn/ Skovveien 39a/ N-
0258 Oslo 2/ Norway.
THE DECONSTRliaiON DEMO. 14 songs, ever 40 minutes,
$2.00 ppd in US. Cleanly 4-trock recording, "Enjoy It Or Not" .
Chocks, money orders or wel-cancenled cash to: Soon Barney,
' ' 1 Doughs Avo, Kalamazoo, Mi 49007.
LIVE TAPES: All, Bad Religion, Big Drill Car, Buzzcocks,
Chemical People, Circle Jerks, Crimpshrine, Dag Nasty, Dead
1/ J... A J »- A.: l_ l\ D..I f\-..._f..ll
nenneuy), Lfe*ienuem>, lmiiusuui ji, l/uvvii uy luvv, i/uvviiiuii,
Fiendz, Fugazi, Green Day, Jane's Addiction, Milestone, Minor
Threat, Misfits, Nirvana, Operation Ivy, Porcelain Boys,
AUDIOS AND VIDEOS - Subhumans, Crass, Conflict, NIN,
Citizen Fish, Chumbawamba, Bad Brains, Culture Shock, RDF,
Nausea, Oi Polloi, Jam, ska, reggae, Smiths, Janes Addiction,
and much more. SASE for list. Mike, 1404 Deercreek Dr.,
Plainsboro, NJ. 08536-3302.
VIDEOS!! GG ALUN 1991 Shows Available! f 1 Asbory Pork
NJ show + interview #2 NYC show and Pknadelpkia show. #3
1991 Tour comp. of tan shows with songs, ml erview, news,
& moral Shows mi about one boor each, $30 each. Most ho
18 or older to order! Rude stuff! Peter de Motrin, 8 Hodden
Rd., Hewitt, NJ 07421 or col (201) 853-4220
REBEL REBEL demos, videos & other merchandise available.
Ala J. Addiclon, S.S. Sputnik, Specimen, Alien Sex Fiend, & Sex
Pistols. Send SASEforinfoto: Rebel Rebel, 7510 Sunset Blvd.,
Hollywood, CA 90046
TRADER WANTS: VU, Red Kroyela, The Outsiders
(Dutch), Insect Trust. Donovan, The Creation, Caravan, Any
other inter .slug 60's stuff, The Frogs, Only Ones, GG Allin,
Dwarves, preferably trade, but wil pay. Ion, 1 55 Draw 0,
Delran, NJ 08075.
NIRVANA - live 1 2/28/9 1 Del Mar, CA. $2.00 ppd. Send 60
• .. . • ■ n * it i * i r f 1 ji 1 a t*
mm. cassette toe
Diego, CA 92109.
WANNA BE ON A FINISH COMP. TAPE! HC/Puok al round the
world, sand your demos /live lopos (and some info!) to Mania
Prod, Box 13, 00281 HkL Finland.
INFESTATION-DEMO '92 Yonkers death metal is back! Send
S3 to Joey Inlervallo, 16 Cedar Street, Yonkers, NY 10701.
$6 for t-shirt!
VIDEOS AVAILABLE! On nay world system! Movies, Live
shows, punk documentaries, industrial ska, hardcore, punk!
Rare stuff old and now, from ol over the world! Evan 1991
GG Attn shows) send $1 or SASE f or a bio 1st! Or give a col.
fast service, no rip-offs, fair prices. P. DeMetia, 8 Hue so.
Rd, Hewitt, NJ 07421 USA. Phone (201) 853 - 4420
60 MINUTES of truly "original" music • Demo-lition Vol I: The
Ones That Got Away. 1 3 unsigned artists that must be heard
to be believed. Words cannot describe the outrageous sounds
on this comp. Send a $5 bill or write for info to: Dead Snake
Recordings, 3149 36th St #2B, LLC, NY 1 1 106. also have
punk/HC records for trade/sale. Write for list.
SIMULTANEOUS PRESIDENTIAL DECAPITATION THEORY-Au
ideal soundtrack far the approaching end of the Reagao Bosh
dynasty. Sixty minutes of music on high bios to pa, with lyrics.
$4 op/ Richard Engof, 955 Page St. #3, Son Francisco, CA
94TI7.
WANTED: to trade w/ someone who has early (back when
they were cool) Social Distrolion. I'm not a collector, I'm just
Ramones, Samhain, Screeching Weasel, Snuff, Social Distortion, looking for copies. I'll trade tapes or supply the blanks plus a
Soup & Sweet Baby. Send a SASE for list, over 120 shows! couple bucks, doesn't anyone still do this? Write: Andy. PO
Jason Duncan, 507 Windndge Circle, Inman, SC 29349
PABLO realy hod bis shit together, so yeah, I pulled the
fuckin' trigger. Now that's more...Galieoas Lap 10 song
cassette Sfopd. 1218 Terry Ave. #309 Seattle, WA 98101.
NO ONE really knew why Jeffery left, if I recall correctly he
mumbled something under his breath about spoons, Picasso
and handguns. Then Tie stepped out the door. ..Galleons Lap 1
song cassette $5 ppd. 1218 Terry Ave. #309, Seattle, WA
98101
BUILD UP "Koop Up Toe Fight" Ion sang cassette— hardcore
sbovod down your throat. Sold five bodes ppd. to PO Box
11422, Pueblo CO 81001. rock racism.
NIRVANA/JANES ADDICTION split cassette. Peel Sessions
from Nirvana, demos from J.A, live stuff from both. Mostly
unreleased, high quality, no bullshit. On chrome cassette. So
to Danny Hicks/ 709 S. Wood St./ Pryor, OK 74361.
WONDERFUL WORLD? Vol.2 comp. tape is out! 6 bonds, 34
songs of para crashing punk/HC. lands ico: Resist, Anal
Intruder. .Get yoor copy!! Europe: $6, USA: $8 to: Mania
Prod, P.O. Box 13, 00281 Helsinki, Finland.
Box 146227, Chicago, IL 60614.
TOXIC TRAMPS 4 cassettes now available. 1) Under The
Influence. 2) Armed Ami Dangerous. 3) Wicked Witch. 4)
Heaven. Kick oss electronic pop thrash punk. Sand cash or MO,
US funds only. $3.00 US/ $4.00 foreign ppd. To: Rob DulLPO
Box 601, Rockford, 1161105.
MILKTOAST "Omoi-Ofo" (translation Heavy Noise) Six song
cassette available now! Power-fed industrial hardcore
noise. ..believe me, you need this! Write for information on
shirts, booking, etc. Send US funds to Mark Johnson, 6505
Phinney Ave N- Apt B, Seattle WA 98103.
MY AREA CODE IS 410: This is a 90 min. cess, of ear
assaulting, brain destroying loisa. Also available, Duncan
Lemmoabreath's "Death Danes". Each $2.00 PPD Irom
Twang I Bug Records 5360 Iron Pen Place, Columbia, MD
21044.
NIRVANA - 1 was stupid enough to buy these boots and want
to help you a void this scam ondmake some of the cash, so send
$4 for a tape of 5 singles of demos to David Aaron, 1962
Bellamy St #20, Santa Clara, CA 95050. Different versions
& unreleased songs!
THE COLLECTION
LP/CD/CASS
Featuring un released tracks from
SLAPSHOT
CRAWLPAPPY
CAPITOL PUNISHMENT
TWO-BIT THIEF
and tracks from our European bands
DAY H0USTEN • DEATH IN ACTION
EISENVATER • EMILS • EROSION
GROWING MOVEMENT • HAPPY HOUR
NEGAZIONE ■ RESISTORS • RICHIES
SCHLIESSMUSKEL • SUCKSPEED
Available as of March 17th
WBA suggested retail price is:
LP/CASS $ 5.98 • CD $ 8.98
Distributed by Rotz Records, Dutch Fast,
Twin City, Subterranean and others
WE BITE Wll KKA
IX). BOX 10172
CHICAGO, II. 60610-0172
All mailorder handled by:
ROTZ RECORDS ■ 17, NORTH ELIZABETH ST.
CHICAGO, IL 60607-1911
For free mailorder catalogue send a loose stamp
THE RELEASED EMOTIONS
CLASSIC PUNK COLLECTION SERIES
CONTINUED "FROM 1977-1992"
ALL THREE RELEASED LIMITED EDITIONS OF 1.000 COPIES
THE COLLECTION 004
THE VIBRATORS - LIVE AT THE MARQUEE 1977 - REM 018 CD
Good quality live recording of a great gig when the band were at their peak includes Baby Baby, No
Heart, Judy Says, Automatic Lover.
THE COLLECTION 005
RED LONDON - A LOOK BACK IN ANGER (THE BEST OF LIVE) - REM 013 LP
Celebrating ten years of this well respected socialist punk band. This live recording on RED vinyl includes
CND, Revolution Times, This is England, No War No Hate, 48 Reasons etc.
THE COLLE CTION 06
OTPOLLOI - TOTAL ANARCHOI - REM 017 CD
(THE STUDIO ANDJJVE_COLLECTION)
A CD only compilation of the best of Oi Polloi includes the bands first single and the Oi Core side of the
Unite & Win LP etc and for the FIRST TIME A LIVE SET recorded in Edinburgh (includes "If the Kids are
United'').
A PERCENTAGE OF PROFITS WILL BE DONATED TO THE NEWLY REFORMED BRITISH
ANTI NAZI LEAGUE.
DISTRIBUTION
UK -APT GERMANY - FIRE ENGINE USA -ROTZ RECORDS
Mail Order (inc P & P)
UK- £6 Europe- £7 USA -$14 Others- £9
RELEASED EMOTIONS, PO BOX 132, ACTON, LONDON W3 8XQ, ENGLAND
?A C !f» C £ r 4L9 ( Z UE §. Tl k L .£ MAILABLE INCLUDING RED LONDON, RED LETTER DA Y, ANHREFN,
MANIACS, THE CLASH ETC. WRITE FOR DETAILS.
CHAOS UK "Headfuck'EP
SINS OF THE FLESH "Enemy" EF
CONCRETE SOX "Lunched Out" EP
on red vinyl
ALL P. A. RF!T.F!A.q^,q r
$3.50 postpaid in the U.S. of A.
$4.00 postpaid in Canada/Mexico
$5.00 postpaid in Europe
$6.00 postpaid in Japan
6 BAND
6 SONG
7" EP
MR. T EXPERIENCE
YOUTH GONE MAD
GARGOYLES
w/NEIL SMITH
PINK UNCOLNS
SCREECHING WEASEL
THE QUEERS
WiiilsoSell:
A.C./PSYCHO split EP $3.50/$4.00
ANIMAL CRACKERS EP $3.50/$4
ARTIFICIAL PEACE LP$8.50/$9.50
CONSPIRACYOFEQUALS 7"$3.50
CROSSED OUT EP $3.50/$4.0G7$5.0(
DISASTER "War Cry" LP $8.00/$9
ENOLA GAY"Denmark"EP $3.50/$4
IDORA (Japan) 5 song EP $3.50/$4
JUDGE u No Apologies"LP $8.50,
NATIONS ON FIRE "Days" $3.50
SARCASM"Your Funeral"EP$3.50
SWILL comp. EP $3.50/$4.00/$5.00
SANCTIONS /SEEIN RED split EP $3.50 II
S.D.S./MISERY split LP $9.00/$ 10.00
STIKKY "Cuddle" EP $350/4.00/$5.00
STP "Hate is the Move" EP $3.50/$4/$5
THATCHER ON ACID EP $3.50/$4/$5
ZOMBIE TERRORISTS EP $3.50/$4/$5
AND MORE'SASE = FULL LIST
Wjitei.
1320 South Third 8tr*«t
Loul«vill«, rf. 40208
dsa
$3 - USA
$4 - CANADA AND SURFACE OVERSEAS
$6 - WORLD AIR
OUT MID APRIL -
ON ASH GREY WAX
Flush rccora$
p.o. box 1050
Richmond, CA
94802 USA
Thoughtcmne
NOW AVAILABLE
limited edition
urine colored vinyl
7"-— $3.25 ppd
2 sided t-shirt
black-- $8.00 ppd
Send cash/MO/check to:
John Foster
13 Powell St.
Seneca SC 29678
OUT NOW
TERROR CAKE
INTENT
GLEE CLUB
SUBSTANCE
VERTEBRAE
C0MP7"EP $3EA
RAKE RECORDS
AVAILABLE FROM
^aatlana
3 Highland Drive, E. Greenbush, NY 12061
WRITE FOR FREE CATALOG!
From: To:
MAXIMUMROCKNROLL
P.O. BOX 460760
SAN FRANCISCO, CA 94146-0760
BULK RATE
U.S. POSTAGE
PAID
BERKELEY, CA'
PERMIT No 1153
NOW THAT MOOING AND PIERCING ARE PASSE THE TRULY HIP AMPUTATE. - 1I1IJ